The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
Image | Title | Location | Year Type Material | No. Ref |
---|---|---|---|---|
The Goat Amalthea with the Infant Jupiter and a Faun | Galleria Borghese, Rome | 1609–1615 Sculpture Marble Height 44 cm (17.3 in) | 1 [4] | |
Bust of Giovanni Battista Santoni | Santa Prassede, Rome | 1613–1616 Sculpture Marble Life-size | 2 [4] | |
A Faun Teased by Children | Metropolitan Museum of Art, New York | 1616–1617 Sculpture Marble Height 132 cm (52 in) | NA [5] | |
The Martyrdom of Saint Lawrence | Uffizi, Florence | 1617 Sculpture Marble 66 cm × 108 cm (26 in × 43 in) | 3 [6] | |
Saint Sebastian | Thyssen-Bornemisza Museum, Madrid | 1617–1618 Sculpture Marble Under life-size | 4 [6] | |
Bust of Giovanni Vigevano | Santa Maria sopra Minerva, Rome | 1617–1618 Sculpture Marble Life-size | 5 [7] | |
Bust of Pope Paul V | Galleria Borghese, Rome | 1618 Sculpture Marble Height 35 cm (14 in) | 6 [8] | |
Damned Soul | Palace of Spain, Rome | 1619 Sculpture Marble Life-size | 7 [9] | |
Blessed Soul | Palace of Spain, Rome | 1619 Sculpture Marble Life-size | 7 [9] | |
Aeneas, Anchises, and Ascanius | Galleria Borghese, Rome | 1618–1619 Sculpture Marble Life-size | 8 [9] | |
Neptune and Triton | Victoria and Albert Museum, London | 1620 Sculpture Marble Height 182 cm (72 in) | 9 [10] | |
The Rape of Proserpina | Galleria Borghese, Rome | 1621–1622 Sculpture Marble Height 225 cm (89 in) | 10 [11] | |
Sleeping Hermaphroditus | The Louvre, Paris | 1620 Sculpture Marble Length 169 cm (67 in) | 11(1) [11] | |
Barberini Faun | Glyptothek, Munich | 1621–1622 Sculpture Marble Restoration | 11(2) [12] | |
Ludovisi Ares | National Museum of Rome, Rome | 1622 Sculpture Marble Restoration | 11(3) [12] | |
Bust of Pope Gregory XV | Art Gallery of Ontario, Toronto | 1621 Sculpture Marble Height 64 cm (25 in) | 12 [13] | |
Bust of Monsignor Pedro de Foix Montoya | Santa Maria di Monserrato, Rome | 1621 Sculpture Marble Life-size | 13 [14] | |
Bust of Cardinal Escoubleau de Sourdis | Musée d'Aquitaine, Bordeaux | 1622 Sculpture Marble Life-size | 14 [15] | |
Bust of Cardinal Roberto Bellarmine | Church of the Gesù, Rome | 1622 Sculpture Marble Life-size | 15 [15] | |
Image, online [16] | Bust of Cardinal Giovanni Dolfin | Isola di San Michele, Venice | 1622 Sculpture Marble | 16 [15] |
Bust of Alessandro Peretti di Montalto | Kunsthalle, Hamburg | 1622 Sculpture Marble Height 88 cm (34.6 in) | 81(7) [17] | |
Bust of Carlo Antonio del Pozzo | National Galleries of Scotland, Edinburgh | 1622 Sculpture Marble Height 82 cm (32 in) | 81(8) [18] | |
Self-Portrait as a Young Man (Bernini) | Galleria Borghese, Rome | 1623 Painting Oil on canvas 38 cm × 30 cm (15 in × 11.8 in) | NA [19] | |
David | Galleria Borghese, Rome | 1623–1624 Sculpture Marble Height 170 cm (67 in) | 17 [20] | |
Apollo and Daphne | Galleria Borghese, Rome | 1622–1625 Sculpture Marble Height 243 cm (96 in) | 18 [21] | |
Bust of Antonio Cepparelli | San Giovanni dei Fiorentini, Rome | 1622 Sculpture Marble Height 70 cm (27.5 in) | NA [22] | |
Busts of Pope Urban VIII | National Gallery of Canada, Ottawa | 1632 Sculpture Marble Life-size | 19 [23] | |
Saint Bibiana | Santa Bibiana, Rome | 1624–1626 Sculpture Marble Life-size | 20 [24] | |
St. Peter's Baldachin | St. Peter's Basilica, Vatican City | 1623–1634 Sculpture Bronze Height 20 m (66 ft), columns | 21 [25] | |
Bust of Cardinal Melchior Klesl | Wiener Neustadt Cathedral, Wiener Neustadt | 1623 c. Sculpture Bronze | 22 [26] | |
Two Angels in Sant'Agostino | Basilica of Sant'Agostino, Rome | 1626–1628 Sculpture Marble Life-size | 23 [27] | |
Bust of Francesco Barberini | National Gallery of Art, Washington, D.C. | 1626 Sculpture Marble Height 80 cm (31 in) | 24(a) [28] | |
Bust of Camilla Barbadoni | Statens Museum for Kunst, Copenhagen | 1626 Sculpture Marble Height 60 cm (24 in) | 24(c) [29] | |
Saint Andrew and Saint Thomas | National Gallery, London | 1627 Painting Oil on canvas Height: 59 cm (23.2 in) | NA | |
Fontana della Barcaccia | Piazza di Spagna, Rome | 1627 Fountain Marble Width circa 10 m (33 ft) | 80(1) [30] | |
Busts of Cardinals Agostino and Pietro Valier | Oratory, Seminario, Venice | 1629 Sculpture Marble Life-size | 25 [31] | |
Image, online [32] | Memorial to Carlo Barberini | Santa Maria in Ara Coeli, Rome | 1630 Sculpture Marble | 26 [32] |
Statue of Carlo Barberini | Palazzo dei Conservatori, Rome | 1630 Sculpture Marble Life-size | 27 [33] | |
Self-Portrait as a Mature Man (Bernini) | Uffizi, Florence | 1630–1635 Painting Oil on canvas 62 cm × 46 cm (24.4 in × 18.1 in) | NA [34] | |
Saint Longinus | St. Peter's Basilica, Vatican City | 1631–1638 Sculpture Marble Height 440 cm (174 in) | 28 [35] | |
Balconies in the Pillars of the Dome of St. Peter's Basilica | St. Peter's Basilica, Vatican City | 1633–1640 Sculpture Marble | 29 [36] | |
Tomb of Pope Urban VIII | St. Peter's Basilica, Vatican City | 1627–1647 Sculpture Golden bronze and marble | 30 [37] | |
Charity with Four Children | Vatican Museums, Apostolic Palace, Vatican Museums | 1627–1628 Sculpture Terracotta Dimensions 39 cm (15 in) | 30 [38] | |
Portrait of Pope Urban VIII (Bernini) | Galleria Nazionale d'Arte Antica, Rome | 1632 Painting Oil on canvas Height: 67 cm (26.3 in) | NA | |
Two Busts of Cardinal Scipione Borghese | Galleria Borghese, Rome | 1632 Sculpture Marble | 31 [39] | |
Renovation of the Lateran Baptistery | Lateran Baptistery, Rome | 1633 Architecture | ||
Fontana del Tritone | Piazza Barberini, Rome | 1642–1643 Fountain Travertine Monumental | 32 [40] | |
Tomb of Countess Matilda of Tuscany | St. Peter's Basilica, Vatican City | 1633–1637 Sculpture Marble Over life-size | 33 [41] | |
Image, online [42] | Pasce Oves Meas | St. Peter's Basilica, Vatican City | 1639–1644 Sculpture Marble | 34 [43] |
Bust of Costanza Bonarelli | Museo Nazionale del Bargello, Florence | 1636-1637 Sculpture Marble Height 72 cm (28 in) | 35 [42] | |
Images, online [44] | Busts of Paolo Giordano and Isabella Orsini | Castello Orsini-Odescalchi, Bracciano | 1635 Sculpture Marble | 36 [45] |
Image, online [46] | Memorial Inscription for Pope Urban VIII | Santa Maria in Aracoeli, Rome | 1636 Sculpture Marble | 37 [46] |
Statue of Pope Urban VIII | Palazzo dei Conservatori, Rome | 1635–1640 Sculpture Marble Over life-size | 38 [47] | |
Image, online [44] | Bust of King Charles I (Bernini) | Palace of Whitehall, London | 1635–1640 Sculpture Marble | 39 [48] |
Bust of Thomas Baker | Victoria and Albert Museum, London | 1638 Sculpture Marble Height 82 cm (32 in) | 40 [49] | |
Medusa | Palazzo dei Conservatori, Rome | 1636 Sculpture Marble Over life-size | 41 [50] | |
Portrait of a Boy | Galleria Borghese, Rome | 1638 Painting Oil on canvas | NA | |
Bust of Cardinal Richilieu | The Louvre, Paris | 1640–1641 Sculpture Marble Life-size | 42 [51] | |
Memorial to Alessandro Valtrini | San Lorenzo in Damaso, Rome | 1639 Sculpture Marble Life-size skeleton | 43 [52] | |
Image, online [53] | Memorial to Ippolito Merenda | San Giacomo alla Lungara, Rome | 1636–1638 Sculpture Marble | 43 [54] |
Fontana delle Api | Piazza Barberini, Rome | 1644 Fountain Travertine | 80(3) [55] | |
Christ Mocked (Bernini) | Private Collection, London | 1644–1655 Painting Oil on canvas Height: 25.8 cm (10.2 in) | NA | |
Memorial to Maria Raggi | Santa Maria sopra Minerva, Rome | 1647–1653 Sculpture Gilt bronze and coloured marble Life-size portrait | 44 [56] | |
Confessio of Santa Francesca Romana | Santa Francesca Romana, Rome | 1638–1649 Sculpture Marble | 45 [57] [58] | |
Raimondi Chapel | San Pietro in Montorio, Rome | 1638–1648 Sculpture Gilt bronze relief | 46 [59] | |
Decoration of Chapels and Nave of St. Peter's Basilica | St. Peter's Basilica, Vatican City | 1645–1648 Sculpture Marble | 47 [60] | |
Ecstasy of Saint Teresa | Cornaro Chapel, Santa Maria della Vittoria, Rome | 1647–1652 Sculpture Marble Life-size figures | 48 [61] | |
Cornaro-Kapelle (in German) | Cornaro Chapel, Santa Maria della Vittoria, Rome | 1647–1652 Sculpture Marble Life-size figures | 48 [61] | |
Truth Unveiled by Time | Galleria Borghese, Rome | 1645–1652 Sculpture Marble Height 280 cm (110 in) | 49 [62] | |
Fontana dei Quattro Fiumi | Piazza Navona, Rome | 1648–1651 Fountain Travertine and marble | 50 [63] | |
Busts of Pope Innocent X - First version | Doria Pamphilj Gallery, Rome | 1650 Sculpture Marble | 51a [64] | |
Busts of Pope Innocent X - Second version | Doria Pamphilj Gallery, Rome | 1650 Sculpture Marble | 51b | |
Noli Me Tangere | Santi Domenico e Sisto, Rome | 1650 Sculpture Marble Life-size figures | 52 [65] | |
Image, online [66] | Virgin and Child | Saint-Joseph-des-Carmes, Paris | 1656–1663 Sculpture Marble | 53 [67] |
Bust of Francesco I d'Este | Galleria Estense, Modena | 1650–1651 Sculpture Marble Height 100 cm (39 in) | 54 [66] | |
Fontana del Moro | Piazza Navona, Rome | 1653–1654 Fountain Marble | 55 [68] | |
Tomb of Cardinal Domenico Pimentel | Santa Maria sopra Minerva, Rome | 1653 Sculpture Marble Over life-size figures | 56 [69] | |
Crucified Christ (Bernini) | Royal Collections Gallery, Madrid | 1655 Sculpture Bronze (233 x 166 cm) | 57 [70] | |
Corpus | Art Gallery of Ontario, Toronto | 1650 Sculpture Bronze Life-size | 57 [70] | |
Dead Christ on the Cross | Walters Art Museum, Baltimore | 1657–1661 Sculpture Gilt bronze corpus on bronze cross Likely a later cast | 57 [70] | |
Decoration of Santa Maria del Popolo | Santa Maria del Popolo, Rome | 1655 Sculpture Stucco and marble | 58 [71] | |
Daniel and the Lion | Chigi Chapel, Santa Maria del Popolo, Rome | 1655-1656 Sculpture Marble | 58 [71] | |
Habakkuk and the Angel | Chigi Chapel, Santa Maria del Popolo, Rome | 1656-1661 Sculpture Marble Over life-size | 58 [71] | |
Lamp with Crown and Cherubs by Peter Verpoorten | Chigi Chapel, Santa Maria del Popolo, Rome | 1656-1657 Sculpture Bronze | NA [72] | |
Putti Lifting a Large Drapery | Sala Ducale (in German), Vatican City | 1656–1657 Sculpture Stucco | 59 [73] | |
Santa Barbara (in Italian) | Cattedrale di Santa Maria Assunta, Rieti (in Italian) | 1655–1657 Sculpture Marble | 60 [74] | |
Chair of Saint Peter | St. Peter's Basilica, Vatican City | 1657–1666 Sculpture Marble, bronze, white and golden stucco | 61 [75] | |
Collegiata di San Tommaso da Villanova (in Italian) | Castel Gandolfo | 1658–1661 Architecture, sculpture Marble | 62(1) [76] | |
Santa Maria Assunta | Ariccia | 1662–1664 Architecture, sculpture Marble | 62 (2) [76] | |
Sant'Andrea al Quirinale | Sant'Andrea al Quirinale, Rome | 1658–1670 Architecture, sculpture Marble | 62(3) [76] | |
Saint Jerome | Chigi Chapel, Siena Cathedral, Siena | 1659–1663 Sculpture Marble Over life-size | 63 [77] | |
Mary Magdalen | Chigi Chapel, Siena Cathedral, Siena | 1659–1663 Sculpture Marble Over life-size | 63 [77] | |
Statue of Alexander VII (designed by Bernini, sculpted by Antonio Raggi) | Siena Cathedral, Siena | 1661–1663 Sculpture Marble and gilded bronze | 64 [78] | |
Image, online [79] | Busts of Pope Alexander VII | 1655–1667 Sculpture Marble and gilded bronze | 65 [80] | |
Cappella Da Sylva | Sant'Isidoro a Capo le Case, Rome | 1663 Sculpture Marble and gilded bronze | 66 [81] | |
Statues on the colonnades of Saint Peter's Square | St. Peter's Square, Vatican City | 1656–1671 Sculpture Travertine Monumental | 67 [82] | |
Scala Regia | Apostolic Palace, Vatican City | 1663–1666 Sculpture Marble with painted stucco drapery | 68 [83] | |
The Visitation | Santuario di Nostra Signora della Misericordia (in Italian), Savona | 1665 Sculpture Marble relief Height 300 cm (117 in) | 69 [84] | |
Bust of Louis XIV | Musée National de Versailles, Versailles | 1665 Sculpture Marble Height 80 cm (31 in) | 70 [85] | |
Statue of King Philip IV of Spain | Santa Maria Maggiore, Rome | 1666 Sculpture Bronze Over life-size | NA | |
Image, online [86] | Portrait of a Man | Los Angeles County Museum of Art | 1670s Sculpture Marble | NA [87] |
Elephant and Obelisk | Piazza di Santa Maria sopra Minerva, Rome | 1667 Sculpture Marble Life-size, elephant | 71 [88] | |
List of angels of Ponte Sant'Angelo | Ponte Sant'Angelo, Rome | 1667–1669 Sculpture Marble Over life-size | 72 [89] | |
Angel with the Crown of Thorns | Sant'Andrea delle Fratte, Rome | 1667–1669 Sculpture Marble Over life-size | 72 [89] | |
Angel with the Superscription | Sant'Andrea delle Fratte, Rome | 1667–1669 Sculpture Marble Over life-size | 72 [89] | |
The Vision of Constantine | Apostolic Palace, Vatican City | 1654–1670 Sculpture Marble Over life-size | 73 [90] | |
Equestrian Statue of King Louis XIV | Palace of Versailles, Versailles | 1669–1684 Sculpture Marble Monumental | 74 [91] | |
Bust of Gabriele Fonseca | San Lorenzo in Lucina, Rome | 1668–1675 Sculpture Marble Over life-size | 75 [92] | |
Blessed Ludovica Albertoni | Altieri Chapel, San Francesco a Ripa, Rome | 1671–1674 Sculpture Marble Over life-size | 76 [93] | |
Tomb of Pope Alexander VII | St. Peter's Basilica, Vatican City | 1671–1678 Sculpture Marble and gilded bronze Over life-size | 77 [94] | |
Chapel of the Blessed Sacrament | St. Peter's Basilica, Vatican City | 1673–1675 Sculpture Gilt bronze | 78 [95] | |
Statue of Pope Clement X | Galleria Nazionale d'Arte Antica, Rome | 1676 Sculpture Marble Height 105 cm (41 in) | 78a [96] | |
Bust of the Saviour | San Sebastiano fuori le mura, Rome | 1679 Sculpture Marble Over life-size | 79 [97] | |
Charity with Four Children is a sculpture by the Italian artist Gian Lorenzo Bernini. Executed between 1627 and 1628, the work is housed in the Vatican Museums in Vatican City. The small terracotta sculpture represents Charity breast-feeding a child, with three other children playing. There is an imprint of Bernini's thumbprint in the clay.
Blessed Ludovica Albertoni is a funerary monument by the Italian Baroque artist Gian Lorenzo Bernini. The Trastevere sculpture is located in the specially designed Altieri Chapel in the Church of San Francesco a Ripa in Rome, Italy. Bernini started the project in 1671, but his work on two other major works—The Tomb of Pope Alexander VII and the Altar of the Blessed Sacrament in St. Peter's Basilica—delayed his work on the funerary monument. Bernini completed the sculpture in 1674; it was installed by 31 August 1674.
The Goat Amalthea with the Infant Jupiter and a Faun is the earliest known work by the Italian artist Gian Lorenzo Bernini. Produced sometime between 1609 and 1615, the sculpture is now in the Borghese Collection at the Galleria Borghese in Rome.
Memorial to Maria Raggi is a sculptural monument designed and executed by the Italian artist Gian Lorenzo Bernini, started in 1647 and finished in 1653. The monument is attached to a pillar in a nave of the church of Santa Maria sopra Minerva in Rome.
The Bust of Giovanni Battisti Santoni is a sculptural portrait by the Italian artist Gian Lorenzo Bernini. Believed to be one of the artist's earliest works, the bust forms part of a tomb for Santoni, who was majordomo to Pope Sixtus V from 1590 to 1592. The work was executed sometime between 1613 and 1616, although some have dated the work as early as 1609, including Filippo Baldinucci. The work remains in its original setting in the church of Santa Prassede in Rome.
Saint Sebastian is an early sculpture by the Italian artist Gian Lorenzo Bernini. Executed in 1617 and 1618, it features the Christian martyr Saint Sebastian pinned to a tree, his flesh filled with arrows. It is smaller than life size. The sculpture is part of the Carmen Cervera's private collection and is currently shown in the Museo Thyssen-Bornemisza in Madrid.
The Bust of Cardinal Escoubleau de Sourdis is a marble portrait sculpture by the Italian artist Gian Lorenzo Bernini. Executed in 1622, the work depicts François de Sourdis. It is currently in the Musée d'Aquitaine in Bordeaux, France.
The bust of Giovanni Vigevano is a marble sculptural portrait by the Italian artist Gian Lorenzo Bernini. The bust was produced between 1617 and 1618, and was then inserted into Vigevano's tomb after he died in 1630. The tomb is in the church of Santa Maria sopra Minerva in Rome.
Saint Bibiana is a sculpture by the Italian artist Gian Lorenzo Bernini. It sits in the high altar of the church of Santa Bibiana in Rome. Bernini received his first payment for the work in 1624, and his final payment in 1626. A seventeenth-century print of the statue exists in the Teylers Museum, Harlem, the Netherlands.
Damned Soul is a marble sculpture bust by the Italian artist Gian Lorenzo Bernini as a pendant piece to his Blessed Soul. According to Rudolf Wittkower, the sculpture is in the Palazzo di Spagna in Rome. This may well be what is known today as the Palazzo Monaldeschi.
The Bust of Alessandro Peretti di Montalto is a portrait sculpture by the Italian artist Gian Lorenzo Bernini. Executed in 1622 and 1623, the sculpture is now in the Kunsthalle Hamburg, in Germany. Although possibly mentioned by one of Bernini's early biographers, the bust had been considered lost and therefore makes no appearance in Rudolf Wittkower's catalogue of Bernini’s sculptures of 1955. However, the bust was identified in the 1980s and is now considered an authentic work by Bernini.
The Blessed Soul is a bust by the Italian artist Gian Lorenzo Bernini. Executed around 1619, it is a pendant piece to the Damned Soul. Their original location was sacristy of the church of San Giacomo degli Spagnuoli, but they were then moved in the late 19th century, and then to the Spanish Embassy to the Holy See in Piazza di Spagna The set may have been inspired by prints by Karel van Mallery, although they were initially categorized as nymph and satyr.
The Bust of Gabriele Fonseca is a sculptural portrait by the Italian artist Gian Lorenzo Bernini. Executed sometime between 1668 and 1674, the work is located in San Lorenzo in Lucina in Rome, Italy. Gabriele Fonseca was Pope Innocent X's personal physician.
The Busts of Pope Innocent X are two portrait busts by the Italian artist Gianlorenzo Bernini of Pope Innocent X, Giovanni Battista Pamphili. Created around 1650, both sculptures are now in the Galleria Doria Pamphili in Rome. Like the two busts of Cardinal Scipione Borghese, it is believed that Bernini created a second version of the bust once a flaw was discovered in the first version. There exist several similar versions of the bust done by other artists, most notably Alessandro Algardi.
The Bust of Cardinal Melchior Klesl is a life-size marble bust of the seventeenth-century cardinal by Gianlorenzo Bernini and his assistants, notably Giuliano Finelli. It was probably executed in 1626. It is unclear how much of the work was executed by Bernini and how much by Finelli, or indeed others in Bernini's studio. The sculpture is part of Klesl's tomb in the cathedral of Wiener Neustadt, just south of Vienna.
The Memorial to Carlo Barberini is a large memorial, featuring two allegorical statues and an inscription. It was designed by the Italian artist Gian Lorenzo Bernini upon the death of Carlo in 1630, and subsequently executed by Bernini and his workshop. It is in the church of Santa Maria in Aracoeli in Rome.
The Statue of Carlo Barberini was a large statue of the brother of Pope Urban VIII, Carlo Barberini, erected in the Palazzo dei Conservatori, Rome, following his death in 1630. The statue made use of an existing antique statue of Julius Caesar. The Roman authorities then commissioned the two most renowned sculptures of the day, Gianlorenzo Bernini and Alessandro Algardi, to add to the torso; Bernini worked on the head and Algardi on the limbs.
Pasce Oves Meas is a sculptural relief designed by the Italian artist Gianlorenzo Bernini and executed by members of his workshop, with some involvement of Bernini himself. The work was commissioned in 1633 but was not installed in its destination of St Peter's, Rome until 1646.
The busts of Paolo Giordano and Isabella Orsini are two sculptural portraits of the Duke of Bracciano and his wife Isabella Orsini. They were carried out by the Italian artist Gianlorenzo Bernini and members of his studio. Executed around 1635, the two sculptures remain in the Castello Orsini-Odescalchi in Bracciano, Italy.
The Raimondi Chapel is a chapel within the church of San Pietro in Montorio, Rome, Italy. The chapel houses the tombs of two members of the Raimondi family, Francesco and Raimondo. Both the architectural and sculptural elements of the chapel were designed by the artist Gianlorenzo Bernini - it was one of Bernini's first works where the relationship between the sculpture and the architecture was considered as a whole. Elements of the sculptures were executed by other artists in Bernini's circle; Andrea Bolgi did the busts of the two Raimondi brothers and the accompanying putti. Niccolò Sale undertook the reliefs on the tombs, while Francesco Baratta did the larger relief in the central altar. Work on the chapel took place between 1638 and 1648.