Royal Academy Summer Exhibition

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View of one of the main rooms, June 2015 Royal academy summer exhibition varnishing day 2015 room scene.jpg
View of one of the main rooms, June 2015
A Private View at the Royal Academy, 1881 by William Powell Frith, depicting Oscar Wilde and other Victorian worthies at a private view of the 1881 exhibition Frith A Private View.jpg
A Private View at the Royal Academy, 1881 by William Powell Frith, depicting Oscar Wilde and other Victorian worthies at a private view of the 1881 exhibition

The Summer Exhibition is an open art exhibition held annually by the Royal Academy in Burlington House, Piccadilly in central London, England, during the months of June, July, and August. The exhibition includes paintings, prints, drawings, sculpture, architectural designs and models, and is the largest and most popular open exhibition in the United Kingdom. [1] It is also "the longest continuously staged exhibition of contemporary art in the world". [2]

Contents

When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception. [1]

History

In 1768, a group of artists visited King George III and sought his permission to establish a society for Arts and Design. They proposed the idea of an annual exhibition and a school design. King George III approved of the idea and the first exhibition, in 1769, included 136 works. [2] The name Summer Exhibition dates from 1870. [2]

Selection process

Today, around 1,000 works are selected each year from as many as 32,000 entries representing some 16,000 artists.[ citation needed ] Any artist (living, known or unknown) may submit up to two works at a fee of £40 per piece for selection by The Summer Exhibition Selection and Hanging Committee.[ citation needed ] Due to the significant increase in the volume of entries over recent years, the number of entries per artist was reduced to 2 (from 3) and the fee was increased per piece. The committee is formed from the Council of Academicians (the governing body of the RA) and is traditionally chaired by the President of the Royal Academy. In addition to those works selected by the committee, all 80 Academicians are entitled to have six of their own pieces in the exhibition.

For the 2006 exhibition, the academy received a statue and a plinth from David Hensel. By mistake, the two parts were judged independently, with the result that the statue was rejected and the plinth put on display. [3] Some artists apply repeatedly before being selected: in 2024 Alison Aye's accepted piece Shifting to the Moon was her 31st submission. [4]

Exhibition

Participants in the RA Summer Exhibition 2015 at St. James, Piccadilly, on Varnishing Day Royal academy summer exhibition varnishing day 2015 arrival at St James's edited.jpg
Participants in the RA Summer Exhibition 2015 at St. James, Piccadilly, on Varnishing Day

The RA Summer Exhibition usually opens to the public in early June, preceded by a series of private viewings. The main event is called "Varnishing Day", the day that, according to popular legend, artists would come to add a final coat of varnish to their paintings (compare: vernissage ). Traditionally, artists walk in procession from Burlington House to St James's Church, Piccadilly, where a service is held. At the opening reception the shortlists for various prizes are announced.

Some years have particular themes. The 2005 exhibition theme was "Printmaking and the multiple". In 2006, the theme was "From Life." In 2008, the theme was "Man Made". The theme for 2010 was "Raw". [5] In 2011, the selection committee agreed to have no specific theme.[ citation needed ]

Almost all exhibited works are for sale; the Academy receives 30% of the purchase price. In 2003, this amounted to a sum of some £2,000,000 for the institution, which receives no financial support from the state or crown.[ citation needed ]

Coordinators

Awards

Over £70,000 prize money, including the £25,000 Charles Wollaston Award, is awarded each year at the Summer Exhibition. In addition, a £10,000 architectural prize is awarded. [23]

Winners of Charles Wollaston Award

YearArtistArtworkMediumExhibitedViewRef.
1978 Peter Greenham Lady Bonham CarterOil on canvasGallery I Tate [24]
1979 Roger de Grey MarennesOil on canvasGallery III [25]
1980 Anthony Gross
1981
1982 Robert Buhler
1983
1984
1985
1986
1987 John Bellany
1988
1989
1990
1991 Neil Jeffries [26]
1992 Sandra Blow WhisperingsAcrylicGallery III [27]
1993
1994 Robert Medley Preparation for the ExecutionOil on canvasGallery II Royal Academy [28]
1995 Barry Flanagan The CricketerBronzeCourtyard Jesus College, Cambridge [29]
1996 Jeffery Camp [30]
1997 R. B. Kitaj
1998 John Hoyland Tree Music 6.3.98Acrylic on cottonGallery VIPrivate Collection [31]
1999 David Hockney A Bigger Grand CanyonOil on sixty canvasesLecture Room National Gallery of Australia [32]
2000 Gerard Hemsworth Between Heaven and Hell 1998Acrylic on canvasGallery IV [33]
2001 Marc Quinn Catherine LongMarbleLarge Weston Room [34]
2002 Alan Charlton Vertical Painting in 20Acrylic on canvasGallery IV [35]
2003 Jake and Dinos Chapman Marriage of Reason and Squalor IIPainted BronzeGallery I [36]
2004
2005
2006 Chantal Joffe Blond Girl - Black DressOil on boardGallery III [37]
2007 Gavin Turk Dumb CandleWoodGallery I [38]
2008 Jeff Koons Cracked Egg (Blue) 1994-2006High chromium stainless steel with transparent colour coatingCentral Hall
2009 Richard Wilson
2010 Yinka Shonibare Crash WillyMannequin, Dutch wax printed cotton textile, leather, fibreglass and metalWohl Central Hall [39]
2011 Alison Wilding Take a Deep Breath…Painted foam, copper and fibreglass resinLecture Room [40]
2012 Anselm Kiefer SamsonOil, acrylic, steel, pastel and charcoalLarge Weston Room
2013 El Anatsui TSIATSIA – searching for connectionAluminium (bottle tops, printing plates, roofing sheets) and copper wireCourtyard

(facade of the RA)

[41]
2014 Wolfgang Tillmans Greifbar 1Inkjet printGallery IX [42]
2015 Rose Wylie Herr Rehlinger In White ArmourOil on canvasGallery III
2016 David Nash Big BlackCharred redwoodGallery IV
2017 Isaac Julien Western Union: Small BoatsFive screen projectionGallery X
2018 Mike Nelson Untitled (Public sculpture for a redundant space)Sleeping bag, concrete and rubbleThe Annenberg Courtyard & Staircase Royal Academy
2019 Joe Tilson Finestra VeneziaThirty-six Murano glass works for the Grande Albergo Ausonia and HungariaGallery II
2020
2021 Naomi Gakunga Wetereire – WaitingStainless steel wire, sheet metal and paperLecture Room
2022 Uta Kögelsberger CullVideoSmall Weston Room
2023 Kara Walker The Omicron VariationsInk on paperGallery III [43]
2024 Tracey Emin Did it Ever Get Any BetterAcrylic on canvasGallery III

Reception

The exhibition has received both admiration and criticism. [2] Jonathan Jones described it in 2019 as the "bloated corpse of a tradition ... [with] a tired, inward looking, end-of-the-road quality". [17]

An exhibition about the history of the Summer Exhibition, The Great Spectacle, was held in 2018. [44]

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References

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Further reading

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