Uru-ka-gina, Uru-inim-gina, or Iri-ka-gina was King of the city-states of Lagash and Girsu in Mesopotamia, and the last ruler of the 1st Dynasty of Lagash. He assumed the title of king, claiming to have been divinely appointed, upon the downfall of his corrupt predecessor, Lugalanda.
Dudu was a 22nd-century BC king of the Akkadian Empire, who reigned for 21 years c. 2189-2169 BC according to the Sumerian king list. Unlike his two predecessors Naram-Sin and Shar-Kali-Sharri he was not deified.
The 1821 Derby at Epsom, or Horse Race is an 1821 painting by the French artsit Théodore Géricault in the Louvre Museum, showing The Derby of that year.
Jean-Louis Nicolas Jaley was a French sculptor.
Henri-Joseph Rutxhiel was a Belgian sculptor. He belonged to the neoclassicism movement.
The Village Fête, La Kermesse or Noce de village. is a painting by Peter Paul Rubens, created in 1635–1638, now held in the Louvre Museum. It shows a 'kermesse' or village wedding.
Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce is a painting by Peter Paul Rubens, executed c. 1615. It was part of the Duke of Westminster's collection in the 19th century before passing to baron Basile de Schlichting, who left it to the Louvre Museum in 1914.
The Loves of Paris and Helen is a 1788 oil-on-canvas painting by the French Neoclassical artist Jacques-Louis David, showing Helen of Troy and Paris from Homer's Iliad. It is now in the Louvre Museum.
The Attributes of the Arts, The Attributes of Music and The Attributes of the Sciences are three paintings by Jean Siméon Chardin. They were commissioned in 1764 by the marquis de Marigny, younger brother of Madame de Pompadour and exhibited at the Salon the following year. At the centre of Arts is a model for Edmé Bouchardon's statue personifying Paris for the fontaine de Grenelle. Arts and Music are now in the Musée du Louvre and Sciences has disappeared.
The Attributes of Civilian Music and The Attributes of Military Music are a pair of oil-on-canvas paintings in oval format by Jean Siméon Chardin, commissioned in 1766 by Charles-Nicolas Cochin for the pediments above the doors to the music room in his Château de Bellevue at Meudon (Hauts-de-Seine). They were exhibited at the Salon in 1767 and installed in the Château the following year. The Château's goods were later confiscated by the state and the paintings were sold at auction. They were acquired by the portrait painter Jean-Sébastien Rouillard, then by François Marcille and his son Eudoxe. Via a gift from Eudoxe's descendants and from the Société des amis du Louvre, the Louvre Museum was able to purchase them in 2010.
Crucifixion with the Virgin Mary, St John and St Mary Magdalene is a painting by Anthony van Dyck. He produced it in 1617-19 as the high altarpiece for the Jesuit church in Bergues, near Dunkirk, during his time as an assistant painter to Peter Paul Rubens - for a long time the painting was even attributed to Rubens. It was paid to Rubens in 1621 and seems to have been sold around 1746. It was bought by Louis XV of France in Antwerp in 1749 to be the high altarpiece of Saint-Louis de Versailles at the Palace of Versailles. It is now in the Louvre, in Paris.
Heracles and the Lion of Nemea is a lekythos which is held at the Louvre Museum, with the representation of the first of the labours of Hercules, the slaying of the Nemean lion. It is coming from Athens, dated around 500 – 450 BCE and it was bought for Louvre Museum at 1870. It was probably created from the shop of a Tanagran artist. According to Beazley and Haspels it is attributed to the Diosphos Painter.
The Lion of Mari is a copper statue of a lion found in 1936 by André Parrot at the "Temple of Lions" in Mari, Syria. The statue is damaged, having been crushed during the destruction of the site, and only the anterior part of the body remains. It is currently on display in the Near Eastern Antiquities Department of the Louvre.
Presentation of Christ in the Temple is a painting of the Presentation of Christ in the Temple by Simon Vouet, executed c. 1640–1641, commissioned from him by cardinal Richelieu for the Jesuit church of Saint-Paul-Saint-Louis. The main painting is now in the Louvre, whilst its original upper panel The Apotheosis of St Louis is now in the Musée des beaux-arts de Rouen.
Landscape with a Castle is an oil-on-panel painting by Rembrandt, now in the Louvre in Paris. Art historians have variously dated it to 1652, 1654, early 1640, 1648, 1640-1642, c.1640 and 1643–1646.
Ishtup-Ilum, also Ishtup-El was a ruler of the city of Mari, one of the military governors known as Shakkanakku in northern Mesopotamia, after the fall of the Akkadian Empire. He was probably contemporary with the Second Dynasty of Lagash, around the time of Gudea. He was the son of Ishma-Dagan and brother of Nûr-Mêr, both Shakkanakkus of Mari before him, and, according to the dynastic lists, he ruled after them for a period of 11 years.
Ishma-Dagan was a ruler of the city of Mari, one of the military governors known as Shakkanakku in northern Mesopotamia, in the later period of the Akkadian Empire. According to the dynastic lists, he ruled for 45 years, after Shu-Dagan, and was the third Shakkanakku ruler. Ishma-Dagan was probably contemporary with the Akkadian Empire ruler Shar-Kali-Sharri. He had two sons who succeeded him in turn as Shakkanakkus of Mari: Nûr-Mêr and Ishtup-Ilum.
Eshpum was Akkadian Governor of Elam around 2269–2255 BCE. He was a vassal of the Akkadian Empire ruler Manishtushu.
Ili-ishmani was a ruler of Elam around 2200 BCE. His name is purely Akkadian, and he was in charge of Elam at the time of Naram-Sin and/or Shar-Kali-Sharri, and probably their vassal. His title of "Military Governor" suggests that he was a dependent of the Akkadian kings, rather than an independent ruler. Ili-ishmani rose from the position of scribe, already one of the top three positions in the land, to the position of Governor.
Epirmupi was a ruler of Elam around 2199–2154 BCE. His name is purely Akkadian, and he was in charge of Elam at the time of Rimush and Manishtushu, or early in the reign of Naram-Sin and probably their dependent and vassal. His title of "Military Governor" suggests that he was a dependent of the Akkadian kings, rather than an independent ruler. He also held the title of Ensi of Susa".
