Kenneth Noland was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored with a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's Stripe Paintings were exhibited at the Tate in London.
Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
Al Held was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University.
Sam Gilliam was an American abstract painter, sculptor, and arts educator. Born in Mississippi, and raised in Kentucky, Gilliam spent his entire adult life in Washington, D.C., eventually being described as the "dean" of the city's arts community. Originally associated with the Washington Color School, a group of Washington-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s, Gilliam moved beyond the group's core aesthetics of flat fields of color in the mid-60s by introducing both process and sculptural elements to his paintings.
The Washington Color School, also known as the Washington, D.C., Color School, was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly. The founders of this movement are Morris Louis and Kenneth Noland, however four more artists were part of the initial art exhibition in 1965.
Howard Mehring (1931–1978) was a twentieth-century painter born in Washington, D.C.
Paul (Allen) Reed was an American artist most associated with the Washington Color School and Color Field Painting.
Thomas Downing (1928–1985) was an American painter, associated with the Washington Color Field Movement, which also featured Sam Gilliam, Kenneth Noland, Howard Mehring, Alma Thomas, and Paul Reed.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Raymond Parker (1922-1990) was an Abstract expressionist painter who also is associated with Color Field painting and Lyrical Abstraction. Ray Parker was an influential art teacher and an important Color Field painter and an instrumental figure in the movement coined by Clement Greenberg called Post-Painterly Abstraction.
Edward "Ed" Clark was an abstract expressionist painter known for his broad, powerful brushstrokes, radiant colors and large-scale canvases. An African-American, his major contributions to modernist painting remained unrecognized until relatively late in his seven-decade career, during which he pioneered the use of shaped canvases and a commercially available push broom to create striking works of art.
John Dwyer McLaughlin was an American abstract painter. Based primarily in California, he was a pioneer in minimalism and hard-edge painting. Considered one of the most significant Californian postwar artists, McLaughlin painted a focused body of geometric works that are completely devoid of any connection to everyday experience and objects, inspired by the Japanese notion of the void. He aimed to create paintings devoid of any object hood including but not limited to a gestures, representations and figuration. This led him to the rectangle. Leveraging a technique of layering rectangular bars on adjacent planes, McLaughlin creates works that provoke introspection and, consequently, a greater understanding of one's relationship to nature.
Benjamin Abramowitz was an American painter, printmaker, and sculptor. First recognized for his contribution at age 19 as senior artist with the Federal Art Project of the Works Progress Administration (WPA) in New York City, he is among the most respected Washington, D.C., artists of the past century.
Clark V. Fox is an American modernist painter. He currently resides in New York City.
Maggie Michael is an American painter. Born in Milwaukee, Michael has spent much of her career in Washington, D.C. A 1996 graduate of the University of Wisconsin-Milwaukee, from which she received a BFA, with honors, she received her MA from San Francisco State University in 2000 and her MFA from American University in 2002. She has received numerous awards during her career, including a grant from the Joan Mitchell Foundation in 2004, the same year in which she was given a Young Artist Grant by the D.C. Commission on the Arts and Humanities; she has also worked with the Hirshhorn Museum and Sculpture Garden. Michael is married to the sculptor Dan Steinhilber. She has served on the faculty of the Corcoran College of Art and Design.
James Frances Hilleary was a working architect and painter who gained prominence as a member of the Washington Color School movement.
Ed McGowin is an American painter and sculptor based in New York City. Throughout his career, McGowin has produced works in a wide variety of media that have been installed and exhibited in galleries, museums and public spaces. He has taught at institutions such as the Corcoran School of the Arts and Design, the University of Southern Mississippi, and the State University of New York system. The first major publication of his work, Name Change: One Artist – Twelve Personas – Thirty Five Years, was published by the Mobile Museum of Art in 2006 and distributed by the University Press of Mississippi.
Leon Berkowitz was an American artist and educator. He is best known for his color field paintings and the series, The Unities. He co-founded the Washington Workshop Center, a gallery and school.
Kenneth Victor Young (1933–2017), was an American artist, educator, and designer. He is associated with the Washington Color School art movement. He worked at the Smithsonian Institution as an exhibit designer for 35 years.
