| Cemetery, New Mexico | |
|---|---|
 | |
| Artist | Marsden Hartley |
| Year | 1924 |
| Medium | Oil on canvas |
| Dimensions | 80.3 cm× 99.7 cm(31.6 in× 39.3 in) |
| Location | Metropolitan Museum of Art, New York |
Cemetery, New Mexico is an early 20th century painting by American artist Marsden Hartley. Done in oil on canvas, the painting depicts a cemetery in Taos Pueblo, New Mexico. The work is in the collection of the Metropolitan Museum of Art.
In 1918–1919, Marsden Hartley and a group of artists visited the American Southwest. [1] One destination on this trip was the state of New Mexico, specifically the town of Taos, the nearby Taos Pueblo Reservation (which housed a resident group of artists known as the Taos art colony) and Santa Fe. Hartley and his fellow travelers lived in the art colony for 18 months. [1] During this period of habitation, Hartley made a mental note of the area's topography, sky, and a small cemetery nearby. However, he was unable to render the scene into a painting at the time. [2]
While visiting Europe (in a trip from 1923 to 1924), Hartley began painting a series of works he called "recollections". [2] The works Hartley produced in this series were painted from memory, with one such work being Cemetery, New Mexico, a Modernist painting depicting a small cemetery in Taos Pueblo. As noted in the Met's profile of Cemetery, Hartley painted from memory to emulate American artist Albert Pinkham Ryder, who the former admired. [2]
Cemetery itself depicts a cemetery set before a mountain in Taos Pueblo, New Mexico. [2] As noted in the Met's profile of Cemetery, the work exhibits signs of being painted in an exaggerated, abstract, lazy-like way, likely a result of being painted from Hartley's memory. [2]
The Taos art colony was an art colony founded in Taos, New Mexico, by artists attracted by the culture of the Taos Pueblo and northern New Mexico. The history of Hispanic craftsmanship in furniture, tin work, and other mediums also played a role in creating a multicultural tradition of art in the area.
Ernest Leonard Blumenschein was an American artist and founding member of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico and the American Southwest.
Eanger Irving Couse was an American artist and a founding member and first president of the Taos Society of Artists. Born and reared in Saginaw, Michigan, he went to New York City and Paris to study art. While spending summers in Taos, New Mexico, he began to make the paintings of Native Americans, New Mexico, and the American Southwest for which he is best known. He later settled full time in Taos.
William Herbert "Buck" Dunton was an American artist and a founding member of the Taos Society of Artists. He is noted for paintings of cowboys, New Mexico, and the American Southwest.
Charles Henry Buckius Demuth was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism.
Ernest Martin Hennings (1886–1956) was an American artist and member of the Taos Society of Artists.
Marsden Hartley was an American Modernist painter, poet, and essayist. Hartley developed his painting abilities by observing Cubist artists in Paris and Berlin.
Joseph Henry Sharp was an American painter and a founding member of the Taos Society of Artists, of which he is considered the "Spiritual Father". Sharp was one of the earliest European-American artists to visit Taos, New Mexico, which he saw in 1893 with artist John Hauser. He painted American Indian portraits and cultural life, as well as Western landscapes. President Theodore Roosevelt commissioned him to paint the portraits of 200 Native American warriors who survived the Battle of the Little Bighorn. While working on this project, Sharp lived on land of the Crow Agency, Montana, where he built Absarokee Hut in 1905. Boosted by his sale of 80 paintings to Phoebe Hearst, Sharp quit teaching and began to paint full-time.
The New Mexico Museum of Art is an art museum in Santa Fe governed by the state of New Mexico. It is one of four state-run museums in Santa Fe that are part of the Museum of New Mexico. It is located at 107 West Palace Avenue, one block off the historic Santa Fe Plaza. It was given its current name in 2007, having previously been referred to as The Museum of Fine Arts.
The Taos Society of Artists was an organization of visual arts founded in Taos, New Mexico. Established in 1915, it was disbanded in 1927. The Society was essentially a commercial cooperative, as opposed to a stylistic collective, and its foundation contributed to the development of the tiny Taos art colony into an international art center.
Arnold Rönnebeck was a German-born American modernist artist and museum administrator. He was a vital member of both the European and American avant-garde movements of the early twentieth century before settling in Denver, Colorado. Rönnebeck was a sculptor and painter, but is best known for his lithographs that featured a range of subjects including New York cityscapes, New Mexico and Colorado landscapes and Native American dances.
The Millicent Rogers Museum is an art museum in Taos, New Mexico, founded in 1956 by the family of Millicent Rogers. Initially the artworks were from the multi-cultural collections of Millicent Rogers and her mother, Mary B. Rogers, who donated many of the first pieces of Taos Pueblo art. In the 1980s, the museum was the first cultural organization in New Mexico to offer a comprehensive collection of Hispanic art.
Albert Looking Elk, also known as Albert Martinez was a Taos Pueblo painter. Looking Elk is one of the three Taos Pueblo Painters.
Albert Lujan (1892–1948), also known as Xenaiua meaning "Weasel Arrow," was a genre and landscape painter from Taos Pueblo, New Mexico.
Juan Mirabal, also known as "Tapaiu" or Red Dancer, was an artist from Taos Pueblo, New Mexico.
The Harwood Museum of Art is located in Taos, New Mexico. Founded in 1923 by the Harwood Foundation, it is the second oldest art museum in New Mexico. Its collections include a wide range of Hispanic works and visual arts from the Taos Society of Artists, Taos Moderns, and contemporary artists. In 1935 the museum was purchased by the University of New Mexico. Since then the property has been expanded to include an auditorium, library and additional exhibition space.
Rebecca Salsbury James (1891–1968) was a self-taught American painter, born in London, England of American parents who were traveling with the Buffalo Bill Wild West Show. She settled in New York City, where she married photographer Paul Strand. Following her divorce from Strand, James moved to Taos, New Mexico where she fell in with a group that included Mabel Dodge Luhan, Dorothy Brett, and Frieda Lawrence. In 1937 she married William James, a businessman from Denver, Colorado who was then operating the Kit Carson Trading Company in Taos. She remained in Taos until her death in 1968.
Eva Mirabal, also known as Eah-Ha-Wa (1920–1968) was a Native American painter, muralist, illustrator, and cartoonist from Taos Pueblo, New Mexico. Her primary medium was gouache, a type of watercolor.
Bermuda No. 2, The Schooner is an early 20th century drawing by American artist Charles Demuth. Done in watercolor and graphite on paper, the work depicts the ship Danish ship Elsa. The drawing is in the collection of the Metropolitan Museum of Art.
Lobster Fishermen is an early 20th century painting by American artist Marsden Hartley. Done in oil on masonite, the work depicts a group of lobster fishermen in Hartley's native state of Maine. Considered part of Hartley's 'Maine Series', Lobster Fishermen is in the collection of the Metropolitan Museum of Art.