Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Jean Frédéric Bazille was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted en plein air.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa, known as Toulouse-Lautrec, was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, graphic art, and his anarchist activism. Starting as a wood-engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
Bal du moulin de la Galette is an 1876 painting by French artist Pierre-Auguste Renoir.
Maxime-Pierre Jules Dethomas was a French painter, draughtsman, printmaker, illustrator, and was among the best known theater-set and costume designers of his era. As an artist, Dethomas was highly regarded by his contemporaries and exhibited widely, both within France and abroad. He was a regular contributor to the Impressionistes et Symbolistes, and a founding committee member of the Salon d'Automne. In 1912, he was awarded the Chevalier de la Légion d'honneur for his contributions to French art.
René-Paul Schützenberger was a French Post-Impressionist painter.
Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
The Circus is an oil on canvas painting by Georges Seurat. It was his last painting, made in a Neo-Impressionist style in 1890–91, and remained unfinished at his death in March 1891. The painting is located at the Musée d'Orsay in Paris.
Jean-Baptiste-Antoine Guillemet was a French renowned landscape painter and longtime Jury member of the Salon des Artistes Francais. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
Henri Michel-Lévy, was a French impressionist painter.
Désiré Dihau was a French bassoonist and composer. He was the bassoonist painted by Edgar Degas in The Orchestra at the Opera with the cellist Louis-Marie Pilet seated behind him.
Le Lit is a painting by Henri de Toulouse-Lautrec from around 1892 which depicts two women sharing a bed. The painting has been held by public collections in France since 1937, and by the Musée d'Orsay in Paris since 1986.
Marie Dihau was a French singer, pianist as well as singing and piano teacher.
The Hanged Man's House is an 1873 oil-on-canvas painting by Paul Cézanne. The painting is exhibited at the Musée d'Orsay in Paris.
Elles (Them) is a 1896 series of color lithographs created by French artist Henri de Toulouse-Lautrec. They are part of his series of works based on scenes from French brothels he was known to visit from 1892 to 1895. Elles was first published by Gustave Pellet and exhibited in Paris at the 20th Salon des Cent on April 22, 1896. The show attracted little initial attention and sold poorly, as it portrayed a sympathetic depiction of prostitutes undergoing their everyday routine devoid of eroticism. Artist Edvard Munch was known to have bought an entire set of lithographs.
