Roman theatres derive from and are part of the overall evolution of earlier Greek theatres. Much of the architectural influence on the Romans came from the Greeks, and theatre structural design was no different from other buildings. However, Roman theatres have specific differences, such as generally being built upon their own foundations instead of earthen works or a hillside and being completely enclosed on all sides.
Roman theatres were built in all areas of the Empire, from Spain to the Middle East. Because of the Romans' ability to influence local architecture, we see numerous theatres around the world with uniquely Roman attributes. [1]
Similarities exist between the theatres and amphitheaters of ancient Rome. They were constructed out of the same material, Roman concrete, and provided a place for the public to go and see numerous events. However, they are two entirely different structures, with specific layouts that lend to the different events they held. Amphitheatres did not need superior acoustics, unlike those provided by the structure of a Roman theatre. While amphitheatres would feature races and gladiatorial events, theatres hosted events such as plays, pantomimes, choral events, orations, and commerce.[ citation needed ] Their design, with its semicircular form, enhances the natural acoustics, unlike Roman amphitheatres constructed in the round. [1]
These buildings were semi-circular and possessed certain inherent architectural structures, with minor differences depending on the region in which they were constructed. The scaenae frons was a high back wall of the stage floor, supported by columns. The proscaenium was a wall that supported the front edge of the stage with ornately decorated niches off to the sides. The Hellenistic influence is seen through the use of the proscenium. The Roman theatre also had a podium , which sometimes supported the columns of the scaenae frons. The theatre itself was divided into the stage (orchestra) and the seating section ( cavea ). The cavea was sometimes constructed on a small hill or slope in which stacked seating could be easily made in the tradition of the Greek theatres. The center of the cavea was hollowed out of a hill or slope, while the outer radian seats required structural support and solid retaining walls. This was not always the case as Romans tended to build their theatres regardless of the availability of hillsides. All theatres built within the city of Rome were completely man-made without the use of earthworks. The cavea was not roofed, rather, awnings ( velarium ) could be pulled overhead to provide shelter from rain or sunlight. [2] Vomitoria , passages situated below or behind a tier of seats, were made available to the audience. [3]
Some Roman theatres, constructed of wood, were torn down after the festival for which they were erected concluded. This practice was due to a moratorium on permanent theatre structures that lasted until 55 BC when the Theatre of Pompey was built with the addition of a temple to avoid the law. Some Roman theatres show signs of never having been completed in the first place. [4]
Inside Rome, few theatres have survived the centuries following their construction, providing little evidence about the specific theatres. The Roman Theatre of Orange in modern Orange, France, is a good example of a classic Roman theatre, with an indented scaenae frons, reminiscent of why Western Roman theatre designs, however, stripped of its ornamental stone columns and statues. [2]
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.
An amphitheatre or amphitheater is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ἀμφιθέατρον, from ἀμφί, meaning "on both sides" or "around" and θέατρον, meaning "place for viewing".
A proscenium is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same.
The Theatre of Dionysus is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus. The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.
The Theatre of Pompey, also known by other names, was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great. Completed in 55 BC, it was the first permanent theatre to be built in Rome. Its ruins are located at Largo di Torre Argentina.
A theater, or playhouse, is a structure where theatrical works, performing arts, and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place.
The Theatre of Marcellus is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of Sant'Angelo, Rome, once again provides one of the city's many popular spectacles or tourist sites.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
The Roman theatre of Philippopolis is one of the world's best-preserved ancient Roman theatres, located in the city center of modern Plovdiv, Bulgaria, once the ancient city of Philippopolis. It was constructed in the 1st century AD, probably during the reign of Domitian. The theatre can host between 5,000 and 7,000 spectators and it is currently in use.
The scaenae frons is the elaborately decorated permanent architectural background of a Roman theatre stage. The form may have been intended to resemble the facades of imperial palaces. It could support a permanent roof or awnings. The Roman scaenae frons was also used both as the backdrop to the stage and behind as the actors' dressing room. Largely through reconstruction or restoration, there are a number of well-preserved examples.
Prusias ad Hypium was a city in ancient Bithynia, and afterwards in the late Roman province of Honorias. In the 4th century it became a bishopric that was a suffragan of Claudiopolis in Honoriade. Before its conquest by King Prusias I of Bithynia, it was named Cierus or Kieros and belonged to the Heraclea Pontica. Photius writes that it was called Kieros, after the river which flows by it.
Roman amphitheatres are theatres — large, circular or oval open-air venues with raised seating — built by the ancient Romans. They were used for events such as gladiator combats, venationes and executions. About 230 Roman amphitheatres have been found across the area of the Roman Empire. Early amphitheatres date from the Republican period, though they became more monumental during the Imperial era.
The Roman Theatre of Mérida is a Roman theatre in the Roman colonia of Emerita Augusta –present-day Mérida, Spain–, capital of the Roman province of Lusitania. Its construction was promoted by the consul Vipsanius Agrippa and was built in 16–15 BCE. It was used for Roman theatrical performances during ancient Rome. Since 1933, it houses the International Festival of Classical Theatre of Mérida.
The Roman Theatre of Tarraco is a Roman theatre in the Roman colonia of Tarraco –present-day Tarragona, Spain–, capital of the Roman province of Hispania Tarraconensis. Built at the end of the 1st century BC, in the time of Augustus, in the area of the local forum and the port, it was used for Roman theatrical performances.
The Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Roman Theatre of Catania consists of the ruins of two open-air semicircular ancient Roman theatres, located between Piazza San Francesco, via Vittorio Emanuele, via Timeo, and via Teatro Greco in the center of Catania, Sicily, southern Italy. The site consists of a larger theatre and a smaller semicircular theatre, an Odeon. The structure is part of the Parco archeologico greco-romano di Catania.
The Roman theatre of Volterra was uncovered in the 1950s, during archaeological excavations of the ancient Roman city conducted by Enrico Fiumi. 19th-century guide to the city mentions efforts in 1817 by the commune to start excavating what was considered a luxurious amphitheater at this site. It is one of the best-preserved Roman theatres in Italy. It is located just outside the Porta Fiorentina, in an area called Vallebuona.
The ancient theater of Sabratha is the Roman theater of the ancient city of Sabratha in Proconsular Africa, on the Mediterranean coast of northwestern Libya. The date and circumstances of its construction are undetermined, as are those of its abandonment. Archaeologists can only advance approximate hypotheses, and place its construction around the end of the first century or the beginning of the second. After centuries of abandonment, excavators rediscovered the city and its monument during the Italian occupation of Libya in the early 20th century. The excavation and restoration work carried out between 1927 and 1937 made the theater the most important monument on the Sabratha site, the largest theater in Roman Africa, and the most spectacular in the Roman world in two respects: the colonnade of its stage wall was almost completely reconstructed by a three-level anastylosis, and an exceptional series of bas-reliefs adorned the base of the stage. It could accommodate around 5,000 spectators and, in its restored state, still holds 1,500.
The Greek Theatre of Cyrene was the largest and oldest of the five known theatres in Cyrene, Libya. It was built on the north slope of the Acropolis, west of the Sanctuary of Apollo and was originally built as a standard Greek theatre, probably in the late sixth century BC. The structure underwent several phases of renovation and was eventually converted into a Roman amphitheatre in the second century AD.
The Gallo-Roman theater of Lisieux is an ancient Roman entertainment structure dating back to the 2nd century. It is situated in the commune of Saint-Désir, near Lisieux in the French department of Calvados, in the Normandy region.