Briony Fer, FBA is a British art historian, critic, and curator; professor of history of art at University College London. She has written extensively on diverse topics of 20th century and contemporary art. She has written essays on numerous contemporary artists, such as Gabriel Orozco, Vija Celmins, Jean-Luc Moulène, Roni Horn, Ed Ruscha, and Rachel Whiteread. A focus of her research is on the art of American sculptor Eva Hesse, as when she wrote for the catalogue for the artist's 2002 retrospective curated by Elisabeth Sussman at San Francisco's Museum of Modern Art in 2002. [1]
Studying art history at Sussex University, Fer gained her BA in 1979. She finished her PhD in 1988 with a dissertation on the Soviet and French avant-gardes, written at Essex University, where she worked with Professors Dawn Adès and Michael Podro.
In 1980 Fer joined the Art History Department at the Open University (OU), where she developed the essays published in the Modernity and Modernism textbooks, released in 1993 by the OU and Yale University Press. She joined the Department of History of Art at University College in 1990, where she was promoted to Professor in 2005.
Fer has also curated numerous exhibitions, such as the recent show of Gabriel Orozco at the Fruitmarket Gallery in Edinburgh in 2013. [2]
Fer was a member of the juries that selected Isa Genzken (2019), [3] Michael Rakowitz (2020), [4] Senga Nengudi (2023) [5] and Otobong Nkanga (2024) [6] for the Nasher Prize.
Opened in 2003, the Nasher Sculpture Center is a museum in Dallas, Texas, that houses the Patsy and Raymond Nasher collection of modern and contemporary sculpture. It is located on a 2.4-acre (9,700 m2) site adjacent to the Dallas Museum of Art in the Dallas Arts District.
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Lisson Gallery is a contemporary art gallery with locations in London and New York, founded by Nicholas Logsdail in 1967. The gallery represents over 50 artists such as Art & Language, Ryan Gander, Carmen Herrera, Richard Long, John Latham, Sol LeWitt, Robert Mangold, Jonathan Monk, Julian Opie, Richard Wentworth, Anish Kapoor, Richard Deacon and Ai Weiwei.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Hou Hanru is an international art curator and critic based in San Francisco, Paris and Rome. He was Artistic Director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.
Dame Phyllida Barlow was a British visual artist. She studied at Chelsea College of Art (1960–1963) and the Slade School of Art (1963–1966). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired from academia in 2009 and in turn became an emerita professor of fine art. She had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Ángela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
Galerie Buchholz is an art gallery specializing in international contemporary art with exhibition spaces in Cologne, Berlin and New York City. The gallery was founded in Cologne in 1986 by Daniel Buchholz, and today is run jointly with Christopher Müller.
The Yanghyun Prize is an annual award for artistic achievement. It was created in 2008 following the wishes of Sooho Cho who promoted various cultural activities with the ultimate goal of bringing Korean art to the world stage.
Koyo Kouoh is Cameroonian-born curator who has been serving as Executive Director and Chief Curator of the Zeitz Museum of Contemporary Art Africa in Cape Town since 2019. In 2015, the New York Times called her "one of Africa’s pre-eminent art curators and managers", and from 2014 to 2022, she was annually named one of the 100 most influential people in the contemporary art world by ArtReview.
Nairy Baghramian is an Iranian-born German visual artist, of Armenian ethnicity. Since 1984, she has lived and worked in Berlin. When the Solomon R. Guggenheim Museum selected Baghramian as a finalist for the 2020 Hugo Boss Prize, they described Baghramian’s statues as: "...[Exploring] the workings of the body, gender, and public and private space."
Elvira Dyangani Ose is a Spanish art curator who has been serving as the director of MACBA Contemporary Art Museum in Barcelona.
Yuko Hasegawa is the director of the 21st Century Museum of Contemporary Art, Kanazawa and professor of curatorial and art theory at Tokyo University of the Arts.
Kurimanzutto is an art gallery located in Mexico City and New York City specializing in contemporary art that represents 33 international artists. It was founded in 1999 by Mónica Manzutto and José Kuri as a gallery without a fixed space. In 2006 it occupied a warehouse in the Colonia Condesa which served as a project space and workshop. In 2008 it opened its main gallery space in Mexico City in the San Miguel Chapultepec neighborhood and in 2018 it opened a project space in New York City.
Suzanne Deal Booth is an American art director, collector, philanthropist, and vintner. She has worked as an arts advisor and is the Founder and the Director of Friends of Heritage Preservation (FOHP).
Olga Balema is a Ukrainian-born American artist and sculptor. One of the major concerns of her work is form, another material. Another is paying attention to where and how things go into a space. Sometimes the work can be called site respondent, other times it responds only to itself. Her practice presents mundane materials in evocative forms. She is based in New York City, New York.
Lauren Haynes is an American curator who is senior curator of contemporary art at the Nasher Museum of Art at Duke University. Previously, she was director of artist initiatives and curator of contemporary art at the Crystal Bridges Museum of American Art and the Momentary in Arkansas.
Jean-Luc Moulène is a French contemporary artist based in Paris, France. Spanning a wide variety of media, such as photography, drawings, and sculptures, Moulène's practice examines the relationship between systems and orders. Moulène has stated that he subscribes to the notion of a 'disjunction,' whereby he follows a principle of discrepancies as a way to "find new dialectical knowledge." His interests include the "symbolic position of the author" and authorship; processes of production, repetition, and accumulation; labor and social space; and the intersection of advanced technology and contemporary material culture, among others. Moulène identifies himself as a "technicien libertaire", who transforms "the process of perception as an aesthetic end in itself to one that incorporates everyday life" in his work.
Michelle Kuo is an American curator, writer, and art historian. Since 2018, Kuo has been a curator of painting and sculpture at the Museum of Modern Art. She was previously editor-in-chief of Artforum magazine starting in 2010.