Bust of the Saviour | |
---|---|
Salvator Mundi | |
Artist | Gian Lorenzo Bernini |
Year | 1679 |
Location | San Sebastiano fuori le mura, Rome |
Preceded by | Statue of Pope Clement X |
The Bust of the Saviour (Salvator Mundi) is the last sculpture created by baroque artist Gian Lorenzo Bernini, who died from the after-effects of a stroke, when the artist was 81 years old. He left the sculpture in his will to his friend and patron queen Christina of Sweden. [1] Considered lost and "rediscovered" in 2001, by Francesco Petrucci, [2] it is currently held in the basilica of San Sebastiano fuori le mura in Rome. [3]
However, there is some dispute over the authorship of the bust. The art historian Tomaso Montanari believes this version is not by Bernini, pointing instead to the version in the Chrysler Museum in Norfolk, USA, which the museum also attributes to Bernini. [4]
Alessandro Algardi was an Italian high-Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini. He is now most admired for his portrait busts that have great vivacity and dignity.
Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter and a man of the theater: he wrote, directed and acted in plays, for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.
The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.
San Sebastiano fuori le mura, or San Sebastiano ad Catacumbas, is a minor basilica in Rome, Central Italy. Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, and many pilgrims still favour the traditional list.
Andrea Bolgi was an Italian sculptor responsible for several statues in St. Peter's Basilica, Rome. Towards the end of his life he moved to Naples, where he sculpted portrait busts. He died in Naples during a plague epidemic.
Giuseppe Mazzuoli was an Italian sculptor working in Rome in the Bernini-derived Baroque style. He produced many highly accomplished sculptures of up to monumental scale but was never a leading figure in the Roman art world.
The Bust of Louis XIV is a marble portrait by the Italian artist Gian Lorenzo Bernini. It was created in the year 1665 during Bernini's visit to Paris. This sculptural portrait of Louis XIV of France has been called the "grandest piece of portraiture of the Baroque age". The bust is on display at the Versailles Palace, in the Salon de Diane in the King's Grand Apartment.
Two Busts of Cardinal Scipione Borghese are marble portrait sculptures executed by the Italian artist Gian Lorenzo Bernini in 1632. Cardinal Scipione Borghese was the nephew of Pope Paul V, and had commissioned other works from Bernini in the 1620s. Both versions of this portrait are in the Galleria Borghese, Rome.
The Bust of Francesco Barberini is a marble sculpture by the Italian artist Gian Lorenzo Bernini, now in the National Gallery of Art in Washington, D.C. It was executed in 1623. It was commissioned by Pope Urban VIII, who was a nephew of Francesco Barberini, an apostolic protonotary. Francesco had died in 1600, so Bernini created the bust from an existing painted portrait. That portrait is in the Corsini Collection in Florence; Bernini made close use of the design, although the painting was a three-quarter portrait as opposed to a bust of head, shoulders, and upper body.
Medusa is a marble sculpture of the eponymous character from the classical myth. It was executed by the Italian sculptor Gian Lorenzo Bernini. Its precise date of creation is unknown, but it is likely to have been executed in the 1640s. It was first documented in 1731 when presented to the Palazzo dei Conservatori in Rome, and is now part of the collections of the Capitoline Museums.
The Italian artist Gian Lorenzo Bernini made two Busts of Pope Paul V. The first is currently in the Galleria Borghese in Rome. 1618 is the commonly accepted date for the portrait of the pope. In 2015, a second bust was acquired by the J. Paul Getty Museum in Los Angeles. It was created by Bernini 1621, shortly after the death of Paul V, and commissioned by his nephew, Cardinal Scipione Borghese. A bronze version of this sculpture exists in the Statens Museum for Kunst, Copenhagen, Denmark.
Damned Soul is a marble sculpture bust by the Italian artist Gian Lorenzo Bernini as a pendant piece to his Blessed Soul. According to Rudolf Wittkower, the sculpture is in the Palazzo di Spagna in Rome. This may well be what is known today as the Palazzo Monaldeschi.
The Bust of Alessandro Peretti di Montalto is a portrait sculpture by the Italian artist Gian Lorenzo Bernini. Executed in 1622 and 1623, the sculpture is now in the Kunsthalle Hamburg, in Germany. Although possibly mentioned by one of Bernini's early biographers, the bust had been considered lost and therefore makes no appearance in Rudolf Wittkower's catalogue of Bernini’s sculptures of 1955. However, the bust was identified in the 1980s and is now considered an authentic work by Bernini.
The Statue of Pope Clement X is one of the final sculptural works executed by the Italian artist Gian Lorenzo Bernini. It depicts Pope Clement X in the act of benediction, and is housed in the Galleria Nazionale d'Arte Antica in the Palazzo Barberini, Rome.
The Bust of Cardinal Roberto Bellarmine is a half-length portrait of Saint Robert Bellarmine by the Italian artist Gian Lorenzo Bernini. It was executed in the years 1621–1624, and unveiled in August 1624. It sits in the Chiesa del Gesù, Rome. It was commissioned by Pope Gregory XV and Cardinal Odoardo Farnese after Bellarmine's death. A tomb (now-destroyed) surrounding the bust was designed by Girolamo Rainaldi, and included sculptural decoration by Bernini's father, Pietro, and Bernini's some-time assistant, Giuliano Finelli.
The Blessed Soul is a bust by the Italian artist Gian Lorenzo Bernini. Executed around 1619, it is a pendant piece to the Damned Soul. Their original location was sacristy of the church of San Giacomo degli Spagnuoli, but they were then moved in the late 19th century, and then to the Spanish Embassy to the Holy See in Piazza di Spagna The set may have been inspired by prints by Karel van Mallery, although they were initially categorized as nymph and satyr.
The Busts of Pope Innocent X are two portrait busts by the Italian artist Gianlorenzo Bernini of Pope Innocent X, Giovanni Battista Pamphili. Created around 1650, both sculptures are now in the Galleria Doria Pamphili in Rome. Like the two busts of Cardinal Scipione Borghese, it is believed that Bernini created a second version of the bust once a flaw was discovered in the first version. There exist several similar versions of the bust done by other artists, most notably Alessandro Algardi.
Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop:
The Bust of Nicolas Poussin is a marble portrait bust by the Flemish sculptor François Duquesnoy. Nicolas Poussin was a close friend of Duquesnoy, and the leading classicist painter in 17th-century French art, although he spent most of his working life in Rome.