 | This article has an unclear citation style .(June 2017) |
| Lautrec | |
|---|---|
| Directed by | Roger Planchon |
| Starring | Régis Royer Elsa Zylberstein |
Release date |
|
Running time | 125 minutes |
| Country | France |
| Language | French |
Lautrec is a 1998 French biographical film about the painter Henri de Toulouse-Lautrec. [1] The film focuses on his love affair with painter Suzanne Valadon. [2]
Moulin Rouge is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche.
Montmartre is a large hill in Paris's northern 18th arrondissement. It is 130 m (430 ft) high and gives its name to the surrounding district, part of the Right Bank. Montmartre is primarily known for its artistic history, for the white-domed Basilica of the Sacré-Cœur on its summit, and as a nightclub district.
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa, known as Toulouse-Lautrec, was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times.
Maurice Utrillo, born Maurice Valadon; 26 December 1883 – 5 November 1955), was a French painter of the School of Paris who specialized in cityscapes. From the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre to have been born there.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Moulin Rouge is a 1952 British historical romantic drama film directed by John Huston from a screenplay he co-wrote with Anthony Veiller, based on the 1950 novel of the same name by Pierre La Mure, and produced by John and James Woolf. The film follows artist Henri de Toulouse-Lautrec in 19th-century Paris's bohemian subculture in and around the Moulin Rouge, a burlesque palace. The film was screened at the 14th Venice International Film Festival, where it won the Silver Lion.
La Goulue, was the stage name of Louise Weber, a French can-can dancer who was a star of the Moulin Rouge, a popular cabaret in the Pigalle district of Paris, near Montmartre. Weber became known as La Goulue because as an adolescent, she was known for guzzling cabaret patrons' drinks while dancing. She also was referred to as the Queen of Montmartre.
Achille-Émile Othon Friesz, who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.
A hangover is an unpleasant physiological effect often following excessive consumption of alcohol.
Events from the year 1864 in France.
The Musée de Montmartre is located in Montmartre, at 8-14 rue Cortot in the 18th (XVIII) arrondissement of Paris, France. It was founded in 1960 and was classified as a Musée de France in 2003. The buildings were formerly the home of several famous artists, including Pierre-Auguste Renoir and Suzanne Valadon.
Marie Pierre "Mapie" de Toulouse-Lautrec (1901–1972) was a French journalist and food writer, born Marie Pierre Adélaïde Lévêque de Vilmorin in Verrières-le-Buisson, scion of the Vilmorin seed company. Her horticulturalist father was Joseph Marie Philippe Lévêque de Vilmorin (1872-1917), and her mother was the former Bertha Marie Mélanie de Gaufridy de Dortan (1876-1937). The writer Louise de Vilmorin (1902–1969) was her younger sister, while one of her younger brothers, Roger, was the result of an affair between her mother and Alfonso XIII of Spain. Her other siblings were Henri, Olivier, and André.
André Utter was a French painter. He was born in the 18th arrondissement of Paris to parents of Alsatian origin. He is best known for having been the second husband and manager of French painter Suzanne Valadon and the step-father of her son, Maurice Utrillo. The trio have also been called the trinité maudite because of their quarrels, reconciliations, and alcoholism.
Désiré Dihau was a French bassoonist and composer. He was the bassoonist painted by Edgar Degas in The Orchestra at the Opera with the cellist Louis-Marie Pilet seated behind him.
Portrait of Suzanne Valadon is an 1885 painting by Henri de Toulouse-Lautrec now held at the Museo Nacional de Bellas Artes in Buenos Aires. Toulouse-Lautrec and the artist and model Suzanne Valadon were friends in Montmartre in Paris. Henri de Toulouse was a highly renowned artist at the time, as was Suzanne Valadon. Lautrec made many portraits of Valadon and supported her journey through the art industry. They were seen as lovers by the town of Montmartre until their relations ended in 1888.
Marie Dihau was a French singer, pianist as well as singing and piano teacher.
Casting the Net is an oil-on-canvas painting by French artist Suzanne Valadon, executed in 1914. It has the dimensions of 201 by 301 cm. It is held in the collection of the Museum of Fine Arts in Nancy.
The Hangover (Suzanne Valadon) (French: Gueule de Bois / La Buveuse), also known as The Drinker, is an oil on canvas painting by French post-Impressionist artist Henri de Toulouse-Lautrec, created from 1887 to 1889, just before he became successful as an artist. The painting depicts a drunken woman drinking alone in a club, reflecting the counterculture of Montmartre and the specter of alcoholism among French women during the Belle Époque. The model in The Hangover is artist Suzanne Valadon, Lautrec's lover. In the early 1880s, after falling from a circus trapeze at the age of 15 and suffering a back injury, Valadon was forced to switch careers and began working as an art model in Montmartre. Although she had been drawing all her life, by 1883, she had become an artist herself, and she would go on to become the first woman painter admitted to the Société Nationale des Beaux-Arts.
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