The Quirinal Hill is one of the Seven Hills of Rome, at the north-east of the city center. It is the location of the official residence of the Italian head of state, who resides in the Quirinal Palace; by metonymy "the Quirinal" has come to stand for the Italian president. The Quirinal Palace has an extension of 1.2 million square feet.
The Vatican Museums are the public museums of Vatican City, enclave of Rome. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments.
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
The Baths of Caracalla in Rome, Italy, were the city's second largest Roman public baths, or thermae, after the Baths of Diocletian. The baths were likely built between AD 212 and 216/217, during the reigns of emperors Septimius Severus and Caracalla. They were in operation until the 530s and then fell into disuse and ruin.
The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; he was an Athenian but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
The Baths of Diocletian were public baths in ancient Rome. Named after emperor Diocletian and built from AD 298 to 306, they were the largest of the imperial baths. The project was originally commissioned by Maximian upon his return to Rome in the autumn of 298 and was continued after his and Diocletian's abdication under Constantius, father of Constantine.
The Farnese Bull, formerly in the Farnese collection in Rome, is a massive Roman elaborated copy of a Hellenistic sculpture. It is the largest single sculpture yet recovered from antiquity. Along with the rest of the Farnese antiquities, it has been since 1826 in the collection of the Museo Archeologico Nazionale Napoli in Naples, inv. no. 6002, though in recent years sometimes displayed at the Museo di Capodimonte across the city. The sculpture in Naples is much restored, and includes around the base a child, a dog, and other animals not apparently in the original composition, which is known from versions in other media.
The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.
Castro Pretorio is the 18th rione of Rome, Italy, identified by the initials R. XVIII, and it is located within the Municipio I. The rione takes its name by the ruins of the Castrum Praetorium, the barracks of the Praetorian Guard, included in the Aurelian Walls.
The Ludovisi Ares is an Antonine Roman marble sculpture of Ares, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: thus the Roman god of war receives his Greek name, Ares.
The Gardens of Sallust was an ancient Roman estate including a landscaped pleasure garden developed by the historian Sallust in the 1st century BC. It occupied a large area in the northeastern sector of Rome, in what would become Region VI, between the Pincian and Quirinal hills, near the Via Salaria and later Porta Salaria. The modern rione is now known as Sallustiano.
Ludovico Ludovisi was an Italian cardinal and statesman of the Roman Catholic Church. He was an art connoisseur who formed a famous collection of antiquities, housed at the Villa Ludovisi in Rome.
The Sleeping Hermaphrodite is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus. It represents a subject that was much repeated in Hellenistic times and in ancient Rome, to judge from the number of versions that have survived. Discovered at Santa Maria della Vittoria, Rome, the Sleeping Hermaphrodite was immediately claimed by Cardinal Scipione Borghese and became part of the Borghese Collection. The "Borghese Hermaphrodite" was later sold to the occupying French and was moved to The Louvre, where it is on display.
Ippolito Buzzi (1562–1634) was an Italian sculptor from Viggiù, near Varese, in northernmost Lombardy, a member of a long-established dynasty of painters, sculptors and architects from the town, who passed his mature career in Rome. His personality as a sculptor is somewhat overshadowed by the two kinds of work he is known for: restorations to ancient Roman sculptures, some of them highly improvisatory by modern standards, and sculpture contributed to architectural projects and funeral monuments, where he was one among a team of craftsmen working under the general direction of an architect, like Giacomo della Porta - in projects for Pope Clement VIII, or Flaminio Ponzio - in projects for Pope Paul V - who would provide the designs from which the work was executed, always in consultation with the patron.
The Juno Ludovisi is a colossal Roman marble head of the 1st century CE from an acrolithic statue of an idealized and youthful Antonia Minor as the goddess Juno. Added to the Ludovisi collection formed by Cardinal Ludovico Ludovisi, it is now in the Palazzo Altemps, Museo Nazionale Romano, Rome.
The over-lifesize marble Dionysus with Panther and Satyr in the Palazzo Altemps, Rome, is a Roman work of the 2nd century AD, found in the 16th century on the Quirinal Hill at the time foundations were being dug for Palazzo Mattei at Quattro Fontane. The statue was purchased for the Ludovisi collection, where it was first displayed in front of the Palazzo Grande, the main structure of the Villa Ludovisi, and by 1641 in the gallery of sculptures in the Casino Capponi erected for Cardinal Ludovico Ludovisi in the villa's extensive grounds. By 1885, it had been removed to the new Palazzo del Principe di Piombino, nearby in via Veneto. With the rest of the Boncompagni-Ludovisi collection, which was open to the public on Sundays and covered in the guidebooks, and where it had become famous, it was purchased in 1901 for the City of Rome, as the Ludovisi collection was dispersed and the Villa's ground built over at the end of the 19th century.
The classical sculptures in the Farnese Collection, one aspect of this large art collection, are one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the Naples National Archaeological Museum in Italy with some in the British Museum in London.
The Palazzo Massimo alle Terme is the main of the four sites of the Roman National Museum, along with the original site of the Baths of Diocletian, which currently houses the epigraphic and protohistoric section, Palazzo Altemps, home to the Renaissance collections of ancient sculpture, and the Crypta Balbi, home to the early medieval collection.
