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Look up tune in, turn on, drop out in Wiktionary, the free dictionary.
"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967, Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and phrased the famous words, "Turn on, tune in, drop out". It was also the title of his spoken word album recorded in 1966. On this lengthy album, Leary can be heard speaking in a monotone soft voice on his views about the world and humanity, describing nature, Indian symbols, "the meaning of inner life", the LSD experience, peace, and many other issues.
In a 1988 interview with Neil Strauss, Leary said the slogan was "given to him" by Marshall McLuhan during a lunch in New York City. Leary added McLuhan "was very much-interested in ideas and marketing, and he started singing something like, 'Psychedelics hit the spot / Five hundred micrograms, that's a lot,' to the tune of a Pepsi commercial of the time. Then he started going, 'Tune in, turn on, and drop out.'" [1] The phrase was used by Leary in a speech he delivered at the opening of a press conference in New York City on September 19, 1966. It urged people to embrace cultural changes through the use of psychedelics by detaching from the existing conventions and hierarchies in society. It was also the motto of his League for Spiritual Discovery. [2]
In his speech, Leary said:
Like every great religion, we seek to find the divinity within and to express this revelation in a life of glorification and the worship of God. These ancient goals we define in the metaphor of the present—turn on, tune in, drop out. [3]
Leary explains in his 1983 autobiography Flashbacks :
"Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers engaging them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you—externalize, materialize, express your new internal perspectives. "Drop out" suggested an active, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily, my explanations of this sequence of personal development are often misinterpreted to mean "Get stoned and abandon all constructive activity". [4]
Turn on, Tune in, Drop out is also the title of a book ( ISBN 1-57951-009-4) of essays by Timothy Leary, covering topics ranging from religion, education, and politics to Aldous Huxley, neurology, and psychedelic drugs.
In 1967, Leary (during the salon known as the Houseboat Summit ) announced his agreement with a new ordering of the phrase as he said, "I would agree to change the slogan to 'Drop out. Turn on. Drop in.'" [5]
By the early 1980s, while on a speaking tour with G. Gordon Liddy, the phrase had transformed to "turn on, tune in, take over." [6]
During his last decade, Leary proclaimed the "PC is the LSD of the 1990s" and re-worked the phrase into "turn on, boot up, jack in" to suggest joining the cyberdelic counterculture. [7]
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967. As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park. More broadly, the Summer of Love encompassed hippie culture, spiritual awakening, hallucinogenic drugs, anti-war sentiment, and free love throughout the West Coast of the United States, and as far away as New York City. An episode of the PBS documentary series American Experience referred to the Summer of Love as "the largest migration of young people in the history of America".
Timothy Francis Leary was an American psychologist and author known for his strong advocacy of psychedelic drugs. Evaluations of Leary are polarized, ranging from "bold oracle" to "publicity hound". According to poet Allen Ginsberg, he was "a hero of American consciousness", while writer Tom Robbins called him a "brave neuronaut". President Richard Nixon disagreed, calling Leary "the most dangerous man in America". During the 1960s and 1970s, at the height of the counterculture movement, Leary was arrested 36 times.
Psychedelia usually refers to a style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline and psilocybin and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation to evoke, convey, or enhance the psychedelic experience.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s and 1970s, originally a youth movement that began in the United States during or around 1964, and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
Ram Dass, also known as Baba Ram Dass, was an American spiritual teacher, guru of modern yoga, psychologist, and writer. His best-selling 1971 book Be Here Now, which has been described by multiple reviewers as "seminal", helped popularize Eastern spirituality and yoga in the West. He authored or co-authored twelve more books on spirituality over the next four decades, including Grist for the Mill (1977), How Can I Help? (1985), and Polishing the Mirror (2013).
The eight-circuit model of consciousness is a holistic model originally presented as psychological philosophy by Timothy Leary in books including Neurologic (1973) and Exo-Psychology (1977), later expanded on by Robert Anton Wilson in his books Cosmic Trigger (1977) and Prometheus Rising (1983), and by Antero Alli in his books Angel Tech (1985) and The Eight-Circuit Brain (2009), that suggests "eight periods [circuits]" within the model. The eight circuits, or eight systems or "brains", as referred by other authors, operate within the human nervous system. Each corresponds to its own imprint and subjective experience of reality. Leary and Alli include three stages for each circuit, detailing developmental points for each level of consciousness.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
The psychedelic drug lysergic acid diethylamide (LSD) was first synthesized on November 16, 1938, by the Swiss chemist Albert Hofmann in the Sandoz laboratories in Basel, Switzerland. It was not until five years later on April 19, 1943, that the psychedelic properties were found. Today, the discovery of LSD is celebrated worldwide during the annual Bicycle Day holiday, serving also as the day celebrating the psychedelic revolution in general.
Psychedelic art is art, graphics or visual displays related to or inspired by psychedelic experiences and hallucinations known to follow the ingestion of psychedelic drugs such as LSD, psilocybin, and DMT. Coined by British psychologist Humphry Osmond, the term "psychedelic" means "mind manifesting". By that definition, all artistic efforts to depict the inner world of the psyche may be considered "psychedelic".
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s to the mid-1970s. The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world.
The Brotherhood of Eternal Love was an organization of drug users and distributors that operated from the mid-1960s through the late 1970s in Orange County, California. They were dubbed the Hippie Mafia by the police. They produced and distributed drugs in hopes of starting a "psychedelic revolution" in the United States.
Bruce Jay Ehrlich, better known by his pen name Bruce Eisner, was an American writer, psychologist, and counterculture spokesman mostly known for his book Ecstasy: The MDMA Story.
The counterculture of the 1960s was an anti-establishment cultural phenomenon and political movement that developed in the Western world during the mid-20th century. It began in the early 1960s, and continued through the early 1970s. It is often synonymous with cultural liberalism and with the various social changes of the decade. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding respect for the individual, human sexuality, women's rights, traditional modes of authority, rights of people of color, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.
League for Spiritual Discovery (LSD) was a spiritual organization inspired by the works of Timothy Leary, and strove for legal use of lysergic acid diethylamide (LSD) for the purpose of meditation, insight, and spiritual understanding. It was in existence during the mid-to-late 1960s, and eventually closed by Leary. The New York Center for the League of Spiritual Discovery, in existence for around a year, was co-founded by Timothy Leary and Nina Graboi in 1966. The center was the first LSD-based meditation center in Manhattan.
The Zihuatanejo Project was a psychedelic training center and intentional community created during the beginning of the counterculture of the 1960s by Timothy Leary and Richard Alpert under the umbrella of their nonprofit group, the International Federation for Internal Freedom (IFIF). The community was located in Zihuatanejo, Guerrero, Mexico, and took up residence at the Hotel Catalina in the summers of 1962 and 1963.
The following is a list of works by Timothy Leary. The majority of Leary's works were put into the public domain by his estate in 2009.
The Love-Ins is a 1967 American counterculture-era exploitation movie about LSD that was directed by Arthur Dreifuss.
The Leary–Lettvin debate was a May 3, 1967 debate between Jerome Lettvin, a medical doctor and professor at MIT, and Timothy Leary, a licensed psychologist, about the merits and dangers of the hallucinogenic drug LSD. It took place in the Kresge Auditorium at the Massachusetts Institute of Technology.
Nina Graboi was a Holocaust survivor, artist, writer, spiritual seeker, philosopher, and influential figure in the sixties psychedelic movement. After fleeing the Nazis in Europe and spending three months in a detention camp in North Africa, she and her husband came to United States as refugees. As a close friend and colleague of Timothy Leary's and Richard Alpert's, she was co-founder and director of the League for Spiritual Discovery's New York Center during the psychedelic era. The center was the first LSD-based meditation center in Manhattan. She also worked closely with Jean Houston, Abraham Maslow, Stanley Krippner, and Alan Watts.