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Scala Regia | |
---|---|
Stairs | |
English: Royal Staircase | |
The base of Scala Regia, viewed from the Portone di Bronzo. To the right is the equestrian statue of Constantine the Great; straight ahead is the coat of arms of Pope Alexander VII. | |
Design | Gian Lorenzo Bernini |
Construction | 16th century |
Location | Rome, Italy |
Click on the map for a fullscreen view | |
Coordinates: 41°54′10″N12°27′18″E / 41.90278°N 12.45500°E |
Scala Regia [a] is a flight of steps in the Vatican City and is part of the formal entrance to the Vatican. It was designed by Gian Lorenzo Bernini.
The official entrance to the Apostolic Palace is the Portone di Bronzo at the north side of St Peter's Square. The door opens to the Scala Regia, which leads up to the Sala Regia, which in turn connects to the Sistine Chapel and the Pauline Chapel. Tourists are allowed to climb the staircase to enter the Sala Regia.
The Scala Regia was built by Antonio da Sangallo the Younger in the early 16th century [1] and was restored by Gian Lorenzo Bernini from 1663 to 1666.
The site for the stairs, a comparatively narrow sliver of land between church and palace, is awkwardly shaped with irregular converging walls. Bernini used a number of typically theatrical, baroque effects in order to exalt this entry point into the Vatican. The staircase proper takes the form of a barrel-vaulted colonnade that necessarily becomes narrower at the end of the vista, exaggerating the distance. Above the arch at the beginning of this vista is the coat of arms of Alexander VII, flanked by two sculpted angels.
At the base of the stairs, Bernini placed his equestrian statue of the Roman emperor Constantine the Great. It is meant to display the event, before the Battle of the Milvian Bridge when at Saxa Rubra north of Rome along the Tiber, Constantine sees a vision of the cross with the words In Hoc Signo Vinces (In this sign, you will conquer). The phrase appears prominently placed as a motto on a ribbon unfurled with a passion cross to its left, beneath a window over the Scala Regia, adjacent to the statue of Constantine. [2] Emperors and other monarchs, having paid respects to the Pope, descended the Scala Regia, and would observe the light shining down through the window, with the motto, reminiscent of Constantine's vision, and be reminded to follow the Cross.
In Bernini's statue of Constantine, he is awed and his horse rears, as Constantine realizes that he will win only with the power of the Christ. The moral of this story would not have been lost upon royal visitors to the pope, or for that matter, Cardinals accompanying a deceased pontiff's cortege, who are meant to see the leader of the church as the embodiment of the divine power that over-rules the kings of the world. This theme is often repeated in Vatican artworks such as Giulio Romano's fresco of The Battle of Milvian Bridge, located in the Sala di Costantino ("Hall of Constantine") as well as the marble relief in St. Peter's of Algardi's Fuga d’Attila.
Pope Clement XI later installed a statue of Charlemagne at the opposite end of the portico of St. Peter's Basilica, as a pendant to that of Constantine.
Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.
The Papal Basilica of Saint Peter in the Vatican, or simply Saint Peter's Basilica, is a church of the Italian High Renaissance located in Vatican City, an independent microstate enclaved within the city of Rome, Italy. It was initially planned in the 15th century by Pope Nicholas V and then Pope Julius II to replace the ageing Old St. Peter's Basilica, which was built in the fourth century by Roman emperor Constantine the Great. Construction of the present basilica began on 18 April 1506 and was completed on 18 November 1626.
The Apostolic Palace is the official residence of the Pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-west of Rome, originally commissioned and owned by the House of Farnese. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. This villa is not to be confused with two similarly-named properties of the family, the Palazzo Farnese and the Villa Farnesina, both in Rome.
Santa Maria sopra Minerva is one of the major churches of the Order of Preachers in Rome, Italy. The church's name derives from the fact that the first Christian church structure on the site was built directly over the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva.
Saint Peter's Square is a large plaza located directly in front of St. Peter's Basilica in Vatican City, the papal enclave in Rome, directly west of the neighborhood (rione) of Borgo. Square and basilica are named after Saint Peter, an apostle of Jesus whom Catholics consider the first Pope.
Antonio da Sangallo the Younger, also known as Antonio Cordiani, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States. One of his most popular projects that he worked on designing is St. Peter’s basilica in the Vatican City. He was also an engineer who worked on restoring several buildings. His success was greatly due to his contracts with renowned artists during his time. Sangallo died in Terni, Italy, and was buried in St. Peter’s Basilica.
"In hoc signo vinces" is a Latin phrase conventionally translated into English as "In this sign thou shalt conquer", often also being translated as "By and/or in this sign, conquer".
The Lateran Baptistery stands apart from the Archbasilica of Saint John Lateran, Rome, to which it has become joined by later construction. This baptistery was founded by Pope Sixtus III in 440, perhaps on an earlier structure, for a legend grew up that Constantine the Great had been baptized there and enriched the structure. However, it is more likely that if he was baptized it was in the Eastern part of the Roman Empire and possibly by an Arian bishop. This baptistry was for many generations the only baptistery in Rome, and its domed octagonal structure, centered upon the large octagonal basin for full immersions, provided a model for others throughout Italy, and even an iconic motif of illuminated manuscripts, "The fountain of Life".
The Chair of Saint Peter, also known as the Throne of Saint Peter, is a relic conserved in St. Peter's Basilica in Vatican City, the sovereign enclave of the Pope inside Rome, Italy. The relic is a wooden throne that tradition claims belonged to the Apostle Saint Peter, the leader of the Early Christians in Rome and first Pope, and which he used as Bishop of Rome. The relic is enclosed in a sculpted gilt bronze casing designed by Gian Lorenzo Bernini and constructed between 1647 and 1653. In 2012, Pope Benedict XVI described the chair as "a symbol of the special mission of Peter and his Successors to tend Christ's flock, keeping it united in faith and in charity."
Scala Regia is a term referring to a number of majestic entrance staircases in Italian palaces plus some European palaces, including:
The Scala Sancta are a set of 28 white marble steps located in an edifice on extraterritorial property of the Holy See in Rome, Italy proximate to the Archbasilica of Saint John in Laterano. Officially, the edifice is titled the Pontifical Sanctuary of the Holy Stairs, and incorporates part of the old Papal Lateran Palace. Replica stairs flank the original staircase, which may only be climbed on one's knees. The Holy Stairs lead to the Church of Saint Lawrence in Palatio ad Sancta Sanctorum or simply the "Sancta Sanctorum", which was the personal chapel of the early Popes.
Blessed Ludovica Albertoni is a funerary monument by the Italian Baroque artist Gian Lorenzo Bernini. The Trastevere sculpture is located in the specially designed Altieri Chapel in the Church of San Francesco a Ripa in Rome, Italy. Bernini started the project in 1671, but his work on two other major works—The Tomb of Pope Alexander VII and the Altar of the Blessed Sacrament in St. Peter's Basilica—delayed his work on the funerary monument. Bernini completed the sculpture in 1674; it was installed by 31 August 1674.
The Church of Santi Domenico e Sisto is one of the titular churches in Rome, Italy in the care of the Roman Catholic Order of Preachers, better known as the Dominicans. It is located at No. 1 Largo Angelicum on the Quirinal Hill on the campus of the Pontifical University of St. Thomas Aquinas (Angelicum), of which it is the University Church.
The Sala Regia is a state hall in the Apostolic Palace in Vatican City.
St. Peter's Baldachin is a large Baroque sculpted bronze canopy, technically called a ciborium or baldachin, over the high altar of St. Peter's Basilica in Vatican City, the city-state and papal enclave surrounded by Rome, Italy. The baldachin is at the center of the crossing, and directly under the dome of the basilica. Designed by the Italian artist Gian Lorenzo Bernini, it was intended to mark, in a monumental way, the place of Saint Peter's tomb underneath. Under its canopy is the high altar of the basilica. Commissioned by Pope Urban VIII, the work began in 1623 and ended in 1634. The baldachin acts as a visual focus within the basilica; it is itself a very large structure and forms a visual mediation between the enormous scale of the building and the human scale of the people officiating at the religious ceremonies at the papal altar beneath its canopy.
This is an index of Vatican City–related topics.
The Vision of Constantine is an equestrian sculpture by the Italian artist Gian Lorenzo Bernini, located in the Scala Regia by St. Peter's Basilica in Vatican City. Originally commissioned as a free standing work of art within St. Peter's itself, the sculpture was finally unveiled in 1670 as an integral part of the Scala Regia - Bernini's redesigned stairway between St. Peter's Basilica and the Vatican Palace. Unlike other large works by Bernini, art historians have suggested that this work was almost entirely undertaken by him - no other sculptors have been recorded as receiving payment. Bernini's overall fee was 7,000 Roman scudi.
Daniel and the Lion is a sculpture created by Gian Lorenzo Bernini c. 1655–57. Standing in a niche in the Chigi Chapel in the Basilica of Santa Maria del Popolo in Rome, it shows the Prophet Daniel in the lions' den. It forms a part of a larger composition with the sculpture of Habakkuk and the Angel diagonally opposite.
The Vatican Grottoes are a series of underground chambers and chapels located under part of the nave of St. Peter's Basilica in the Vatican. They are situated three meters below the current floor, and extend from the high altar to about halfway down the aisle, forming a true underground church that occupies the space between the current floor of the Basilica and that of the old Constantinian basilica of the 4th century.