A travelling exhibition, also referred to as a "travelling exhibit" or a "touring exhibition", is a type of exhibition that is presented at more than one venue.
Temporary exhibitions can bring together objects that might be dispersed among several collections, to reconstruct an original context such as an artist's career or a patron's collection, or to propose connections – perhaps the result of recent research – which give new insights or a different way of understanding items in museum collections. The whole exhibition, usually with associated services, including insurance, shipping, storage, conservation, mounting, set up, etc., can then be loaned to one or more venues to lengthen the life of the exhibition and to allow the widest possible audiences – regionally, nationally or internationally – to experience these objects and the stories they contain. Such collaborations can add interest to museums where displays of permanent collections might change only slowly, helping to provide fresh interpretations or more complete stories and attract new audiences. They also provide fresh ideas and breathing space for organisations which have exhibition spaces but lack permanent collections.
To have more than one location for the same exhibition can benefit the organiser because it can then share a part of the production costs among the venues, so museums and galleries frequently use touring as a cost-efficient way of promoting access to their collections. For organisers and their venues, touring exhibitions are important for sharing ideas (for example, promoting techniques for providing for visitors with visual impairments or producing displays which examine current or topical issues) and materials (especially objects that might not be seen in public frequently or even shown together), as well as resources (human as well as financial). Touring is a way of sharing with like-minded institutions and of achieving economies of scale which allow more ambitious projects to happen.
Travelling exhibitions are often supported by governmental organizations to promote access to knowledge and materials that might not be available locally. To acknowledge the importance of travelling exhibitions, in 1983 the International Council of Museums (ICOM) established the International Committee for Exhibition Exchange (ICEE) as a forum to discuss the different aspects of exhibition development, circulation and exchange.
Examples of Traveling Exhibitions
In celebration of the 200th year birthday of the founder, Louis Vuitton, Louis Vuitton's "200 Trunks, 200 Visionaries: The Exhibition" has gone on an international tour taking off from Asnieres-Sur-Siene, France and has since then traveled to Singapore, Beverly Hills and New York. The Exhibition displays the work of 200 visionaries across many different fields ranging from art to science inspired by the brands iconic trunk. [1]
A museum is a community service that displays and preserves objects of significance. Many museums have exhibitions of these objects in public display, and some have private collections that are used by researchers and specialists. Compared to a library, a museum hosts a much wider ranges of objects and usually focus around a specific theme such as the arts, science, natural history, local history, and other topics. Public museums that host exhibitions and interactive demonstrations are often considered to be tourist attractions, and many museums attract large numbers of visitors from outside their host country, with the most visited museums in the world regularly attracting millions of visitors annually.
The Science Museum is a major museum on Exhibition Road in South Kensington, London. It was founded in 1857 and is one of the city's major tourist attractions, attracting 3.3 million visitors annually in 2019.
The Field Museum of Natural History (FMNH), also known as The Field Museum, is a natural history museum in Chicago, Illinois, and is one of the largest such museums in the world. The museum is popular for the size and quality of its educational and scientific programs, and its extensive scientific specimen and artifact collections. The permanent exhibitions, which attract up to 2 million visitors annually, include fossils, current cultures from around the world, and interactive programming demonstrating today's urgent conservation needs. The museum is named in honor of its first major benefactor, Marshall Field, the department-store magnate. The museum and its collections originated from the 1893 World's Columbian Exposition and the artifacts displayed at the fair.
Louis Vuitton Malletier, commonly known as Louis Vuitton, is a French luxury fashion house and company founded in 1854 by Louis Vuitton. The label's LV monogram appears on most of its products, ranging from luxury bags and leather goods to ready-to-wear, shoes, perfumes, watches, jewellery, accessories, sunglasses and books. Louis Vuitton is one of the world's leading international fashion houses. It sells its products through standalone boutiques, lease departments in high-end departmental stores, and through the e-commerce section of its website.
The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization in order to carry out its international public service missions, which include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Members of the ICOM get the ICOM membership card, which provides free entry, or entry at a reduced rate, to many museums all over the world.
A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation.
A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc. This differentiates it from an archive or library, where the contents may be more paper-based, replaceable and less exhibition oriented, or a private collection of art formed by an individual, family or institution that may grant no public access. A museum normally has a collecting policy for new acquisitions, so only objects in certain categories and of a certain quality are accepted into the collection. The process by which an object is formally included in the collection is called accessioning and each object is given a unique accession number.
An ecomuseum is a museum focused on the identity of a place, largely based on local participation and aiming to enhance the welfare and development of local communities. Ecomuseums originated in France, the concept being developed by Georges Henri Rivière and Hugues de Varine, who coined the term ‘ecomusée’ in 1971. The term "éco" is a shortened form for "écologie", but it refers especially to a new idea of holistic interpretation of cultural heritage, in opposition to the focus on specific items and objects, performed by traditional museums.
Lithuanian National Museum of Art is the largest national museum in Lithuania collecting, restoring, and conserving art as well as historical objects of cultural value while presenting artefacts of national importance in an astonishing number of exhibition spaces located in the coastal cities and the capital.
International Museum Day (IMD) is an international day held annually on or around 18 May, coordinated by the International Council of Museums (ICOM). The event highlights a specific theme which changes every year reflecting a relevant theme or issue facing museums internationally. IMD provides the opportunity for museum professionals to meet the public and alert them as to the challenges that museums face, and raise public awareness on the role museums play in the development of society. It also promotes dialogue between museum professionals.
The National Museum of Myanmar (Yangon), (Burmese: အမျိုးသား ပြတိုက်), located in Dagon, Yangon, is the major one of the two national museums for Burmese art, history and culture in Myanmar. Founded in 1952, the five-storey museum has an extensive collection of ancient artifacts, ornaments, work of art, inscriptions and historic memorabilia, related to history, culture and civilization of Burmese people. The main attraction of the museum is the only surviving original Lion Throne of the Burmese monarchs. There are more than 4000 permanent objects in the museum.
MOMus Contemporary, in full MOMus–Museum of Contemporary Art–Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, is a contemporary art museum in Thessaloniki, Central Macedonia, Greece, located in the area of the Thessaloniki International Fair. It was formerly known as the Macedonian Museum of Contemporary Art.
The Museum of Bags and Purses, was a museum devoted to the history of bags, purses, and their related accessories. Located in Amsterdam's historic central canal belt, the museum's collection included over 5,000 items dating back to the sixteenth-century.
The International Committee for Exhibition Exchange (ICEE) is a committee of the International Council of Museums (ICOM). It is a nongovernmental organization with formal relations to the UNESCO and functions as a forum for the dissemination of knowledge and experience about exhibitions.
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs.
The Touring Exhibitions Group (TEG) is a professional membership association in the United Kingdom. Its members are mainly staff in museums, galleries and other public sector organisations who are involved in the exchange of exhibitions, whether as organisers or venues, or both. It was set up in 1985, following the closure of the Victoria & Albert Museum’s Circulation Department. TEG itself does not organise exhibitions or administer tours, but helps its members to do so.
A museum/library/archival registrar is responsible for implementing policies and procedures that relate to caring for collections of cultural institutions like archives, libraries, and museums. These policies are found in the museum's collections policy, the guiding tenet of the museum explaining why the institution is in operation, dictating the museum's professional standards regarding the objects left in its care. Registrars focus on sections that include acquisitions, loans, exhibitions, deaccessions, storage, packing and shipping, security of objects in transit, insurance policies, and risk management.
Deaccessioning is the process by which a work of art or other object is permanently removed from a museum's collection to sell it or otherwise dispose of it.
Georges Ferréol Vuitton was the only child of Louis Vuitton and Clemence-Emilie Vuitton, who succeeded his father as head of the Louis Vuitton brand, which is now a brand under the umbrella of the parent company LVMH. Georges is commonly known for his creation of the widely-used LV monogram canvas print, created as an homage to his father and to combat counterfeits. He is also known for making Louis Vuitton products available to purchase internationally. After Georges Vuitton's death in 1936, his son Gaston Louis Vuitton (1883–1970) succeeded him as head of the Vuitton brand.
Museum environment issues include temperature, humidity, light, atmospheric pollutants, and dust, which are typically controlled in buildings that contain collections of cultural and scientific significance. These environmental factors are all 'agents of deterioration' that cause damage to objects, as they play a role in deterioration pathways such as oxidation, hydrolysis, cross-linking and chain scission.