Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art.
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Renoir, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
The Portland Art Museum (PAM) is an art museum in downtown Portland, Oregon, United States. The Portland Art Museum has 240,000 square feet, with more than 112,000 square feet of gallery space. The museum’s permanent collection has over 42,000 works of art. PAM features a center for Native American art, a center for Northwest art, a center for modern and contemporary art, permanent exhibitions of Asian art, and an outdoor public sculpture garden. The Northwest Film Center is also a component of Portland Art Museum.
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Samuel Courtauld Trust and operates as an integral part of the Courtauld Institute of Art.
The Société des Artistes Indépendants or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "sans jury ni récompense". Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the Artistes Indépendants remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais.
The Thyssen-Bornemisza National Museum, or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofía it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world.
Klaus Ottmann is a writer, art curator and publisher. He is currently deputy director for Academic Affairs and Special Projects at The Phillips Collection in Washington, D.C.
The Foundation E. G. Bührle Collection is an art museum in Zürich, Switzerland. It was established by the Bührle family to make Emil Georg Bührle's collection of European sculptures and paintings available to the public. The museum is in a villa adjoining Bührle's former home. In 2021 many works were exhibited on 20-year loan in almost a whole floor of the new extension of the Kunsthaus Zürich museum. There was controversy due to suspicions that many works were looted from Jews by Nazi Germany. The foundation was managed for decades by Bührle's son Dieter, who was sentenced to a conditional prison term of 8 months in 1970 for supplying weapons to the racist apartheid regime in South Africa.
The Kreeger Museum is a modern and contemporary non-profit art museum located in Washington D.C. It is located on Foxhall Road, one of the wealthy residential neighbourhoods of the US capital, in the former home of Carmen and David Lloyd Kreeger, pillars of the Washington D.C. arts and cultural community, and it contains the art collection of nineteenth- and twentieth-century paintings and sculpture they acquired from 1952 to 1988.
Duncan Phillips was an art collector and critic based in Washington, DC. He played a seminal role in introducing modern art to the United States, while stressing its continuities with past art.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
Marjorie Acker Phillips was an American Impressionist painter and art collector. She co-founded the Phillips Collection with her husband, Duncan Phillips.
Lizzie Plummer Bliss, known as Lillie P. Bliss, was an American art collector and patron. At the beginning of the 20th century, she was one of the leading collectors of modern art in New York. One of the lenders to the landmark Armory Show in 1913, she also contributed to other exhibitions concerned with raising public awareness of modern art. In 1929, she played an essential role in the founding of the Museum of Modern Art. After her death, 150 works of art from her collection served as a foundation to the museum and formed the basis of the in-house collection. These included works by artists such as Paul Cézanne, Georges Seurat, Paul Gauguin, Henri Matisse, Pablo Picasso and Amedeo Modigliani.
Dorothy M. Kosinski is an American scholar of nineteenth and twentieth-century art, curator and the former director (2008--2023) of The Phillips Collection, an art museum in Washington, D. C.
Henry Pearlman (1895–1974) was a Brooklyn-born, self-made businessman, and collector of Impressionist and Post-Impressionist art. Over three postwar decades, he assembled a "deeply personal" and much revered collection centered on thirty-three works by Paul Cézanne and more than forty by Vincent van Gogh, Amedeo Modigliani, Chaïm Soutine, Paul Gauguin, Édouard Manet, Henri de Toulouse-Lautrec and a dozen other European modernists.
Laughlin Phillips, also known as Loc Phillips, was an American museum director from Washington, D.C. The son of wealthy art collectors, he managed The Phillips Collection, a museum founded by his parents. Under his leadership, the museum increased its collection, underwent expansion projects and received substantial financial support. Prior to his career as a museum director, Phillips served during World War II, worked as an analyst for the Central Intelligence Agency (CIA) and co-founded a local magazine.
Betty Lane was an American artist.
The Goulandris Museum of Contemporary Art is a modern art museum in Eratosthenous Street, Pangrati, Athens, Greece, opened in October 2019. It displays many of the works amassed by shipowner Basil Goulandris and his wife Elise Karadontis, who died in 1994 and 2000 respectively, with an art collection valued at US$3 billion.
Dupont Circle 
