An Apollo Citharoedus, or Apollo Citharede, is a statue or other image of Apollo with a cithara (lyre). [1]
Among the best-known examples is the Apollo Citharoedus, also known as Apollo Musagetes ("Apollo, Leader of the Muses"), of the Vatican Museums, a 2nd-century AD colossal marble statue by an unknown (probably Roman) sculptor. Apollo is shown crowned with laurel and wearing the long, flowing robe of the Ionic bard. The statue was found in 1774 with seven statues of the Muses, in the ruins of Gaius Cassius Longinus' villa near Tivoli, Italy. The sculptures are preserved in the Hall of the Muses, in the Museo Pio-Clementino of the Vatican Museums.
A marble sculpture now identified as Pothos (following a lost Greek 4th-century BC original by Skopas) was restored as an Apollo Citharoedus; it is conserved in the Great Hall of the Palazzo Nuovo, Capitoline Museums, Rome. Another marble Apollo Citharoedus (2.29m), from a Hellenistic original attributed to Timarchides, of the 2nd century BC, also stands in the Great Hall of the Palazzo Nuovo.
Other examples include the Apollo of Mantua and the Apollo Barberini , possibly a copy of the cult statue of the Temple of Apollo Palatinus; it is conserved in the Glyptothek, Munich. The Apollo Citaredo in the National Archaeological Museum, Naples is identified as Apollo but is clearly a female figure. Its provenance is unclear; it has been much restored, the head is unlikely to be original and the figure was probably of Vesta. [2]
Praxiteles of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist.
The Farnese Hercules is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; he was an Athenian but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome, where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
Scopas was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Discobolus by Myron is an ancient Greek sculpture completed at the start of the Classical period in around 460–450 BC that depicts an ancient Greek athlete throwing a discus. Its Greek original in bronze lost, the work is known through numerous Roman copies, both full-scale ones in marble, which is cheaper than bronze, such as the Palombara Discobolus, the first to be recovered, and smaller scaled versions in bronze.
The Apollo Belvedere is a celebrated marble sculpture from classical antiquity.
The life-size ancient but much restored marble statue known as the Barberini Faun, Fauno Barberini or Drunken Satyr is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Satyrs attended Dionysus.
The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.
The Aphrodite of Knidos was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity. Praxiteles' Aphrodite was shown nude, reaching for a bath towel while covering her pubis, which, in turn leaves her breasts exposed. Up until this point, Greek sculpture had been dominated by male nude figures. The original Greek sculpture is no longer in existence; however, many Roman copies survive of this influential work of art. Variants of the Venus Pudica are the Venus de' Medici and the Capitoline Venus.
The Ludovisi Ares is an Antonine Roman marble sculpture of Ares, a fine 2nd-century copy of a late 4th-century BCE Greek original, associated with Scopas or Lysippus: thus the Roman god of war receives his Greek name, Ares.
Classical sculpture refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
The Gardens of Sallust was an ancient Roman estate including a landscaped pleasure garden developed by the historian Sallust in the 1st century BC. It occupied a large area in the northeastern sector of Rome, in what would become Region VI, between the Pincian and Quirinal hills, near the Via Salaria and later Porta Salaria. The modern rione is now known as Sallustiano.
The National Roman Museum is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome.
The Belvedere Torso is a 1.59 m (5.2 ft) tall fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino of the Vatican Museums.
The Crouching Venus is a Hellenistic model of Venus surprised at her bath. Venus crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. To judge by the number of copies that have been excavated on Roman sites in Italy and France, this variant on Venus seems to have been popular.
The Dionysus Sardanapalus is an uncommon Hellenistic-Roman Neo Attic sculpture-type of the god Dionysus, misnamed after the king Sardanapalus. Unlike most contemporary figurations of Dionysus as a lithe youth, the self-consciously archaising god is heavily draped, with an ivy wreath and a long archaic-style beard; probably he bore a thyrsos in a raised right hand, now missing.
The Hera Farnese is a type of sculpture of Hera.
The Tiber Apollo is an over lifesize marble sculpture of Apollo, a Hadrianic or Antonine Roman marble copy after a bronze Greek original of about 450 BCE. Dredged from the bed of the Tiber in Rome, in making piers for the Ponte Garibaldi.
The Sleeping Ariadne, housed in the Vatican Museums in Vatican City, is a Roman Hadrianic copy of a Hellenistic sculpture of the Pergamene school of the 2nd century BC, and is one of the most renowned sculptures of Antiquity. The reclining figure in a chiton bound under her breasts half lies, half sits, her extended legs crossed at the calves, her head pillowed on her left arm, her right thrown over her head. Other Roman copies of this model exist: one, the "Wilton House Ariadne", is substantially unrestored, while another, the "Medici Ariadne" found in Rome, has been "seriously reworked in modern times", according to Brunilde Sismondo Ridgway. Two surviving statuettes attest to a Roman trade in reductions of this familiar figure. A variant Sleeping Ariadne is in the Prado Museum, Madrid. A later Roman variant found in the Villa Borghese gardens, Rome, is at the Louvre Museum.
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