| Risen Christ | |
|---|---|
 Risen Christ (1620) by Guido Reni | |
| Artist | Guido Reni |
| Year | 1620 |
| Medium | oil on canvas |
| Dimensions | 228 cm× 138 cm(90 in× 54 in) |
| Location | MUŻA, Valletta, Malta |
Risen Christ is an oil on canvas painting by Guido Reni, from 1620.
| Risen Christ | |
|---|---|
| Risen Christ (1620) by Guido Reni | |
| Artist | Guido Reni |
| Year | 1620 |
| Medium | oil on canvas |
| Dimensions | 228 cm× 138 cm(90 in× 54 in) |
| Location | MUŻA, Valletta, Malta |
Risen Christ is an oil on canvas painting by Guido Reni, from 1620.
The painting is an oil on canvas with dimensions of 228 x 138 centimeters. It is in the collection of MUŻA in Valletta, Malta. [1]
It is inspired by a statue made by Michelangelo Buonarroti, at the church of Santa Maria Sopra Minerva in Rome.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
The Denial of Saint Peter(La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.
The Basilica of San Domenico is one of the major churches in Bologna, Italy. The remains of Saint Dominic, founder of the Order of Preachers (Dominicans), are buried inside the exquisite shrine Arca di San Domenico, made by Nicola Pisano and his workshop, Arnolfo di Cambio and with later additions by Niccolò dell'Arca and the young Michelangelo.
The Galleria Spada is a museum in Rome, which is housed in the Palazzo Spada on Piazza Capo di Ferro. The palazzo is also famous for its façade and for the forced perspective gallery by Francesco Borromini.
St John the Baptist Wearing the Red Tabard of the Order of St John is an oil on canvas painting by Italian painter Mattia Preti, from 1671. The painting has the dimensions of 98 x 78 centimeters. It is in the collection of MUŻA in Valletta, Malta.
The Polyphemus is an oil on canvas painting by the Italian Baroque painter Guido Reni, executed in 1639–1640, and housed in the Pinacoteca of the Capitoline Museum in Rome, Italy.
Saint Sebastian is a c.1625 oil on canvas painting of Saint Sebastian by Guido Reni. It was previously in the private collection of the Dukes of Hamilton, from which it was sold to its present owner, Auckland Art Gallery in New Zealand.
Assumption of the Virgin is a 1637 oil on canvas painting by Guido Reni, now in the musée des Beaux-Arts de Lyon, which acquired it in 1805. It originally had a semi-circular panel above it showing God the Father - this is now in Bologna.
Oil on copper painting is the process of creating artworks by using oil paints with copper as the substrate. This is sometimes referred to as “copper as canvas” because canvas is the most well known surface material used for oil paintings.
Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts, Budapest.
Charity is an oil on canvas painting by Guido Reni, created possibly in 1629-1630. It is held at the Metropolitan Museum of Art, in New York, to which it was donated by Mr and Mrs Charles Wrightsman in 1974.
Saint Spyridon, John the Baptist, Saint Peter and Saint George is an oil painting created by Greek painter Nikolaos Koutouzis. He was a prominent member of the Heptanese School of painting. He was from the island of Zakynthos. He studied with Nikolaos Doxaras and Giovanni Tiepolo. He was an active painter for over fifty years. One hundred and thirty-six paintings are attributed to the artist. He was active from 1750 to 1813.
Adoration of the Shepherds is a c. 1642 oil on canvas painting by Guido Reni, commissioned by Giovan Battista Pisante, prior of the Certosa di San Martino in Naples, and still hanging on the main wall of the choir of that institution's church.
Assumption of the Virgin is a 1627 oil on canvas painting by Guido Reni in the church of Santa Maria Assunta in Castelfranco Emilia. A later version is now in Lyon, whilst another is in the Alte Pinakothek in Munich, whilst treatments of the Immaculate Conception are now in San Biagio in Forlì and the Metropolitan Museum of Art in New York.
Assumption of the Virgin is a c. 1638-1639 oil on canvas painting by Guido Reni. It entered its present home at the Alte Pinakothek from the Galerie Düsseldorf in 1806.
The Flight into Egypt is a c. 1622 oil on canvas painting by Guido Reni in the Girolamini, Naples in Naples.
The Martyrdom of Saint Catherine is a c. 1606 oil on canvas painting by Guido Reni, considered one of his most important early works and now held in the Diocesan Museum in Albenga.
Four Seasons is a c. 1617-1620 oil on canvas painting by Guido Reni, now in the Museo di Capodimonte in Naples. A 1618-1620 studio copy of the work is now in the Kunsthistorisches Museum in Vienna.
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