Thomas P. Campbell

Last updated

Thomas P. Campbell
Born
Thomas Patrick Campbell

(1962-07-12) 12 July 1962 (age 62)
Singapore
Education The Perse School
Alma mater New College, Oxford;
Courtauld Institute of Art
OccupationMuseum director
Employer Fine Arts Museums of San Francisco

Thomas Patrick Campbell (born 12 July 1962) [1] is the director and CEO of the Fine Arts Museums of San Francisco (FAMSF), overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. [2] On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure [3] and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK. [2]

Contents

Early life

He was born in Singapore and raised in Cambridge, England, where he attended The Perse School. He earned a BA degree in English language and literature at New College, Oxford, in 1984, [4] followed by a Diploma from Christie's Fine and Decorative Arts course, London, in 1985. While studying for his master's degree at the Courtauld Institute of Art (1987), he discovered how much mainstream art history had overlooked the major role of tapestry in European art and propaganda. During the following years, he worked to rectify this oversight by creating the Franses Tapestry Archive in London (1987–94), which, with more than 120,000 images, is the largest and most up-to-date information resource on European tapestries and figurative textiles in the world. [5] His early research culminated in several research articles and a PhD from the Courtauld Institute of Art, University of London (1999) on the art and culture of King Henry VIII's court.

Career

Campbell has served for more than a decade as Director and CEO of two major US art museums—the Metropolitan Museum of Art from 2009 to 2017, and the Fine Arts Museums of San Francisco since 2018. [6]

Metropolitan Museum of Art

Campbell joined the Metropolitan Museum of Art in 1995, where he conceived and organized several acclaimed exhibitions and publications as a curator in the European Sculpture and Decorative Arts department, including Tapestry in the Renaissance: Art and Magnificence (2002), named "Exhibition of the Year" by Apollo Magazine , [7] Tapestry in the Baroque: Threads of Splendor (New York, 2007; Palacio Real, Madrid, spring 2008). [7] "Then after nearly 14 years of widely admired work as a curator and scholar, Campbell was the unexpected choice to succeed Philippe de Montebello." [8]

During his tenure as director, Campbell was also at the helm for popular and critically acclaimed exhibitions, including: Picasso in the Metropolitan Museum of Art; [9] Alexander McQueen: Savage Beauty; [10] The Drawings of Bronzino; [11] The Steins Collect; [12] Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century; [13] John Baldessari: Pure Beauty; [14] Impressionism, Fashion, and Modernity; [15] The Pictures Generation, 1974–1984; [16] Regarding Warhol: Sixty Artists, Fifty Years; [17] The Renaissance Portrait from Donatello to Bellini; [18] Kongo: Power and Majesty; [19] China: Through the Looking Glass; [20] Ink Art: Past as Present in Contemporary China; [21] Pergamon and the Hellenistic Kingdoms of the Ancient World; [22] Vigée Le Brun: An Artist in Revolutionary France; [23] Unfinished: Thoughts Left Visible; [24] Jerusalem 1000–1400: Every People Under Heaven; [25] Valentin de Boulogne: Beyond Caravaggio; [26] Diane Arbus: Revelations, [27] and Kerry James Marshall: Mastry. [28]

Campbell led the reconception of the Met's approach to modern and contemporary art, including the hiring of Sheena Wagstaff to lead a reorganized department, focused on the art of the 20th and 21st century, and launching the Met Breuer in 2016. [29] "The Met Breuer enabled visitors to engage with the art of the twentieth and twenty-first centuries through the global breadth and historical reach of The Met's unparalleled collection and resources through a range of exhibitions, commissions, performances, and artist residencies." [30]

In 2013, Campbell secured one of the most significant gifts in the history of the Metropolitan Museum of Art, the philanthropist and cosmetics tycoon Leonard A. Lauder's collection of 78 Cubist paintings, drawings, and sculptures. [31]

As The New York Times noted in their announcement of the gift, "scholars say the collection is among the world's greatest, as good as, if not better than, the renowned Cubist paintings, drawings and sculptures in institutions like the Museum of Modern Art in New York, the State Hermitage Museum in St. Petersburg and the Pompidou Center in Paris. Together they tell the story of a movement that revolutionized Modern art and fill a glaring gap in the Met's collection, which has been notably weak in early-20th-century art." [31]

In 2014, the Metropolitan Museum of Art's Costume Institute reopened to the public following a two-year renovation with the inaugural exhibition Charles James: Beyond Fashion. [32] The costume conservation center also underwent a renovation, including its storage and study facility that houses the bulk of the collection, and the costume reference library. The renovated space now allows the Costume Institute to present exhibitions 10 months out of the year.

2014 also saw the launch of a new interactive feature on the Met's website and a new iPad app. The website One Met. Many Worlds, "allows visitors to explore more than 500 highlights from the Museum's encyclopedic collection in English, Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish". [33] The website presents individual works of art linked to universal themes and concepts and invites visitors to respond by pairing images playfully, poetically, and creatively. The iPad app, 82nd & Fifth, features curators from across the Museum discussing 100 works of art in the Met's collection that change the way they see the world – "one work, one curator, two minutes at a time".

During Campbell's tenure, the annual Met Iris and B. Gerald Cantor Roof Garden Commission was established. [34] Artists featured included, Huma Bhabha (2017), Adrián Villar Rojas (2016), Cornelia Parker (2016), Pierre Huyghe (2015), and Dan Graham with Günther Vogt (2014). [35]

Under Campbell's direction, the Met's attendance rose by more than 50% to a record seven million visitors yearly, "with audiences that are now more diverse than ever before". [36] Other accomplishments include the renovation of the American Wing, which took place in phases, with the first phase reopening in 2009 [37] and the second phase, which included a new installation of American art spanning the 18th through 20th centuries, in January 2012, [37] and renovating the greatly enlarged and reconceived Islamic Wing, to highlight both the diversity and the interconnectedness of the numerous cultures represented in the collection. [38]

The Fine Arts Museums of San Francisco

In 2018, it was announced that Campbell would lead the Fine Arts Museums in San Francisco. [39] He "arrived in San Francisco in late 2018 with just six months of exhibition programming in place, planning that usually takes years. Needing to arrange something quickly, he was able to land two traveling shows, the Tate Modern's Soul of a Nation: Art in the Age of Black Power for fall 2019 and a show that had originated at the Frida Kahlo Museum in Mexico as Appearances Can Be Deceiving: The Dresses of Frida Kahlo for spring 2020. But rather than bring them in 'as is,' Campbell empowered curators to bring out their Bay Area roots. Soul of a Nation, in particular, embraced the local community. A preview breakfast included not just press but also Black artists who'd made work in the 1960s and '70s, some of it celebrating fellow Bay Area activists, like Angela Davis and the Black Panthers." [8]

At the opening for Soul of a Nation, Campbell announced that "Free Saturdays" for San Francisco residents would now extend to all Bay Area residents. [8] This initiative has doubled attendance and brought in a more diverse audience on Saturdays. [40]

In March 2020, in response to the pandemic, Campbell announced that the de Young Museum would host an open-call exhibition for "all Bay Area artists". Alta magazine called it "an exhibition of immense scale, inherent complexity, and straightforward generosity." [8] The response to The de Young Open went well beyond the few hundred submissions curators expected. Instead, some 6,000 artists sent in 11,500 works. 877 works were selected and although the museum did not act as an intermediary, all of the works were available for sale. [40] "This exhibition was seen as an 'unusual take for the director of a major museum, where blockbuster exhibitions of blue-chip international artists—whether contemporary or of the past—have been the financial lifeblood for decades'." [8] In 2023, FAMSF opened a second iteration of the de Young Open. Out of the 7,766 artworks submitted by as many Bay Area artists, the exhibition jury selected 883 works, which were displayed salon style in the de Young's Herbst exhibition galleries in a display that The New York Times hailed "...a dizzying, bursting-at-the-seams extravaganza of an exhibition, designed through an open call process to take the pulse of what local artists are thinking and making." [41]

In 2022, "as America marked two years since the murder of George Floyd, Campbell called on the museum sector to 'confront the colonial narratives we have inherited'" [42] and pledged to update the museums strategic plans for the next several years by evolving the Fine Arts Museums into an anti-racist institution as their top objective. Campbell has focused on five critical areas of improvement: presentation and development of the collections, exhibitions, programs and community, workplace and hiring practices, and the composition and future growth of their board. [43] To that end, the museum announced the appointment of Abram Jackson as director of interpretation. "Jackson will spend much of his time working out how to frame art from the museum collection that may have colonialist roots. He will also, he says, explore how the artistic reappropriation of racist insignia can best be communicated in museum settings." [42]

During Campbell's tenure, the Museums have organized a number of shows, which have been critically well received.

At the Legion of Honor:

At the de Young:

In March 2024, The Art Newspaper published their annual attendance report for calendar year 2023, noting: "Our exclusive survey reveals that in 2023 many of the world's largest museums recorded very similar numbers to those of 2019, the last full year before the Covid lockdowns began." [57] In 2023, combined attendance at the Fine Arts Museums of San Francisco was 1,344,866, which according to The New York Times, was "up from 1,344,431 in 2019". [58] Speaking of the cultural community's role in overcoming the city's post-pandemic "doom narrative", Campbell said to The New York Times: "San Francisco is the 17th-largest city in the country, but we have a symphony, a ballet, an opera and museums that are all in the top tier…". [58]

FAMSF is actively expanding its collection. Over the course of Campbell's tenure, the museums have acquired several significant works of art, including:

Other activities

Campbell serves on the board of directors of the Broad Museum. [65] He is also on the advisory panel of the Museum of Art and Photography (MAP) in Bengaluru, India. [66]

Over the course his career, Campbell has served as an interlocutor on culture's relevance in society, speaking at the World Economic Forum, [67] writing in The New York Times about the importance of the National Endowment for the Arts (NEA), [68] and providing context on museums' evolving use of technology in the 21st century. [69]

Select publications

Personal life

Campbell is married and lives in San Francisco. He and his wife Phoebe have a son and daughter. [70]

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References

  1. ↑ "Campbell, Dr Thomas Patrick, (born 12 July 1962), Director and Chief Executive Officer, Fine Arts Museums of San Francisco, since 2018". WHO'S WHO & WHO WAS WHO. doi:10.1093/ww/9780199540884.013.U253901. ISBN   978-0-19-954088-4 . Retrieved 12 July 2021.
  2. 1 2 "Thomas P. Campbell Receives Second Getty Rothschild Fellowship | News From The Getty". News.getty.edu. 27 July 2017. Retrieved 20 November 2019.
  3. ↑ Pogrebin, Robin (28 February 2017). "Metropolitan Museum's Director Resigns Under Pressure". The New York Times. ISSN   0362-4331 . Retrieved 18 November 2022.
  4. ↑ "North American Reunion". New College, Oxford. 2012. Archived from the original on 23 March 2012. Retrieved 10 August 2012.
  5. ↑ Vogel, Carol (10 September 2008). "Curator at Met Named Director of the Museum". The New York Times. Retrieved 3 January 2013.
  6. ↑ Mervosh, Sarah (30 October 2018). "Thomas Campbell, Ex-Director of the Met, Is Hired to Lead San Francisco Museums". The New York Times. Retrieved 2 August 2022.
  7. 1 2 "Thomas P. Campbell Named Next Director of The Metropolitan Museum of Art". www.metmuseum.org. Metropolitan Museum of Art. 9 September 2008. Archived from the original on 22 April 2016. Retrieved 15 May 2023.
  8. 1 2 3 4 5 Quinn, Bridget (5 October 2020). "Museum on the Edge". ALTA Journal. Retrieved 17 August 2022.
  9. ↑ "Picasso in The Metropolitan Museum of Art (April 27–August 15, 2010)", The Met
  10. ↑ "Alexander McQueen: Savage Beauty", The Met.
  11. ↑ "The Drawings of Bronzino", The Met.
  12. ↑ "The Steins Collect". The Met.
  13. ↑ "Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century", The Met.
  14. ↑ "John Baldessari: Pure Beauty", The Met.
  15. ↑ "Impressionism, Fashion, and Modernity | At The Met Fifth Avenue February 26–May 27, 2013 ", The Met.
  16. ↑ "The Pictures Generation, 1974–1984", The Met.
  17. ↑ "Regarding Warhol: Sixty Artists, Fifty Years". The Met.
  18. ↑ "The Renaissance Portrait from Donatello to Bellini", The Met.
  19. ↑ "Kongo: Power and Majesty | At The Met Fifth Avenue, September 18, 2015–January 3, 2016", The Met.
  20. ↑ "China: Through the Looking Glass", The Met.
  21. ↑ "Ink Art: Past as Present in Contemporary China", The Met.
  22. ↑ "‘Pergamon and the Hellenistic Kingdoms of the Ancient World", The Met.
  23. ↑ "Vigée Le Brun: An Artist in Revolutionary France"
  24. ↑ "Unfinished: Thoughts Left Visible March 18–September 4, 2016", The Met.
  25. ↑ "Jerusalem 1000–1400: Every People Under Heaven", The Met.
  26. ↑ "Valentin de Boulogne: Beyond Caravaggio", The Met.
  27. ↑ "Diane Arbus March 8–May 30, 2005", The Met.
  28. ↑ "Kerry James Marshall: Mastry", The Met, 16 November 2015.
  29. ↑ "Sheena Wagstaff Hired by the Metropolitan Museum of Art". www.artforum.com. 11 January 2012. Retrieved 22 August 2022.
  30. ↑ "The Met Breuer, 2016–2020". www.metmuseum.org. Metropolitan Museum of Art. Archived from the original on 20 April 2021. Retrieved 15 May 2023.
  31. 1 2 Vogel, Carol (9 April 2013). "A Billion-Dollar Gift Gives the Met a New Perspective (Cubist)". The New York Times. ISSN   0362-4331 . Retrieved 22 August 2022.
  32. ↑ Cascone, Sarah (5 September 2013). "Met Museum's Costume Institute Reopens with Charles James". ARTnews.com. Retrieved 26 September 2022.
  33. ↑ "Metropolitan Museum Launches New Interactive Web Feature One Met. Many Worlds. in 11 Languages". www.metmuseum.org. Metropolitan Museum of Art. 11 June 2014. Archived from the original on 18 August 2016. Retrieved 15 May 2023.
  34. ↑ Angeleti, Gabriella (15 March 2022). "Los Angeles artist Lauren Halsey will create the Metropolitan Museum's next rooftop commission". The Art Newspaper. Retrieved 26 September 2022.
  35. ↑ "Listing The Met Museum's Roof Garden Commissions So Far". Widewalls. Retrieved 26 September 2022.
  36. ↑ Kenney, Nancy (31 October 2018). "Director swap: former Met chief Thomas Campbell succeeds Max Hollein at Fine Arts Museums of San Francisco". The Art Newspaper. Retrieved 3 October 2022.
  37. 1 2 "New American Wing Galleries for Paintings, Sculpture, and Decorative Arts". www.metmuseum.org. Metropolitan Museum of Art. 12 January 2012. Archived from the original on 10 June 2016. Retrieved 15 May 2023.
  38. ↑ "Metropolitan Museum to Open Renovated Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia". www.metmuseum.org. Metropolitan Museum of Art. 24 October 2011. Archived from the original on 7 March 2016. Retrieved 15 May 2023.
  39. ↑ "Fine Arts Museums of San Francisco Appoint Thomas P. Campbell as Director and CEO". famsf.org. 30 October 2018.
  40. 1 2 Boucher, Brian (16 November 2020). "With Tourism on Hold, the de Young Museum Turned to Its Backyard With an Open-Call Show for Local Artists. The Response Was Epic".
  41. ↑ Finkel, Jori; Wilson, Jim (18 October 2023). "At the de Young, a Rousing Showcase for Bay Area Artists". The New York Times. ISSN   0362-4331 . Retrieved 26 August 2024.
  42. 1 2 Seymour, Tom (10 June 2022). "US museums must confront 'inherited colonial narratives', says Thomas Campbell, director of the Fine Arts Museums of San Francisco". The Art Newspaper. Retrieved 26 August 2024.
  43. ↑ Fluker, Dominique (16 August 2022). "The De Young Museum Celebrated Black Legacy And Economic Empowerment With Obama Portraits Viewing". Forbes . Retrieved 26 August 2024.
  44. ↑ "The Best Public Art of 2021". Artsy. 7 December 2021.
  45. ↑ Marius, Marley (4 April 2022). "Couturier Guo Pei Gets an Expansive Showcase in San Francisco". Vogue.
  46. ↑ Moore, Booth (26 August 2022). "'Guo Pei: Couture Fantasy' Exhibition Extended". WWD .
  47. ↑ Brothers, Cammy. "'Botticelli Drawings' Review: A Master Painter's Skills on Paper" . Wall Street Journal.
  48. ↑ Cotter, Holland; Farago, Jason; Mimms, Walker (14 December 2023). "Best Art Books of 2023". The New York Times. ISSN   0362-4331 . Retrieved 26 August 2024.
  49. ↑ https://www.frieze.com/article/top-ten-shows-US-2020-critics-guide&sa=D&source=docs&ust=1662062691838362&usg=AOvVaw1oOY_srAiJuLb_MLfl2DTI [ bare URL ]
  50. ↑ Prasad, Grace Loh (4 October 2021). "Judy Chicago Retrospective Brings the Artist Full Circle". Hyperallergic.
  51. ↑ "Events".
  52. ↑ Searcey, Dionne (16 March 2023). "Kehinde Wiley's New Exhibition Is a Chapel for Mourning". The New York Times. ISSN   0362-4331 . Retrieved 26 August 2024.
  53. ↑ Keh, Pei-Ru (17 March 2023). "Kehinde Wiley's searing new San Francisco show captures brutality, humanity, grief and grace". wallpaper.com. Retrieved 26 August 2024.
  54. ↑ Holgate, Mark (17 January 2024). "Connecting With the McQueens, Chanels, and Fortunys at the de Young's "Fashioning San Francisco: A Century of Style" Exhibition". Vogue. Retrieved 26 August 2024.
  55. ↑ Blue, Max (18 March 2024). "Lee Mingwei brings experimental art to SF's de Young". San Francisco Examiner. Retrieved 26 August 2024.
  56. ↑ Zack, Jessica (25 March 2024). "The Art of Participation". Alta Online. Retrieved 26 August 2024.
  57. ↑ Cheshire, Lee; José da Silva (26 March 2024). "The 100 most popular art museums in the world—blockbusters, bots and bounce-backs". The Art Newspaper. Retrieved 26 August 2024.
  58. 1 2 Pogrebin, Robin (3 July 2024). "San Francisco's Arts Institutions Are Slowly Building Back". The New York Times. ISSN   0362-4331 . Retrieved 26 August 2024.
  59. ↑ Finkel, Jori (17 June 2021). "The Enslaved Artist Whose Pottery Was an Act of Resistance". The New York Times. ISSN   0362-4331 . Retrieved 26 August 2024.
  60. ↑ Solomon, Tessa (23 March 2022). "Rare Work by Paris Salon's First Female History Painter Is Acquired by the Fine Arts Museum of San Francisco". ARTnews.com. Retrieved 26 August 2024.
  61. ↑ Wilson, Emily (20 July 2022). "San Francisco Museums Acquire Works by 30 Bay Area Artists". Hyperallergic. Retrieved 8 November 2022.
  62. ↑ Bravo, Tony (7 October 2022). "Oakland painter Mary Lovelace O'Neal honored at On the Edge gala at de Young Museum". San Francisco Chronicle. Retrieved 26 August 2024.
  63. ↑ Sutton, Benjamin (21 October 2022). "After San Francisco museum acquires Canaletto painting in pre-auction deal, Christie's marquee Getty sale brings in $79.4m". The Art Newspaper. Retrieved 26 August 2024.
  64. ↑ Benzine, Vittoria (1 May 2024). "Lavinia Fontana Portrait Joins Museum Collection After 400 Years". Artnet News. Retrieved 26 August 2024.
  65. ↑ "The Broad Appoints Four New Members to the Museum's Board of Directors | The Broad". www.thebroad.org. 20 September 2017. Retrieved 27 August 2024.
  66. ↑ "The Museum's Trustees, Board & Advisory Committee". MAP. Retrieved 27 August 2024.
  67. ↑ Boucher, Brian (21 January 2014). "Davos Welcomes Met's Campbell and other Art-World Bigwigs". ARTnews.com. Retrieved 27 August 2024.
  68. ↑ Campbell, Thomas P. (22 February 2017). "Opinion | The Folly of Abolishing the N.E.A." The New York Times. ISSN   0362-4331 . Retrieved 27 August 2024.
  69. ↑ Harris, Gareth (25 March 2024). "Hong Kong arts hub West Kowloon Cultural District opens summit with raft of global agreements". The Art Newspaper. Retrieved 27 August 2024.
  70. ↑ Murg, Stephanie (9 September 2008). "Thomas Campbell Named Next Director of Metropolitan Museum of Art". Media Bistro. Archived from the original on 18 September 2011. Retrieved 3 January 2013.
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