Musei Vaticani | |
Established | 1506 |
---|---|
Location | Vatican City Viale Vaticano 6, I-00192, Rome [1] |
Coordinates | 41°54′23″N12°27′16″E / 41.90639°N 12.45444°E |
Type | Art museum |
Collection size | 70,000 [2] |
Visitors | 6,764,858 (2023) [3] |
Director | Barbara Jatta [4] |
Public transit access | Ottaviano – San Pietro – Musei Vaticani |
Website | www |
Part of a series on the |
Vatican Museums |
---|
The Vatican Museums (Italian : Musei Vaticani; Latin : Musea Vaticana) are the public museums of Vatican City, enclave of Rome. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, [2] and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments. [5]
Pope Julius II founded the museums in the early 16th century. [6] The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. [7]
In 2023, the Vatican Museums were visited by 6.8 million people. [8] They ranked second in the list of most-visited art museums in the world after the Louvre, and third on the list of most-visited museums. [9]
There are 24 galleries, or rooms, in total, with the Sistine Chapel, notably, being the last room visited within the Museum. [10]
The Vatican Museums trace their origin to a single marble sculpture, purchased in the 16th century: Laocoön and His Sons was discovered on 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo, who were working at the Vatican, to examine the discovery. [11] On their recommendation, the Pope immediately purchased the sculpture from the vineyard owner. The Pope put the sculpture, which represents the Trojan priest Laocoön and his two sons, Antiphantes and Thymbraeus being attacked by giant serpents, on public display at the Vatican exactly one month after its discovery. [12] [13]
Benedict XIV founded the Museum Christianum, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854. [14]
The museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public. [15]
On 1 January 2017, Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007. [16] [17]
The art gallery was housed in the Borgia Apartment until Pius XI ordered construction of a dedicated building. The new building, designed by Luca Beltrami, was inaugurated on 27 October 1932. [18] The museum's paintings include:
The Collection of Modern Religious Art was added in 1973 and houses paintings and sculptures from such artists as Carlo Carrà, Giorgio de Chirico, Vincent van Gogh, Paul Gauguin, Marc Chagall, Paul Klee, Salvador Dalí, and Pablo Picasso. [19]
The group of museums includes several sculpture museums surrounding the Cortile del Belvedere. These are the Museo Gregoriano Profano, with classical sculpture, and others as below:
The museum takes its name from two popes: Clement XIV, who established the museum, and Pius VI, who brought it to completion. Clement XIV came up with the idea of creating a new museum in Innocent VIII's Belvedere Palace and started the refurbishment work. [22]
Clement XIV founded the Museo Pio-Clementino in 1771; it originally contained artworks of antiquity and the Renaissance. The museum and collection were enlarged by Clement's successor Pius VI. Today, the museum houses works of Greek and Roman sculpture. Some notable galleries are as follows:
This museum was founded in the early 19th century by Pius VII, whose surname before his election as Pope was Chiaramonti. The museum consists of a large arched gallery in which are exhibited several statues, sarcophagi and friezes. The New Wing, or Braccio Nuovo, built by Raffaele Stern, houses statues including the Augustus of Prima Porta, the Doryphoros , and The River Nile. It is in the Neoclassical style and has a wide arched roof with skylights. The Galleria Lapidaria forms part of the Museo Chiaramonti, and contains over 3,000 stone tablets and inscriptions. It is accessible only with special permission, usually for the purpose of academic study.
Founded by Gregory XVI in 1837, this museum has nine galleries and houses Etruscan pieces, coming from archaeological excavations in the territory of the Papal State as well as other works already held in the Vatican. [25] The collection include vases, sarcophagus, bronzes, terracotta, ceramics as well as works from the Falcioni and Guglielmi Collections.
This museum houses a large collection of artifacts from Ancient Egypt and also many Egyptian works of Roman production in nine rooms. The Carlo Grassi Collection of bronzes is part of the collection. [26] Such material includes papyruses, sarcophagi, mummies, sculptures and reproductions of the Book of the Dead . [27]
The Vatican Historical Museum (Italian : Museo storico vaticano) was founded in 1973 at the behest of Paul VI, [28] and was initially hosted in environments under the Square Garden. In 1987, it moved to the main floor of the Lateran Palace, where it opened in March 1991.
On 18 August 2022, two members of the climate activist group Ultima Generazione glued themselves to the marble base of the Laocoon statue and unfurled a banner calling for an end to fossil fuels while a third member filmed them. Conservationists said that the act resulted in permanent damage to the sculpture, with restoration works costing 3,148 euros. A Vatican court subsequently sentenced the three to a nine-month suspended prison sentence and fines of up to 28,000 euros ($30,000). [29]
On 5 October 2022, an American tourist was arrested after hurling a Roman bust at the Chiaramonti Museum and damaging another bust. Il Messaggero reported that the man damaged the artefacts in anger after he was informed that he could not have an audience with Pope Francis as part of his vacation wish. The museum's press director Matteo Alessandrini said one bust lost part of a nose and an ear, while the other was knocked off its pedestal. Conservation and repair works on the sculptures were estimated to cost 15,000 euros ($14,800 US) and took about 300 hours to be completed. [30]
Baccio Bandinelli, was an Italian Renaissance sculptor, draughtsman, and painter.
The Apostolic Palace is the official residence of the Pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
The statue of Laocoön and His Sons, also called the Laocoön Group, has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one that was praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures in the statue are nearly life-sized, with the entire group measuring just over 2 m in height. The sculpture depicts the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents.
The Creation of Adam, also known as The Creation of Man, is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508–1512. It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first man. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis.
Sebastiano del Piombo was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.
The Apollo Belvedere is a celebrated marble sculpture from classical antiquity.
The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.
Daniele Ricciarelli, better known as Daniele da Volterra, was a Mannerist Italian painter and sculptor.
The Cortile del Belvedere was a major architectural work of the High Renaissance at the Vatican Palace in Rome. Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings.
Ennio Quirino Visconti was a Roman politician, antiquarian, and art historian, papal Prefect of Antiquities, and the leading expert of his day in the field of ancient Roman sculpture. His son, Pietro Ercole Visconti, edited Versi di Ennio Quirino Visconti, raccolti per cura di Pietro Visconti while Louis Visconti became a noted architect in France. His brother, Filippo Aurelio Visconti was also a classical scholar, who published the Museo Chiaramonti, a successor to the Museo Pio-Clementino.
The Belvedere Torso is a 1.59-metre-tall (5.2 ft) fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino of the Vatican Museums.
The Colonna Venus is a Roman marble copy of the lost Aphrodite of Cnidus sculpture by Praxiteles, conserved in the Museo Pio-Clementino as a part of the Vatican Museums' collections. It is now the best-known and perhaps most faithful Roman copy of Praxiteles's original.
The Hermes of the Museo Pio-Clementino is an ancient Roman sculpture, part of the Vatican collections, Rome. It was long admired as the Belvedere Antinous, named from its prominent placement in the Cortile del Belvedere. It is now inventory number 907 in the Museo Pio-Clementino.
Pope Julius II, commissioned a series of highly influential art and architecture projects in the Vatican. The painting of the Sistine Chapel ceiling by Michelangelo and of various rooms by Raphael in the Apostolic Palace are considered among the masterworks that mark the High Renaissance in Rome. His decision to rebuild St Peter's led to the construction of the present basilica.
The Barberini Hera, also known as Barberini Juno, is a Roman sculpture believed to be a copy of a Greek original depicting either Hera or Juno, two prominent goddesses in ancient mythology. Unearthed in Rome during the late 17th century, this sculpture now resides in the Museo Pio-Clementino.
Giovanni Volpato (1735–1803) was an Italian engraver. He was also an excavator, dealer in antiquities and manufacturer of biscuit porcelain figurines.
This is an index of Vatican City–related topics.
The Sleeping Ariadne, housed in the Vatican Museums in Vatican City, is a Roman Hadrianic copy of a Hellenistic sculpture of the Pergamene school of the 2nd century BC, and is one of the most renowned sculptures of Antiquity. The reclining figure in a chiton bound under her breasts half lies, half sits, her extended legs crossed at the calves, her head pillowed on her left arm, her right thrown over her head. Other Roman copies of this model exist: one, the "Wilton House Ariadne", is substantially unrestored, while another, the "Medici Ariadne" found in Rome, has been "seriously reworked in modern times", according to Brunilde Sismondo Ridgway. Two surviving statuettes attest to a Roman trade in reductions of this familiar figure. A variant Sleeping Ariadne is in the Prado Museum, Madrid. A later Roman variant found in the Villa Borghese gardens, Rome, is at the Louvre Museum.
Tommaso Maria Conca (1734–1822), was an Italian painter and draftsman, active mostly in Rome.
The Palazzo Martelli was a residential palace, and since 2009, a civic museum displaying in situ the remains of the original family's valuable art collection, as well as its frescoed rooms. The palace is located on Via Ferdinando Zannetti 8 near the corner with Via Cerretani in central Florence, region of Tuscany, Italy.