The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.
Yonker Ramp and His Sweetheart is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1623 and now in the Metropolitan Museum of Art, New York City. The painting has also been titled as Young Man and Woman in an Inn or Portrait of Pieter Ramp.
Two singing boys with a lute and a music book is a painting by the Dutch Golden Age painter Frans Hals, painted c. 1625 and now in the Museum Schloss Wilhelmshöhe.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
St. John is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Getty Museum, Los Angeles.
Portrait of a Man in a Yellowish-gray Jacket is an oil-on-panel portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1633 and now in the Staatliche Kunstsammlungen Dresden, Dresden.
The Smoker is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art, New York City.
Laughing Boy with a Flute is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1620s.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Fisher boy with basket is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1630s, now in the National Gallery of Ireland.
Smiling Fishergirl is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1630s, now in a private collection.
Portrait of Catharina Brugmans is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
The Ray of Light, also known as Le Coup de Soleil, is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre Museum.
The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
The Holy Family with Angels (1645) is an oil painting on canvas by the Dutch painter Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Hermitage Museum.
The Kitchen Maid (1651) is an oil-on-canvas painting by the Dutch painter Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Nationalmuseum, Stockholm, Sweden.
Lucretia is a 1664 history painting of Roman noblewoman Lucretia, historically attributed to the Dutch Golden Age painter Rembrandt in the collection of the National Gallery of Art. In 2015, Ernst van de Wetering of the Rembrandt Research Project said that "the formal properties and execution of [this] painting, I am convinced, exclude the possibility that it could be an autograph work by Rembrandt", and that the painting recalls Aert de Gelder. The painting is not included in the project's 2015 Rembrandt corpus.
Head of Christ is a 1650s painting by Rembrandt's workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Metropolitan Museum of Art.
Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is an oil on canvas and is in the collection of the Metropolitan Museum of Art.
Raising of the Cross is a 1633 painting by the Dutch Golden Age painter Rembrandt in the collection of the Alte Pinakothek. It was painted as part of a "passion" series commissioned in 1633 by Frederick Henry, Prince of Orange. Together with its pendant, The Descent from the Cross, it is one of the rare paintings by Rembrandt with a continuous provenance from the date of completion to today.
St. Matthew, 1661
