Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter and a man of the theatre: he wrote, directed and acted in plays, for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.
The Madonna della Pietà, informally known as La Pietà, is a marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Blessed Virgin Mary by Michelangelo Buonarroti, now in Saint Peter's Basilica, Vatican City. It is a key work of Italian Renaissance sculpture and often taken as the start of the High Renaissance.
Saint Lawrence or Laurence was one of the seven deacons of the city of Rome under Pope Sixtus II who were martyred in the persecution of the Christians that the Roman Emperor Valerian ordered in 258.
The Archbasilica of Saint John Lateran is the Catholic cathedral of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately four kilometres northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929. Dedicated to the Christ, in honor of John the Baptist and John the Evangelist, the place name, Laterano (Lateran) comes from an ancient Roman family (gens), whose palace (domus) grounds occupied the site; the adjacent Lateran Palace was the primary residence of the pope until the Middle Ages.
Andrea del Verrocchio was an Italian sculptor, painter and goldsmith who was a master of an important workshop in Florence.
The Vatican Museums are the public museums of Vatican City, enclave of Rome. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments.
Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot. Romanian sculptor Gheorghe Leonida sculpted the face. Constructed between 1922 and 1931, the statue is 30 metres (98 ft) high, excluding its 8-metre (26 ft) pedestal. The arms stretch 28 metres (92 ft) wide. It is made of reinforced concrete and soapstone. Christ The Redeemer differs considerably from its original design, as the initial plan was a large Christ with a globe in one hand and a cross in the other. Although the project organisers originally accepted the design, it later changed to the statue of today, with the arms spread out wide.
Aeneas, Anchises, and Ascanius is a sculpture by the Italian artist Gian Lorenzo Bernini created c. 1618–19. Housed in the Galleria Borghese in Rome, the sculpture depicts a scene from the Aeneid, where the hero Aeneas leads his family from burning Troy.
The Belvedere Torso is a 1.59 m (5.2 ft) tall fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino of the Vatican Museums.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
The Rape of Proserpina, more accurately translated as the Abduction of Proserpina, is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.
The Paul VI Audience Hall, also known as the Hall of the Pontifical Audiences, is a building in Rome named for Pope Paul VI with a seating capacity of 6,300, designed in reinforced concrete by the Italian architect Pier Luigi Nervi and completed in 1971. It was constructed on land donated by the Knights of Columbus.
Our Lady of Europe is a title given to the Blessed Virgin Mary patroness of Gibraltar and protectress of Europe. The entire European continent was consecrated under the protection of Our Lady of Europe in the early 14th century from the Shrine in Gibraltar where devotion continues to this day, over 700 years on.
Mysterii Paschalis is an apostolic letter issued motu proprio by Pope Paul VI on 14 February 1969. It reorganized the liturgical year of the Roman Rite and revised the liturgical celebrations of Jesus Christ and the saints in the General Roman Calendar. It promulgated the General Roman Calendar of 1969.
Francesco Messina was an Italian sculptor of the 20th century.
The Gibraltar-Vatican Joint Issue is a postage stamp that was released by Vatican City and the British Overseas Territory of Gibraltar in 2009. It commemorated the septcentenary of the devotion to Our Lady of Europe. The image on the stamp was a photograph of the statue of the Virgin and Child found in the Shrine of Our Lady of Europe at Europa Point in Gibraltar. The stamp was the first joint issue between Gibraltar and the Vatican.
Homeless Jesus, also known as Jesus the Homeless, is a bronze sculpture by Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed in 2013 at Regis College, a theological college federated with the University of Toronto. Other copies of the statue were installed in several other locations beginning in 2014. As of 2017, over 50 copies were created and placed around the world.
The Church of San Lorenzo in Piscibus is a 12th-century small church in the Borgo rione of Rome. It is located near Saint Peter's Square and Vatican City, but its façade is not visible from the main street, Via della Conciliazione.
Pericle Fazzini was an Italian painter and sculptor. His large work, La Resurrezione, is installed in the Aula Paolo VI in the Vatican City in Rome.
Timothy Paul Schmalz is a Canadian sculptor from St. Jacobs, Ontario, Canada. Cast editions of his life-sized sculptures have been installed in major cities in front of some of the most historically significant Christian sites in the world, including Capernaum, the Vatican and Fatima. In recent years, he has worked directly with the Vatican to create several sculptures that highlight spiritual concerns in our modern day.
