| July Fourteenth, Rue Daunou, 1910 | |
|---|---|
 | |
| Artist | Childe Hassam |
| Year | 1910 |
| Medium | Oil on canvas |
| Dimensions | 74 cm× 50.5 cm(29 in× 19.9 in) |
| Location | Metropolitan Museum of Art, New York |
| Accession | 29.86 |
July Fourteenth, Rue Daunou, 1910 is an early 20th century painting by American impressionist Childe Hassam. Done in oil on canvas, the painting depicts the celebration of Bastille Day in Paris.
July Fourteenth, Rue Daunou, 1910 depicts the celebration of Bastille Day from the artist's viewpoint on top of the Hôtel l’Empire in Paris. The street below is thronged with automobiles and people, while the flags of France, Belgium, and the United States are being flown on various buildings. The Metropolitan Museum of Art, where the painting is now on display, considers the painting to be a precursor to Hassam's famous Flag Series. [1]
It is on display in the Metropolitan Museums's Gallery 774.
Bastille Day is the common name given in English-speaking countries to the national day of France, which is celebrated on 14 July each year. In French, it is formally called the Fête nationale française ; legally it is known as le 14 juillet.
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Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
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Allen Butler Talcott was an American landscape painter. After studying art in Paris for three years at Académie Julian, he returned to the United States, becoming one of the first members of the Old Lyme Art Colony in Connecticut. His paintings, usually landscapes depicting the local scenery and often executed en plein air, were generally Barbizon and Tonalist, sometimes incorporating elements of Impressionism. He was especially known and respected for his paintings of trees. After eight summers at Old Lyme, he died there at the age of 41.
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Surf, Isles of Shoals is a 1913 painting by Childe Hassam. Done in oil on canvas, the work depicts the rugged New England shoreline near Portsmouth, New Hampshire. The painting is currently in the collection of the Metropolitan Museum of Art.
Coast Scene, Isles of Shoals is a 1901 painting by Childe Hassam which is in the collection of the Metropolitan Museum of Art.
Broadway and 42nd Street is a 1902 painting by Childe Hassam which is part of the collection of the Metropolitan Museum of Art.
The Water Garden is a 1909 painting by Childe Hassam. Done in oil on canvas, the painting is on display at the Metropolitan Museum of Art, in New York.
Winter in Union Square is a late 19th-century painting by American artist Childe Hassam. Done in oil on canvas, the painting depicts Union Square in New York City during a winter snowstorm. The painting is in the collection of the Metropolitan Museum of Art.
The Rue Mosnier with Flags is an 1878 oil on canvas painting by Édouard Manet, showing the eponymous Parisian street, decorated with French flags for the first national holiday on 30 June 1878, the Fête de la Paix. The Fête de la Paix was held during that year's Exposition Universelle, which together marked France's recovery after the Franco-Prussian War and the Paris Commune. The holiday was moved to 14 July in 1880 to become Bastille Day. The painting is held by the J. Paul Getty Museum in Los Angeles.
American Commissioners of the Preliminary Peace Agreement with Great Britain, also known as the Treaty of Paris, is a 1783 unfinished painting by Benjamin West depicting the United States delegation that negotiated the 1783 Treaty of Paris, which formally ended the American Revolutionary War. Peace negotiations began in Paris on June 25, 1783, and the eventual signing of the treaty took place on September 3, 1783 at the Hotel York at 56 rue Jacob. The green drapery in the painting's background and the distant landscape with a classical colonnaded building emphasize the scene's formality.
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