Jean Paul Gaultier is a French haute couture and prêt-à-porter fashion designer. He is described as an "enfant terrible" of the fashion industry and is known for his unconventional designs with motifs including corsets, marinières, and tin cans. Gaultier founded his eponymous fashion label in 1982, and expanded with a line of fragrances in 1993. He was the creative director for French luxury house Hermès from 2003 to 2010, and retired following his 50th-anniversary haute couture show during Paris Fashion Week in January 2020.
Charles Wilson Brega James was an English-American fashion designer. He is best known for his ballgowns and highly structured aesthetic. James is one of the most influential fashion designers of the 20th century and continues to influence new generations of designers.
Cai Guo-Qiang is a Chinese artist.
Rodarte is an American brand of clothing and accessories founded and headquartered in Los Angeles, California, USA, by sisters Kate and Laura Mulleavy.
Ralph Rucci is an American fashion designer and artist. He is known in particular for Chado Ralph Rucci, a luxury clothing and accessories line. Rucci's clothing designs have appeared in a number of major exhibitions, and he has won some significant fashion-industry awards. He is the subject of a recent documentary, and he and his clothing have received positive critical response in the fashion press.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
Jessie Franklin Turner was an American fashion designer based in New York in the early 20th century. She was notable for being one of the first American designers to create unique designs, rather than imitating or copying Paris fashions, and was the first American fashion designer to establish a long-term couture business in New York.
Pietra Brettkelly is a New Zealand filmmaker, known for her documentaries. She is a documentary filmmaker submitted three times for Oscar consideration, a member of The Academy of Motion Pictures Arts and Sciences, and was recently named an Arts Laureate of New Zealand. Her films have premiered in five of the world's top six film festivals – Sundance, Toronto, Venice, Berlin and Tribeca Film Festivals – and have garnered many awards. She is known for her independent, risk-taking style, which has taken her to many different countries. She approaches her subjects' lives with a "quiet" demeanor and "non-judgmental" attitude, allowing her to capture and document real stories.
The Met Gala, formally called the Costume Institute Benefit, is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art's Costume Institute in Manhattan. The Met Gala is popularly regarded as the world's most prestigious and glamorous fashion event. Fashion stars and models are able to express themselves by their fit according to the theme and social gathering and is known as "fashion's biggest night"; an invitation is highly sought after. Personalities who are perceived to be culturally relevant to contemporary society amongst various professional spheres, including fashion, film, television, music, theater, business, sports, social media, and politics, are invited to attend the Met Gala, organized by the fashion magazine Vogue. The entry price for one ticket has risen to US$75,000 in 2024, an increase from $50,000 in 2023, to attend the annual gala in the world's principal financial center and fashion capital, New York City.
Alexander McQueen: Savage Beauty was an art exhibition held in 2011 at the Metropolitan Museum of Art featuring clothing created by British fashion designer Alexander McQueen, as well as accessories created for his runway shows. The exhibit was extremely popular in New York City and resulted in what was then record attendance for the museum. The curators were Andrew Bolton and Harold Koda.
The Anna Wintour Costume Center is a wing of the Metropolitan Museum of Art main building in Manhattan that houses the collection of the Costume Institute, a curatorial department of the museum focused on fashion and costume design. The center is named after Anna Wintour, the longtime editor-in-chief of Vogue, Chief Content Officer of Condé Nast, and chair of the museum's annual Met Gala since 1995. It was endowed by Lizzie and Jonathan Tisch. As of August 2017, the chief curator is Andrew Bolton.
Guo Pei is a Chinese fashion designer. She is best known for designing dresses for Chinese celebrities, and in America for Rihanna's trailing yellow gown at the 2015 Met Gala. Guo is the first born-and-raised Asian designer to be invited to become a guest member of the Chambre Syndicale de la Haute Couture. In 2016, Time listed her as one of the World's 100 Most Influential People.
Andrew John Bolton is a British museum curator and current head curator of the Anna Wintour Costume Center at the Metropolitan Museum of Art in New York City.
The First Monday in May is a 2016 documentary film directed by Andrew Rossi. The film follows the creation of the Metropolitan Museum of Art's most attended fashion exhibit in history: the 2015 art exhibition China: Through the Looking Glass by curator Andrew Bolton at New York's Metropolitan Museum of Art.
Sandy Schreier is an American fashion historian and collector of couture clothing, with over 15,000 items. She has been called "the world's largest private collector of couture clothing". Her interest in fashion began as a child when she went with her father, a furrier, to the Russeks department store where he worked. She has lent items from her collection to museums around the world but does not reveal where her collection is stored in order not to upset her insurers.
American Woman: Fashioning a National Identity was an exhibit at the Metropolitan Museum of Art in New York City, New York that ran from May 5 to August 15, 2010. This exhibition explored the evolution of the modern woman's image from the 1890s to the 1940s in the United States. Taking approximately nine months to complete, the goal of the exhibition was to create a "time machine" of women's clothing from the past to present. The exhibit was the first from the Costume Institute to incorporate pieces from the Brooklyn Museum Costume collection which had recently been transferred to the Met's holdings. The exhibition, consisting of a range of women's clothing from ball gowns to cycling suits, displayed the impact of "Gibson Girls", "Screen Sirens", and "Bohemians" on American women.
AngloMania: Tradition and Transgression in British Fashion was an exhibition curated by Andrew Bolton at the Metropolitan Museum of Art that ran from May 3 to September 4, 2006. The exhibition featured fashion from throughout Europe in the eighteenth-century that was influenced directly by British attitudes, ideas, and trends. However, these were not accurate depictions of British fashion, but idealized depictions of "a nation's notorious vanity, a romance with itself, and the eccentric desire of English designers to re-establish the establishment." The exhibit is composed of nine "theatrical installations containing clothed mannequins and paintings" that contrasted historical and modern aspects of fashion.
Heavenly Bodies: Fashion and the Catholic Imagination was the 2018 high fashion art exhibition of the Anna Wintour Costume Center, a wing of The Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute.
Princess Margaret wore a cream Dior dress for her 21st birthday commemorations at Sandringham House in 1951. The off-the-shoulder silk gown was created and customised by designer Christian Dior, whom Margaret became closely associated with. The princess was captured in the piece, dubbed one of her favourite dresses, by Cecil Beaton, with the portrait becoming one of the most memorable royal photographs of the twentieth century. The dress has been cited as a part of fashion history, and has been a part of the permanent collection at the Museum of London since 1968.
A sari-inspired dress incorporates attributes of the Indian sari into its design. This includes how it drapes, its embellishment and colours.
