Aspendos or Aspendus was an ancient Greco-Roman city in Antalya province of Turkey. The site is located 40 km east of the modern city of Antalya.
Roman theatres derive from and are part of the overall evolution of earlier Greek theatres. Much of the architectural influence on the Romans came from the Greeks, and theatre structural design was no different from other buildings. However, Roman theatres have specific differences, such as generally being built upon their own foundations instead of earthen works or a hillside and being completely enclosed on all sides.
The Theatre of Dionysus is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus. The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.
The Theatre of Pompey, also known by other names, was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great. Completed in 55 BC, it was the first permanent theatre to be built in Rome. Its ruins are located at Largo di Torre Argentina.
The Theatre of Marcellus was an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. It is located in the modern rione of Sant'Angelo. In the sixteenth century, it was converted into a palazzo.
The Roman theatre of Philippopolis is one of the world's best-preserved ancient Roman theatres, located in the city center of modern Plovdiv, Bulgaria, once the ancient city of Philippopolis. It was constructed in the 1st century AD, probably during the reign of Domitian. The theatre can host between 5,000 and 7,000 spectators and it is currently in use.
Prusias ad Hypium was a city in ancient Bithynia, and afterwards in the late Roman province of Honorias. In the 4th century it became a bishopric that was a suffragan of Claudiopolis in Honoriade. Before its conquest by King Prusias I of Bithynia, it was named Cierus or Kieros and belonged to the Heraclea Pontica. Photius writes that it was called Kieros, after the river which flows by it.
The Eurymedon Bridge was a late Roman bridge over the river Eurymedon, near Aspendos, in Pamphylia in southern Anatolia. The foundations and other stone blocks (spolia) of the Roman structure were used by the Seljuqs to build a replacement bridge in the 13th century, the Köprüpazar Köprüsü, which stands to this day. This bridge is characterized by a significant displacement along its mid-line, noticeable by looking at its ancient piers.
Roman amphitheatres are theatres — large, circular or oval open-air venues with tiered seating — built by the ancient Romans. They were used for events such as gladiator combats, venationes and executions. About 230 Roman amphitheatres have been found across the area of the Roman Empire. Early amphitheatres date from the Republican period, though they became more monumental during the Imperial era.
The Roman Theatre of Mérida is a Roman theatre in the Roman colonia of Emerita Augusta –present-day Mérida, Spain–, capital of the Roman province of Lusitania. Its construction was promoted by the consul Vipsanius Agrippa and was built in 16–15 BCE. It was used for Roman theatrical performances during ancient Rome. Since 1933, it houses the International Festival of Classical Theatre of Mérida.
The Roman Theatre of Cartagena is a Roman theatre in the Roman colonia of Cartago Nova—present-day Cartagena, Spain. Built between the years 5 and 1 BCE, it had a capacity of some 6,000 spectators and was used for Roman theatrical performances during ancient Rome.
The Theatre of Clunia Sulpicia is a Roman theatre in the ancient city of Colonia Clunia Sulpicia, in what is now province of Burgos, northern Spain. Built on a hill called Alto de Castro, it is located between the modern-day villages of Coruña del Conde and Peñalba de Castro, in the south of the province of Burgos.
The Roman Theatre at Apamea is a Roman theatre in ancient Apamea in northwestern Syria. Originally a Hellenistic theatre, the monumental structure was one of the largest theatres in the Roman world.
The Greek theatre of Syracuse lies on the south slopes of the Temenite hill, overlooking the modern city of Syracuse in southeastern Sicily, Italy. It was first built in the 5th century BC, rebuilt in the 3rd century BC and renovated again in the Roman period. Today, it is a part of the Unesco World Heritage Site of "Syracuse and the Rocky Necropolis of Pantalica".
The Roman Theatre of Tarraco is a Roman theatre in the Roman colonia of Tarraco –present-day Tarragona, Spain–, capital of the Roman province of Hispania Tarraconensis. Built at the end of the 1st century BC, in the time of Augustus, in the area of the local forum and the port, it was used for Roman theatrical performances.
The largest building of the Archaeological Park of Dion in northern Greece is the Hellenistic-era theatre. It is located in the south of the village of Dion, Pieria and is often used during the summer for performances of the Olympus Festival.
The Teatro Berga was a Roman theatre in Vicetia, modern Vicenza, Italy. It stood in an area beyond the Retrone river, in what is now part of the historic centre of the city. Its site corresponded to buildings currently standing between Contrà Santi Apostoli, Piazzetta San Giuseppe, Contrà Porton del Luzzo, Piazzetta Gualdi, Contrà del Pozzetto and contrà Lioy. Contrà Porton del Luzzo follows the semi-circular route of the external perimeter of the south-facing cavea of the former theatre.
The Roman Theater of Zaragoza is a Roman theatre in the Roman colonia of Caesaraugusta –present-day Zaragoza, Spain–, in the Roman province of Hispania Tarraconensis. It was built in the first half of the 1st century AD, in the Age of Tiberius and Claudius, following the model of the Theatre of Marcellus in Rome. It was used for Roman theatrical performances and had a capacity of 6,000 spectators in a city where only lived 18.000 people. Currently in ruins, it was active until the third century.
The Theatre at Halicarnassus, also known as Bodrum Antique Theatre, is a 4th-century BC Greco-Roman theatre located in Bodrum, Turkey. The theatre is considered to be built in a similar style to Ancient Theatre of Epidaurus.
The Roman Theatre of Catania consists of the ruins of two open-air semicircular ancient Roman theatres, located between Piazza San Francesco, via Vittorio Emanuele, via Timeo, and via Teatro Greco in the center of Catania, Sicily, southern Italy. The site consists of a larger theatre and a smaller semicircular theatre, an Odeon. The structure is part of the Parco archeologico greco-romano di Catania.
