Kazimir Severinovich Malevich was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family. His concept of Suprematism sought to develop a form of expression that moved as far as possible from the world of natural forms (objectivity) and subject matter in order to access "the supremacy of pure feeling" and spirituality. Active primarily in Russia, Malevich was a founder of the artists collective UNOVIS and his work has been variously associated with the Russian avant-garde and the Ukrainian avant-garde, and he was a central figure in the history of modern art in Central and Eastern Europe more broadly.
Aleksandra Aleksandrovna Ekster, also known as Alexandra Exter, was a Russian and French painter and designer.
Natalia Sergeevna Goncharova was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.
The Wallraf–Richartz Museum is an art museum in Cologne, Germany, with a collection of fine art from the medieval period to the early twentieth century. It is one of the three major museums in Cologne.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
Cubo-Futurism or Kubo-Futurizm was an art movement, developed within Russian Futurism, that arose in early 20th century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term "Cubo-Futurism" first came to describe works from members of the poetry group "Hylaeans", as they moved away from poetic Symbolism towards Futurism and zaum, the experimental "visual and sound poetry of Kruchenykh and Khlebninkov". Later in the same year the concept and style of "Cubo-Futurism" became synonymous with the works of artists within Ukrainian and Russian post-revolutionary avant-garde circles as they interrogated non-representational art through the fragmentation and displacement of traditional forms, lines, viewpoints, colours, and textures within their pieces. The impact of Cubo-Futurism was then felt within performance art societies, with Cubo-Futurist painters and poets collaborating on theatre, cinema, and ballet pieces that aimed to break theatre conventions through the use of nonsensical zaum poetry, emphasis on improvisation, and the encouragement of audience participation.
Mikhail Fyodorovich Larionov was a Russian avant-garde painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art. His lifelong partner was fellow avant-garde artist, Natalia Goncharova.
Nadezhda Andreevna Udaltsova was a Russian avant-garde artist, painter and teacher.
Mumok is a museum in the Museumsquartier in Vienna, Austria.
Trisha Donnelly is a contemporary artist who is particularly well known as a conceptual artist. Donnelly works with various media including photography, drawing, audio, video, sculpture and performance. Donnelly is also a Clinical Associate Professor of Studio Art at New York University. She currently lives and works in San Francisco, California. Trisha Donnelly is represented by Galerie Buchholz, Matthew Marks Gallery, and Galerie Eva Presenhuber.
Alfred Manessier was a non-figurative French painter, stained glass artist, and tapestry designer, part of the new School of Paris and the Salon de Mai.
Daniel Birnbaum is a Swedish art curator and an art critic. Since 2019, he has been director and curator of Acute Art in London, UK.
Melaten is the central cemetery of Cologne, North Rhine-Westphalia, which was first mentioned in 1243. It was developed to a large park, holding the graves of notable residents.
Lewis Stein was an American visual artist living in New York City.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which ARTnews called one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
Caspar Johann Nepomuk Scheuren was a German painter and illustrator.
Alexander Vömel, or Voemel, was a German gallery owner and Nazi party member who took over the gallery of the Jewish art dealer Alfred Flechtheim when it was Aryanized in 1933.
Female Half-Length Nude with Hat is an oil-on-canvas painting by German artist Ernst Ludwig Kirchner, executed in 1911. It his held at the Museum Ludwig in Cologne.
A Couple also known as The Engaged Couple or Alfred Sisley and his Wife, is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir (1841–1919), created around 1868 during his early Salon period at a time when he focused on thematic works about couples. It was acquired by the Wallraf–Richartz Museum in 1912.
