Solo exhibition

Last updated

Indian Widow was exhibited at the first recorded solo exhibition of art in Britain, held by Joseph Wright of Derby during 1785 Joseph Wright of Derby. The Widow of an Indian Chief Watching the Arms of Her Deceased Husband.1785..jpg
Indian Widow was exhibited at the first recorded solo exhibition of art in Britain, held by Joseph Wright of Derby during 1785

A solo show or solo exhibition is an exhibition of the work of only one artist. Rather than a group of artists who collaborate to form an exhibition. The artwork may be paintings, drawings, etchings, collage, sculpture, or photography. The creator of any artistic technique may be the subject of a solo show. Other skills and crafts have similar types of shows for the creators. Having solo shows of one's artwork marks the achievement of success and usually is accompanied by receptions and a great deal of publicity. The show may be of current work being produced, those from a single time period, or representative work from different periods in the career of the artist, the latter is termed a retrospective.

Contents

History

Art exhibitions have a history that dates back to 1623. It is thought that the first solo exhibition in Britain was staged by Joseph Wright of Derby in 1785, [1] the year after he refused to become a Royal Academician. [2]

Art Galleries became numerous in large cities during the nineteenth century and flourished during the twentieth century, often becoming included among stores in small towns as well, after the middle of the twentieth century.

Generally, as artists begin to show their work they are accepted by commercial gallery owners for display among the works of many or among others who work in the same area. The works of the artists are sold and the galleries take commissions. As artists gain stature and attract a following who will purchase their works in greater numbers, gallery owners will promote their works in solo shows with a great deal of publicity about the show. The artists with the greatest appeal to a gallery's clients may be invited to be represented by that gallery consistently, developing a constant relationship that even may develop into exclusive rights to offer the sale of the works by those artists.

Jim Gary's Twentieth Century Dinosaurs solo exhibition at the Smithsonian Museum, April-August 1990, Washington, D.C. The sculptor (center) is near one of his sculptures 1990 smithsonian opening JimGary KafiBenz theBells 83d40crop.png
Jim Gary's Twentieth Century Dinosaurs solo exhibition at the Smithsonian Museum, April–August 1990, Washington, D.C. The sculptor (center) is near one of his sculptures

Once artists become recognized for their skills among critics and collectors through representation at galleries, museum directors and staff members may begin to purchase the works of the artists for museum collections. Museums also hold exhibitions that change regularly and may choose to feature a solo show of the works of an artist as one of these exhibitions. Works that are gathered on loan from many other museums or collectors also may be scheduled for exhibition at one museum as a solo show. Planning for the exhibitions is a long process. Museums schedule their exhibitions for a given year well in advance and their negotiations may begin years before the shows are held.

Some artists create a large number of works that they reserve as a traveling exhibition that generates income for them as they travel around the world for decades as solo shows at museums and galleries. Typically, the contract arrangements for booking such a large exhibition are that the hosting organization pays a fee to the artist, arranges for the safe delivery, set up, and return of the exhibition, and it charges admission to those attracted to the exhibition by extensive publicity generated by the host and approved by the artist.

The term "one-man show" was used at times to describe these art exhibitions, but has fallen out of favor, even though the term "one-man show" persists to describe a solo performance among some entertainment venues and performing arts.

Related Research Articles

<span class="mw-page-title-main">Peggy Guggenheim</span> American art collector

Marguerite "Peggy" Guggenheim was an American art collector, bohemian, and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who established the Solomon R. Guggenheim Foundation. Guggenheim collected art in Europe and America between 1938 and 1946. She exhibited this collection as she built it. In 1949, she settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice.

<span class="mw-page-title-main">Frank Auerbach</span> German-British painter

Frank Helmut Auerbach is a German-British painter. Born in Germany, he has been a naturalised British subject since 1947. He is considered one of the leading names in the School of London, with fellow artists Francis Bacon and Lucian Freud.

<span class="mw-page-title-main">Edward Kienholz</span> American artist (1927 - 1994)

Edward Ralph Kienholz was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.

<span class="mw-page-title-main">Work of art</span> Artistic creation of aesthetic value

A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art:

<span class="mw-page-title-main">Lasar Segall</span> Lithuanian-Brazilian artist

Lasar Segall was a Lithuanian Jewish and Brazilian painter, engraver and sculptor. Segall's work is derived from impressionism, expressionism and modernism. His most significant themes were depictions of human suffering, war, persecution and prostitution.

<span class="mw-page-title-main">Jim Gary</span> American artist and sculptor (1939-2006)

Jim Gary was an American sculptor popularly known for his large, colorful creations of dinosaurs made from discarded automobile parts. These sculptures were typically finished with automobile paint although some were left to develop a natural patina during display outdoors.

<span class="mw-page-title-main">Louise Lawler</span> American artist and photographer

Louise Lawler is a U.S. artist and photographer living in Brooklyn, New York City. Lawler’s work has focused on photographing portraits of other artists’ work, giving special attention to the spaces in which they are placed and methods used to make them. Examples of Lawler's photographs include images of paintings hanging on the walls of a museum, paintings on the walls of an art collector's opulent home, artwork in the process of being installed in a gallery, and sculptures in a gallery being viewed by spectators.

<span class="mw-page-title-main">Art dealer</span> Person that buys and sells works of art

An art dealer is a person or company that buys and sells works of art, or acts as the intermediary between the buyers and sellers of art.

<span class="mw-page-title-main">Institute of Contemporary Art, Boston</span> Art museum in Boston, Massachusetts, US

The Institute of Contemporary Art (ICA) is an art museum and exhibition space located in Boston, Massachusetts, United States. The museum was founded as the Boston Museum of Modern Art in 1936. Since then it has gone through multiple name changes as well as moving its galleries and support spaces over 13 times. Its current home was built in 2006 in the South Boston Seaport District and designed by architects Diller Scofidio + Renfro.

<span class="mw-page-title-main">Tino Sehgal</span> German/Indian artist (b.1976)

Tino Sehgal is an artist of German and Indian descent, based in Berlin, who describes his work as "constructed situations". He is also thought of as a choreographer who makes dance for the museum setting.

<span class="mw-page-title-main">Contemporary art gallery</span>

A contemporary art gallery is normally a commercial art gallery operated by an art dealer which specializes in displaying for sale contemporary art, usually new works of art by living artists. This approach has been called the "Castelli Method" after Leo Castelli, whose success was attributed to his active involvement in discovering and promoting emerging artists beginning in the late 1950s with Jasper Johns and Robert Rauschenberg.

<span class="mw-page-title-main">Jonathan Talbot</span> American painter

Jonathan Talbot, is an American collage artist, painter, and printmaker. He also is the creator of an innovative collage technique that eliminates liquid adhesives from the collage assembly process. His technique is the subject of his book, Collage: A New Approach.

<span class="mw-page-title-main">Carmen Herrera</span> Cuban-American painter and visual artist (1915–2022)

Carmen Herrera was a Cuban-born American abstract, minimalist visual artist and painter. She was born in Havana and lived in New York City from the mid-1950s. Herrera's abstract works brought her international recognition late in life.

<span class="mw-page-title-main">Cady Noland</span> American artist

Cady Noland is an American postmodern conceptual sculptor and an internationally exhibited installation artist whose work deals with the failed promise of the American Dream and the divide between fame and anonymity, among other themes. Her work has been exhibited in museums and expositions including the Whitney Biennial in 1991 and Documenta 9 in Kassel, Germany. Noland is known for her reluctance to be publicly identified, having only ever allowed one photograph of herself to be publicly released, and for her numerous disputes and lawsuits with museums, galleries, and collectors over their handling of her work.

Merton Daniel Simpson was an American abstract expressionist painter and African and tribal art collector and dealer.

Daphne Wright is an Irish visual artist, who makes sculptural installations using a variety of techniques and media to explore how a range of languages and materials can be used to probe unspoken human preoccupations. Recent international exhibition highlights include Hotspot, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, curated by Gerardo Mosquera; Daphne Wright: Prayer Project, Davis Museum, USA, Portals; the Hellenic Parliament with ΝΕΟΝ, Athens; Infinite Sculpture, Gulbenkian Museum, Lisbon. Wright curated the 2018 exhibition The Ethics of Scrutiny at the Irish Museum of Modern Art as part of the Freud Project. Wright has received the Paul Hamlyn Award, The Henry Moore Foundation Fellowship, and The British School of Rome fellowship. She is a member of Aosdana and is represented by Frith Street Gallery, London.

Kris Martin is a Belgian conceptual visual artist. His work consists of monumental and small-scale sculptures, drawings and interventions.

Willie Young is a 20th-century American artist. Young is mainly self-taught, and his work has been exhibited alongside other prominent outsider artists, such as Bill Traylor, Nellie Mae Rowe and Thornton Dial. The main body of his work consists of delicately rendered graphite drawings.

<span class="mw-page-title-main">Rachel Maclean (artist)</span> Scottish multi-media artist

Rachel Maclean is a Scottish visual artist and filmmaker. She lives and works in Glasgow. Her films have shown widely in galleries, museums, film festivals, and on television. She has screened work at numerous festivals in the UK and internationally, such as Rotterdam International, Fantasia and BFI London Film Festival. She has received significant acclaim with solo shows at Tate Britain and The National Gallery, London, and she represented Scotland at the 2017 Venice Biennale with her film Spite Your Face. Her work A Whole New World (2014) won the prestigious Margaret Tate Award in 2013. She has twice been shortlisted for the Jarman Award, and achieved widespread critical praise for Feed Me at the British Art Show in 2016.

<span class="mw-page-title-main">Art gallery</span> Place where art is exhibited and sometimes also sold

An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums.

References

  1. Joseph Wright of Derby, Liverpool Museums, accessed March 2010
  2. Nicolson, Benedict (1962). "Two Companion Pieces by Wright of Derby". The Burlington Magazine. 104 (708): 113–117. JSTOR   873542.

Further reading