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|Construction started||30 April 1589|
The Apostolic Palace (Latin : Palatium Apostolicum; Italian : Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
The building contains the Papal Apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia (Regal Room) and Cappella Paolina, had long been closed to tourists, though the Sala Regia allowed occasional tourism by 2019. The Scala Regia (Regal Staircase) can be viewed from one end and used to enter the Sala Regia.The Cappella Paolina, however, remains closed to tourists.
In the fifth century, Pope Symmachus built a papal palace close to the Old St. Peter's Basilica which served an alternative residence to the Lateran Palace. The construction of a second fortified palace was sponsored by Pope Eugene III and extensively modified under Pope Innocent III in the twelfth century.
Upon returning to Rome in 1377 after the interlude of the Avignon Papacy, which saw Rome subject to civil unrest and the abandonment of several Christian monuments, the popes chose to reside first at Basilica di Santa Maria in Trastevere and then at Basilica di Santa Maria Maggiore. The Vatican Palace had fallen into disrepair from lack of upkeep and the Lateran Palace underwent two destructive fires, in 1307 and 1361, which did irreparable harm.In 1447, Pope Nicholas V razed the ancient fortified palace of Eugene III to erect a new building, the current Apostolic Palace.
In the 15th century, the Palace was placed under the authority of a prefect. This position of Apostolic Prefect lasted from the 15th century till the 1800s, when the Papal States fell into economic difficulties. In 1884, when this post was reviewed in light of saving money, Pope Leo XIII created a committee to administer the palace.
The major additions and decorations of the palace are the work of the following popes for 150 years. Construction of the current version of the palace began on 30 April 1589under Pope Sixtus V and its various intrinsic parts were completed by later successors, Pope Urban VII, Pope Innocent XI and Pope Clement VIII. In the 20th century, Pope Pius XI built a monumental art gallery and museum entrance.
Construction of the Papal Palace (also known as the Apostolic Palace or Vatican Palace) at the Vatican in Vatican City, took place mainly between 1471 and 1605. Covering 162,000 square metres (1,743,753 square feet), it contains the Papal Apartments, offices of the Roman Catholic Church and Holy See, chapels, Vatican Library, museums and art galleries.
The Apostolic Palace is run by the Prefecture of the Pontifical Household. The palace is more accurately a series of self-contained buildings within the well-recognized outer structure which is arranged around the Courtyard of Sixtus V (Cortile di Sisto V). It is located northeast of St Peter's Basilica and adjacent to the Bastion of Nicholas V and Palace of Gregory XIII.
The Apostolic Palace houses both residential and support offices of various functions as well as administrative offices not focused on the life and functions of the Pope himself.
Perhaps the best known of the Palace chapels is the Sistine Chapel named in honor of Sixtus IV (Francesco della Rovere). It is famous for its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, and others.
One of the primary functions of the chapel is as a venue for the election of each successive Pope in a conclave of the College of Cardinals. In this closed-door election, the cardinals choose a successor to the traditionally first pope, St. Peter, who is traditionally buried in the crypts of nearby St. Peter's Church.
This suite of rooms is famous for its frescos by a large team of artists working under Raphael. They were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartments. They are on the third floor, overlooking the south side of the Belvedere Courtyard.
Running from east to west, as a visitor would have entered the apartment, but reversing the sequence in which the Stanze were frescoed, and also the route of the modern visitor, the rooms are the Sala di Constantino ("Hall of Constantine"), the Stanza di Eliodoro ("Room of Heliodorus"), the Stanza della Segnatura (the earliest and the most admired) ("Room of the Signature") and the Stanza dell'Incendio del Borgo ("The Room of the Fire in the Borgo").
After the death of Julius in 1513, with two rooms frescoed, Pope Leo X continued the program. Following Raphael's death in 1520, his assistants Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle finished the project with the frescoes in the Sala di Costantino.
The Borgia Apartments is a suite of rooms in the Palace adapted for personal use by Pope Alexander VI (Rodrígo de Borgia). He commissioned the Italian painter Pinturicchio to lavishly decorate the apartments with frescoes.
The paintings and frescoes, which were executed between 1492 and 1494, drew on a complex iconographic program that used themes from medieval encyclopedias, adding an eschatological layer of meaning and celebrating the supposedly divine origins of the Borgias.
The rooms are variously considered a part of the Vatican Library and Vatican Museums. Some of the rooms are now used for the Vatican Collection of Modern Religious Art, inaugurated by Pope Paul VI in 1973.
The Clementine Hall was established in the 16th century by Pope Clement VIII in honor of Pope Clement I, the third pope. Like other chapels and apartments in the Palace, the hall is notable for its large collection of frescos and other art.
The term Apostolic Palace has been used in other contexts not directly related to the actual Palace of Sixtus V.
It has been used, for example, as a metonym for the papacy itself, in the same way the term White House is used to describe the U.S. presidential administration generally, rather than the physical building itself.
The term was also referenced in the video game Civilization IV: Beyond the Sword , where a player could establish an Apostolic Palace as the symbolic "home" of a civilization's state religion.While the game's developers did represent the Apostolic Palace function with an image of St. Peter's Square (adjacent to the Apostolic Palace), the image, somewhat ironically, does not actually include a view of the Palace itself. Regardless, the in-game function of the Apostolic Palace is not religion-specific and the use of the term is representative of religious administration generally, rather than a specific reference to the Vatican.
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The Sistine Chapel is a chapel in the Apostolic Palace, the official residence of the pope, in Vatican City. Originally known as the Cappella Magna, the chapel takes its name from Pope Sixtus IV, who restored it between 1477 and 1480. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescos that decorate the interior, most particularly the Sistine Chapel ceiling and The Last Judgment by Michelangelo.
The Vatican Museums are the public art and sculpture museums in the Vatican City. They display works from the immense collection amassed by popes throughout the centuries including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.
Pintoricchio or Pinturicchio whose birth name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. Born in Perugia in 1454 and dying in Siena in 1513, Pintoricchio acquired his nickname, meaning, because of his small stature. He also used it to sign some of his 15th and 16th century artworks.
Antonio da Sangallo the Younger, also known as Antonio da San Gallo, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States.
The Lateran Palace, formally the Apostolic Palace of the Lateran, is an ancient palace of the Roman Empire and later the main papal residence in southeast Rome.
The four Raphael Rooms form a suite of reception rooms, now part of the Vatican Museums in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.
The Renaissance Papacy was a period of papal history between the Western Schism and the Protestant Reformation. From the election of Pope Martin V of the Council of Constance in 1417 to the Reformation in the 16th century, Western Christianity was largely free from schism as well as significant disputed papal claimants. There were many important divisions over the direction of the religion, but these were resolved through the then-settled procedures of the papal conclave.
The Disputation of the Sacrament, or Disputa, is a painting by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510 as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. At the time, this room was known as the Stanza della Segnatura, and was the private papal library where the supreme papal tribunal met.
The Liberation of Saint Peter is a fresco painting by the Italian High Renaissance artist Raphael. It was painted in 1514 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the Stanza di Eliodoro, which is named after The Expulsion of Heliodorus from the Temple. The painting shows how Saint Peter was liberated from Herod's prison by an angel, as described in Acts 12. It is technically an overdoor.
The Baptism of Constantine is a painting by assistants of the Italian Renaissance artist Raphael. It was most likely painted by Gianfrancesco Penni, between 1517 and 1524.
The Fire in the Borgo is a painting created by the workshop of the Italian Renaissance artist Raphael between 1514 and 1517. Though it is assumed that Raphael did make the designs for the complex composition, the fresco was most likely painted by his assistant Giulio Romano. The painting was part of Raphael's commission to decorate the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It depicts Pope Leo IV halting a fire in 847 with a benediction from a balcony in front of the Old St. Peter's Basilica. The mural lends its name to the Stanza dell'incendio del Borgo.
The Sala Regia is a state hall in the Apostolic Palace in Vatican City.
Scala Regia is a flight of steps in the Vatican City and is part of the formal entrance to the Vatican. It was designed by Gian Lorenzo Bernini.
Pope Julius II, commissioned a series of highly influential art and architecture projects in the Vatican. The painting of the Sistine Chapel ceiling by Michelangelo and of various rooms by Raphael in the Apostolic Palace are considered among the masterworks that mark the High Renaissance in Rome. His decision to rebuild St Peter's led to the construction of the massive basilica we see now.
The Meeting of Leo I and Attila is a fresco by the Italian Renaissance artist Raphael and his assistant Giulio Romano. It was painted in 1514 as part of Raphael's commission to decorate the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the Stanza di Eliodoro, which is named after The Expulsion of Heliodorus from the Temple.
The Donation of Constantine or Donation of Rome is a painting by assistants of the Italian renaissance artist Raphael. It was most likely painted by Gianfrancesco Penni or Giulio Romano, somewhere between 1520 and 1524. After the master's death in 1520, they worked together with other members of Raphael's workshop to finish the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Donation of Constantine is located in the Sala di Costantino. It was inspired by the famous forged documents that supposedly granted the Popes sovereignty over Rome's territorial dominions.
This is an index of Vatican City–related topics.
The Cardinal and Theological Virtues is a lunette fresco by Raphael found on the south wall of the Stanza della Segnatura in the Apostolic Palace of the Vatican. Three of the cardinal virtues are personified as statuesque women seated in a bucolic landscape and the theological virtues are depicted by putti. The fresco was a part of Raphael's commission to decorate the private apartments of Pope Julius II. These rooms are now known as the Stanze di Raffaello. After completing his three monumental frescoes Disputation of the Holy Sacrament, The Parnassus, and The School of Athens in the Stanza della Segnatura, Raphael painted the Cardinal and Theological Virtues in 1511.
The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 1400s. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and sculptor Donatello. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.
The Vatican Historical Museum is one of the sections of the Vatican Museums. It was founded in 1973 at the behest of Pope Paul VI, and was initially hosted in environments under the Square Garden. In 1987 it was moved to the main floor of the Apostolic Palace of the Lateran and opened in March 1991.