A baptismal font is an ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of infant and adult baptism. [1]
A baptismal font is an ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of infant and adult baptism. [1]
The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal in different shapes. Many fonts are in octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. [2] Some fonts are three-sided as a reminder of the Holy Trinity to represent the unity of Father, Son, and Holy Spirit as three persons in one.
Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In Lutheran churches, the baptismal font may be located in the chancel near the altar to serve as a testament to Lutheran sacramental theology. [3] In many churches of the Middle Ages and Renaissance, there was a special chapel or even a separate building for housing the baptismal fonts, called a baptistery. Both fonts and baptisteries were often octagonal (eight-sided), octagonal fonts becoming more common from the 13th century and the norm from the 14th century. [4] Saint Ambrose wrote that fonts and baptisteries were octagonal "because on the eighth day, [lower-alpha 1] by rising, Christ loosens the bondage of death and receives the dead from their graves". [6] [5] Saint Augustine similarly described the eighth day as "everlasting... hallowed by the resurrection of Christ". [6] [7]
The quantity of water is usually small. There are some fonts where water pumps, a natural spring, or gravity keeps the water moving to mimic the moving waters of a stream. This visual and audible image communicates a "living waters" aspect of baptism. Some liturgical church bodies use consecrated holy water for the purpose of baptism, while others will use water straight out of the tap to fill the font. [8] A special silver vessel called a ewer can be used to fill the font. Most baptismal fonts have covers to prevent water from evaporating and to protect baptismal water against contamination.
The mode of a baptism at a font is usually one of sprinkling, pouring, washing, or dipping in keeping with the Koine Greek verb βαπτίζω. Βαπτίζω can also mean "immerse", but most fonts are too small for that application. Some fonts are large enough to allow the immersion of infants, however.
In certain regions of England, a common historic type of font design can be identified. In South East England the "Aylesbury font" can be seen in several churches in Buckinghamshire and the surrounding area. These fonts, which date from the late 12th Century around the years 1170 to 1190, are typically chalice-shaped, ornately carved around the rim with fluting below, and are considered fine examples of English Norman architecture. They are named after the font found in the Church of St Mary the Virgin, Aylesbury. [9] [10] Other identifiable types include the Early English "table-top" font, also found in Buckinghamshire; the "Bodmin font" in Cornwall, the "Seven Sacrament fonts" in East Anglia; and "Chalice fonts" in Herefordshire. [11]
In Northern Europe, baroque font covers in the shape of a floating angel which are hung vertically from the ceiling of the choir became fashionable in the Lutheran churches of Germany, Denmark and Sweden during the 17th and 18th centuries. During the baptism ceremony, they were lowered using a pulley which symbolized the angel bringing the baptismal water directly from heaven.
The earliest baptismal fonts were designed for full immersion, and were often cross-shaped, usually with three steps to represent Holy Trinity, leading down into the baptismal pool. Often such baptismal pools were located in a separate building, called a baptistery; however, this baptismal practice was then relocated to be administered near the entrance of the church, mostly nearby the main door to signify entrance to the Church. As infant baptism became more common, fonts became smaller. Denominations that believe only in baptism by full immersion tend to use the term "baptismal font" to refer to immersion tanks dedicated for that purpose; however, in the Roman Catholic tradition, a baptismal font differs from an immersion.
Full-immersion baptisms may take place in a man-made tank or pool, or a natural body of water such as a river or lake. The entire body is fully immersed, dunked, submerged or otherwise placed completely under the water. This practice symbolizes the death of the old nature, as found in Romans 6:3–4. In Hagia Sophia, the water was supplied to the baptismal tank from a water tower. [13] In the Eastern Orthodox Church, baptism is always by full triple immersion, even in the case of infant baptism (aspersion or pouring is permitted only in extremis ). For this reason, Eastern baptismal fonts tend to be larger than their Western counterparts and they are usually portable. Eastern Orthodox fonts are often shaped like a large chalice (significant since the Orthodox administer Holy Communion to infants after baptism), and are normally fashioned out of metal rather than stone or wood. Symbolically, Orthodox baptismal fonts represent the womb of the Church, as well as the tomb of Christ, since the baptized individual is put into the tomb/womb and is brought out born into a new life in Christ. [14] During the baptismal service, three candles are lit on or around the baptismal font, in honour of the Holy Trinity. In many Orthodox churches, a special kind of holy water, called "Theophany Water", is consecrated on the Feast of Theophany (Epiphany). The consecration (literally, "Great Blessing") is performed twice: the first time on the eve of the feast, in a baptismal font; the second, on the day of the feast, in a natural body of water.
In the Roman Catholic Church, especially after its Second Vatican Council (1962–1965), greater attention is being given to the form of the baptismal font. Currently, the Roman Catholic Church encourages baptismal fonts that are suitable for the full immersion of an infant or child, and for at least the pouring of water over the whole body of an adult. The font should be located in a space that is visibly and physically accessible, and should preferably make provision for flowing water.
Baptisms of the Church of Jesus Christ of Latter-day Saints are usually undertaken in a simple font located in a local meetinghouse, although they can be performed in any body of water in which the person may be completely immersed. In Latter-day Saint temples, where proxy baptisms for the dead are performed, the fonts rest on the sculptures of twelve oxen representing the twelve tribes of Israel, following the pattern of the Molten Sea in the Temple of Solomon (see 2 Chronicles 4:2-5).
Baptism is a Christian sacrament of initiation and adoption, almost invariably with the use of water. It may be performed by sprinkling or pouring water on the head, or by immersing in water either partially or completely, traditionally three times, once for each person of the Trinity. The synoptic gospels recount that John the Baptist baptised Jesus. Baptism is considered a sacrament in most churches, and as an ordinance in others. Baptism according to the Trinitarian formula, which is done in most mainstream Christian denominations, is seen as being a basis for Christian ecumenism, the concept of unity amongst Christians. Baptism is also called christening, although some reserve the word "christening" for the baptism of infants. In certain Christian denominations, such as the Catholic Churches, Eastern Orthodox Churches, Oriental Orthodox Churches, Assyrian Church of the East, and Lutheran Churches, baptism is the door to church membership, with candidates taking baptismal vows. It has also given its name to the Baptist churches and denominations.
In Christianity, ablution is a prescribed washing of part or all of the body or possessions, such as clothing or ceremonial objects, with the intent of purification or dedication. In Christianity, both baptism and footwashing are forms of ablution. Prior to praying the canonical hours at seven fixed prayer times, Oriental Orthodox Christians wash their hands and face. In liturgical churches, ablution can refer to purifying fingers or vessels related to the Eucharist. In the New Testament, washing also occurs in reference to rites of Judaism part of the action of a healing by Jesus, the preparation of a body for burial, the washing of nets by fishermen, a person's personal washing of the face to appear in public, the cleansing of an injured person's wounds, Pontius Pilate's washing of his hands as a symbolic claim of innocence and foot washing, which is a rite within the Christian Churches. According to the Gospel of Matthew, Pontius Pilate declared himself innocent of the blood of Jesus by washing his hands. This act of Pilate may not, however, have been borrowed from the custom of the Jews. The same practice was common among the Greeks and Romans.
.
In Christian architecture the baptistery or baptistry is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery.
The Fountain of Life, or in its earlier form the Fountain of Living Waters, is a Christian iconography symbol associated with baptism and/or eucharist, first appearing in the 5th century in illuminated manuscripts and later in other art forms such as panel paintings.
Infant communion refers to the practice of giving the Eucharist, often in the form of consecrated wine mingled with consecrated bread, to young children. This practice is standard throughout Eastern Christianity, where communion is given at the Divine Liturgy to all baptized and chrismated church members regardless of age. Infant communion is less common in most of Western Christianity.
The Arian Baptistry in Ravenna, Italy is a Christian baptismal building that was erected by the Ostrogothic King Theodoric the Great between the end of the 5th century and the beginning of the 6th century A.D., at the same time as the Basilica of Sant' Apollinare Nuovo.
St Doulagh's Church is the oldest stone-roofed church still in use in Ireland. It is situated approximately 10 kilometres from Dublin city, just north of the hamlet of Balgriffin, within Fingal and in the traditional County Dublin, and is marked as "St Doulagh's Church, Balgriffin". Its complex also comprises an octagonal baptistry built over a holy well - Ireland's only surviving standalone baptistry - and a stone housing over a pool. St Doulagh's is one of the two churches in the Church of Ireland "United Parishes of Malahide, Portmarnock and St Doulagh's.
Affusion is a method of baptism where water is poured on the head of the person being baptized. The word "affusion" comes from the Latin affusio, meaning "to pour on". Affusion is one of four methods of baptism used by Christians, which also include total submersion baptism, partial immersion baptism, and aspersion or sprinkling.
Baptismal clothing is apparel worn by Christian proselytes during the ceremony of baptism. White clothes are generally worn because the person being baptized is "fresh like the driven manna". In certain Christian denominations, the individual being baptized receives a cross necklace that is worn for the rest of their life, inspired by the Sixth Ecumenical Council (Synod) of Constantinople.
The Baptistère Saint-Jean is a Roman Catholic church in Poitiers, France. It is reputed to be the oldest existing Christian building in France and one of the most prominent examples of Merovingian architecture.
An emergency baptism is a baptism administered to a person in immediate danger of death. This can be a person of any age, but is often used in reference to the baptism of a newborn infant. The baptism can be performed by a person not normally authorized to administer the sacraments.
Rebaptism in Christianity is the baptism of a person who has previously been baptized, usually in association with a denomination that does not recognize the validity of the previous baptism. When a denomination rebaptizes members of another denomination, it is a sign of significant differences in theology. Churches that practice exclusive believer's baptism, including Baptists and Churches of Christ, rebaptize those who were baptized as infants because they do not consider infant baptism to be valid.
Fréjus Cathedral is a Roman Catholic church located in the town of Fréjus in the Var department of Provence, southeast France, and dedicated to Saint Leontius of Fréjus.
Immersion baptism is a method of baptism that is distinguished from baptism by affusion (pouring) and by aspersion (sprinkling), sometimes without specifying whether the immersion is total or partial, but very commonly with the indication that the person baptized is immersed in water completely. The term is also, though less commonly, applied exclusively to modes of baptism that involve only partial immersion.
Baptism has been part of Christianity from the start, as shown by the many mentions in the Acts of the Apostles and the Pauline epistles.
John the Baptist, who is considered a forerunner to Christianity, used baptism as the central sacrament of his messianic movement. Christians consider Jesus to have instituted the sacrament of baptism. The earliest Christian baptisms were by immersion. By the third and fourth centuries, baptism involved catechetical instruction as well as chrismation, exorcisms, laying on of hands, and recitation of a creed. In the West, affusion became the normal mode of baptism between the twelfth and fourteenth centuries, though immersion was still practiced into the sixteenth. In the sixteenth century, Martin Luther retained baptism as a sacrament, but Swiss reformer Huldrych Zwingli considered baptism and the Lord's supper to be symbolic. Anabaptists denied the validity of infant baptism, which was the normal practice when their movement started and practiced believer's baptism instead. Several groups related to Anabaptism, notably the Baptists and Dunkards, soon practiced baptism by immersion as following the Biblical example.
The Baptistery of San Giovanni an octagonal thirteenth-century religious building standing just in front of the Duomo of Volterra, in the center of the city. It was supposedly set up in the seventh century at the site of a Roman temple dedicated to Sun worship.
The Baptistery of Albenga is a paleochristian religious structure in Albenga, province of Savona, in the region of Liguria of northern Italy. It is an example of 5th-century late-Ancient Roman architecture with mosaic decoration, and stands adjacent to the Albenga Cathedral of San Michele Arcangelo.
The Ascoli Piceno Baptistery, also known as the baptistery of Saint John, is a religious building found on the eastern end of the piazza Arringo at the center of Ascoli Piceno and sitting next to and just north of the cathedral dedicated to St. Emygdius, the city's patron saint.
