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This incomplete list of works by Guido Reni contains paintings and drawings in a variety of genres. Titles and dates often vary by source.
| Image | Title | Date | Dimensions | Collection | Medium |
|---|---|---|---|---|---|
 | Self-portrait | c. 1602–3 | 64.5 x 52 cm | Oil on canvas | |
 | The Martyrdom of Saint Catherine | c. 1606 | 277 x 195 cm | Diocesan Museum (Albenga) | Oil on canvas |
 | Massacre of the Innocents | 1611 | 268 × 170 cm | Pinacoteca Nazionale di Bologna [lower-alpha 1] (Bologna) | Oil on canvas |
 | Charity | c. 1611 | 115 x 90 cm | Galleria Palatina (Florence) | Oil on canvas |
 | Aurora | 1614 | 2.8 x 7 m | Palazzo Pallavicini-Rospigliosi (Rome) | Fresco |
 | Saint Sebastian | c. 1615 | 129 x 98 cm | Capitoline Museums (Rome) | Oil on canvas |
 | Four Seasons | c. 1617–1620 | Museo di Capodimonte (Naples) | ||
 | Risen Christ | 1620 | 228 x 138 cm | MUŻA (Valletta) | Oil on canvas |
 | The Flight into Egypt | c. 1622 | Girolamini (Naples) | ||
 | Jesus Meets John the Baptist | c. 1622 | Girolamini (Naples) | Oil on canvas | |
 | Saint Francis in Ecstasy | c. 1622 | 198 x 133 cm | Girolamini (Naples) | Oil on canvas |
 | Atalanta and Hippomenes | 1620–1625 | 191 x 264 cm | Museo di Capodimonte (Naples) | Oil on canvas |
 | Cupids Fighting Putti | c. 1625 | 120 x 152 cm | Doria Pamphilj Gallery (Rome) | Oil on canvas |
 | The Abduction of Helen | 1628–1629 | 253 x 265 cm | Louvre (Paris) | Oil on canvas |
 | Charity | 1629–1630 | 137 x 106 cm | Metropolitan Museum of Art (New York City) | Oil on canvas |
 | Saint Sebastian | c. 1625 | 192 x 155 cm | Auckland Art Gallery (Auckland) | Oil on canvas |
 | Annunciation | 1621 | 267 x 164 cm | Louvre (Paris) | Oil on canvas |
 | Annunciation | 1629 | 319 x 221 cm | Louvre (Paris) | Oil on canvas |
 | Palla della Peste | 1631–1632 | 382 x 242 cm | Pinacoteca Nazionale di Bologna (Bologna) | Oil on silk |
 | Saint Matthew and the Angel | c. 1635 | 85 x 68 cm | Santa Maria della Concezione dei Cappuccini (Rome) | Oil on canvas |
 | Self-portrait | c. 1635 | 48.5 x 37 cm | Uffizi (Florence) | Oil on canvas |
 | Assumption of the Virgin | 1627 | 238 x 150 cm | Castelfranco Emilia (Modena) | Oil on canvas |
 | Assumption of the Virgin | 1637 | 242 x 161 cm | Museum of Fine Arts of Lyon (Lyon) | Oil on canvas |
 | Assumption of the Virgin | c. 1638–1639 | 295 x 208 cm | Bavarian State Painting Collections | Oil on canvas |
 | Saint Sebastian | c. 1620–1639 | 170 x 131 cm | Dulwich Picture Gallery (London) | Oil on canvas |
 | Fortuna with a Crown | 1620s or 1630s | 165 x 135 cm | Accademia di San Luca (Rome) | Oil on canvas |
 | Fortuna with a Purse | 1636 | Private collection | ||
 | The Rape of Europa | 1637–1629 | 177 x 129 cm | National Gallery (London) | Oil on canvas |
 | Polyphemus | 1639–1640 | 52 x 63 cm | Capitoline Museums (Rome) | Oil on canvas |
 | Saint Joseph with the Christ Child | c. 1625–1630 | Diocesan Museum (Milan) | Oil on canvas | |
 | Saint Joseph with the Christ Child | 1635 | 126 x 101 cm | Hermitage Museum (Saint Petersburg) | Oil on canvas |
 | Saint Joseph with the Christ Child | c. 1640 | 89 x 72 cm | Museum of Fine Arts (Houston) | Oil on canvas |
 | Adoration of the Shepherds | c. 1642 | 485 x 350 cm | Certosa di San Martino (Naples) | Oil on canvas |
Media related to Works by Guido Reni at Wikimedia Commons
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Giovanni Battista Salvi da Sassoferrato, also known as Giovanni Battista Salvi, was an Italian Baroque painter, known for his archaizing commitment to Raphael's style. He is often referred to only by the town of his birthplace (Sassoferrato), as was customary in his time, and for example seen with da Vinci and Caravaggio.
Simone Cantarini or Simone da Pesaro, called il Pesarese was an Italian painter and etcher. He is known mainly for his history paintings and portraits executed in an original style, which united aspects of Bolognese classicism with a bold naturalism.
The Denial of Saint Peter(La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.
Charity may refer to:
Domenico Maria Canuti was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.
Francesco Gessi was an Italian painter of the Baroque period, active mainly in Bologna.
Ginevra Cantofoli (1618–1672) was an Italian painter. She was active in Bologna during the Baroque period.
Bartolommeo Coriolano was an Italian printmaker during the Baroque period, mainly in colour woodcuts. His father, Cristoforo Coriolano, and brother, Giovanni Battista Coriolano were also woodcut printmakers, although there is some doubt over the actual relationship between Cristoforo and Bartolommeo Coriolano. Coriolano had a daughter, Teresa Maria Coriolano, who later became a painter and engraver.
Massacre of the Innocents is a painting by the Italian Baroque painter Guido Reni, created in 1611 for the Basilica of San Domenico in Bologna, but now in the Pinacoteca Nazionale in that same city.
The Galleria Spada is a museum in Rome, which is housed in the Palazzo Spada on Piazza Capo di Ferro. The palazzo is also famous for its façade and for the forced perspective gallery by Francesco Borromini.
The Museo Nazionale del Palazzo di Venezia is a state museum in Rome (Italy), housed in the palace of the same name together with the important Library of Archaeology and Art History.
Cleopatra is a c.1620 painting by Artemisia Gentileschi, now in the Fondazione Cavallini-Sgarbi collection in Ferrara. It was formerly misattributed to Guido Cagnacci. It shows Cleopatra committing suicide with an asp.
The Death of Dido is a 1631 oil-on-canvas painting by the Italian Baroque painter Guercino, commissioned by Cardinal Bernardino Spada for Maria de' Medici. It now hangs in the Galleria Spada in Rome.
St. Francis in Ecstacy is a 1622 oil on canvas painting by Guido Reni, now in the Coppola Chapel in Girolamini church in Naples.
Adoration of the Shepherds is a c. 1642 oil on canvas painting by Guido Reni, commissioned by Giovan Battista Pisante, prior of the Certosa di San Martino in Naples, and still hanging on the main wall of the choir of that institution's church.
Assumption of the Virgin is a 1627 oil on canvas painting by Guido Reni in the church of Santa Maria Assunta in Castelfranco Emilia. A later version is now in Lyon, whilst another is in the Alte Pinakothek in Munich, whilst treatments of the Immaculate Conception are now in San Biagio in Forlì and the Metropolitan Museum of Art in New York.
The Flight into Egypt is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples in Naples.
Jesus Meets John the Baptist is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples, thought to have been one of three works given to that complex by Domenico Lercaro.
The Martyrdom of Saint Catherine is a c. 1606 oil on canvas painting by Guido Reni, considered one of his most important early works and now held in the Diocesan Museum in Albenga.