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The Martyrdom of Saint Catherine is a c. 1606 oil on canvas painting by Guido Reni, considered one of his most important early works and now held in the Diocesan Museum in Albenga. [1]
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Soragna is a town and comune in the province of Parma of northern Italy with a population of about 4,800.
Galatina, known before the unification of Italy as San Pietro in Galatina, is a town and comune in the Province of Lecce in Apulia, southern Italy. It is situated about 21 kilometres (13 mi) south of the city of Lecce.
Cingoli is a town and comune of the Marches, Italy, in the province of Macerata, about 27 kilometres (17 mi) by road from the town of Macerata. It is the birthplace of Pope Pius VIII.
Cantagallo is a comune (municipality) in the Province of Prato in the Italian region Tuscany, located about 30 kilometres (19 mi) northwest of Florence and about 15 kilometres (9 mi) north of Prato.
Giovanni Battista Carlone (1603–1684) was an Italian painter of the Baroque period, active mainly in Genoa.
Francesco Costanzo Catanio, was a painter of the Italian Baroque period, born and mainly active in Ferrara. He was variously known as Catanio, Cattani, Cattaneo, or Cattanio, sometimes without the forename Francesco.
Luigi Garzi was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni.
Caterina Ginnasi was an Italian noblewoman and painter of the Baroque period, active mainly in Rome.
Santa Caterina d'Alessandria is a Gothic-style, Roman Catholic church in Pisa, region of Tuscany, Italy.
Santa Caterina may refer to:
Marcantonio Riverditi was an Italian painter of the Baroque. He was born in Alessandria della Paglia, and trained in Bologna, where he followed the style of Guido Reni.
Sebastiano Folli (1568–1621) was an Italian painter of the late Renaissance period. He was a scholar of Alessandro Casolano, and a native of Siena. He distinguished himself by several frescoes in the churches at Siena, particularly the cupola of Santa Marta, and some subjects from the Life of St. Sebastian, in the church of that saint, painted in competition with Rutilio Manetti, to whose pictures they are in no way inferior. He visited Rome, and was employed in some considerable works for the Cardinal de' Medici, afterwards Leo XI. He died in 1621.
San Paolo is a former convent in central Parma, Emilia-Romagna, northern Italy. It is best known for housing the Camera di San Paolo, decorated by a masterpiece of fresco work (1519) by Correggio.
The Biblioteca Cathariniana or Cateriniana is a public library in Pisa, region of Tuscany, Italy. It is affiliated with the Archbishop's Seminary.
Suor or Sister Anna Vittoria Dolara (1754–1827) was an Italian Dominican nun in Rome; she is known for her piety, poetry, and painting.
Santa Caterina d'Alessandria is a Roman Catholic church in the frazione of Diolo outside the town of Soragna, Province of Parma, Italy.
Holy Family with Saint Catherine of Alexandria is a 1533 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It is signed and dated "Laurentius Lotus 1533" and it measures 85.7 cm in height and 110.8 cm in width. Six later copies after the work are known. The Bergamo version is judged to be of exceptional quality, and the earliest.
Assumption of the Virgin is a 1627 oil on canvas painting by Guido Reni in the church of Santa Maria Assunta in Castelfranco Emilia. A later version is now in Lyon, whilst another is in the Alte Pinakothek in Munich, whilst treatments of the Immaculate Conception are now in San Biagio in Forlì and the Metropolitan Museum of Art in New York.
The Flight into Egypt is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples in Naples.
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