The "Me" generation is a term referring to baby boomers in the United States and the self-involved qualities associated with this generation. [1] The 1970s was dubbed the "Me decade" by writer Tom Wolfe in The "Me" Decade and the Third Great Awakening ; [2] Christopher Lasch wrote about the rise of a culture of narcissism among younger baby boomers. [3] The phrase became popular at a time when "self-realization" and "self-fulfillment" were becoming cultural aspirations to which young people supposedly ascribed higher importance than social responsibility.
The cultural change in the United States during the 1970s that was experienced by the baby boomers, upon when the majority of them became of age, is complex. The 1960s are remembered as a time of political protests, and radical experimentation with new cultural experiences (the Sexual Revolution, happenings, mainstream awareness of Eastern religions), which were practiced by older Boomers. The Civil Rights Movement, gave rebellious young people serious goals. Cultural experimentation was justified as being directed toward spiritual or intellectual enlightenment. The mid to late 1970s, in contrast, was a time of increased economic crisis and disillusionment with idealistic politics among the young, particularly after the resignation of Richard Nixon and the end of the Vietnam War. Unapologetic hedonism became acceptable among the young.[ citation needed ]
The new introspectiveness announced the demise of an established set of traditional faiths centred on work and the postponement of gratification, and the emergence of a consumption-oriented lifestyle ethic centred on lived experience and the immediacy of daily lifestyle choices. [4]
By the mid-1970s, Tom Wolfe and Christopher Lasch were speaking out critically against the culture of narcissism. [3] These criticisms were widely repeated throughout American popular media.
The development of a youth culture focusing so heavily on self-fulfillment was also perhaps a reaction against the traits that characterized the older Silent Generationers, which had grown up during the Great Depression and became of age in the 1950s from when the Civil Rights Movement had begun. That generation had learned values associated with self-sacrifice. The deprivations of the Depression had taught that generation to work hard, frugally save money, and to cherish family and community ties. Loyalty to institutions, traditional religious faiths, and other common bonds were what that generation considered to be the cultural foundations of their country. [5] Generation Xers, upon maturing in the 1990s, gradually abandoned those values in large numbers, a development that was entrenched during the 1970s.
The 1970s have been described as a transitional era when the self-help of the 1960s became self-gratification, and eventually devolved into the selfishness of the 1980s. [6]
Health and exercise fads, New Age spirituality such as Scientology, hot tub parties, self-help programs such as EST (Erhard Seminars Training), and the growth of the self-help book industry became identified with the baby boomers during 1970s. Human potential, emotional honesty, "finding yourself", and new therapies became signatures of the culture. [7] The marketing of lifestyle products, eagerly consumed by baby boomers with disposable income during the 1970s, became an inescapable part of the culture. Revlon's marketing staff did research into young women's cultural values during the 1970s, revealing that young women were striving to compete with men in the workplace and to express themselves as independent individuals. Revlon launched the "lifestyle" perfume Charlie, with marketing aimed at glamorizing the values of the new 1970s woman, and it became the world's best-selling perfume. [8]
The introspection of the baby boomers and their focus on self-fulfillment has been examined in a serious light in pop culture. Films such as An Unmarried Woman (1978), Kramer vs. Kramer (1979), Ordinary People (1980) and The Big Chill (1983) brought the inner struggles of baby boomers to a wide audience. The self-absorbed side of 1970s life was given a sharp and sometimes poignant satirization in Manhattan (1979). More acerbic lampooning came in Shampoo (1975) and Private Benjamin (1980). The Me generation has also been satirized in retrospect, as the generation called "baby boomers" reached adulthood, for example, in Parenthood (1989). Forrest Gump (1994) summed up the decade with Gump's cross-country jogging quest for meaning during the 1970s, complete with a tracksuit, which was worn as much as a fashion statement as an athletic necessity during the era.
The satirization of the Me generation's "me first" attitude was the focus of the television sitcom Seinfeld , which does not include conscious moral development for its Boomer characters, but rather the opposite. Its plots do not have teaching lessons for its audience and its creators explicitly held that it was a "show about nothing". [9]
The term "Me generation" has persisted over the decades and is connected to baby boomers. [10] The 1970s was also an era of rising unemployment among the young, continuing erosion of faith in conventional social institutions, and political and ideological aimlessness. This was the environment that popularized punk rock among America's disaffected youth. By 1980, when Ronald Reagan was elected president, baby boomers increasingly adopted conservative political and cultural priorities.
Analytical philosopher Noam Chomskywrote:
Where did that come from? What was the evidence that that was a fact? I think the evidence was 0. Teenagers had to be indoctrinated by saying 'You people are only interested in yourselves, you live in a culture of narcissism, you're the me generation'. Now every single teenager knows perfectly well that that's not true of me - but you're targeting people who are at a delicate stage of life, they don't quite know who they are... if they're different they think, 'Maybe there's something wrong with me, maybe I ought to be like everyone else'. [11]
Panos Cosmatos, director of the 2010 film Beyond the Black Rainbow , admits a dislike for baby boomers' New Age spiritual ideals, an issue he addresses in his film. The use of psychedelic drugs for mind-expansion purposes is also explored, [12] although Cosmatos' take on it is "dark and disturbing", a "brand of psychedelia that stands in direct opposition to the flower child, magic mushroom peace trip" wrote a reviewer describing one of the characters who happened to be a Boomer: [13]
I look at Arboria as kind of naïve. He had the best of intentions of wanting to expand human consciousness, but I think his ego got in the way of that and ultimately it turned into a poisonous, destructive thing. Because Arboria is trying to control consciousness and control the mind. There is a moment of truth in the film where the whole thing starts to disintegrate because it stops being about their humanity and becomes about an unattainable goal. That is the "Black Rainbow": trying to achieve some kind of unattainable state that is ultimately, probably destructive. [14]
Generation X is the demographic cohort following the Baby Boomers and preceding Millennials. Researchers and popular media often use the mid-1960s as its starting birth years and the late 1970s as its ending birth years, with the generation being generally defined as people born from 1965 to 1980. By this definition and U.S. Census data, there are 65.2 million Gen Xers in the United States as of 2019. Most of Generation X are the children of the Silent Generation and early Baby Boomers; Xers are also often the parents of Millennials and Generation Z.
Forrest Gump is a 1994 American comedy-drama film directed by Robert Zemeckis. An adaptation of the 1986 novel by Winston Groom, the screenplay of the film is written by Eric Roth. It stars Tom Hanks in the title role, alongside Robin Wright, Gary Sinise, Mykelti Williamson, and Sally Field in lead roles. The film follows the life of an Alabama man named Forrest Gump (Hanks) and his experiences in the 20th-century United States.
Baby boomers, often shortened to boomers, are the demographic cohort preceded by the Silent Generation and followed by Generation X. The generation is often defined as people born from 1946 to 1964 during the mid-20th century baby boom. The dates, the demographic context, and the cultural identifiers may vary by country. Most baby boomers are the children of either the Greatest Generation or the Silent Generation, and are often parents of Millennials. In the West, boomers' childhoods in the 1950s and 1960s had significant reforms in education, both as part of the ideological confrontation that was the Cold War, and as a continuation of the interwar period. Theirs was a time of economic prosperity and rapid technological progress. In the 1960s and 1970s, as this relatively large number of young people entered their teens and young adulthood—the oldest turned 18 in 1964—they, and those around them, created a very specific rhetoric around their cohort, and the social movements brought about by their size in numbers, such as the counterculture of the 1960s and its backlash.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964, and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
A generation is all of the people born and living at about the same time, regarded collectively. It also is "the average period, generally considered to be about 20–30 years, during which children are born and grow up, become adults, and begin to have children." In kinship, generation is a structural term, designating the parent–child relationship. In biology, generation also means biogenesis, reproduction, and procreation.
Millennials, also known as Generation Y or Gen Y, are the demographic cohort following Generation X and preceding Generation Z. Researchers and popular media use the early 1980s as starting birth years and the mid-1990s to early 2000s as ending birth years, with the generation typically being defined as people born from 1981 to 1996. Most Millennials are the children of Baby Boomers and older Generation X. In turn Millennials are often the parents of Generation Alpha.
The Human Potential Movement (HPM) arose out of the counterculture of the 1960s and formed around the concept of an extraordinary potential that its advocates believed to lie largely untapped in all people. The movement takes as its premise the belief that the development of their "human potential" can contribute to a life of increased happiness, creativity, and fulfillment, and as a result such people will be more likely to direct their actions within society toward assisting others to release their potential. Adherents believe that the collective effect of individuals cultivating their own potential will be positive change in society at large.
Generation Jones is the generation or social cohort between the Baby Boom generation and Generation X. The term was coined by American cultural commentator Jonathan Pontell, who argues that the term refers to a full distinct generation born from 1954 to 1965. Media coverage of Generation Jones typically has described it as a distinct generation, using Pontell's dates. Others see this as a subset of the Baby Boom Generation, primarily its second half. A third view is that Generation Jones is a cusp or micro-generation between the Boomers and Xers.
Robert Christopher Lasch was an American historian, moralist and social critic who was a history professor at the University of Rochester. He sought to use history to demonstrate what he saw as the pervasiveness with which major institutions, public and private, were eroding the competence and independence of families and communities. Lasch strove to create a historically informed social criticism that could teach Americans how to deal with rampant consumerism, proletarianization, and what he famously labeled "the culture of narcissism".
The Colored Museum is a play written by George C. Wolfe that premiered at Crossroads Theatre in 1986, directed by L. Kenneth Richardson. In a series of 11 “exhibits” (sketches), the revue explores and satirizes prominent themes and identities of African-American culture.
The Culture of Narcissism: American Life in an Age of Diminishing Expectations (1979), by Christopher Lasch, is a psychological and cultural, artistic and historical synthesis that explores the roots and ramifications of the normalization of pathological narcissism in 20th-century American culture. For the mass-market edition published in September of the same year, Lasch won the 1980 US National Book Award in the category Current Interest (paperback).
Narcissism is a self-centered personality style characterized as having an excessive preoccupation with oneself and one's own needs, often at the expense of others. Narcissism, rooted in Greek mythology, has evolved into a psychological concept studied extensively since the early 20th century, highlighting its relevance across various societal domains.
The counterculture of the 1960s was an anti-establishment cultural phenomenon and political movement that developed in the Western world during the mid-20th century. It began in the early 1960s, and continued through the early 1970s. It is often synonymous with cultural liberalism and with the various social changes of the decade. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding respect for the individual, human sexuality, women's rights, traditional modes of authority, rights of people of color, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.
Generation X: Tales for an Accelerated Culture is the first novel by Douglas Coupland, published by St. Martin's Press in 1991. The novel, which popularized the term Generation X, is a framed narrative in which a group of youths exchange heartfelt stories about themselves and fantastical stories of their creation.
The Strauss–Howe generational theory, devised by William Strauss and Neil Howe, describes a theorized recurring generation cycle in American history and Western history. According to the theory, historical events are associated with recurring generational personas (archetypes). Each generational persona unleashes a new era lasting around 21 years, in which a new social, political, and economic climate (mood) exists. They are part of a larger cyclical "saeculum". The theory states that a crisis recurs in American history after every saeculum, which is followed by a recovery (high). During this recovery, institutions and communitarian values are strong. Ultimately, succeeding generational archetypes attack and weaken institutions in the name of autonomy and individualism, which eventually creates a tumultuous political environment that ripens conditions for another crisis.
Husák's Children is a term commonly used for a generation of people born in Czechoslovakia during the baby boom which started in the early 1970s, during the period of "normalization". The generation was named after the President and a long-term Communist leader of Czechoslovakia, Gustáv Husák.
Beyond the Black Rainbow is a 2010 Canadian psychedelic science fiction horror film written and directed by Panos Cosmatos in his feature film debut. It stars Michael Rogers and Eva Allan.
"The 'Me' Decade and the Third Great Awakening" is an essay by American author Tom Wolfe, in which Wolfe coined the phrase "'Me' Decade", a term that became common as a descriptor for the 1970s. The essay was first published as the cover story in the August 23, 1976 issue of New York magazine and later appeared in his collection Mauve Gloves & Madmen, Clutter & Vine.
The working environment has gone through a major transformation over the last decades, particularly in terms of population in the workforce. The generations dominating the workforce in 2024 are baby boomers, Generation X, millennials and Generation Z. The coming decades will see further changes with emergence of newer generations, and slower removal of older generations from organisations as pension age is pushed out. Many reports, including a publication by Therese Kinal and Olga Hypponen of Unleash, warn that understanding differences between the generations, and learning to adapt their management practices is critical to building a successful multigenerational workplace.
Panos Cosmatos is an Italian-Canadian film director and screenwriter. He is known for Beyond the Black Rainbow and Mandy.
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