 |
Richard Wilson | |
|---|---|
 Turning the place over | |
| Born | 24 May 1953 Islington, London, England |
| Education | |
| Known for | Sculpture, installation art |
Richard Wilson RA (born 24 May 1953) is an English sculptor, installation artist and musician.
|
Richard Wilson | |
|---|---|
| Turning the place over | |
| Born | 24 May 1953 Islington, London, England |
| Education | |
| Known for | Sculpture, installation art |
Richard Wilson RA (born 24 May 1953) is an English sculptor, installation artist and musician.
Born in Islington, London, Wilson studied at the London College of Printing, Hornsey College of Art and Reading University. He was the DAAD resident in Berlin in 1992, Maeda Visiting Artist at the Architectural Association in 1998 and nominated for the Turner Prize in both 1988 (when Tony Cragg won) and 1989 (when Richard Long won).
Wilson's first solo show was 11 Pieces, at the Coracle Press Gallery in London in 1976. Since then he has had at least 50 solo exhibitions around the world.
He formed the Bow Gamelan Ensemble in 1983 with Anne Bean and Paul Burwell.
Wilson's work is characterised by architectural concerns with volume, illusionary spaces and auditory perception. His most famous work 20:50, a room of specific proportions, part-filled with highly reflective used sump oil creating an illusion of the room turned upside down was first exhibited at Matt's Gallery, London in 1987, became one of the signature pieces of the Saatchi Gallery. It is considered to be a defining work in the genre of site-specific installation art. [1] The same year the temporary (May–June) installation One Piece at a Time filled the south tower of the Tyne Bridge at Newcastle-upon-Tyne.
In the 1990s and 21st century, Wilson continued to work on a large scale to fulfil his ambitions to "tweak or undo or change the interiors of space... in that way unsettle or break peoples preconceptions of space, what they think space might be", including an installation near London's Millennium Dome called A Slice of Reality in 2000. It consisted of a portion (15%) of a ship being sliced off from the rest and mounted on the river bed. In 2007, Wilson installed Turning the Place Over in a building in Liverpool's city centre. Described by Liverpool Biennial organisers as his "most radical intervention into architecture to date", Wilson cut an 8-metre diameter disc from the walls and windows of the building, and attached it to a motor which literally turned this section of the building inside out, in a cycle lasting just over two minutes. It was switched off in 2011. In 2009, Wilson's architectural intervention, Square the Block, was installed on the northwest exterior of the London School of Economics (LSE)'s New Academic Building at the corner of Kingsway and Sardinia Street. Commissioned by the LSE and curated by the Contemporary Art Society, Square the Block is an outdoor sculpture that both mimics and subtly subverts the existing façade of the building. In 2012 the installation Hang On A Minute Lads, I've Got a Great Idea recreated the closing scene of the film The Italian Job on the roof of the De La Warr Pavilion, Bexhill-on-Sea.
Wilson was commissioned to create Slipstream , to be installed in the rebuilt Terminal 2 building at Heathrow Airport during 2013. [2] For this work he received the 2014 Marsh Award for Excellence in Public Sculpture. [3]
In September 2013 Wilson, in collaboration with the artists Zatorski + Zatorski, created "1513: A Ships' Opera" a large-scale performance with historic ships on the River Thames, produced by The Cultureship.
He is Visiting Research Professor at the University of East London's School of Architecture and the Visual Arts. [4] In November 2010, he was awarded an honorary doctorate by the university. [5]
Mark Wallinger is an English artist. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation State Britain. His work Ecce Homo (1999–2000) was the first piece to occupy the empty fourth plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. Labyrinth (2013), a permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work Writ in Water was realized for the National Trust to celebrate where Magna Carta was signed at Runnymede.
Sir Antony Mark David Gormley is a British sculptor. His works include the Angel of the North, a public sculpture in Gateshead in the north of England, commissioned in 1994 and erected in February 1998; Another Place on Crosby Beach near Liverpool; and Event Horizon, a multipart site installation which premiered in London in 2007, then subsequently in Madison Square in New York City (2010), São Paulo, Brazil (2012), and Hong Kong (2015–16).
Baltic Centre for Contemporary Art is a centre for contemporary art located on the south bank of the River Tyne in Gateshead, Tyne and Wear, England. It hosts a frequently changing variety of exhibitions, events, and educational programmes with no permanent exhibition. The idea to open a centre for contemporary arts in Gateshead was developed in the 1990s, which was a time of regeneration for the local area—the Sage and Gateshead Millennium Bridge was also being conceived of in this period.
Yinka Shonibare, is a British artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is the brightly coloured Ankara fabric he uses. As Shonibare is paralysed on one side of his body, he uses assistants to make works under his direction.
Alice Aycock is an American sculptor and installation artist. She was an early artist in the land art movement in the 1970s, and has created many large-scale metal sculptures around the world. Aycock's drawings and sculptures of architectural and mechanical fantasies combine logic, imagination, magical thinking and science.
Jane Wilson and Louise WilsonRA Elect are British artists who work together as a sibling duo. Jane and Louise Wilson's art work is based in video, film and photography. They are YBA artists who were nominated for the Turner Prize in 1999.
Matej Andraz Vogrinčič is a Slovenian artist. He has been creating site-specific work in urban and natural environments since the early 1990s. He has built an international reputation by creating installations specific to local places, traditions, and histories – filling the most ordinary or neglected places with even more ordinary objects. With all his work, Vogrinčič starts with the space but always leaves room to alter and develop the idea in the process. His projects rely on a direct connection with the local community, including clothing and toy car donations.
Janet Echelman is an American sculptor and fiber artist. Her sculptures have been displayed as public art, often as site-specific installations.
Do Ho Suh is a Korean artist who works primarily in sculpture, installation, and drawing. Suh is well known for re-creating architectural structures and objects using fabric in what the artist describes as an "act of memorialization." After earning a Bachelor of Fine Arts and Master of Fine Arts from Seoul National University in Korean Painting, Suh began experimenting with sculpture and installation while studying at the Rhode Island School of Design (RISD). He graduated with a Bachelor of Fine Arts in painting from RISD in 1994, and went on to Yale where he graduated with a Master of Fine Arts in sculpture in 1997. He practiced for over a decade in New York before moving to London in 2010. Suh regularly shows his work around the world, including Venice where he represented Korea at the 49th Venice Biennale in 2001. In 2017, Suh was the recipient of the Ho-Am Prize in the Arts. Suh currently lives and works in London.
Nathan Coley is a contemporary British artist who was shortlisted for the Turner Prize in 2007 and has held both solo and group exhibitions internationally, as well as his work being owned by both private and public collections worldwide. He studied Fine Art at Glasgow School of Art between 1985 and 1989 with the artists Christine Borland, Ross Sinclair and Douglas Gordon amongst others.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Phoebe Washburn is an American installation artist who lives and works in New York City. Washburn is best known for producing large-scale installations: assemblages of garbage, detritus, cardboard, scrap wood, and, more recently, organic matter such as sod or plants. Her early, site-specific installations transform gallery spaces into captivating architectural experiences.
Artist-Led Initiatives Support Network, abbreviated ALISN, is a non-profit international support network for artists which provides exhibition spaces, strategic support, education, creative facilitation and artist-to-artist exchange. ALISN was founded in 2007 by designer Jordan Dalladay-Simpson and artist Iavor Lubomirov. ALISN was previously known as AFMMXII, and was officially re-branded as ALISN in August 2009.
Andrew Sabin is a British sculptor. He studied at Chelsea College of Art (1979–1983) where he worked as a senior lecturer until 2006.
Michael Lin is a Taiwanese artist who lives and works in Brussels, Belgium and Taipei, Taiwan. He was born in Tokyo, Japan, and grew up in Taiwan and the United States. Lin is considered a leading Taiwanese contemporary painter and conceptual artist.
Slipstream is a sculpture by Richard Wilson, created in 2014 for the wholly re-built Terminal 2 at Heathrow Airport, London. The large art intervention of aviation relevance was loosely specified, approved and project managed by Mark Davy, founder of the cultural and place-making agency Futurecity for the airport as owner. It is currently the largest privately funded sculpture for a commercial site in Europe. The winning proposal was selected from a shortlist of five international artists.
Michael Pinsky is a visual artist who uses diverse media such as video, performance, mapping systems and sculpture to explore geopolitical aspects of a site. Through the displacement and conflation of existing objects and activities he critiques the impact of society’s behaviour. He is known particularly for his projects in the public realm.
Philip Coy is an English artist known for his films and public works exploring architectures and language. He works across a range of media including sculpture, film, video installation, sound installation, photography, text, and performance.
Melanie Counsell is a Welsh filmmaker, installation artist and sculptor. She works with a multitude of media such as 16 mm film, drawing, printed matter, sculpture and sound for context. Counsell has been resident at a range of art institutions, has undertaken roles in teaching and has won multiple awards for her works.
Emily Speed is an artist based in Liverpool. Her practice spans drawing, sculpture, installation, photography, moving image and performance. It explores the relationship between architecture and the human body. Speed has shown her work at Yorkshire Sculpture Park, Open Eye Gallery (Liverpool) and Tate St Ives, among other places. She has been shortlisted for the Liverpool Art Prize and the Northern Art Prize.
| International | |
|---|---|
| National | |
| Artists | |