Valerie Fahnestock Steele (born 1955) is an American fashion historian, curator, and director of the Museum at the Fashion Institute of Technology. Steele has written more than eight books on the history of fashion, and can be regarded as one of the pioneers in the study of fashion. She was appointed director of the museum in 2003. [1]
As director and chief curator of the museum, Steele has curated more than 25 exhibitions over the past twenty years, including Gothic: Dark Glamour, Love & War: The Weaponized Woman, The Corset: Fashioning the Body, and Femme Fatale: Fashion in Fin-de-Siècle Paris. [2]
In addition Steele is the editor-in-chief of Fashion Theory: The Journal of Dress, Body & Culture (Berg Publishers), an academic journal which she founded in 1997. She is the author of numerous books, including Gothic: Dark Glamour, The Corset: A Cultural History, Paris Fashion: Fifty Years of Fashion: New Look to Now, and Women of Fashion: 20th-Century Designers.
She gives lectures frequently and has appeared on many television programs, including The Oprah Winfrey Show . After she appeared on the PBS special, The Way We Wear, she was described in The Washington Post as one of "fashion's brainiest women". Often quoted in media, she was herself the subject of profiles in Forbes and The New York Times as well as being listed in the New York Daily News "Fashion's 50 Most Powerful". [3]
Gothic fashion is a clothing style marked by dark, mysterious, antiquated, homogenous, and often genderless features. It is worn by members of the Goth subculture. Dress, typical gothic fashion includes dyed black hair, exotic hairstyles, dark lipstick and dark clothing. Both male and female goths can wear dark eyeliner, dark nail polish and lipstick for a dramatic effect. Male goths use cosmetics at a higher rate than other men. Styles are often borrowed from the punk fashion and can also draw influence from Victorians and Elizabethan fashion. Goth fashion is sometimes confused with heavy metal fashion and emo fashion.
A corset is a support garment commonly worn to hold and train the torso into a desired shape, traditionally a smaller waist or larger bottom, for aesthetic or medical purposes, or support the breasts. Both men and women are known to wear corsets, though this item was for many years an integral part of women's wardrobes.
Tightlacing is the practice of wearing a tightly-laced corset. It is done to achieve cosmetic modifications to the figure and posture or to experience the sensation of bodily restriction.
The Fashion Institute of Technology (FIT) is a public college in New York City. It is part of the State University of New York (SUNY) and focuses on art, business, design, mass communication, and technology connected to the fashion industry. It was founded in 1944.
The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets. The appearance of the garment represented a change from people wearing clothes to fit their bodies to changing the shape of their bodies to support and fit their fashionable clothing.
A rivethead or rivet head is a person associated with the industrial dance music scene. In stark contrast to the original industrial culture, whose performers and heterogeneous audience were sometimes referred to as "industrialists", the rivethead scene is a coherent youth culture closely linked to a discernible fashion style. The scene emerged in the late 1980s on the basis of electro-industrial, EBM, and industrial rock music. The associated dress style draws on military fashion and punk aesthetics with hints of fetish wear, mainly inspired by the scene's musical protagonists.
Cybergoth is a subculture that derives from elements of goth, raver, rivethead and cyberpunk fashion.
Mainbocher is a fashion label founded by the American couturier Main Rousseau Bocher, also known as Mainbocher. Established in 1929, the house of Mainbocher successfully operated in Paris (1929–1939), and then in New York (1940–1971).
A foundation garment is an undergarment designed to impermanently alter the wearer's body shape, to achieve what some view as a more fashionable figure. The function of a foundation garment is not to enhance a bodily feature but to make it look more presentable.
An hourglass corset is a garment that produces a silhouette resembling an hourglass shape characterized by wide hips, narrow waist, and wide bust.
Suzy Peta Menkes is a British journalist and fashion critic. Formerly the fashion editor for the International Herald Tribune, Menkes also served as editor, Vogue International, for 25 international editions of Vogue online until October 2020.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
Fashion from 1910 to 1919 in the Western world was characterized by a rich and exotic opulence in the first half of the decade in contrast with the somber practicality of garments worn during the Great War. Men's trousers were worn cuffed to ankle-length and creased. Skirts rose from floor length to well above the ankle, women began to bob their hair, and the stage was set for the radical new fashions associated with the Jazz Age of the 1920s.
Metal corsets are a type of historical corset or bodice made entirely out of metal, usually iron or steel. The metal corset was popularly claimed to have been introduced to France by Catherine de' Medici in the 16th century, although this is now considered a myth. The idea that such garments were worn for fashionable purposes is debatable, with fashion historians now regarding such claims sceptically. Many of the original metal bodices that have survived are now believed to have been intended for medical purposes as orthopaedic support garments and back braces. Such garments were described by the French army surgeon Ambroise Paré in the 16th century as a remedy for the "crookednesse of the Bodie."
New Gothic or Neo-Gothic is a contemporary art movement that emphasizes darkness and horror.
A strapless dress or top is a garment that stays put around the upper body without shoulder straps or other visible means of support. It is usually supported by an internal corset and/or brassiere, with the tightness of the bodice preventing the dress from slipping out of position.
Deborah Milner is a British fashion designer active since the 1990s. Since 2000, she has focused on ecologically aware design, founding Ecoture, her ecological couture line in 2005. In the early 2010s she was head of the Alexander McQueen couture studio.
Marian Elizabeth Pritchard was a late 19th- and early 20th-century British fashion writer and journalist who predominantly wrote under her formal married names Mrs. Eric Pritchard and from 1918, Mrs. C. W. Forester. She is most famous as the author of the 1902 style manual The Cult of Chiffon, and has been described as "one of the first truly outspoken high-profile fashion journalists."
Pamela Golbin is a French curator, author and fashion historian. From 1993 to 2018 she was the chief curator of fashion and textile at the Musée des Arts Décoratifs in Paris. In 2019 she became artistic director of the Jacquard artist's residency.
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