Exhibition

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Work by Paul Gauguin and Vincent van Gogh exhibited in the Carrieres de Lumiere in Les Baux-de-Provence, Bouches-du-Rhone through digital projection (2012) Exposition "Gauguin, Van Gogh, les peintres de la couleur".jpg
Work by Paul Gauguin and Vincent van Gogh exhibited in the Carrières de Lumière in Les Baux-de-Provence, Bouches-du-Rhône through digital projection (2012)

An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. They can also foster community engagement, dialogue, and education, providing visitors with opportunities to explore diverse perspectives, historical contexts, and contemporary issues. Additionally, exhibitions frequently contribute to the promotion of artists, innovators, and industries, acting as a conduit for the exchange of ideas and the celebration of human creativity and achievement.

Contents

In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions. Exhibitions featuring especially fragile or valuable objects, or live animals—may be shown only during a formal presentation, under the close supervision of attendant or educator. Temporary exhibits that are transported from institution to institution are traveling exhibits.

Though exhibitions are common events, the concept of an exhibition is quite wide and encompasses many variables. Exhibitions range from an extraordinarily large event such as a World's fair exposition to small one-artist solo shows or a display of just one item. Often a team of specialists is required to assemble and execute an exhibition; these specialists vary depending on the type of said exhibit. Curators are sometimes involved as the people who select the items in an exhibition. Writers and editors are sometimes needed to write text, labels and accompanying printed material such as catalogs and books. Architects, exhibition designers, graphic designers and other designers may be needed to shape the exhibition space and give form to the editorial content. Organizing and holding exhibitions also requires effective event planning, management, and logistics. [1]

History

The Paris Salon of 1787, held at the Louvre Salon du Louvre 1787.jpg
The Paris Salon of 1787, held at the Louvre

The exhibition came fully into its own in the 19th century, but various temporary exhibitions had been held before that, especially the regular displays of mostly new art in major cities. The Paris Salon of the Académie des Beaux-Arts was the most famous of these, beginning in 1667, and open to the public from 1737. By the mid-18th century this and its equivalents in other countries had become crucial for developing and maintaining the reputation of contemporary artists. In London the Royal Academy Summer Exhibition has been held annually since 1769, and the British Institution ran temporary exhibitions from 1805 to 1867, typically twice a year, with one of new British painting and one of loans of old masters from the Royal Collection and the aristocratic collections of English country houses.

Poster for an 1894 commercial art exhibition in Partis; the poet Paul Verlaine at left, Jean Moreas right. Les Maitres de l'Affiche -7e Exposition du Salon des Cent' (bgw20 0313).jpg
Poster for an 1894 commercial art exhibition in Partis; the poet Paul Verlaine at left, Jean Moréas right.

By the mid-19th century many of the new national museums of Europe were in place, and holding exhibitions of their own collections, or loaned collections, or a mixture of objects from both sourcers, which remains a typical mix today. The "Chronology of Temporary Exhibitions at the British Museum" goes back to 1838. [2]

The tradition of the Universal exposition "world Expo" or "World's Fair" began with the Great Exhibition of 1851 in London; these are only held every few years. The Eiffel Tower in Paris was built for the Exposition Universelle (1889) and served as an entrance arch.

Poster exhibition in the lobby of the Swedish Exhibition Agency 2015 Affischutstallning, Riksutstallningars entre, 2015-11.jpg
Poster exhibition in the lobby of the Swedish Exhibition Agency 2015

Modern exhibitions may be concerned with preservation, education and demonstration, early exhibitions were designed to attract public interest and curiosity. Before the widespread adoption of photography, the exhibition of a single object could attract large crowds. [3] Visitors might even be overcome with Stendhal syndrome, feeling dizzy or overwhelmed by the intense sensory experience of an exhibit. [4] Today, there is still tension between the design of exhibits for educational purposes or for the purpose of attracting and entertaining an audience, as a tourist attraction.

Art exhibitions

Fine art exhibited at Tate Britain Henry moore, figura distesa, 1951, 03.jpg
Fine art exhibited at Tate Britain
A photo exhibition on a fence in Ystad's harbor 2021. Utstallning - Ystad-2021.jpg
A photo exhibition on a fence in Ystad's harbor 2021.

Art exhibitions include an array of artifacts from countless forms of human making: paintings, drawings, crafts, sculpture, video installations, sound installations, performances, interactive art. Art exhibitions may focus on one artist, one group, one genre, one theme or one collection; or may be organized by curators, selected by juries, or show any artwork submitted.

Fine arts exhibitions typically highlight works of art with generous space and lighting, supplying information through labels or audioguides designed to be unobtrusive to the art itself.

Exhibitions may occur in series or periodically, as in the case with Biennales, triennials and quadrennials. The first art exhibition to be called a blockbuster was allegedly the 1960 Picasso show at Tate in London. [5]

Interpretive exhibitions

Interpretive exhibitions are exhibitions that require more context to explain the items being displayed. This is generally true of exhibitions devoted to scientific and historical themes, where text, dioramas, charts, maps and interactive displays may provide necessary explanation of background and concepts. Interpretive exhibitions generally require more text and more graphics than fine art exhibitions do.

The topics of interpretive graphics cover a wide range including archaeology, anthropology, ethnology, history, science, technology and natural history.

Commercial exhibitions

The III All-Russian (International) Exhibition, a 1907 automobile exhibition in Saint Petersburg, Russia Autoexpo Petersburg 1910-5-28.jpg
The III All-Russian (International) Exhibition, a 1907 automobile exhibition in Saint Petersburg, Russia

Commercial exhibitions, generally called trade fairs, trade shows or expos, are usually organized so that organizations in a specific interest or industry can showcase and demonstrate their latest products, service, study activities of rivals and examine recent trends and opportunities. Some trade fairs are open to the public, while others can only be attended by company representatives (members of the trade) and members of the press.

Digitalized exhibition

Changes in scholarly communication and the rise of the Internet have led to the creation of online exhibitions or digital exhibitions. These can include the digital viewing of physical exhibits; video tours of museums, art galleries and other cultural venues; and/or online exhibitions of "born digital" art, models or educational tools. The integration of information technology into museums and archives has also created opportunities for interactive and multimedia experiences inside cultural institutions. Many museums and galleries have extensive online resources that complement or enhance their physical exhibits. For example, the British Museum, the Louvre, the MET have put their collections online. Another example from 2009, "Public Poet, Private Man," an online exhibit on the work of Henry Wadsworth Longfellow, was recognized as an outstanding digital exhibit by the Association of College and Research Libraries (ARCL). [6]

Some museums are classified as virtual museums. They are exclusively digital and offer a wide range of online exhibitions, notably the International Museum of Women, Tucson LGBTQ Museum, Virtual Museum of Canada, Virtual Museum of Modern Nigerian Art, Museum With No Frontiers.

See also

Related Research Articles

<span class="mw-page-title-main">Museum</span> Institution that holds items of significance

A museum is an institution dedicated to displaying and/or preserving culturally significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Compared to a library, a museum hosts a much wider range of objects and usually focus around a specific theme such as the arts, science, natural history, local history, and other topics. Public museums that host exhibitions and interactive demonstrations are often considered to be tourist attractions, and many museums attract large numbers of visitors from outside their host country, with the most visited museums in the world regularly attracting millions of visitors annually.

<span class="mw-page-title-main">Art museum</span> Building or space for the exhibition of art

An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections.

<span class="mw-page-title-main">Tate</span> Art museum in the United Kingdom

Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Culture, Media and Sport.

<span class="mw-page-title-main">Victoria and Albert Museum</span> Art museum in London, England

The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.

<span class="mw-page-title-main">Royal Ontario Museum</span> Museum in Toronto, Ontario, Canada

The Royal Ontario Museum (ROM) is a museum of art, world culture and natural history in Toronto, Ontario, Canada. It is one of the largest museums in North America and the largest in Canada. It attracts more than one million visitors every year, making it the most-visited museum in Canada. It is north of Queen's Park, in the University of Toronto district, with its main entrance on Bloor Street West. Museum subway station is named after it and, since a 2008 renovation, is decorated to resemble the ROM's collection at the platform level.

<span class="mw-page-title-main">Canadian Museum of History</span> Canadas national museum on anthropology, ethnology, and history

The Canadian Museum of History is a national museum on anthropology, Canadian history, cultural studies, and ethnology in Gatineau, Quebec, Canada. The purpose of the museum is to promote the heritage of Canada, as well as support related research. The museum is based in a 75,000-square-metre-building (810,000 sq ft) designed by Douglas Cardinal.

<span class="mw-page-title-main">1873 Vienna World's Fair</span> International exhibition of the 19th century

The 1873 Vienna World's Fair was the large world exposition that was held from 1 May to 31 October 1873 in the Austria-Hungarian capital Vienna. Its motto was "Culture and Education".

<span class="mw-page-title-main">Art exhibition</span> Organized presentation and display of works of art

An art exhibition is traditionally the space in which art objects meet an audience. The exhibit is universally understood to be for some temporary period unless, as is occasionally true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".

<span class="mw-page-title-main">Bata Shoe Museum</span> Footwear museum in Toronto, Ontario, Canada

The Bata Shoe Museum (BSM) is a museum of footwear and calceology in Toronto, Ontario, Canada. The museum's building is situated near the northwest of the University of Toronto's St. George campus, in downtown Toronto. The 3,665-square-metre (39,450 sq ft) museum building was designed by Moriyama & Teshima Architects, with Raymond Moriyama as the lead architect.

<span class="mw-page-title-main">Queens Museum</span> Art museum in Queens, New York

The Queens Museum, formerly the Queens Museum of Art, is an art museum and educational center located in Flushing Meadows–Corona Park in the borough of Queens in New York City, United States. The museum was founded in 1972, and has among its permanent exhibitions, the Panorama of the City of New York, a room-sized scale model of the five boroughs originally built for the 1964 New York World's Fair, and repeatedly updated since then. It also has a large archive of artifacts from both the 1939 and 1964 World's Fairs, a selection of which is on display.

<span class="mw-page-title-main">Tokyo National Museum</span> Art museum in Tokyo, Japan

The Tokyo National Museum or TNM is an art museum in Ueno Park in the Taitō ward of Tokyo, Japan. It is one of the four museums operated by the National Institutes for Cultural Heritage, is considered the oldest national museum in Japan, is the largest art museum in Japan. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. As of April 2023, the museum held approximately 120,000 Cultural Properties, including 89 National Treasures, 319 Horyuji Treasures, and 649 Important Cultural Properties. As of the same date, the Japanese government had designated 902 works of art and crafts as National Treasures and 10,820 works of art and crafts as Important Cultural Properties, so the museum holds about 10% of the works of art and crafts designated as National Treasures and 6% of those designated as Important Cultural Properties. The museum also holds 2,651 cultural properties deposited by individuals and organisations, of which 54 are National Treasures and 262 are Important Cultural Properties. Of these, 3,000 cultural properties are on display at one time, with each changing for between four and eight weeks. The museum also conducts research and organizes educational events related to its collection.

<span class="mw-page-title-main">Wolfsonian-FIU</span> Art museum in Florida, United States

The Wolfsonian–Florida International University or The Wolfsonian-FIU, located in the heart of the Art Deco District of Miami Beach, Florida, is a museum, library and research center that uses its collection to illustrate the persuasive power of art and design. For fifteen years, The Wolfsonian has been a division within Florida International University.

<span class="mw-page-title-main">Virtual museum</span> Museum in a digital format

A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation. As with a traditional museum, a virtual museum can be designed around specific objects, or can consist of online exhibitions created from primary or secondary resources. Moreover, a virtual museum can refer to the mobile or World Wide Web offerings of traditional museums ; or can be born digital content such as, 3D environments, net art, virtual reality and digital art. Often, discussed in conjunction with other cultural institutions, a museum by definition, is essentially separate from its sister institutions such as a library or an archive. Virtual museums are usually, but not exclusively delivered electronically when they are denoted as online museums, hypermuseum, digital museum, cybermuseums or web museums.

<span class="mw-page-title-main">Collection (museum)</span> The group of objects owned by a museum

A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called accessioning and each object is given a unique accession number.

<span class="mw-page-title-main">National Museum of India</span> Museum in New Delhi, India

The National Museum in New Delhi, also known as the National Museum of India, is one of the largest museums in India. Established in 1949, it holds a variety of articles ranging from pre-historic era to modern works of art. It functions under the Ministry of Culture, Government of India. The museum is situated on Janpath. The blue–print of the National Museum had been prepared by the Gwyer Committee set up by the Government of India in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years.

<span class="mw-page-title-main">Exhibitions of artifacts from the tomb of Tutankhamun</span>

Exhibitions of artifacts from the tomb of Tutankhamun have been held at museums in several countries, notably the United Kingdom, Soviet Union, United States, Canada, Japan, and France.

<span class="mw-page-title-main">Travelling exhibition</span> Exhibition presented at more than one venue.

A travelling exhibition, also referred to as a "travelling exhibit" or a "touring exhibition", is a type of exhibition that is presented at more than one venue.

The Art Treasures of Great Britain was an exhibition of fine art held in Manchester, England, from 5 May to 17 October 1857. It remains the largest art exhibition to be held in the UK, possibly in the world, with over 16,000 works on display. It attracted over 1.3 million visitors in the 142 days it was open, about four times the population of Manchester at that time, many of whom visited on organised railway excursions. Its selection and display of artworks had a formative influence on the public art collections that were then being established in the UK, such as the National Gallery, National Portrait Gallery and the Victoria and Albert Museum.

<span class="mw-page-title-main">National Museum of Industrial History</span> Historical museum in Pennsylvania, U.S.

The National Museum of Industrial History, abbreviated NMIH, housed in the former facility of Bethlehem Steel in Bethlehem, Pennsylvania, is a museum affiliated with the Smithsonian Institution that seeks to preserve, educate, and display the industrial history of the nation. It holds a collection of artifacts from the textile, steel and iron, and propane gas industries.

<span class="mw-page-title-main">Khalili Collection of Japanese Art</span> Private collection of Meiji-era art

The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. Its 1,400 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili.

References

  1. Bartsch, Frank (31 May 2013). "Exhibition and Event Logistics". BB Handel. Archived from the original on 7 June 2013. Retrieved 5 June 2013.
  2. British Museum Research Publication no. 189 Archived 19 November 2018 at the Wayback Machine , "Chronology of Temporary Exhibitions at the British Museum", PDF
  3. Mondello, Bob (24 November 2008). "A History Of Museums, 'The Memory Of Mankind'". NPR. Archived from the original on 29 October 2013. Retrieved 14 August 2013.
  4. Squires, Nick (28 July 2010). "Scientists investigate Stendhal Syndrome – fainting caused by great art" . The Telegraph. Archived from the original on 12 January 2022. Retrieved 14 August 2013.
  5. "Museum Bookstore". Archived from the original on 28 April 2021. Retrieved 25 July 2017.
  6. Reuell, Peter (15 September 2009). "Longfellow online exhibition recognized by ACRL". Harvard Gazette. Archived from the original on 31 January 2016. Retrieved 14 August 2013.

Publications

Ng-He, C., Gibbons, B. (2021). Exhibits and Displays: A Practical Guide For Librarians. Rowman & Littlefield.