Villa Doria Pamphili

Last updated
Villa Doria Pamphili
Villa Doria Pamphili.JPG
The Casino del Bel Respiro, Villa Doria Pamphili
Villa Doria Pamphili
Click on the map for a fullscreen view
Location Rome, Italy
Coordinates 41°53′17″N12°27′04″E / 41.888°N 12.451°E / 41.888; 12.451
Website www.villadoriapamphilj.it

The Villa Doria Pamphili is a seventeenth-century villa with what is today the largest landscaped public park in Rome, Italy. It is located in the quarter of Monteverde, on the Gianicolo (or the Roman Janiculum), just outside the Porta San Pancrazio in the ancient walls of Rome where the ancient road of the Via Aurelia commences.

Contents

It began as a villa for the Pamphili [1] family and when the line died out in the eighteenth century, it passed to Prince Giovanni Andrea IV Doria, and has been known as the Villa Doria Pamphili since.

History

Old villa

The nucleus of the villa property, the Villa Vecchia or ‘old villa’, already existed before 1630, when it was bought by Pamfilio Pamfili, who had married the heiress Olimpia Maidalchini, to enjoy as a suburban villa. Thereafter he set about buying up neighbouring vineyards to accumulate a much larger holding, [2] which was often known as the Bel Respiro or 'beautiful breath' as it stood on high ground, above the malarial areas of Rome, and offered spectacular views which were a desirable feature of Baroque villa settings. [3]

The giardino segreto parterre today Doria Pamphili 6284.jpg
The giardino segreto parterre today

In 1644 Cardinal Giambattista Pamphili became elected to the papacy and took the name of Innocent X. In accordance with this change in status, the Pamphili aspired to a grander and more expansively sited new villa. Early designs were made, possibly by Virgilio Spada rather than the traditional attribution to Borromini, but these were rejected. [4] Instead the project was placed in the hands of the Bolognese sculptor Alessandro Algardi in 1644, assisted by Giovanni Francesco Grimaldi. [5]

The initial design had a central casino (a house in the original meaning of the term) with wings, but only the central block was built. There is uncertainty as to who the architect was; Algardi was not an architect, and it may be that he had help from Carlo Rainaldi and that the construction was supervised by Grimaldi. [6] The layout has a central circular room around which the other rooms were arranged. Construction began in 1645 and was complete by 1647 although embellishments and the garden layouts were not finished until 1653. The casino, sometimes known as the Casino del Bel Respiro, was designed as a complement to the Pamphili collection of sculptures both ancient and modern, and other Roman antiquities such as vases, sarcophagi and inscriptions; [7] it was only ever intended for display of the collection and the family and guests resided in the older Vecchia Vigna. [8]

As a show case for sculpture, the somewhat crowded Casino facades have rhythmically alternating windows with niches which were elaborately adorned with sculptures, both antique and modern, with busts in hollowed roundels, with panels of bas-reliefs, and reliefs.

Landscape gardens

The exterior containing statues gives a rich allure that was architecturally somewhat conservative for its date, looking back towards the Villa Medici or the Casina Pio IV, and rather more Mannerist than Baroque. It offered a foretaste of the richly stuccoed and frescoed interiors, where the iconographic program set out to establish the antiquity of the Pamphili, a family then somewhat parvenu in Rome, with origins in Gubbio. Inside, Algardi provided further bas-reliefs and stucco framing for the heroic frescoes drawn from Roman history painted by Grimaldi.

The Casino in G. Vasi's etching, c 1740, shows the giardino segreto of the lower terrace, ordinarily visible only from the casino and the upper terraces; orange trees in pots punctuate its balustrades. Vasi merely indicates the patterned parterre beds on the lowest level, later swept away by the familiar extensive landscape. Villa e Casino Panfili del Bel Respiro - Plate 200 - Giuseppe Vasi.jpg
The Casino in G. Vasi's etching, c 1740, shows the giardino segreto of the lower terrace, ordinarily visible only from the casino and the upper terraces; orange trees in pots punctuate its balustrades. Vasi merely indicates the patterned parterre beds on the lowest level, later swept away by the familiar extensive landscape.

The casino is set into the hill slope such that the main entrance on the north side is at a level above the giardino segreto or ‘secret garden’ enclosure on its south side, a parterre garden with low clipped hedges. The gardens on the sloping site were laid out from around 1650 by Innocent's nephew, Camillo Pamphili, formalizing the slope as a sequence from the parterres that flank the Casino, to a lower level below, framed by the boschi or formalized woodlands that rose above clipped hedges, and eventually arriving at a rusticated grotto in the form of an exedra, from which sculptured figures emerge from the rockwork. The exedra, now grassed, formerly enframed a 'Fountain of Venus' by Algardi, which is preserved in the Villa Vecchia, together with Algardi's bas-reliefs of putti representing Love and the Arts that were formerly here. The fountain spilled into a small cascade that let into a short length of formal canal, which was intended to remind the viewer of the similar "Canopus" at Hadrian's Villa another programmatic connection of the Pamphili with Antiquity.

Villa Doria Pamphili

Girolamo Pamphili died in 1760 without male heirs. The resulting disputes between possible heirs were settled in 1763. when Pope Clement XIII Rezzonico granted to Prince Giovanni Andrea IV Doria the right to take the surname, the arms and the vast properties of the Pamphili. The Prince's claim was based on the marriage between Giovanni Andrea III Doria and Anna Pamphili. [9] Since then, the villa has been known as the Villa Doria Pamphili.

Throughout the 18th century, features were regularly added such as fountains and gateways by Gabriele Valvassori and other architects retained by the Pamphili and their heirs. After the Napoleonic era, more sweeping changes were made. The parterres that were formal extensions of the casino were retained but replanted with the patterned planting of colourful carpet bedding supplied from greenhouses by the old villa. (Today the parterres have been replanted in 16th-century style, with panels of scrolling designs in close-clipped greens set in wide gravel walks.) In the sloping outer gardens the changes were more extensive, recasting them in the naturalistic manner of English landscape gardens. The grounds, filled with many surprise features and picturesque incidents, swept down to a small lake at the bottom, which already had an air of atmospheric maturity when it was painted in the 1830s by Alexandre-Gabriel Decamps. In the wooded, natural-appearing landscapes with clumps of characteristic umbrella-like stone pines along horizons stand statues and vases, which evoke a nostalgic antiquity. The 18th-century English landscape gardens such as Stowe and Stourhead that were the inspiration for this style aimed to bring to life the Italian landscapes with Roman ruins painted by Claude and Poussin. A notable difference is that at the Villa Doria Pamphili's giardino inglese the Roman remains are likely to be genuine. The site of the villa contained several Roman tombs that yielded vases, sarcophagi and inscriptions that were added to the Pamphili collection.

The "Arch of the Four Winds" on the site of the former villa Corsini Pamphili Park(2).jpg
The "Arch of the Four Winds" on the site of the former villa Corsini

During the defense of the short-lived Roman Republic in 18491850, Garibaldi hastily fortified three of the villas on the outskirts of Rome. The Villa Doria Pamphili lay near the scene of some of the fiercest hand-to-hand combat by the Porta San Pancrazio, as students joined Garibaldi's legions to defend Rome from the French troops that were eventually successful in reinstalling Pope Pius IX. In the course of the French bombardment, the prominently-sited neighboring Villa Corsinicalled dei Quattro Venti for its airy perch was destroyed. In the aftermath prince Doria-Pamphili bought the extensive Corsini grounds, almost doubling the Villa Doria Pamphili's already extensive grounds, and erected on the former villa's site the monumental commemorative arch, also known as the ‘Arch of the Four Winds’, which has ever since provided the major access to the Villa's grounds. The Corsini casina near it, called the Palazzino Corsini, was not harmed. Today it is used for temporary art exhibitions.

Around 1929 it was suggested that the Villa Doria Pamphili could be annexed to the new state of Vatican through the Lateran Treaty, but this proposal was not adopted in the final version of the Treaty. [10]

New constructions extended and altered the Villa Vecchia which was given a Romanesque styled façade that is not wholly successful. For the first time, Medieval sculptures were added to the Doria-Pamphili collection of Classical antiquities. At the turn of the 20th century, Art Nouveau interiors were added by Prince Doria Pamphili. The Casino del Bel Respiro, long secluded from public use, was bought by the Italian State in 1957 and used as the seat of a Ministry. Today its collection of antiquities and sculptures is open to the public as a museum.

The park has an area of 1.8 km2. It was bought in 19651971 by the City of Rome from the Doria-Pamphilii-Landi family. The park's facilities include sites for bird-watching and jogging, and it is much frequented by the inhabitants of Rome, especially on weekends.

Arup's curving bridge now links the gardens' sections Roma-pamphili06.jpg
Arup's curving bridge now links the gardens' sections

The two sections of the extended villa grounds are divided by a road built for the Olympic games of 1960 as part of the "Via Olimpica", linking E.U.R. with the Olympic Stadium: the road runs partly in a narrow defile. In celebration of the Jubilee Year of 2000, a curved and arching pedestrian bridge designed by MdAA and built by Ove Arup Group was built to join the two sections more amenably. [11]

See also

Related Research Articles

<span class="mw-page-title-main">Alessandro Algardi</span> Italian sculptor (1598–1654)

Alessandro Algardi was an Italian high-Baroque sculptor active almost exclusively in Rome. In the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini, in Rome. He is now most admired for his portrait busts that have great vivacity and dignity.

<span class="mw-page-title-main">Galleria Borghese</span> Art gallery in Rome, Italy

The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.

<span class="mw-page-title-main">Villa Borghese gardens</span> Landscape garden in Rome, Italy

Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums and attractions. It is the third-largest public park in Rome, after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana, built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 19th century.

<span class="mw-page-title-main">Villa Giulia</span> Villa in Rome, Italy

The Villa Giulia is a villa in Rome, Italy. It is named after Pope Julius III, who had it built in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts.

<span class="mw-page-title-main">Doria Pamphilj Gallery</span> Art museum, Historic site in Rome, Italy

The Doria Pamphilj Gallery is a large private art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso. The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains.

<span class="mw-page-title-main">Aldobrandini family</span> Italian noble family

The House of Aldobrandini is an Italian noble family originally from Florence, where in the Middle Ages they held the most important municipal offices. Now the Aldobrandini are resident in Rome, with close ties to the Vatican.

<span class="mw-page-title-main">Sant'Agnese in Agone</span> Church in Rome, Italy

Sant'Agnese in Agone is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini.

<span class="mw-page-title-main">Villa Albani</span> Villa built 1747 to 1767 in Rome, Italy

The Villa Albani is a villa in Rome, built on the Via Salaria for Cardinal Alessandro Albani. It was built between 1747 and 1767 by the architect Carlo Marchionni in a project heavily influenced by others – such as Giovanni Battista Nolli, Giovanni Battista Piranesi and Johann Joachim Winckelmann – to house Albani's collection of antiquities, curated by Winckelmann. The villa has been conserved intact into the 21st century by the Torlonia Family, who bought it in 1866. In 1870, the treaty following the Capture of Rome from the Papal States was signed here.

<span class="mw-page-title-main">Villa Ludovisi</span> Villa in Rome, Italy

The Villa Ludovisi was a suburban villa in Rome, built in the 17th century on the area once occupied by the Gardens of Sallust near the Porta Salaria. On an assemblage of vineyards purchased from Giovanni Antonio Orsini, Cardinal Francesco Maria Del Monte and others, Cardinal Ludovico Ludovisi erected in the 1620s the main villa building to designs by Domenichino; it was completed within thirty months, in part to house his collection of Roman antiquities, additions to which were unearthed during construction at the site, which had figured among the great patrician pleasure grounds of Roman times. Modern works, most famously Gian Lorenzo Bernini's Pluto and Persephone, were also represented. The engraving of the grounds by Giovanni Battista Falda (1683) shows a short access avenue from a tree-lined exedra in via di Porta Pinciana and cypress-lined avenues centered on each of the facades of the main villa, laid out through open fields, the main approaches to both the villa and the Casino dell'Aurora converging on gates in the Aurelian Walls, which formed the northern bounds of the park; symmetrical parterres of conventional form including bosquets peopled with statuary flanked the main avenue of the Casina, and there was an isolated sunken parterre, though these features were not integrated in a unified overall plan. The overgrown avenues contrasting with the dramatic Roman walls inspired Stendhal to declare in 1828 that the Villa Ludovisi's gardens were among the most beautiful in the world.

<span class="mw-page-title-main">Valmontone</span> Municipality in the Metropolitan City of Rome

Valmontone is a comune (municipality) in the Metropolitan City of Rome in the Italian region Lazio, located about 45 kilometres southeast of Rome.

<span class="mw-page-title-main">Olimpia Aldobrandini</span> Member of the Aldobrandini family of Rome

Olimpia Aldobrandini was a member of the Aldobrandini family of Rome, and the sole heiress to the family fortune.

<span class="mw-page-title-main">Camillo Francesco Maria Pamphili</span> Italian Catholic cardinal and nobleman of the Pamphili family

Camillo Francesco Maria Pamphili was an Italian Catholic cardinal and nobleman of the Pamphili family. His name is often spelled with the final long i orthography; Pamphilj.

<span class="mw-page-title-main">Doria-Pamphili-Landi</span>

The House of Doria Pamphilj Landi was a princely Roman family of Genoese extraction. Legend has it that the origins of the Doria family date from the early 11th century, but the authentic pedigree is traced to Ansaldo d'Oria, consul of Genoa in the 12th century. The descent of the several Doria family lines in Genoa is well-known and is described in Natale Battilana's 19th-century genealogical study of old Genoese families.

<i>Busts of Pope Innocent X</i> Sculptures by Gianlorenzo Bernini

The Busts of Pope Innocent X are two portrait busts by the Italian artist Gianlorenzo Bernini of Pope Innocent X, Giovanni Battista Pamphili. Created around 1650, both sculptures are now in the Galleria Doria Pamphili in Rome. Like the two busts of Cardinal Scipione Borghese, it is believed that Bernini created a second version of the bust once a flaw was discovered in the first version. There exist several similar versions of the bust done by other artists, most notably Alessandro Algardi.

<span class="mw-page-title-main">Filippo Doria Pamphili</span> Italian politician (1813–1876)

Filippo Andrea V Doria Pamphili was an Italian politician. He was born in Rome, the son of Luigi Giovanni Andrea Dorea Pamphili and Teresa Orsini di Gravina. He was a recipient of the Order of Saints Maurice and Lazarus and the Order of the Crown of Italy.

<span class="mw-page-title-main">Outline of Rome</span> Overview of and topical guide to Rome

The following outline is provided as an overview of and topical guide to Rome:

<span class="mw-page-title-main">Gianicolense</span> Quartiere of Rome in Lazio, Italy

Gianicolense is the 12th quartiere of Rome (Italy), identified by the initials Q. XII. It belongs to the Municipio XI and Municipio XII. It takes its name from the Janiculum hill, which lies in the nearby rione Trastevere and whose western extremities correspond to the area of Monteverde.

<span class="mw-page-title-main">Villa del Principe</span> Historic building and art museum in Genoa, Italy

The Villa del Principe, Palazzo del Principe, or Palace of Andrea Doria in Fassolo is one of the main historical suburban villas of Genoa, Italy. It was built in the 16th century in an area that it is now located in the city center, but at the time of the construction of the villa was just outside of the city walls towards Capo di Faro and the Lanterna.

References

  1. some times spelt Pamphilj; the family favor the orthography of the long ‘i’
  2. This larger estate was sometimes referred to by contemporaries as the Vegna Panfili, the "Pamphili vineyards" of the western part of the property
  3. The Pamphili preferred to call it the Villa dell'Allegrezze or ‘villa of joy’ ignoring the stricture in Ecclesiastes 7:4 that gave rise to Edith Wharton's House of Mirth
  4. Montagu, Jennifer. Alessandro Algardi, Vol. 1, Yale, 1985, p. 94-6
  5. Grimaldi has a modest reputation as a landscape painter but was responsible for the decor of the gallery in Palazzo Borghese in Rome: Howard Hibbard, "Palazzo Borghese Studies - II: The Galleria" The Burlington Magazine104 No. 706 (January 1962), pp. 9-20.
  6. Blunt, Anthony. Guide to Baroque Rome, Granada, 1982, p. 219
  7. Most of the Pamphili marbles are today in the Capitoline Museums.
  8. Blunt, 1982, p.218-9
  9. ":: Galleria Doria Pamphilj - Roma". Doriapamphilj.it. Archived from the original on July 17, 2012. Retrieved 2012-10-29.
  10. "Christus Vincit!". TIME Magazine. January 28, 1929. Archived from the original on October 27, 2010.
  11. "Doria Pamphilj Bridge". 19 June 2018.

Further reading

Preceded by
Villa Borghese gardens
Landmarks of Rome
Villa Doria Pamphili
Succeeded by
Villa Medici