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Post 70s Generation is a literary critical term in Chinese contemporary literature, which refers to the new generation of writers who were born after 1970 in China. In some criticism these writers have also been described as the 'Post Cultural Revolution Generation', or 'Post Maoism Generation' as they grew up after Mao's death.
This concept firstly appeared in Shanghai's literary magazine 'Fiction World'(小说界) in 1996, as a column for young writers born after 1970 (whom were still in early 20s at that time), [1] and then it was widely used in literary criticism [2] from 1990s to early 21st century in China, [3] until the 'Post 80s Generation' emerged soon after.
The well known Post 70s writers include Mian Mian, Wei Hui, Zhou Jieru, Yilin Zhong, Shen Haobo (poet), Ding Tian, Wang Ai, Wei Wei, Dai Lai, Li Shijiang (poet), Jin Renshun, Zhu Wenying, Wu Ang (poet), Yin Lichuan (poet), Sheng Keyi, Ma Yi, Zhao bo, Jia Zhangke (film maker), Xiaolu Guo (film maker), and Xie Youshun (literary critic), etc.
The iconic groups of Post 70s Generation include: 1, Beauty writers (refers to women writers only), [4] 2, Lower body poets (refers to a poem style),[ citation needed ] and 3, The 6th Generation (refers to film makers).[ citation needed ]
There was a famous event in 2000 while the 'Beauty writers' had become a popular concept in Chinese media. When Wei Hui published her novel 'Shanghai Baby' in 1999, one of her very good friends, Shanghai born writer Mian Mian released an essay with title 'Wei Hui has not plagiarized my work', [5] saying that she was shocked that Wei Hui's fiction plagiarized her work and she even called her to ask about this, then Wei Hui answered her: 'I didn't copy your words one by one.(我没有拿着你的小说一个字一个字地抄。)'
This caused a massive argument between Wei Hui and Mian Mian, [6] and then later other post 70 generation writers Zhou Jieru, Yilin Zhong, and Wei wei, etc., were involved into this incident too (regarding whether Wei plagiarized Mian or not). [2] Afterword, this controversy was totally overwhelmed by all newspapers' reports [7] based on each side's different views and arguments, [8] ‘beauty writers' debate' led millions of comments online by mass people, and in public it was like a mass media's carnival. [9] Rapidly this scandal became one of the most famous debates in 2000[ according to whom? ] and consequently pushed Wei Hui's book 'Shanghai Baby' to be a bestseller in China (later internationally bestseller [10] ).
However, since the debate affected a large area [11] and at the later stage, the Chinese media fell into chaos [12] and were out of control, [13] soon later the Chinese government banned 'Shanghai Baby' due to its pornographic plot. [14] This China's official action had become a free propaganda to western media and therefore pushed this book further to be translated worldwide and became an international bestseller.
Then due to the ban in China, the concept of 'Beauty writers' faded soon after this.
While the iconic figures of 'Post 80s Generation' are 'Guo Jingming' and 'Han Han', both are commercial popular writers and both became Forbes multi-millionaires [15] and have millions of fans in Chinese youth, in 2006, there was a famous debate between the 'Post 70s Generation' iconic figure, the minor group 'Lower Body' poet Shen Haobo and Han Han, the latter who claimed that 'both modern poets and poems are no longer in need of existence, and the genre of modern poetry is meaningless'(现代诗歌和诗人都没有存在的必要,现代诗这种体裁也是没有意义的). This raised anger from Lower body poets. Shen Haobo wrote in his blog: 'The genuine novelists can never sell more than Han Han's rubbish work. This is the best writers and poets' own choice, and nothing to complain. However, Han Hans would still hate these all.' (真正的小说家们永远卖不过韩寒的文字垃圾。这是优秀的作家和诗人的自我选择,没什么可抱怨的。但是,韩寒们仍然会仇视这一切)Shen haobo said he wouldn't talk about human's sense to a donkey(对一头驴就不用讲人的道理) so there is nothing to talk about. Then he fought back with an impromptu writing poem: 'A Donkey/ is a donkey/ is very donkey donkey/ and if you ask/ why he is so donkey/ it's because/ he is a/ donkey for show/...and it's because/ he is a/ donkey with fans.' [16] (驴/很驴/非常驴.../你问他/为什么这么驴/那是因为/他是一头/有粉丝的驴)
This story illustrates some of the differences between those two generations.
Jia Zhangke was born in 1970 and has become an iconic post 70s film director in China. [17] His recent film 'A Touch of Sin' won the 66th Cannes International Film Festival Award for Best Original Screenplay, [18] however for some political reason, this Chinese film has released in many oversea countries [19] but China. Jia said this really disappointed him and he even once thought of giving up his film-making career. [20]
Guo Degang is a Chinese crosstalk (xiangsheng) comedian and actor. Guo's film appearances include The 601st Phone Call, Just Another Pandora's Box, and Mystery. Guo has also directed the films Our Happiness and The Faces of My Gene.
Ling Zhang is a former senior audiologist and fiction writer in Toronto, Canada. She was born in Wenzhou, China and came to Canada in 1986 to pursue her MA in English at University of Calgary. She obtained her second MA degree in Communication disorders at the University of Cincinnati. She has published nine novels and several collections of novellas and short stories in Chinese. One of her novels,《金山》, has been translated into English, French, and German. She has won numerous important literary prizes in China.
Han Han (韩寒) is a Chinese best-selling author, professional rally driver, singer, blogger, director and creator of Party and One He has published seven novels to date, and is represented by the Hong Kong–based Peony Literary Agency. He is also involved in music production. In May 2010, Han Han was named one of the most influential people in the world by Time magazine. In September 2010, British magazine New Statesman listed Han Han at 48th place in the list of "The World's 50 Most Influential Figures 2010". In June 2010, Han Han was interviewed by CNN as China's rebel writer who has become the unofficial voice for his generation.
Shen Haobo is a Chinese poet and publisher, born in 1976 in Taixing, Jiangsu province. He graduated from the Chinese department of Beijing Normal University in 1999.
Don't Stop is the second studio album by Taiwanese singer Jolin Tsai. It was released on April 26, 2000, by Universal and D Sound. Produced by David Wu, Peter Lee, Paul Lee, and Chen Wei, it incorporated genres of pop, R&B, hip-hop, rock, and reggae. Her singing skills on the album were better than before, and her ballad performance became more emotional and delicate, while her dance song performance became more free and easy.
Show Your Love is the third studio album by Taiwanese singer Jolin Tsai. It was released on December 22, 2000, by Universal and D Sound. Produced by David Wu, Peter Lee, Paul Lee, Chen Wei, and Jae Chong, it features a wide range of musical styles and her maturer musical performance.
Pleasant Goat and Big Big Wolf: The Super Adventure, is a 2009 Chinese animated children's comedy film directed by Sung Pong Choo and William Kan. The film was released on January 16, 2009, close to the Chinese New Year holiday. It is the first in a series of films based on the popular Pleasant Goat and Big Big Wolf animated television series and is followed by Pleasant Goat and Big Big Wolf: The Tiger Prowess a year later.
Like a Speeding Youth is a 2002 novel by Chinese writer Han Han. It is Han's third book, and uses Han's traditional writing style, a mixture of humor and satire about society. The novel indicates contemporary Chinese students' as well as lower class workers' confusion and current situation.
Yilin Zhong is a British-Chinese journalist, screenwriter and author. She is the author of seventeen novels, two film screenplays, ten books and many other work including poems and literary reviews. She currently lives in London.
Ma Li is a Chinese actress. She was born on June 28, 1982 in Kuandian Manchu Autonomous County, Dandong City, Liaoning Province. She graduated from the Performance Department of the Central Academy of Drama and the Institute of Drama of Peking University. She is an actress in Mainland China.
1019 I Can Concert is a live video album by Taiwanese singer Jolin Tsai. It was released on March 16, 2000, by Universal and D Sound. It chronicled the 1019 I Can Concert at Nankang 101 in Taipei, Taiwan on December 4, 1999.
Babao seal paste is a traditional handicraft made in Zhangzhou, Fujian, China. It dates to the Qing Dynasty and is honoured as one of Zhangzhou's "Three Precious Treasures". In 1983, its recipe was guarded as "top secret" by the Chinese Ministry of Light Industry. Babao seal paste was added to the National Intangible Cultural Heritage List in 2008 and the China Time-honored Brand list by the Chinese Ministry of Commerce in 2011.
Fu Shiqi, known professionally by his stage name Cheng Yi, is a Chinese actor and singer. He made his television debut in Chinese television drama Beauty World (2011) and graduated from Central Academy of Drama in 2012. He first gained recognition for his role in Noble Aspirations (2016). He is also known for his roles as Yu Sifeng in Love and Redemption, Ying Yuan in Immortal Samsara and Li Lianhua in Mysterious Lotus Casebook.
Jia Ling is a Chinese comedian, crosstalk (xiangsheng) and sketch performer, film actress, producer and director born in Xiangyang, Hubei province.
Like a Flowing River is a 2018 Chinese period drama based on Ah Nai's novel River of Time. It is directed by Kong Sheng and Huang Wei, and stars Wang Kai, Yang Shuo and Dong Zijian as budding entrepreneurs who take advantage of the economic reforms being rolled out in 1970s China.
Hefei No. 8 High School, commonly referred to as Hefei Bazhong, is a public high school in Hefei, Anhui, China.
Ulink College is an educational information consultancy company founded in Shanghai, China. It consists of one partner school (NCPA) and six full-time international boarding high schools across China. The international high schools offers IGCSE and A-Level courses, and the partner school offers Advanced Placement (AP) course. The partner school and international high schools are all taught in English.
The dispute over the nomenclature of Liangshanpo occurred from 2006 to 2009 and was a contentious clash between the Scenic Area Management Committee and the Tourism Corporation of Liangshan County, situated within the province of Shandong, China and the Liangshanpo Tourism Development Co., Ltd. of Dongping County, also in Shandong Province. The former party initiated legal proceedings against the latter, culminating in two rounds of judicial scrutiny. The case concluded when Liangshan County prevailed in its lawsuit.