Flower Power (photograph)

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The Flower Power photograph by Bernie Boston, taken during the March on the Pentagon, October 21, 1967 Flower Power by Bernie Boston.jpg
The Flower Power photograph by Bernie Boston, taken during the March on the Pentagon, October 21, 1967

Flower Power is the title of a photograph taken by American photographer Bernie Boston for the now-defunct newspaper The Washington Evening Star . Taken on October 21, 1967, during the March on the Pentagon by the National Mobilization Committee to End the War in Vietnam, the photo shows protester George Harris placing a carnation into the barrel of an M14 rifle held by a soldier of the 503rd Military Police Battalion (Airborne).

Contents

The photograph was nominated for the 1967 Pulitzer Prize.

Events

The National Mobilization Committee to End the War in Vietnam's March on the Pentagon took place on October 21, 1967. When the antiwar demonstrators approached The Pentagon, they were confronted by a squad of soldiers from the 503rd Military Police Battalion (Airborne). [1] The soldiers pointed their rifles, marched into the crowd and formed a semicircle around the demonstrators to prevent them from climbing the Pentagon steps. Bernie Boston, newspaper photographer for The Washington Evening Star (shortened to The Washington Star in later years), had been assigned by his editor to cover the demonstration. [2] Boston was sitting on a wall at the Mall Entrance which allowed him to see the events unfold. [3] In a 2005 interview he said, "When I saw the sea of demonstrators, I knew something had to happen. I saw the troops march down into the sea of people and I was ready for it." [4] A young man emerged from the crowd of demonstrators and started placing carnations into the barrels of their rifles. [3] Boston captured the moment in what would become an iconic image and his signature photograph. [3]

When Boston showed the photograph to his editor at the Star, "the editor didn't see the importance" and the picture was run on a page deep inside the newspaper. [3] It did not gain recognition until after Boston entered it into photography competitions, which it won. [3]

Legacy

Identity of the demonstrator

Young protesters at the March on the Pentagon Vietnamprotestors.jpg
Young protesters at the March on the Pentagon

The young man in the photo is most commonly identified as George Edgerly Harris III, an 18-year-old actor from New York who had moved to San Francisco in 1967. [1] [5] In 2005, Brown talked in an interview about the effort it took to learn that the protester was Harris. [4] Harris, who performed under the stage name Hibiscus and co-founded The Cockettes, a "flamboyant, psychedelic gay-themed drag troupe", died in the early 1980s during the beginning of the HIV/AIDS epidemic. [1]

Paul Krassner, in a 2008 blogger's article written for the Huffington Post a week after Bernie Boston died, said the young man in the photo was Joel Tornabene, a fellow counter-culture leader of the Youth International Party (the Yippies) who lived in Berkeley, California in the 1960s. [6] Tornabene, like Harris and Boston, died before Krassner posted this statement. [6]

Symbolic significance

A young woman offers a flower as a symbol of peace to a military police officer at the March on the Pentagon Vietnamdem.jpg
A young woman offers a flower as a symbol of peace to a military police officer at the March on the Pentagon

The Flower power movement began in Berkeley, California as a means of symbolic protest against the Vietnam War. Beat Generation writer Allen Ginsberg, in his November 1965 essay How to Make a March/Spectacle, promoted the use of "masses of flowers" to hand to policemen, press, politicians and spectators to fight violence with peace.

They intended the use of nonviolent objects such as toys, flags, candy and music to show that the peace movement was not associated with anger or violence. Members of the movement tried to offset the rallies of the Hells Angels motorcycle club, who supported the war.

Cultural significance

Flower Power was nominated for the 1967 Pulitzer Prize. [7]

It had an influential effect on both the antiwar movement of the sixties, and as a visual representation of how photojournalism can help with a movement. [8]

Specific exhibits and discussions have been curated solely around the photograph to display the political, cultural and social aspects of the Flower Power movement. The exhibit From Kennedy to Kent State: Images of a Generation, was shown at Worcester Art Museum in Worcester, Massachusetts, which displayed Boston's image as a large gelatin silver print. The image was included as a representation of the antiwar movement. [9]

In 1993, for his body of work –including Flower Power and his Pulitzer-nominated 1987 photograph of Coretta Scott King unveiling a bust of her late husband, Martin Luther King Jr., in the U.S. Capitol [10]  –Boston received the Joseph A. Sprague Memorial Award from the National Press Photographers Association, their highest honor. [11]

Flower Power continues to be used as an iconic image of the 1960s. [12]

See also

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References

  1. 1 2 3 Montgomery, David (March 18, 2007). "Flowers, Guns and an Iconic Snapshot". The Washington Post . Retrieved December 6, 2013.
  2. ↑ Boston, Bernie (October 21, 1967). "Flower Power". The Washington Evening Star . Archived from the original on October 13, 2012.
  3. 1 2 3 4 5 Stewart, Jocelyn Y. (January 25, 2008). "Bernie Boston; captured iconic 60s' moment". The Boston Globe . Retrieved December 6, 2013.
  4. 1 2 Ashe, Alice (2005). "Bernie Boston: View Finder". Curio. James Madison University College of Arts and Letters (School of Media Arts and Design). p. 12. Archived (PDF) from the original on September 20, 2009. Retrieved July 15, 2022. He came out of nowhere, and it took me years to find out who he was ... his name was Harris.
  5. ↑ Silva, Hoaracio (August 17, 2003). "Karma Chameleon" . The New York Times Magazine . Archived from the original on June 28, 2013. Retrieved October 9, 2017. The young man in the 1967 photograph -- an 18-year-old stage actor named George Harris
  6. 1 2 Krassner, Paul (January 30, 2008). "Tom Waits Meets Super-Joel". The Huffington Post . Retrieved January 24, 2011.
  7. ↑ Bernstein, Adam (January 24, 2008). "Bernie Boston, 74; Took Iconic 1967 Photograph". The Washington Post . Archived from the original on November 6, 2012. Retrieved July 14, 2022.
  8. ↑ Gottschalk, Molly (July 12, 2016). "Why certain photographs quickly come to define a movement". Artsy. Retrieved April 19, 2020.
  9. ↑ "Kennedy to Kent State: Images of a Generation". Worcester Art Museum. October 22, 1967. Retrieved January 20, 2022.
  10. ↑ "The 1987 Pulitzer Prize Finalist in Spot News Photography". The Pulitzer Prizes . Columbia University . Retrieved July 14, 2022.
  11. ↑ "Joseph A. Sprague Memorial Award | Past Recipients 1990s". National Press Photographers Association . July 14, 2022. Archived from the original on February 9, 2022. Retrieved July 14, 2022.
  12. ↑ Mulligan, Therese (2006). Bernie Boston: American Photojournalist. ISBN   9781933360195.
  13. ↑ "Berl Brechner, photographer, "Flower Power," The Hatchet". George Washington University. October 24, 1967. Retrieved September 24, 2020.
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