Location | Regio IX Circus Flaminius |
---|---|
Coordinates | 41°53′30.88″N12°28′46.13″E / 41.8919111°N 12.4794806°E |
Type | Roman theatre (structure) |
History | |
Builder | Julius Caesar Augustus Caesar / Marcus Marcellus |
Founded | 13 BC |
The Theatre of Marcellus (Latin : Theatrum Marcelli, Italian : Teatro di Marcello) was an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. It is located in the modern rione of Sant'Angelo. In the sixteenth century, it was converted into a palazzo.
Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was advanced enough by 17 BC that part of the celebration of the ludi saeculares took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus, [1] named after his nephew Marcus Claudius Marcellus who had died in 23 BC.
The theatre was 111 m in diameter and was the largest and most important theatre in Ancient Rome; [2] it could originally hold between 11,000 and 20,000 spectators. [1] [2] A catalogue compiled at the end of the 4th century recorded that the theatre's seating capacity was 17,580 persons. [3] It was an impressive example of what was to become one of the most pervasive urban architectural forms of the Roman world. The theatre was built mainly of tuff, and concrete faced with stones in the pattern known as opus reticulatum , completely sheathed in white travertine. However, it is also the earliest dateable building in Rome to make use of fired Roman brick, then a new introduction from the Greek world. [4]
The network of arches, corridors, tunnels and ramps that gave access to the interiors of such Roman theatres were normally ornamented with a screen of engaged columns in Greek orders: Doric at the base, Ionic in the middle. It is believed that Corinthian columns were used for the upper level but this is uncertain as the theatre was reconstructed in the Middle Ages, removing the top tier of seating and the columns. [1]
Like other Roman theatres in suitable locations, it had openings through which the natural setting could be seen, in this case the Tiber Island to the southwest. The permanent setting, the scaena, also rose to the top of the cavea as in other Roman theatres.
The theatre fell out of use in the early 4th century and the structure served as a quarry, e.g., for the Pons Cestius in 370 AD. However, the statues located inside the building were restored by Petronius Maximus in 421 and the remaining structure still housed small residential buildings. In the Early Middle Ages the theatre was used as a fortress of the Roman family of Faffo or Fabi (called "from Pescheria") and then at the end of the 11th century (when it was known as templum Marcelli), by Pier Leoni and later his heirs (the Pierleoni). This saved the complex from further destruction. The Savelli held it in the 13th century. Later, in the 16th century, the residence of the Orsini, designed by Baldassare Peruzzi, was built atop the ruins of the ancient theatre. By the 19th century, rises in the street level meant that almost half the ground floor was below it.
Now the upper floors are divided into multiple apartments, and its surroundings are used as a venue for small summer concerts; the Portico d'Ottavia lies to the north west leading to the Roman Ghetto and the Tiber to the south west. The Embassy of the Sovereign Military Order of Malta to the Holy See is located in the premises of Casa Litta – Palazzo Orsini, in Teatro Marcello. [5]
According to his son, Christopher Wren aspired to the "ancient Roman Grandeur discernible in the Theatre of Marcellus" in his design for the Sheldonian Theatre, although its design is "not... an obvious derivative of the semicircular Theatre of Marcellus" and there is no evidence that it was modelled on it. [6]
A 1:100 scale model of the theatre is found in Room IX of the Museum of Roman Civilization in Rome. [7]
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.
The Sheldonian Theatre, in the centre of Oxford, England, was built from 1664 to 1669 after a design by Christopher Wren for the University of Oxford. The building is named after Gilbert Sheldon, Warden of All Souls College and later chancellor of the University. Sheldon was the project's main financial backer. The theatre is used for music concerts, lectures and University ceremonies, but not for drama until 2015 when the Christ Church Dramatic Society staged a production of The Crucible by Arthur Miller.
The Capitolium or Capitoline Hill, between the Forum and the Campus Martius, is one of the Seven Hills of Rome.
Roman theatres derive from and are part of the overall evolution of earlier Greek theatres. Much of the architectural influence on the Romans came from the Greeks, and theatre structural design was no different from other buildings. However, Roman theatres have specific differences, such as generally being built upon their own foundations instead of earthen works or a hillside and being completely enclosed on all sides.
The Tabularium was the official records office of ancient Rome and housed the offices of many city officials. Situated within the Roman Forum, it was on the front slope of the Capitoline Hill, below the Temple of Jupiter Optimus Maximus, to the southeast of the Arx.
The Forum Holitorium or Olitorium is an archaeological area of Rome, Italy, on the slopes of the Capitoline Hill. It was located outside the Carmental Gate in the Campus Martius, crowded between the cattle market and buildings located in the Circus Flaminius.
The Circus Flaminius was a large, circular area in ancient Rome, located in the southern end of the Campus Martius near the Tiber River. It contained a small race-track used for obscure games, and various other buildings and monuments. It was "built", or sectioned off, by Gaius Flaminius in 221 BC. After Augustus divided the city into 14 administrative regions, the Circus Flaminius gave its name to Regio IX, which encompassed the Circus and all of the Campus Martius west of the Via Lata.
The Theatre of Pompey, also known by other names, was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great. Completed in 55 BC, it was the first permanent theatre to be built in Rome. Its ruins are located at Largo di Torre Argentina.
Marcus Claudius Marcellus was the eldest son of Gaius Claudius Marcellus and Octavia Minor, sister of Augustus. He was Augustus' nephew and closest male relative, and began to enjoy an accelerated political career as a result. He was educated with his cousin Tiberius and traveled with him to Hispania where they served under Augustus in the Cantabrian Wars. In 25 BC he returned to Rome where he married his cousin Julia, who was the emperor's daughter. Marcellus and Augustus' general Marcus Vipsanius Agrippa were the two popular choices as heir to the empire. According to Suetonius, this put Agrippa at odds with Marcellus, and is the reason why Agrippa traveled away from Rome to Mytilene in 23 BC.
Sant'Angelo is the 11th rione of Rome, Italy, located in Municipio I. Often written as rione XI - Sant'Angelo, it has a coat of arms with an angel on a red background, holding a palm branch in its left hand. In another version, the angel holds a sword in its right hand and a scale in its left.
The National Roman Museum is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome.
The Temple of Apollo Sosianus is a Roman temple dedicated to Apollo in the Campus Martius, next to the Theatre of Marcellus and the Porticus Octaviae, in Rome, Italy. Its present name derives from that of its final rebuilder, Gaius Sosius.
The Pons Cestius is an ancient Roman bridge connecting the right bank of the Tiber with the west bank of Tiber Island in Rome, Italy. In Late Antiquity, the bridge was replaced and renamed the Pons Gratiani. It is also known as Ponte San Bartolomeo. No more than one third of the present stone bridge is of ancient material, as it was entirely rebuilt and extended in the 19th century after numerous earlier restorations.
The Temple of Janus at the Forum Holitorium was a Roman temple dedicated to the god Janus, located between the Capitoline Hill and the Tiber River near the Circus Flaminius in the southern Campus Martius. The temple was built during the First Punic War, after the Temple of Janus in the Roman Forum.
Palazzo Borghese is a palace in Rome, Italy, the main seat of the Borghese family. It was nicknamed il Cembalo due to its unusual trapezoidal groundplan; its narrowest facade faces the River Tiber. The entrance at the opposite end of the building, the "keyboard" of the cembalo, faces onto the Fontanella di Borghese, with another in a great flanking facade to the Piazza Borghese that is extended by a slightly angled facade leading down Via Borghese towards the river. Both these entrances lead into a large courtyard on one side of which is a two level open arcade, with paired Doric and Ionic columns, that frames the garden beyond.
Fluting in architecture and the decorative arts consists of shallow grooves running along a surface. The term typically refers to the curved grooves (flutes) running vertically on a column shaft or a pilaster, but is not restricted to those two applications. If the scoops taken out of the material meet in a sharp ridge, the ridge is called an arris. If the raised ridge between two flutes appears flat, the ridge is a fillet. Fluted columns are common in the tradition of classical architecture but were not invented by the ancient Greeks, but rather passed down or learned from the Mycenaeans or the Egyptians.
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The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture. Rome's cityscape is also widely Neoclassical and Fascist in style.
The following outline is provided as an overview of and topical guide to Rome:
The Regio IX Circus Flaminius is the ninth regio of imperial Rome, under Augustus's administrative reform. Regio IX took its name from the racecourse located in the southern end of the Campus Martius, close to Tiber Island.
Preceded by Stadium of Domitian | Landmarks of Rome Theatre of Marcellus | Succeeded by Theatre of Pompey |