Metrosexual

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Metrosexual (a portmanteau of metropolitan and heterosexual ) is a term for a man who is especially meticulous about his personal style, grooming and appearance. [1] [2] It is often used to refer to heterosexual men who are perceived to be effeminate rather than strictly adhering to stereotypical masculinity standards. Nevertheless, the term is generally ambiguous on the assigned birth sex and sexual orientation of a man; it can apply to cisgender or transgender men, and it can apply to heterosexual, gay or bisexual men. [3] [4] [5]

Contents

Origin

The term metrosexual originated in an article by Mark Simpson [6] [7] published on November 15, 1994, in The Independent . Although various sources attributed the term to Marian Salzman, she credited Simpson as the original source for her usage of the word. [8] [9] [10]

Metrosexual man, the single young man with a high disposable income, living or working in the city (because that's where all the best shops are), is perhaps the most promising consumer market of the decade. In the Eighties he was only to be found inside fashion magazines such as GQ . In the Nineties, he's everywhere and he's going shopping.

The typical metrosexual is a young man with money to spend, living in or within easy reach of a metropolis—because that's where all the best shops, clubs, gyms and hairdressers are. He might be officially gay, straight or bisexual, but this is utterly immaterial because he has clearly taken himself as his own love object and pleasure as his sexual preference. [3]

The advertising agency Euro RSCG Worldwide adopted the term shortly thereafter for a marketing study. [4] In 2003, The New York Times ran a story, "Metrosexuals Come Out". [6] The term and its connotations continued to roll steadily into more news outlets around the world. Though it did represent a complex and gradual change in the shopping and self-presentation habits of both men and women, the idea of metrosexuality was often distilled in the media down to a few men and a short checklist of vanities, like skin care products, scented candles and costly, colorful dress shirts and pricey designer jeans. [11] It was this image of the metrosexual—that of a straight young man who got pedicures and facials, practiced aromatherapy and spent freely on clothes—that contributed to a backlash against the term from men who merely wanted to feel free to take more care with their appearance than had been the norm in the 1990s, when companies abandoned dress codes, Dockers khakis became a popular brand, and XL, or extra-large, became the one size that fit all. [11] A 60 Minutes story on 1960s–70s pro footballer Joe Namath suggested he was "perhaps, America's first metrosexual" after filming his most famous ad sporting Beautymist pantyhose. [12]

The term metrosexual has also been used in a pejorative fashion to refer to an effeminate or gay man. [13]

Historic parallels

Fashion designer Tom Ford drew parallels when he described David Beckham as a "total modern dandy", referencing the Aesthetic Movement of the 19th century, likening metrosexuality to a modern incarnation of a dandy. Ford suggested that "macho" sporting role models who also care about fashion and appearance influence masculine norms in wider society. [14]

John Mercer and Feona Attwood draw parallels to earlier shifts in the gestalt of masculinity and the corresponding reaction of US media, and the media's role in defining contemporary gender archetypes. They highlight the term "crisis of masculinity" coined by political commentator Arthur Schlessinger Jr. who claimed that masculinity was imperiled by women becoming more independent. Mercer and Attwood argue that Simpson, in his articles coining metrosexuality, is a reference to a longer media tradition of writing about masculinity in fluctuation. [15]

Thomas Erik Chris links the term metrosexual to contemporary (as of 2024) masculine archetypal language, likening "metrosexual" to "looksmaxxing alpha male" and "muscle gay", noting the historic parallels in media identity, marketing, and consumerism. [16]

Cristiano Ronaldo has been described as a "spornosexual" Cristiano Ronaldo in Real Madrid 2.jpg
Cristiano Ronaldo has been described as a "spornosexual"

Over the course of the following years, other terms countering or substituting for "metrosexual" appeared.

Changing masculinity

Men's fashion industry and consumer culture is closely related to the concept of the metrosexual man. William Rast fashion show for New York Fashion Week.jpg
Men's fashion industry and consumer culture is closely related to the concept of the metrosexual man.

Traditional masculine norms, as described in psychologist Ronald F. Levant's Masculinity Reconstructed are: "avoidance of femininity; restricted emotions; sex disconnected from intimacy; pursuit of achievement and status; self-reliance; strength; aggression and homophobia". [29]

Various studies, including market research by Euro RSCG, have suggested that the pursuit of achievement and status is not as important to men as it used to be; and neither is, to a degree, the restriction of emotions or the disconnection of sex from intimacy. Another norm change supported by research is that men "no longer find sexual freedom universally enthralling". Lillian Alzheimer noted less avoidance of femininity and the "emergence of a segment of men who have embraced customs and attitudes once deemed the province of women". [30]

Men's fashion magazines—such as Details , Men's Vogue , and the defunct Cargo —targeted what one Details editor called "men who moisturize and read a lot of magazines". [31]

Changes in culture and attitudes toward masculinity, visible in the media through television shows such as Queer Eye for the Straight Guy , Queer as Folk , and Will & Grace , have changed these traditional masculine norms. Metrosexuals only made their appearance after cultural changes in the environment and changes in views on masculinity.[ citation needed ] Simpson said in his article "Metrosexual? That rings a bell..." that "Gay men provided the early prototype for metrosexuality. Decidedly single, definitely urban, dreadfully uncertain of their identity (hence the emphasis on pride and the susceptibility to the latest label) and socially emasculated, gay men pioneered the business of accessorising—and combining—masculinity and desirability." [32]

By 2004, men were buying 69 percent of their own apparel, according to retail analyst Marshal Cohen Shopping! (3155147413).jpg
By 2004, men were buying 69 percent of their own apparel, according to retail analyst Marshal Cohen

But such probing analyses into various shoppers' psyches may have ignored other significant factors affecting men's shopping habits, foremost among them women's shopping habits. As the retail analyst Marshal Cohen explained in a 2005 article in the New York Times entitled, "Gay or Straight? Hard to Tell", the fact that women buy less of men's clothing than they used to has, more than any other factor, propelled men into stores to shop for themselves. "In 1985 only 25 percent of all men's apparel was bought by men, he said; 75 percent was bought by women for men. By 1998 men were buying 52 percent of apparel; in 2004 that number grew to 69 percent and shows no sign of slowing." One result of this shift was the revelation that men cared more about how they look than the women shopping for them had. [11]

However, despite changes in masculinity, research has suggested men still feel social pressure to endorse traditional masculine male models in advertising. Martin and Gnoth (2009) found that feminine men preferred feminine models in private, but stated a preference for the traditional masculine models when their collective self was salient. In other words, feminine men endorsed traditional masculine models when they were concerned about being classified by other men as feminine. The authors suggested this result reflected the social pressure on men to endorse traditional masculine norms. [33]

In marketing

Whereas the metrosexual was a cultural observation, the term is used in marketing and popular media. [5] [4] In this context, the metrosexual is a heterosexual, urban man who is in touch with his feminine side—he color-coordinates, cares deeply about exfoliation, and has perhaps manscaped. [34] [35]

Trend journalism

Devon Powers, a professor of critical media studies at University of Michigan, uses the early 2000s US media coverage of metrosexuality as a case study in defining the concept of trend journalism. [36] In her analysis, she argues that the early-2000s US media interest in metrosexuality was driven by marketers who have co-opted the term from 1990s queer culture as part of an ongoing effort to get men to shop more, [37] claiming that by this point, the concept of metrosexuality had evolved from a subversion of traditional masculinity into a drive for masculine consumerism. [38] Moreover, Powers uses this case study as part of her thesis, that while trend journalism attempts to explain emergent cultural phenomena, that it may also play a role in trendsetting. [39]

John Mercer and Feona Attwood echo this, arguing that changes in the polysemic definition of masculinity are not only reported and categorized in media "in the business of ‘producing’ masculinity", but that this model of masculinity is generated is one constructed by media . [40]

See also

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References

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  14. Coad, David (2008). The Metrosexual: Gender, Sexuality and Sport. Albany, NY: State University of New York Press, Albany. pp. 186–7. ISBN   9780791474099 . Retrieved 30 July 2014.
  15. Mercer, John; Attwood, Feona (2017). "The Metrosexual". In Smith, Clarissa; McNair, Brian (eds.). The Routledge Companion to Media, Sex and Sexuality . Routledge. pp. 343–351. ISBN   9781138777217. While it is often regarded as commonsensical to identify the central role of the media in the cultural construction of femininity in its many guises, it is equally important to note that the media have played an equally vital role in identifying and extoling masculine archetypes, values and their variants, or by calling the same values into question. Indeed, the 'crisis of masculinity' – a term that has been used routinely to describe everything from representations of male angst in 1950s Hollywood cinema to the plight of working-class youth in contemporary urban settings – was first coined by the political commentator Arthur Schlessinger Jr in an article of the same name in Esquire magazine in 1958. It is in this process of identifying what it means to be a man and consequently giving a name to new iterations of masculinity that the media can be seen as being in the business of 'producing' masculinity, and this is an activity that has gathered pace in recent years. [...] Indeed, this debate, in its contemporary sense, is at least as old as 1958, when Schlessinger argued that the crisis of 1950s masculinity was in fact to be attributed to the growing emancipation of women, and has been a fairly constant way in which reportage has tended to account for the evolution or shift in masculinities – and especially masculine representations – ever since. So when Mark Simpson (2002) writes, with a witty and altogether knowingly polemical turn, that the metrosexual represents the 'emasculation' of straight men, his argument, designed to provoke, is referencing a popular journalistic tradition of writing about masculinity as a site not of fixity and stability but instead of flux and uncertainty, which, at the time he wrote those words, was already half a century old
  16. Thomas, Chris (2024-08-30). "Remembering Metrosexuality, the Trend That Taught Straight Men It's OK to Be a Little Gay". Them. Retrieved 2024-10-04. These habits and inclinations toward presenting health and wealth have hardened with the passing of time, like a particularly sculpted torso. To put this in more Shakespearean terms: Metrosexuality by any other name (say, a looksmaxxing alpha male, or muscle gay) smells just as strongly of whatever scent we're being marketed that day.
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  34. "So, men are obsessed with their bodies. Is that so bad? | Mark Simpson". The Guardian . 2012-01-31. Archived from the original on 2023-04-18.
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  36. Powers, Devon (2022-09-10). "Trend Journalism: Definition, History, and Critique" . Jornalism Studies. 23 (12): 1435–1449. doi:10.1080/1461670X.2022.2094821 . Retrieved 2024-10-04. I elucidate my arguments with one historical case of trend journalism—the coverage of metrosexuality in the New York Times in June 2003.
  37. {{cite journal|last1=Powers|first1=Devon|date=2022-09-10|title=Trend Journalism: Definition, History, and Critique|url=https://www.tandfonline.com/doi/full/10.1080/1461670X.2022.2094821%7Cjournal=Jornalism Studies|volume=23|issue=12|pages=1435-1449|doi=10.1080/1461670X.2022.2094821|access-date=2024-10-04|url-access=subscription|quote=The occasion for Warren St. John’s piece was that marketers had come to embrace the term “metrosexual,” which had been floating around queer culture since the 1990s. Originally, the word was used derisively to describe what happened when marketers attempted to get men to shop more: they used “sensitive” (read: gay or gay-seeming) men in their pitches, since they assumed “real” (read: straight) men didn’t invest in their appearance (St. John 2003). [...] St. John declares that “America may be on the verge of a metrosexual moment.” To prove this, St. John relies heavily on marketers, who serve as experts on the existence and viability of the metrosexual demographic.
  38. Powers, Devon (2022-09-10). "Trend Journalism: Definition, History, and Critique" . Jornalism Studies. 23 (12): 1435–1449. doi:10.1080/1461670X.2022.2094821 . Retrieved 2024-10-04. Yet by the early 2000s, metrosexuality had been defanged of its critique, less a commentary on capitalism and gender than a full-on embrace of masculine consumerism. Metrosexuality also began to refer to men who embraced what until that point had been known as stereotypically feminine activities, including hair and skin care regimens, fashion, and wearing bright colors (St. John 2003; Paskin 2020). St. John's article is a commentary on these shifts but, as noted above, it also played a decisive role in normalizing and promoting them.
  39. Powers, Devon (2022-09-10). "Trend Journalism: Definition, History, and Critique" . Jornalism Studies. 23 (12): 1435–1449. doi:10.1080/1461670X.2022.2094821 . Retrieved 2024-10-04.
  40. Mercer, John; Attwood, Feona (2017). "The Metrosexual". In Smith, Clarissa; McNair, Brian (eds.). The Routledge Companion to Media, Sex and Sexuality . Routledge. pp. 343–351. ISBN   9781138777217. In this chapter we focus in particular on one of these media-generated models of masculinity: the figure of the metrosexual, and his place in a succession of figures of masculinity and male sexuality. The 'metrosexual' – a term coined by journalist and cultural commentator Mark Simpson (1994, 2002, 2005) – can be seen as a contemporary development related to the earlier figure of the 'sensitive, nurturing, caring' 'new man', alongside fashion and grooming-related representations of men which use a 'vocabulary of "style"' to present the male body as an object of desire and looking (Nixon, 1996: 164). The metrosexual, therefore, is not without precedent. Indeed, the construction of media and commercial spaces for 'the display of masculine sensuality' (Nixon, 1996: 202) and the sexualisation of men's bodies have been the subjects of a degree of academic attention since the 1990s (MacKinnon, 1997; Bordo, 1999).

Further reading