Jesus Meets John the Baptist is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples, thought (with St. Francis in Ecstasy and The Flight into Egypt ) to have been one of three works given to that complex by Domenico Lercaro. [1]
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
The Denial of Saint Peter(La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.
Guido Cagnacci was an Italian painter originally from Santarcangelo di Romagna. Associated most readily with the Baroque period, his mature works are characterized by their use of chiaroscuro and their sensual subjects. He was influenced by the masters of the Bolognese School.
Guido delle Colonne was a 13th-century Italian judge and writer, who lived in Messina. He is the author of a prose narrative of the Trojan War entitled Historia destructionis Troiae, that was based on De excidio Trojae historia written by Dares Phrygius and Ephemeridos belli Trojani written by Dictys Cretensis.
Guido Zappa was an Italian mathematician and a noted group theorist: his other main research interests were geometry and also the history of mathematics. Zappa was particularly known for some examples of algebraic curves that strongly influenced the ideas of Francesco Severi.
The National Art Gallery of Bologna is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city.
Peter Marchitelli was an Italian violinist, and teacher of Michele Mascitti.
Santi Apostoli is a Baroque-style church in Naples, Italy.
The Royal Chapel of the Treasure of St. Januarius, or the Reale cappella del Tesoro di San Gennaro, is a chapel located in the Cathedral of Naples, Italy, and dedicated to St. Januarius, patron saint of the city. This is the most lavishly decorated chapel in the cathedral, and contains contributions by the premier Baroque artists in Naples.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Queen of the Night is a 1931 French comedy film directed by Marcel L'Herbier, assisted by Amleto Palermi and Guido Brignone, and starring Francesca Bertini, Ruggero Ruggeri and Romano Calò. It was filmed in Germany as the Italian-language version of the French film La Femme d'une nuit, also directed by L'Herbier. In the early years of sound it was common to remake films in different languages. A German-language version was also released the same year directed by Fritz Wendhausen.
Saverio Baldacchini was an Italian politician, writer and poet.
The Conferenza dei Rettori delle Università Italiane is an association of public and private universities in Italy. It began in 1963 as a private organization, later becoming an official advisor to the government. The supporting Fondazione CRUI (foundation) formed in 2001. CRUI operates from headquarters at the Piazza Rondanini in the Sant'Eustachio rione of Rome.
The 2021–22 LBA season is the 100th season of the Lega Basket Serie A (LBA), the men's top tier professional basketball division of the Italian basketball league system.
The Death of Dido is a 1631 oil-on-canvas painting by the Italian Baroque painter Guercino, commissioned by Cardinal Bernardino Spada for Maria de' Medici. It now hangs in the Galleria Spada in Rome.
St. Francis in Ecstacy is a 1622 oil on canvas painting by Guido Reni, now in the Coppola Chapel in Girolamini church in Naples.
Adoration of the Shepherds is a c. 1642 oil on canvas painting by Guido Reni, commissioned by Giovan Battista Pisante, prior of the Certosa di San Martino in Naples, and still hanging on the main wall of the choir of that institution's church.
The Flight into Egypt is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples in Naples.