Flower child originated as a synonym for hippie, especially among the idealistic young people who gathered in San Francisco and the surrounding area during the Summer of Love in 1967. It was the custom of "flower children" to wear and distribute flowers or floral-themed decorations to symbolize ideals of universal belonging, peace, and love. The mass media picked up on the term and used it to refer in a broad sense to any hippie. Flower children were also associated with the flower power political movement, which originated in ideas written by Allen Ginsberg in 1965.
The term originated in the mid-1960s in the wake of a film version of H. G. Wells's The Time Machine that depicted flower-bestowing, communal people of the future in a story characterized by antiwar themes. American political activists like Allen Ginsberg and Abbie Hoffman advocated the giving of flowers as a means of peaceful protest. [1] [2] [3] Images of flower-wielding protesters at the 1967 Pentagon March, such as Marc Riboud's image of Jan Rose Kasmir titled The Ultimate Confrontation: The Flower and the Bayonet [4] and Bernie Boston's Pulitzer Prize–nominated photograph Flower Power , [5] popularized the association of flowers with the counterculture movement of the 1970s. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. [6]
John Phillips of The Mamas & the Papas wrote the song "San Francisco (Be Sure to Wear Flowers in Your Hair)" for his friend Scott McKenzie to promote the Monterey Pop Festival that Phillips was helping to organize. [7] Released on May 13, 1967, the song's lyrics urged visitors to San Francisco to "wear some flowers in your hair", in keeping with the festival's billing as "three days of music, love, and flowers". The song was a popular hit, reaching number 4 on the music chart in the United States and number 1 in the United Kingdom and most of Europe, [8] [9] and became an unofficial anthem for hippies, flower power and the flower child concept. [10]
After the January 14, 1967 Human Be-In organized by artist Michael Bowen (among other things, announcements told participants to bring flowers), as many as 100,000 young people from all over the world flocked to San Francisco's Haight-Ashbury district, Berkeley, and other Bay Area cities during the Summer of Love in search of different value systems and experiences. [11] [12] After the Monterey Pop Festival in June of 1967, the Summer of Love became a watershed event in the development of a worldwide 1960s counterculture when newly recruited flower children returned home at the end of the summer, taking with them new styles, ideas, and behaviors and introducing them in all major cities of the U.S. and western Europe.
In his book, Prometheus Rising , the philosopher Robert Anton Wilson suggested that the flower children could be viewed in Jungian terms as a collective social symbol representing the mood of friendly weakness. [13] In 1995, The Sekhmet Hypothesis extended Wilson's idea into other pop cultural trends with other youth movements being compared to the moods of hostile weakness, friendly strength and hostile strength. [14]
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967. As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park. More broadly, the Summer of Love encompassed hippie culture, spiritual awakening, hallucinogenic drugs, anti-war sentiment, and free love throughout the West Coast of the United States, and as far away as New York City. An episode of the PBS documentary series American Experience referred to the Summer of Love as "the largest migration of young people in the history of America".
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
The Diggers were a radical community-action group of activists and street theatre actors operating from 1966 to 1968, based in the Haight-Ashbury neighborhood of San Francisco. Their politics have been categorized as "left-wing;" more accurately, they were "community anarchists" who blended a desire for freedom with a consciousness of the community in which they lived. The Diggers' central tenet was to be "authentic," seeking to create a society free from the dictates of money and capitalism.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
The Love Pageant Rally took place on October 6, 1966—the day LSD became illegal—in the 'panhandle' of Golden Gate Park, a narrower section that projects into San Francisco's Haight-Ashbury district. The 'Haight' was a neighborhood of run-down turn-of-the-20th-century housing that was the center of San Francisco's counterculture in the 1960s.
Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called The Haight and The Upper Haight. The neighborhood is known as one of the main centers of the counterculture of the 1960s.
The Digger Papers was a free collective publication of the Diggers, one of the 1960s improvisational theatre groups in San Francisco's Haight-Ashbury district. The magazine was first published in Fall 1965. Peter Berg was one of the regular contributors to the publication.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and the so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.
Chester Leo "Chet" Helms, often called the father of San Francisco's 1967 "Summer of Love," was a music promoter and a counterculture figure in San Francisco during its hippie period in the mid- to-late 1960s.
The Oracle of the City of San Francisco, also known as the San Francisco Oracle, was an underground newspaper published in 12 issues from September 20, 1966, to February 1968 in the Haight-Ashbury neighborhood of that city. Allen Cohen (1940–2004), the editor during the paper's most vibrant period, and Michael Bowen, the art director, were among the founders of the publication. The Oracle was an early member of the Underground Press Syndicate.
The San Francisco sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the counterculture community in San Francisco, particularly the Haight-Ashbury district, during these years. San Francisco is a westward-looking port city, a city that at the time was 'big enough' but not manic like New York City or spread out like Los Angeles. Hence, it could support a 'scene'. According to journalist Ed Vulliamy, "A core of Haight Ashbury bands played with each other, for each other"
"San Francisco (Be Sure to Wear Flowers in Your Hair)" is an American pop song, written by John Phillips, and sung by Scott McKenzie. It was produced and released in May 1967 by Phillips and Lou Adler, who used it to promote their Monterey International Pop Music Festival held in June of that year.
The Haight Ashbury Free Clinics, Inc. is a free health care service provider serving more than 34,000 people in Northern California.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
The Love-Ins is a 1967 American counterculture-era exploitation movie about LSD that was directed by Arthur Dreifuss.
The Mantra-Rock Dance was a counterculture music event held on January 29, 1967, at the Avalon Ballroom in San Francisco. It was organized by followers of the International Society for Krishna Consciousness (ISKCON) as an opportunity for its founder, A. C. Bhaktivedanta Swami Prabhupada, to address a wider public. It was also a promotional and fundraising effort for their first center on the West Coast of the United States.
Lee Quarnstrom was an American journalist, executive editor of Larry Flynt’s Hustler Magazine, and a Beatnik. He was a core member of the Merry Band of Pranksters, a group loosely led by novelist Ken Kesey.
It Was Twenty Years Ago Today is a 1987 British-made television documentary film about the 1967 Summer of Love. It premiered on 1 June 1987, twenty years after the official release date of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band, and presents the album as the central factor behind the events and scenes that led to the full emergence of the 1960s counterculture.
Hippie Hill is a small hill and historic area within Golden Gate Park, San Francisco. It is situated between the Conservatory of Flowers and Haight Street. Positioned east of the Golden Gate Park tennis courts, this green space features a gentle sloping lawn located off Kezar Drive. It provides views overlooking Robin Williams Meadow and is bordered by Eucalyptus and Oak trees on either side. Notably, the hill is home to several uncommon tree species, including coast banksia, titoki, turpentine, and cow-itch.