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An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. They can also foster community engagement, dialogue, and education, providing visitors with opportunities to explore diverse perspectives, historical contexts, and contemporary issues. Additionally, exhibitions frequently contribute to the promotion of artists, innovators, and industries, acting as a conduit for the exchange of ideas and the celebration of human creativity and achievement.
In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions. Exhibitions featuring especially fragile or valuable objects, or live animals—may be shown only during a formal presentation, under the close supervision of attendant or educator. Temporary exhibits that are transported from institution to institution are traveling exhibits.
Though exhibitions are common events, the concept of an exhibition is quite wide and encompasses many variables. Exhibitions range from an extraordinarily large event such as a World's fair exposition to small one-artist solo shows or a display of just one item. Often a team of specialists is required to assemble and execute an exhibition; these specialists vary depending on the type of said exhibit. Curators are sometimes involved as the people who select the items in an exhibition. Writers and editors are sometimes needed to write text, labels and accompanying printed material such as catalogs and books. Architects, exhibition designers, graphic designers and other designers may be needed to shape the exhibition space and give form to the editorial content. Organizing and holding exhibitions also requires effective event planning, management, and logistics. [1]
The exhibition came fully into its own in the 19th century, but various temporary exhibitions had been held before that, especially the regular displays of mostly new art in major cities. The Paris Salon of the Académie des Beaux-Arts was the most famous of these, beginning in 1667, and open to the public from 1737. By the mid-18th century this and its equivalents in other countries had become crucial for developing and maintaining the reputation of contemporary artists. In London the Royal Academy Summer Exhibition has been held annually since 1769, and the British Institution ran temporary exhibitions from 1805 to 1867, typically twice a year, with one of new British painting and one of loans of old masters from the Royal Collection and the aristocratic collections of English country houses.
By the mid-19th century many of the new national museums of Europe were in place, and holding exhibitions of their own collections, or loaned collections, or a mixture of objects from both sourcers, which remains a typical mix today. The "Chronology of Temporary Exhibitions at the British Museum" goes back to 1838. [2]
The tradition of the Universal exposition "world Expo" or "World's Fair" began with the Great Exhibition of 1851 in London; these are only held every few years. The Eiffel Tower in Paris was built for the Exposition Universelle (1889) and served as an entrance arch.
Modern exhibitions may be concerned with preservation, education and demonstration, early exhibitions were designed to attract public interest and curiosity. Before the widespread adoption of photography, the exhibition of a single object could attract large crowds. [3] Visitors might even be overcome with Stendhal syndrome, feeling dizzy or overwhelmed by the intense sensory experience of an exhibit. [4] Today, there is still tension between the design of exhibits for educational purposes or for the purpose of attracting and entertaining an audience, as a tourist attraction.
Art exhibitions include an array of artifacts from countless forms of human making: paintings, drawings, crafts, sculpture, video installations, sound installations, performances, interactive art. Art exhibitions may focus on one artist, one group, one genre, one theme or one collection; or may be organized by curators, selected by juries, or show any artwork submitted.
Fine arts exhibitions typically highlight works of art with generous space and lighting, supplying information through labels or audioguides designed to be unobtrusive to the art itself.
Exhibitions may occur in series or periodically, as in the case with Biennales, triennials and quadrennials. The first art exhibition to be called a blockbuster was allegedly the 1960 Picasso show at Tate in London. [5]
Interpretive exhibitions are exhibitions that require more context to explain the items being displayed. This is generally true of exhibitions devoted to scientific and historical themes, where text, dioramas, charts, maps and interactive displays may provide necessary explanation of background and concepts. Interpretive exhibitions generally require more text and more graphics than fine art exhibitions do.
The topics of interpretive graphics cover a wide range including archaeology, anthropology, ethnology, history, science, technology and natural history.
Commercial exhibitions, generally called trade fairs, trade shows or expos, are usually organized so that organizations in a specific interest or industry can showcase and demonstrate their latest products, service, study activities of rivals and examine recent trends and opportunities. Some trade fairs are open to the public, while others can only be attended by company representatives (members of the trade) and members of the press.
Online exhibitions are virtual presentations of artifacts, artworks, and other objects typically found in museums, galleries, and archives. [6] They utilize the internet to display collections and educational content, making them accessible to a wider audience than physical exhibitions. Online exhibitions can take various formats, including digital images, scanned documents, 3D modeling, and even virtual reality experiences. [7]
The rise of online exhibitions is attributed to several factors. The internet's global reach allows museums to share their collections with geographically dispersed audiences. [8] Additionally, online exhibitions can overcome limitations of physical space, allowing for the display of vast collections or large-scale objects that might be difficult to exhibit traditionally. Furthermore, online exhibitions can offer interactive features, educational resources, and accessibility tools not readily available in physical exhibitions.
While online exhibitions offer numerous advantages, they cannot fully replicate the experience of a physical exhibition. The physical presence of objects, the curated layout of a gallery space, and the social interaction of a museum visit are all aspects missing from the online experience. Nevertheless, online exhibitions serve as a valuable complement to physical exhibitions, expanding access to cultural heritage and fostering a deeper appreciation for museums and collections around the world. [9]
A virtual museum is a digital institution dedicated to exhibiting objects and collections, similar to a physical museum, but existing entirely online. Virtual museum exhibitions utilize digital technologies to present collections and narratives in an online environment. These exhibitions can be permanent or temporary, showcasing a wide range of topics and objects. [10]
A museum is an institution dedicated to displaying and/or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many attract large numbers of visitors from outside their host country, with the most visited museums in the world attracting millions of visitors annually.
An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections.
The Canadian Museum of History is a national museum on anthropology, Canadian history, cultural studies, and ethnology in Gatineau, Quebec, Canada. The purpose of the museum is to promote the heritage of Canada, as well as support related research. The museum is based in a 75,000-square-metre-building (810,000 sq ft) designed by Douglas Cardinal.
The 1873 Vienna World's Fair was the large world exposition that was held from 1 May to 31 October 1873 in the Austria-Hungarian capital Vienna. Its motto was "Culture and Education".
An art exhibition is traditionally the space in which art objects meet an audience. The exhibit is universally understood to be for some temporary period unless, as is occasionally true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".
The Bata Shoe Museum (BSM) is a museum of footwear and calceology in Toronto, Ontario, Canada. The museum's building is situated near the northwest of the University of Toronto's St. George campus, in downtown Toronto. The 3,665-square-metre (39,450 sq ft) museum building was designed by Moriyama & Teshima Architects, with Raymond Moriyama as the lead architect.
The Tokyo National Museum or TNM is an art museum in Ueno Park in the Taitō ward of Tokyo, Japan. It is one of the four museums operated by the National Institutes for Cultural Heritage, is considered the oldest national museum in Japan, is the largest art museum in Japan. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. As of April 2023, the museum held approximately 120,000 Cultural Properties, including 89 National Treasures, 319 Horyuji Treasures, and 649 Important Cultural Properties. As of the same date, the Japanese government had designated 902 works of art and crafts as National Treasures and 10,820 works of art and crafts as Important Cultural Properties, so the museum holds about 10% of the works of art and crafts designated as National Treasures and 6% of those designated as Important Cultural Properties. The museum also holds 2,651 cultural properties deposited by individuals and organisations, of which 54 are National Treasures and 262 are Important Cultural Properties. Of these, 3,000 cultural properties are on display at one time, with each changing for between four and eight weeks. The museum also conducts research and organizes educational events related to its collection.
The Wolfsonian–Florida International University or The Wolfsonian-FIU, located in the heart of the Art Deco District of Miami Beach, Florida, is a museum, library and research center that uses its collection to illustrate the persuasive power of art and design. For fifteen years, The Wolfsonian has been a division within Florida International University.
A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation. As with a traditional museum, a virtual museum can be designed around specific objects, or can consist of online exhibitions created from primary or secondary resources. Moreover, a virtual museum can refer to the mobile or World Wide Web offerings of traditional museums ; or can be born digital content such as, 3D environments, net art, virtual reality and digital art. Often, discussed in conjunction with other cultural institutions, a museum by definition, is essentially separate from its sister institutions such as a library or an archive. Virtual museums are usually, but not exclusively delivered electronically when they are denoted as online museums, hypermuseum, digital museum, cybermuseums or web museums.
A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called accessioning and each object is given a unique accession number.
The National Museum in New Delhi, also known as the National Museum of India, is one of the largest museums in India. Established in 1949, it holds a variety of articles ranging from the pre-historic era to modern works of art. It functions under the Ministry of Culture, Government of India. The museum is situated on Janpath. The blueprint of the National Museum had been prepared by the Gwyer Committee set up by the Government of India in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years.
The MIT Museum, founded in 1971, is located at the Massachusetts Institute of Technology in Cambridge, Massachusetts. It hosts collections of holography, technology-related artworks, artificial intelligence, architecture, robotics, maritime history, and the history of MIT. Its holography collection of 1800 pieces is the largest in the world, though only a few selections from it are usually exhibited. As of 2023, works by the kinetic artist Arthur Ganson are the largest long-running displays. There is a regular program of temporary special exhibitions, often on the intersections of art and technology.
The William R. and Clarice V. Spurlock Museum, better known as the Spurlock Museum, is an ethnographic museum at the University of Illinois at Urbana-Champaign. The Spurlock Museum's permanent collection includes portions of collections from other museums and units on the Urbana-Champaign campus such as cultural artifacts from the Museum of Natural History and Department of Anthropology as well as historic clothing from the Bevier Collection of the College of Agricultural, Consumer and Environmental Sciences. The museum also holds objects donated by other institutions and private individuals. With approximately 51,000 objects in its artifact collection, the Spurlock Museum at the University of Illinois at Urbana-Champaign collects, preserves, documents, exhibits, and studies objects of cultural heritage. The museum's main galleries, highlighting the ancient Mediterranean, modern Africa, ancient Egypt, Mesopotamia, East Asia, Oceania, Europe, and the Americas, celebrate the diversity of cultures through time and across the globe.
A print room is a room in an art gallery or museum where a collection of old master and modern prints, usually together with drawings, watercolours, and photographs, are held and viewed.
Exhibitions of artifacts from the tomb of Tutankhamun have been held at museums in several countries, notably the United Kingdom, Soviet Union, United States, Canada, Japan, and France.
A travelling exhibition, also referred to as a "travelling exhibit" or a "touring exhibition", is a type of exhibition that is presented at more than one venue.
Museum Planning is the creation of documents to describe a new museum’s vision, the visitor experience and an organizational plan for a new institution, or one undergoing a major expansion or change in focus.
The Nazarbayev Center is a multifunctional scientific, analytical, humanitarian and educational public institution in Kazakhstan.
A mount maker is responsible for the creation of structures called object mounts used to provide unobtrusive physical support, stability, and security of objects while on display, in storage, or being transported to museums, art galleries, libraries, archives, botanical gardens or other cultural institutions. Protection and long-term conservation of the object is a key goal of mount makers. This is accomplished through careful design, selection of materials and manufacturing process that will not inadvertently harm the object, and a cautious installation process of the object into its place in an exhibit. Professionals in this field can be employed directly by an institution, be independent contractors, or work as part of larger cultural institution exhibit design firms.
The National Museum of Industrial History, abbreviated NMIH, housed in the former facility of Bethlehem Steel in Bethlehem, Pennsylvania, is a museum affiliated with the Smithsonian Institution that seeks to preserve, educate, and display the industrial history of the nation. It holds a collection of artifacts from the textile, steel and iron, and propane gas industries.
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