Santi Apostoli, Rome

Last updated
Santi XII Apostoli
Church of the Twelve Holy Apostles
SS. XII Apostolorum(in Latin)
SS Apostoli 001.jpg
View of the church from the Vittoriano.
Santi Apostoli, Rome
Click on the map for a fullscreen view
41°53′53.18″N12°28′59.54″E / 41.8981056°N 12.4832056°E / 41.8981056; 12.4832056
LocationPiazza Dei Santi Apostoli, Rome
Country Italy
Denomination Roman Catholic
Tradition Roman Rite
Website Official website
History
Status Parish church, titulus, minor basilica
Dedication Twelve Apostles
Architecture
Architect(s) Baccio Pontelli, Carlo Rainaldi, Carlo Fontana
Architectural type Church
Style Baroque
Groundbreaking 6th century
Completed1714
Specifications
Length75 metres (246 ft)
Width40 metres (130 ft)
Nave width18 metres (59 ft)
Administration
Province Diocese of Rome
Clergy
Cardinal protector Father Mario Peruzzo [1]


Santi Dodici Apostoli (Church of the Twelve Holy Apostles; Latin : SS. Duodecim Apostolorum), commonly known simply as Santi Apostoli, is a 6th-century Roman Catholic parish and titular church and minor basilica in Rome, Italy, dedicated originally to St. James and St. Philip, whose remains are kept here, and later to all Apostles. Today, the basilica is under the care of the Conventual Franciscans, whose headquarters in Rome is in the adjacent building. [2] It is the Station church for Friday, the first week of Lent. [3]

Contents

The Cardinal Priest of the Titulus XII Apostolorum is Angelo Scola. Among the previous Cardinal Priests are Pope Clement XIV, whose tomb by Canova is in the basilica, and Henry Benedict Stuart.

History

The first church dedicated to the Holy Apostles was one built under Pope Julius I in the mid-fourth century near Trajan's Forum. It is listed as "Titulus SS Apostolorum" in the acts of the synod of 499. Its successor was built by Pope Pelagius I, on the present site, to celebrate the victory of Narses over the Ostrogoths at the Battle of Taginae in 552. General Narses contributed to the construction of the building. [3] It was dedicated around 570 by Pope John III to St. James and Saint Philip the Apostle. Santi Apostoli was ruined by the earthquake of 1348, and left abandoned.

In 1417, Pope Martin V, whose Colonna family owned the adjacent Palazzo Colonna, restored the church. The Franciscans took charge of the church in 1463. A more extensive restoration was undertaken by Pope Sixtus IV and his nephew, Giuliano della Rovere, from 1471 to 1484.

The inscriptions found in SS. XII Apostoli, a valuable source illustrating the history of the church, have been collected and published by Vincenzo Forcella. [4]

Architecture

The 15th century portico that precedes the present facade is by Baccio Pontelli. In 1665, Carlo Rainaldi walled up the arches in the upper level and installed statues on the parapet. The church was later restored again, with the facade completed by Giuseppe Valadier in 1827. [5]

On the wall of the portico on the right side, is an antique bas-relief of an eagle surrounded by an oak crown that it holds in its talons. Opposite is the monument of the Venetian engraver Giovanni Volpato sculpted and erected by his friend and countryman Antonio Canova. It consists of a large bas-relief, representing "Friendship in Mourning" in the form of a woman weeping before the bust of the deceased Volpato. [6]

Interior

Facade of the Basilica and plan Dodici Apostoli.jpg
Facade of the Basilica and plan
Triumph of the Franciscan Order, Baciccio Basilica dei Santi Apostoli (Rome) - Ceiling.jpg
Triumph of the Franciscan Order, Baciccio
Basilica dei Santi Apostoli (Roma) - Interior Basilica dei Santi Apostoli (Roma) - Interior.jpg
Basilica dei Santi Apostoli (Roma) - Interior

Around 1700, Pope Clement XI instigated dramatic renovations of the church. A new Baroque interior was designed by Carlo Fontana and completed in 1714. The fresco on the vaulted ceiling is the Triumph of Franciscan Order by Baciccio. [5] Above the sanctuary is a fresco from 1709 by Giovanni Odazzi, representing the "Fall of Lucifer and his Angels".

There are also later frescoes of the Evangelists by Luigi Fontana in the apse. [7] The main altar had a baldacchino with four porphyry columns. The altarpiece is by Domenico Maria Muratori and depicts the Martyrdoms of the Apostles Philip and James the Less.

To the right of the high altar are the tombs of Count Giraud de Caprières (died 1505) and Cardinal Raffaele Riario (died 1521), tentatively attributed to Michelangelo. To the left is a monument to Cardinal Pietro Riario, nephew of Pope Sixtus IV, by the school of Andrea Bregno and possible designed by Andrea Bregno himself. There is also a Madonna by Mino da Fiesole.

Next to a pier of the nave on the right-hand side, near the first chapel, is enshrined the heart of Maria Klementyna Sobieska, wife of the Old Pretender, James Francis Edward Stuart. Her tomb is in St Peter's Basilica. Her monument is by Filippo della Valle. Her husband used to pray here every morning; it was his parish church when he lived at the nearby Palazzo Muti.

Entrance to the crypt Franc XII Apostoli fc03.jpg
Entrance to the crypt

The confessio was constructed in 1871. During its construction, the relics of St James and St Philip, which were taken from the catacombs in the 9th century to protect them from invaders, were rediscovered under the high altar. [3] The wall paintings are reproductions of ancient catacomb paintings. An inscription explains that Pope Stephen IV walked barefoot in 886 from the catacombs to the church carrying the relics on his shoulders.

Frescoes of Melozzo da Forlì

A fragment of the removed fresco by Melozzo da Forli Da Forli - Angel with Lute head.jpg
A fragment of the removed fresco by Melozzo da Forlì

About 1472, Melozzo da Forlì was commissioned by Cardinal Pietro Riario to paint the vault of the apse, his subject being the Ascension of Christ. It is one of the earliest known examples of perspective applied to the human figure on roof or ceiling decoration. [8] According to Giorgio Vasari, "the figure of Christ is so admirably foreshortened as to appear to pierce the vault; and in the same manner the angels are seen sweeping through the field of air in two opposite directions." [9]

This fresco was taken down in 1711 when Clement IX enlarged the choir. The figure of Christ is now in the Quirinal Palace. Some of the other portions, which influenced Raphael, are in the sacristy of St Peter's. A hall in the Vatican Museums, holds designs of angels and apostles by Melozzo, taken from the same fresco.

Chapels

The twelve side chapels were reduced in number during the renovations of Clement IX.

Pope Clement XIV (1769–1774) is buried at the end of the left side aisle, near the door of the sacristy. His Neo-Classical tomb is by Antonio Canova, made in 1783-1787. [5] Besides the statue of that Pope, there are two uncommonly fine figures of "Temperance" and "Clemency". This was the first major work Canova did in Rome. [10]

Burials

For a short time, the basilica housed the tomb of Michelangelo, before its transportation to the Basilica di Santa Croce di Firenze. Upon the death of James Francis Edward Stuart in 1766, his body lay in state here before he was buried with his wife at St. Peter's Basilica. [10]

List of Cardinal-priests since 1059

List of the cardinal titulars of the church [11] [12] [13] [14]

Related Research Articles

<span class="mw-page-title-main">Pope Innocent XI</span> Head of the Catholic Church from 1676 to 1689

Pope Innocent XI, born Benedetto Odescalchi, was head of the Catholic Church and ruler of the Papal States from 21 September 1676 to his death, on 1689.

<span class="mw-page-title-main">Pope Sixtus IV</span> Head of the Catholic Church from 1471 to 1484

Pope Sixtus IV was head of the Catholic Church and ruler of the Papal States from 9 August 1471 to his death, in August 1484. His accomplishments as pope included the construction of the Sistine Chapel and the creation of the Vatican Library. A patron of the arts, he brought together the group of artists who ushered the Early Renaissance into Rome with the first masterpieces of the city's new artistic age.

<span class="mw-page-title-main">Archbasilica of Saint John Lateran</span> Roman Catholic basilica, a landmark of Rome, Italy

The Archbasilica Cathedral of the Most Holy Savior and of Saints John the Baptist and John the Evangelist in the Lateran is the Catholic cathedral church of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately 4 kilometres (2.5 mi) to the northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929. Dedicated to the Christ, John the Baptist and John the Evangelist, the place name, Laterano (Lateran) comes from an ancient Roman family (gens), whose palace (domus) grounds occupied the site; the adjacent Lateran Palace was the primary residence of the pope until the Middle Ages.

<span class="mw-page-title-main">Santa Maria sopra Minerva</span> 14th-century Dominican church in Rome

Santa Maria sopra Minerva is one of the major churches of the Order of Preachers in Rome, Italy. The church's name derives from the fact that the first Christian church structure on the site was built directly over the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva.

<span class="mw-page-title-main">Melozzo da Forlì</span> Italian architect and painter

Melozzo da Forlì was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school.

<span class="mw-page-title-main">Carlo Fontana</span> Italian architect (1634/1638–1714)

Carlo Fontana (1634/1638–1714) was an Italian architect originating from today's Canton Ticino, who was in part responsible for the classicizing direction taken by Late Baroque Roman architecture.

<span class="mw-page-title-main">Churches of Rome</span>

There are more than 900 churches in Rome, which makes it the city with the largest number of churches in the world. Almost all of these are Catholic.

<span class="mw-page-title-main">Santi Quattro Coronati</span> Church in Rome, Italy

Santi Quattro Coronati is an ancient basilica in Rome, Italy. The church dates back to the fourth or fifth century, and is devoted to four anonymous saints and martyrs. The complex of the basilica with its two courtyards, the fortified Cardinal Palace with the Saint Silvester Chapel, and the monastery with its cosmatesque cloister is built in a silent and green part of Rome, between the Colosseum and San Giovanni in Laterano, in an out-of-time setting.

<span class="mw-page-title-main">Antoniazzo Romano</span> Italian painter

Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.

<span class="mw-page-title-main">Raffaele Riario</span> Italian cardinal

Raffaele Sansoni Galeoti Riario was an Italian Cardinal of the Renaissance, mainly known as the constructor of the Palazzo della Cancelleria and the person who invited Michelangelo to Rome. He was a patron of the arts. He was also the first adolescent to be elevated in the College of Cardinals in the history of the Holy See.

<span class="mw-page-title-main">San Lorenzo in Damaso</span> Roman Catholic basilica, a landmark of Rome, Italy

The Minor Basilica of St. Lawrence in Damaso or simply San Lorenzo in Damaso is a parish and titular church in central Rome, Italy that is dedicated to St. Lawrence, deacon and martyr. It is incorporated into the Palazzo della Cancelleria, which enjoys the extraterritoriality of the Holy See.

<span class="mw-page-title-main">Sant'Andrea delle Fratte</span> Roman Catholic basilica, a landmark of Rome, Italy

Sant'Andrea delle Fratte is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.

<span class="mw-page-title-main">Andrea Bregno</span> Italian sculptor

Andrea di Cristoforo Bregno (1418–1506) was an Italian Renaissance sculptor and architect of the Early Renaissance who worked in Rome from the 1460s and died just as the High Renaissance was getting under way.

Ludovico Rusconi Sassi was an Italian architect of the Rococo period.

<span class="mw-page-title-main">Giuseppe Bartolomeo Chiari</span> Italian painter (1654–1727)

Giuseppe Bartolomeo Chiari, also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.

<span class="mw-page-title-main">Sisto Riario Sforza</span> Italian cardinal (1810–1877)

Sisto Riario Sforza was an Italian Roman Catholic cardinal who served as the Archbishop of Naples from 1845 until his death. Sforza's rapid rise through the Church ranks began with various appointments before he served as the Bishop of Aversa for seven months. He was promoted to the Naples archdiocese and cardinalate. After two months, Sisto became a close supporter of Pope Pius IX and a vocal participant in the First Vatican Council.

<span class="mw-page-title-main">Roman Renaissance</span> Renaissance in Rome

The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 15th century. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and the sculptor Donatello. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.

<span class="mw-page-title-main">Santi Cosma e Damiano, Rome</span> Roman Catholic basilica, a landmark of Rome, Italy

The basilica of Santi Cosma e Damiano is a titular church in Rome, Italy. The lower portion of the building is accessible through the Roman Forum and incorporates original Roman buildings, but the entrance to the upper level is outside the Forum.

<span class="mw-page-title-main">Paolo Posi</span> Italian architect

Paolo Posi was an Italian architect of the late-Baroque period. Among the cities in which he was active were Rome, Narni, and Viterbo. Among the other works, he designed mausoleums for Cardinal Inico Caracciolo in Aversa, Cardinal Giuseppe Renato Imperiali in the church of Sant'Agostino in Rome, for cardinal Carafa in Sant'Andrea delle Fratte (1759), and for princess Maria Flaminia Chigi-Odescalchi (1771) in the church of Santa Maria del Popolo.

Pompeo Zambeccari (1518–1571) was Apostolic Nuncio to Portugal from 1550 to 1553, and served also as Bishop of Valva and Sulmona from 1547 to 1571.

References

  1. Official website of the vicariate of Rome Archived February 20, 2010, at the Wayback Machine
  2. "Basilica dei Santi XII Apostoli", Religiana
  3. 1 2 3 "Friday: Santi XII Apostoli", PNAC
  4. V. Forcella, Inscrizioni delle chese e d' altre edifici di Roma, dal secolo XI fino al secolo XVI Volume II (Roma: Fratelli Bencini, 1873), pp. 219-298.
  5. 1 2 3 "The Basilica of the Twelve Holy Apostles", Turismo Roma, Major Events, Sport, Tourism and Fashion Department
  6. Vasi, Mariano (1824), A new picture of Rome and its environs in the form of an itinerary, Cradock, & Joy, p. 176
  7. Vasta, Daniela. La pittura sacra in Italia nell’Ottocento: Dal Neoclassicismo al Simbolismo, p. 102.
  8. Gillet, Louis. "Melozzo da Forlí." The Catholic Encyclopedia Vol. 10. New York: Robert Appleton Company, 1911. 19 January 2023 PD-icon.svg This article incorporates text from this source, which is in the public domain .
  9. Lanzi, Luigi (1828), The History of Painting in Italy: The schools of Bologna, Ferrara, Genoa, and Piedmont, W. Simpkin and R. Marshall, p. 43
  10. 1 2 3 "Santi Apostoli", Churches of Rome
  11. Rudolf Hüls, Kardinäle, Klerus und Kirchen Roms , 1049-1130 (Tubingen: Max Niemeyer 1977), pp. 150-153.
  12. Conradus Eubel, Hierarchia catholica medii aevi I, editio altera (Monasterii 1913) pp. 39-40.
  13. GCatholic Cardinal Title Santi XII Apostoli
  14. Salvador Miranda, The Cardinals of the Holy Roman Church: XII Apostolorum Archived 2017-12-05 at archive.today Retrieved 03/08/2016
  15. Angelo Fumagalli, Delle Istituzioni Diplomatiche (Milano: Al Genio Tipografico 1802), p. 140.

Bibliography

Commons-logo.svg Media related to Basilica dei Santi Apostoli (Rome) at Wikimedia Commons