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August Macke | |
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![]() August Macke, Self-portrait, 1906, oil on canvas | |
Born | Meschede, German Empire | 3 January 1887
Died | 26 September 1914 27) near Perthes-lès-Hurlus, Champagne, France | (aged
Resting place | German Military Cemetery, Souain-Perthes-lès-Hurlus |
Nationality | German |
Known for | Painting |
Notable work | List of paintings |
Movement | Expressionism |
Signature | |
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August Robert Ludwig Macke (3 January 1887 – 26 September 1914) was a German Expressionist painter. He was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly active time for German art: he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. As an artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. [1] Like his friend Franz Marc and Otto Soltau, he was one of the young German artists who died in the First World War.
August Robert Ludwig Macke was born in Germany on 3 January 1887, in Meschede, Westphalia. He was the only son of August Friedrich Hermann Macke (1845–1904), a building contractor and amateur artist, and his wife, Maria Florentine, née Adolph, (1848–1922), who came from a farming family in Westphalia's Sauerland region. Shortly after August's birth the family settled at Cologne, where Macke was educated at the Kreuzgymnasium (1897–1900) and became a friend of Hans Thuar, who also became an artist. In 1900, when he was thirteen, the family moved to Bonn, where Macke studied at the Realgymnasium and became a friend of Walter Gerhardt and Gerhardt's sister, Elisabeth, whom he married a few years later.
The first artistic works to make an impression on the boy were his father's drawings, the Japanese prints collected by his friend Thuar's father and the works of Arnold Böcklin which he saw on a visit to Basel in 1900. In 1904 Macke's father died, and in that year Macke enrolled at the Kunstakademie Düsseldorf, under Adolf Maennchen (1904–1906). During this period he also took evening classes under Fritz Helmut Ehmke (1905), did some work as a stage and costume designer at the Schauspielhaus Düsseldorf, and visited northern Italy (1905) and Netherlands, Belgium and Britain (1906).
Thereafter Macke lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, the Netherlands and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-Impressionism and later went through a Fauve period. In 1909 he married Elisabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter.
Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism.
The exotic atmosphere of Tunisia, where Macke traveled in April 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces, like his famous painting Türkisches Café. August Macke's oeuvre can be considered as Expressionism (in its original German flourishing between 1905 and 1925), and also as part of Fauvism. The paintings concentrate primarily on expressing feelings and moods rather than reproducing objective reality, usually distorting colour and form.
Macke's career was cut short by his early death in the second month of the First World War at the front in Champagne, France, on 26 September 1914. He was buried in the German Military Cemetery in Souain-Perthes-lès-Hurlus. [2] His final painting, Farewell , depicts the mood of gloom that settled after the outbreak of war.
The August Macke Prize, was given the first time in 1959 by the districts Arnsberg, Brilon, Olpe and Meschede, town of birth of August Macke in Germany.
The August-Macke-Haus is a museum dedicated to August Macke founded in 1991. It is located in Macke's former home in Bonn, where he lived from 1911 to 1914.
At a 1997 Christie's auction, Macke's The Couple at a Garden Table (1914) was sold for £2 million. [3] Market in Tunis (1914) sold for £2.86 million ($4.1 million) in 2000. [4] Consigned by the estate of Ernst Beyeler, the artist's In the Bazar (1914) was auctioned for £3.96 million – then four and a half times the high estimate – at Christie's in 2011. [5]
In 2007, the Berlin auction house Villa Grisebach sold Macke’s Woman with a Parrot in a Landscape for €2.4 million, setting a record price for the artist. The painting's provenance mentioned it was confiscated in 1937 as 'degenerate'. In the 2008 catalogue of Macke’s works, Hildebrand Gurlitt, Hitler's art dealer was mentioned in the provenance. [6]
Franz Moritz Wilhelm Marc was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it.
Robert Delaunay was a French artist of the School of Paris movement; who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone.
Der Blaue Reiter was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name. The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited. Traveling exhibitions in German and other European cities followed. The Blue Rider disbanded at the start of World War I in 1914.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
The Lenbachhaus is a building housing the Städtische Galerie art museum in Munich's Kunstareal.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
The Kunstmuseum Bonn or Bonn Museum of Modern Art is an art museum in Bonn, Germany, founded in 1947. The Kunstmuseum exhibits both temporary exhibitions and its collection. Its collection is focused on Rhenish Expressionism and post-war German art. It is part of Bonn's "Museum Mile".
The August-Macke-Haus or August Macke House is a museum in Bonn, Germany, opened in 1991, dedicated to the expressionist painter August Macke. It is located in Macke's former home, where he lived from 1911 to 1914. The museum displays reconstructed interiors and houses temporary exhibitions, usually focusing on Expressionism. In the August-Macke-Haus, Macke's studio has been restored, including furniture from his Tegernsee days. A basic archive of Rhenish Expressionism is available in addition to a reference library.
Elisabeth Erdmann-Macke was a German writer who focused on memoirs of her time as the wife of the expressionist painter August Macke, who had portrayed her more than 200 times. He died in World War I. Later, she lived in Berlin with her second husband, Lothar Erdmann, who died in a concentration camp during World War II. She saved Macke's paintings and copies of his letters by moving them from her house in Berlin before it was bombed in 1943.
Bernhard Koehler was a German industrialist and art collector.
Portrait with Apples, also known as Elisabeth with Apples, is an oil-on-canvas painting executed in 1909 by the German Expressionist painter August Macke. It shows his wife Elisabeth Gerhardt and was created shortly after their wedding. Macke had studied the work of the Fauve artists during his honeymoon in Paris, and the painting shows their influence. It marks the beginning of his public artistic appreciation. The work belongs to the collection of the Städtische Galerie im Lenbachhaus, in Munich.
Indians on Horseback is an oil-on-canvas painting executed in 1911 by the German Expressionist painter August Macke. It was created when the artist was under the influence of Cubism and had joined Der Blaue Reiter group through his friend Franz Marc. The painting belongs to the collection of the Städtische Galerie im Lenbachhaus, in Munich. It was donated by the Bernhard and Elly Koehler Foundation in 1965.
The Donkey Rider is a watercolor created in 1914 by the German Expressionist painter August Macke. It was created during the art-historically significant trip to Tunisia that he took with fellow painters Paul Klee and Louis Moilliet in April 1914. The watercolor is now in the collection of the August-Macke-Haus in Bonn.
Promenade is an oil-on-cardboard painting by the German artist August Macke, executed in 1913. It is held at the Städtische Galerie im Lenbachhaus in Munich. Chronologically, it is the first of the paintings that he created after moving to Hilterfingen in Switzerland.
Erster Deutscher Herbstsalon was the title of an art exhibition that was organized in 1913 by Herwarth Walden in Berlin.
Large Bright Showcase is an oil-on-canvas painting by the German artist August Macke, executed in 1912. It is held at the Sprengel Museum in Hanover.
Hartmut "Hacky" Ritzerfeld was a German painter of neo-expressive figurative images.