| Portrait of a Woman | |
|---|---|
 | |
| Artist | Rembrandt  |
| Year | 1633 |
| Medium | oil paint |
| Dimensions | 67.9 cm (26.7 in) × 50.2 cm (19.8 in) |
| Location | Metropolitan Museum of Art |
| Owner | Benjamin Altman |
| Accession No. | 14.40.625 |
| Identifiers | RKDimages ID: 35004 The Met object ID: 437390 |
Oval Portrait of a Woman is a 1633 portrait painting painted by Rembrandt. It shows a woman with a millstone collar and diadem cap. It is in the collection of the Metropolitan Museum of Art. [1]
Several oval portraits of women of 17th-century Amsterdam have survived. Some are pendants and others are individual portraits. This painting has been attributed to Rembrandt since the 19th-century, but the name of the sitter is unknown. This painting came into the collection via the Benjamin Altman bequest.
This painting was documented in 1914 by Hofstede de Groot, who wrote:
867. A WOMAN WITH A WHITE CAP AND RUFF. B.-HdG. 561. Half-length, without hands; life size. She is seen almost in full face, looking at the viewer. She is in black. Dark background. The light falls from the left at top.
Signed to the left above the shoulder, "Rembrandt f. 1633"; oval oak panel, 26 1/2 inches by 20 inches. In the collection of Prince Radziwill, at the castle of Nieswiz, Lithuania. Sale. Lachnicki, Paris, June 15, 1867. In the Lachnicki collection, Warsaw. In the possession of F. Kleinberger, Paris.
In the collection of B. Altman, New York; bequeathed as a whole in 1913 to the Museum. In the Metropolitan Museum, New York. [2]
Other notable oval portraits of women of North Holland from the same period are:
Dirck Jansz Pesser was a Dutch brewer from Rotterdam, best known today for his portrait by Rembrandt. He was an important member of the Rotterdam Remonstrant community in the early 17th century.
Self-portrait wearing a white feathered bonnet is an oil painting attributed to the Dutch painter Rembrandt. It is signed and dated 1635. It was traditionally regarded as a Rembrandt self-portrait until 1968, when it was rejected on stylistic grounds in the Rembrandt catalogue raisonné by Horst Gerson. In 2013, art historian Ernst van de Wetering re-attributed the painting as an original Rembrandt. It is one of over 40 painted self-portraits by Rembrandt.
Flora or Saskia as Flora is a 1634 oil-on-canvas painting by Rembrandt, depicting his wife Saskia van Uylenburgh as the goddess Flora. It is held by the Hermitage Museum in St. Petersburg.
Portrait of a Woman is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted ca.1635–1638 and now in the National Gallery at London.
Portrait of Anna van der Aar is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art, in New York. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.
The pendant portraits of Marten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Marten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
Self-Portrait is a 1665 niche painting by Gerrit Dou. It shows the artist at the peak of his fame, holding a palette and surrounded by studio objects. It is in the collection of the Metropolitan Museum of Art, in New York.
Head of Christ is a 1650s painting by Rembrandt's workshop. It shows Christ with a beard and long dark hair. It is in the collection of the Metropolitan Museum of Art.
Portrait of a Woman, probably a Member of the Van Beresteyn Family is a 1632 oil-on-canvas portrait painting by Rembrandt. A depiction of a woman with an unusually large millstone collar, it is a pendant to Portrait of a Man, probably a Member of the Van Beresteyn Family. Both portraits are in the collection of the Metropolitan Museum of Art.
Portrait of a Man, probably a Member of the Van Beresteyn Family is an oil-on-canvas 1632 portrait painting by Rembrandt. It shows a man with a lace collar, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to Portrait of a Woman, probably a Member of the Van Beresteyn Family, and both are in the collection of the Metropolitan Museum of Art.
Portrait of an Old Woman is a c. 1640 portrait painting painted in the style of Jacob Adriaensz. Backer. It shows an old woman with folded hands. It is in the collection of the Metropolitan Museum of Art.
Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is an oil on canvas and is in the collection of the Metropolitan Museum of Art.
Young Woman in a Pearl Necklace is an oil on canvas painting by the Dutch painter Willem Drost. It is an example of Dutch Golden Age painting and is part of the collection of Gemäldegalerie Alte Meister.
Young Woman in a Pearl Necklace is an oil on canvas painting by an unknown painter, after a painting by the Dutch painter Willem Drost. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art.
Portrait of a Young Woman with a Fan is a 1633 portrait painting by Rembrandt. It shows a woman holding a fan, pendant to Portrait of a Man Rising from His Chair. It is in the collection of the Metropolitan Museum of Art.
Portrait of a Woman Wearing a Gold Chain is a 1634 portrait painted by Rembrandt. It shows a smiling woman with a triple lace collar. It is in the collection of the Museum of Fine Arts, Boston.
Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh is a 1632 portrait painting painted by Rembrandt. It is an oil on panel in oval format depicting an elderly woman with a small and sober millstone collar. It is in the collection of the Museum of Fine Arts, Boston.
Portrait of a Dutch Family is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1635 and now in the Cincinnati Art Museum, Cincinnati.
Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. It shows a young woman with a very large and impressive millstone collar. It is in a private collection.
Portrait of Mrs. Bodolphe is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1643 as half of a pair of pendant marriage portraits and is still together with its pendant in the Yale University Art Gallery, New Haven, Connecticut.
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