Alison Wilding | |
|---|---|
 'On the Day' by Alison Wilding | |
| Born | 1948 (age 75–76) Blackburn, Lancashire, U.K. |
| Nationality | British |
| Known for | Sculpture |
Alison Mary Wilding OBE, RA (born 7 July 1948) [1] is an English artist noted for her multimedia abstract sculptures. Wilding's work has been displayed in galleries internationally. [1]
Wilding was born in Blackburn, Lancashire. [2] Between 1966 and 1967 she studied at the Nottingham College of Art, then at the Ravensbourne College of Art and Design in Chislehurst from 1967 to 1970 [3] and, from 1970 to 1973, the Royal College of Art in London. Her artistic career gained momentum in the 1980s when she was part of a group of sculptors including Anthony Gormley and Richard Deacon. [4]
Wilding was appointed an Officer of the Order of the British Empire (OBE) in the 2019 New Year Honours, for services to art.
Since 2018 she has been the Eranda Professor of Drawing at the Royal Academy Schools. [1] She lives and works in London, [4] and has been represented by Karsten Schubert for over 30 years. [5]
Wilding's interest in sculpture was established during her time at the Nottingham College of Art. [2] Her early influences include Constantin Brâncusi and ideas of simple construction. [4]
She has used traditional materials, often found as reused, such as wood, stone and bronze, alongside others like steel, wax, silk, and rubber. [4] These are often used in unusual combinations: Stormy Weather (1987), for example, is made from pigment, beeswax and oil rubbed into galvanised steel. Of her eclectic media, Wilding has said "I like stuff and not particular materials." [6] Wilding's work typically includes two opposing materials purposed with representing positive and negative forces, creating a balance within the art. [7] She maintains that she is conscious of waste and does not like to produce work that will not be displayed. [4]
Wilding self-archives her work, personally giving them unique numbers and descriptions that are logged in small black notebooks. [4] The notebooks also contain key details of her work, such as early designs and logs of her making progress. [4] She has expressed that she would like the books to be destroyed rather than leave them to an institution despite requests from organisations such as the Henry Moore Institute. [4]
In addition to sculpture, Wilding has also produced a variety of artworks on paper. On drawings, she says: 'The thing I like about drawings is that they can float. You don’t think about gravity. They do something really different. That is the freedom and pleasure of drawing for me. You are not weighed down by the material world in the same way. So, maybe, they are more imaginative.' [5]
Wilding's approach to her work is often active and arbitrary, basing her decisions on her current time and place. [8] She also takes a strictly non-political approach to her work, claiming; 'I don’t think art is going to change anyone’s life, not in the way film can do'. [8]
Wilding's first solo exhibition was displayed at the Serpentine Gallery in 1985. [9] She was subsequently exhibited at the Museum of Modern Art in New York in 1987. [9]
In 1991, a major retrospective of Wilding's work, Alison Wilding: Immersion – Sculpture from Ten Years, was held at Tate Liverpool. [4] She was nominated for the Turner Prize in 1988 (and later in 1992) and received a Henry Moore Fellowship for the British School at Rome in 1988. [5] In 1999 she was made a Royal Academician. [10] Her only large-scale public artwork "Ambit" was installed in the River Wear at Sunderland in 1999, taking the form of a necklace of stainless-steel tubes floating in the river, and lit up from underwater at night. It was subsequently exhibited in the Manchester Ship Canal. It was scrapped in 2014. [11]
Wilding won a Paul Hamlyn award in 2008. In the same year she won the Charles Wollaston Award presented by the Royal Academy for the most distinguished work in their summer exhibition. [11]
Wilding has support October 07 attack on Israel, posting her support of the "Palestinian freedom fighters" on October 14, 2024.
Dame Jocelyn Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Sir Anthony Douglas Cragg is an Anglo-German sculptor, resident in Wuppertal, Germany since 1977.
Karsten Schubert was a German art dealer and publisher working in London.
Fiona Rae is a Hong Kong-born British artist. She is one of the Young British Artists (YBAs) who rose to prominence in the 1990s. Throughout her career, she has been known for having a portfolio of work that includes elements of energy, and complexity. Her work is known for aiming at expanding the modern traditions of painting.
Eva Rothschild RA is an Irish artist based in London.
Shirazeh Houshiary is an Iranian-born English sculptor, installation artist, and painter. She lives and works in London.
Dhruva Mistry is an Indian sculptor.
Laura Ford in Cardiff, Wales, is a British sculptor. She is currently president of the Royal Society of Sculptors.
Lynn Russell Chadwick, was an English sculptor and artist. Much of his work is semi-abstract sculpture in bronze or steel. His work is in the collections of MoMA in New York, the Tate in London and the Centre Georges Pompidou in Paris.
Victor Arthur James Willing was a British painter, noted for his original nude studies. He was a friend and colleague of many notable artists, including Elisabeth Frink, Michael Andrews and Francis Bacon. He was married to Portuguese feminist artist Paula Rego.
Keith Milow is a British artist. He grew up in Baldock, Hertfordshire, and lived in New York City (1980–2002) and Amsterdam (2002–2014), now lives in London. He is an abstract sculptor, painter and printmaker. His work has been characterised as architectural, monumental, procedural, enigmatic and poetical.
Nigel Hall is an English sculptor and a draughtsman.
Michael Sandle is a British sculptor and artist. His works include several public sculptures, many relating to themes of war, death, or destruction.
The year 2012 in art involves some significant events.
Ralph Brown was an English sculptor who came to national prominence in the late 1950s with his large-scale bronze Meat Porters, commissioned for Harlow New Town, Essex and is known for his sensual, figurative sculptures.
Kim Lim (1936–1997) was a Singaporean-British sculptor and printmaker of Chinese descent. She is most recognized for her abstract wooden and stone-carved sculptures that explore the relationship between art and nature, and works on paper that developed alongside her sculptural practice. Lim's attention to the minute details of curve, line and surface made her an exponent of minimalism.
Veronica Maudlyn Ryan is a Montserrat-born British sculptor. She moved to London with her parents when she was an infant and now lives between New York and Bristol. In December 2022, Ryan won the Turner Prize for her 'really poetic' work.
Cathie Pilkington is a London-based British sculptor represented by Karsten Schubert London. She studied at Edinburgh College of Art and the Royal College of Art, and was elected as a Royal Academician in 2014. She became professor of sculpture at the Royal Academy Schools in 2016.
Nicola Bealing is a Cornwall-based British painter.
Katherine Gili is a British sculptor. Born in Oxford in 1948, is the daughter of Catalan publisher and translator Joan Gili and sister of the film-maker Jonathan Gili. She graduated from Bath Academy of Art in 1970 and then studied for two years at St Martin's School of Art. Gili subsequently taught at a number of art schools; most notably St Martin's and Norwich between 1972 and 1985.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
