The Via del Corso is a main street in the historical centre of Rome. It is straight in an area otherwise characterized by narrow meandering alleys and small piazzas. Considered a wide street in ancient times, the Corso is approximately 10 metres wide, and it only has room for two lanes of traffic and two narrow sidewalks. The northern portion of the street is a pedestrian area. The length of the street is roughly 1.5 kilometres.
From the fifteenth century, the road served as the racetrack during the Roman Carnival for an annual running of riderless horses called the "corsa dei barberi", which is the source for the name Via del Corso. Following the assassination of King Umberto I in 1900, the road was renamed Corso Umberto I. In 1944, it became Corso del Popolo and two years later reverted to Corso.
Today, the Corso is a popular place for the passeggiata, the evening stroll for the populace to be seen and to see others. It is also an important shopping street for tourists and locals alike.
History
The history of Via del Corso began in 220 BC when Gaius Flaminiuscensor built a new road to link Rome with the Adriatic Sea in the north. The starting point of the road was Porta Fontinalis, a gate in the Servian city walls near present-day Piazza Venezia. In its first miles Via Flaminia cut through the plain between the Tiber and the eastern hills in a straight line. The Field of Mars, as it was called, was at the time used as a training ground and pasture. Numerous tombs must have lined the road similarly to the Appian Way.
The open area outside the city walls went through a process of urbanization during the late Republican and early imperial age. The city gradually spread towards north and monumental public buildings were built along the road. A set of dynastic monuments around the Mausoleum of Augustus was the most important development in the formerly unpopulated northern section of the district.
The ancient name of Via Lata (which means Broad Way) denotes that the street was considered wide, especially in comparison to neighbouring lanes but at three places along its length, it became narrower due to triumphal arches. The first was the Arcus Novus erected by Diocletian in 303–304, then the Arch of Claudius (AD 51–52) stood further ahead (the Aqua Virgo aqueduct crossed the road on top of it) and the third was later known as the Arco di Portogallo.
The most important ancient monuments along Via Lata were Aurelian's Temple of the Sun, the Ara Pacis, the Ustrinum Domus Augustae, the Ara Providentiae and the Column of Marcus Aurelius. A densely populated residential quarter from the Hadrianic era was discovered on the right side of the road between Via delle Muratte and Via delle Convertite. With the building of the Aurelian Walls (AD 271–75) the whole area was incorporated into the city of Rome, and a new city gate (Porta Flaminia) was erected at present-day Piazza del Popolo where the road left the urban territory.
From around the year 600 AD, the Corso accommodated a welfare centre linked to feeding the populace at Santa Maria in Via Lata and granaries at its southern end.[1] During the Middle Ages the Via Lata, the present day Corso, effectively denoted a boundary, to the city which mainly developed to the south and east of it.[2] Also for this reason here was built in 1339 the hospital San Giacomo degli Incurabili, later rebuilt in the today form.
From the fifteenth century, the Via del Corso became a fashionable street for new or renovated churches and new palaces for the nobility.[3] However, by the mid seventeenth century, the street remained a mixture of different scales and architectural styles, some unfashionable, a number of churches lacked facades and some buildings were a combination of structures from different periods or were simply incomplete.
The lack of regularity and decorum of this principal street of the city meant that it became a main urban priority of Pope Alexander VII. In pursuing the nobility to complete their properties, he met with limited success; some just did not have the funds, some were content to avoid the issue by continuing to reside on their country estates [4] In the case of unfinished churches, he encouraged ecclesiastical colleagues to act as sponsors. Where he met with greater success was over imposing order on the street by empowering the maestri di strade, the municipal body in charge of streets, to clear, align and regularize the street .[5] This meant the properties could be acquired and demolished if necessary, projections from buildings could be removed and others added to so as to maintain a consistent line of street frontage. He even had the ancient triumphal arch, the Arco di Portogallo, demolished because the central gateway of this arch effectively reduced the street width to almost half.
Alexander took a particular interest in regularizing the Piazza Colonna, about halfway along the Corso. In 1659, his family, the Chigi, bought the incomplete Palazzo Aldobrandini, bordering the piazza and the Corso, and rebuilt as Palazzo Chigi. Around the same time, the leading painter of the time, Pietro da Cortona, developed a design for a ‘fountain palace’ in the piazza, a palace with a large fountain at the base of the façade, but this precursor of the Trevi Fountain was not built.
The Corso was also tied to Alexander's intentions to impress significant dignitaries paying official visits to the city. The Porta del Popolo was reworked and the Piazza del Popolo cleared. The two Baroque churches facing onto the Piazza marked perpectivised vistas along the Via del Babuino to the left, the Via di Ripetta to the right and at the centre, the straightened and regularized Via del Corso leading to the Piazza Venezia. This complex of three streets is known as Tridente.
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The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.
Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name.
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The Porta del Popolo, or Porta Flaminia, is a city gate of the Aurelian Walls of Rome that marks the border between Piazza del Popolo and Piazzale Flaminio.
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Il Facchino is one of the talking statues of Rome. Like the other five "talking statues", pasquinades - irreverent satires poking fun at public figures - were posted beside Il Facchino in the 14th and 15th centuries.
Villas and palaces in Milan are used to indicate public and private buildings in Milan of particular artistic and architectural value. Milan has always been an important centre with regard to the construction of historical villas and palaces, ranging from the Romanesque to the neo-Gothic, from Baroque to Rococo.
The Zone 1 of Milan, since 2016 officially Municipality 1 of Milan, is one of the 9 administrative divisions of Milan, Italy.
Corso Vittorio Emanuele II, commonly known as Corso Vittorio, is a wide east–west thoroughfare that courses through Rome. It connects a bridge over the Tiber, Ponte Vittorio Emanuele II, to both the Via Torre Argentina and Via del Plebiscito. The latter Via continues east from Piazza del Gesù and along Palazzo Venezia to reach Piazza Venezia which sits below the massive white Monument to Vittorio Emanuele II.
The Tridente is the complex of roads formed by three straight streets of Rome (Italy), departing from Piazza del Popolo and diverging southward, taking the shape of a trident.
San Ciriaco de Camiliano was an ancient church of the city of Rome, formerly located on the present site of the Piazza del Collegio Romano near the Via del Corso. It was demolished in 1491 during construction on the church of Santa Maria in Via Lata.
The following outline is provided as an overview of and topical guide to Rome:
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References
↑ Krautheimer, R. Rome. Profile of a City 312-1308, Princeton University Press, 1980, 77
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