The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world ransom to the tune of £100 million in diamonds under threat of destroying an unspecified metropolis in either the United Kingdom or the United States (later revealed to be Miami). The search leads Bond to the Bahamas, where he encounters Emilio Largo, the card-playing, eyepatch-wearing SPECTRE Number Two. Backed by CIA agent Felix Leiter and Largo's mistress, Domino Derval, Bond's search culminates in an underwater battle with Largo's henchmen. The film's complex production comprised four different units, and about a quarter of the film comprises underwater scenes.[5]Thunderball was the first Bond film shot in widescreenPanavision and the first to have a running time of over two hours.
Although planned by Bond film series producers Albert R. Broccoli and Harry Saltzman as the first entry in the franchise, Thunderball was associated with a legal dispute in 1961 when former Fleming collaborators McClory and Whittingham sued him shortly after the 1961 publication of the novel, claiming he based it upon the screenplay the trio had written for a cinematic translation of James Bond. The lawsuit was settled out of court and Broccoli and Saltzman, fearing a rival McClory film, allowed him to retain certain screen rights to the novel's plot and characters,[6] and for McClory to receive sole producer credit on this film; Broccoli and Saltzman instead served as executive producers.[7]
The film was exceptionally successful: its worldwide box-office receipts of $141.2 million (equivalent to $1,365,200,000in 2023) exceeded not only that of each of its predecessors but that of every one of the next five Bond films that followed it. Thunderball remains the most financially successful film of the series in North America when adjusted for ticket price inflation.[8] In 1966, John Stears won the Academy Award for Best Visual Effects[9] and BAFTA nominated production designerKen Adam for an award.[10] Some critics and viewers praised the film and branded it a welcome addition to the series, while others found the aquatic action repetitious. The movie was followed by 1967's You Only Live Twice. In 1983, Warner Bros. released a second film adaptation of the Thunderball novel under the title Never Say Never Again, with McClory as executive producer.
Plot
SPECTRE operative Emilio Largo devises a plan to hold NATO to ransom by hijacking two atomic bombs from a RAFAvro Vulcan bomber during a training exercise. While staying at the Shrublands health resort, SPECTRE operative Count Lippe has French Air Force pilot François Derval murdered and replaced by Angelo Palazzi, whose face has been surgically altered to match Derval's. At the last minute, Palazzi demands more money, to which SPECTRE agent Fiona Volpe acquiesces, to have him continue with their operation. Palazzi hijacks the bomber, killing its crew, and lands it in shallow waters within the Bahamas. While the bombs are recovered by his men, Largo kills Palazzi.
British secret agent James Bond, recuperating at Shrublands after killing SPECTRE assassin Jacques Bouvar, notices Lippe and keeps him under observation, discovering Derval's body. Upon returning to London, Bond finds himself targeted by Lippe. Volpe kills Lippe, whose recruitment of Angelo jeopardised Largo's scheme. All 00 agents are put on high alert after SPECTRE threatens that a major city in the United States or United Kingdom will be destroyed unless they are paid £100 million within seven days. Bond requests of M that he be assigned to Nassau, Bahamas, to contact Derval's sister Domino, after recognising Derval as the body he found at the resort.
Bond meets with Domino, whom he learns is Largo's mistress when he visits a local casino. Bond and Largo engage in a cat-and-mouse game while feigning ignorance of each other's true identities. Bond meets with his friend, CIA agent Felix Leiter, fellow agent Paula Caplan, and MI6 quartermaster Q, to receive equipment, including an underwater infrared camera and miniature underwater breathing apparatus. Investigating Largo's ship, the Disco Volante, he notices an underwater hatch. He visits Largo at his estate during the night, only to find that Paula has been abducted, and has committed suicide rather than talk. Bond evades Largo's men during a Junkanoo celebration. Volpe catches up with Bond, but is killed when he puts her between himself and a henchman aiming for Bond.
Bond and Leiter find the Vulcan camouflaged underwater, along with the bodies of Palazzi and the crew. Bond reveals to Domino that her brother was killed by Largo, and she helps search the Disco Volante. Largo captures her. Bond replaces one of Largo's men as SPECTRE prepares to move the bombs, and learns where one of them is being moved to before being discovered and left behind. He and Leiter get the US Coast Guard and US Navy to battle the Disco Volante crew, and recover one of the bombs in an underwater battle. Bond pursues Largo and grabs hold of the Disco Volante as it sheds its rear half to become a hydrofoil to attempt escape. Bond gets on deck and sends the Disco Volante out of control while he defeats Largo's men and fights Largo. Largo gains the upper hand and is about to shoot Bond when Domino kills him with a speargun in revenge after his hired nuclear physicist Ladislav Kutze frees her. The three escape the Disco Volante seconds before it crashes into rocks and explodes. Bond and Domino are retrieved by a plane using a sky hook.
Cast
Sean Connery as James Bond: An MI6 agent assigned to retrieve two stolen nuclear weapons
Claudine Auger as Domino (voice dubbed by Nikki van der Zyl):[11] Dominique "Domino" Derval is Largo's mistress. In early drafts of the screenplay, Domino's name was Dominetta Palazzi. When Claudine Auger was cast as Domino, the name was changed to Derval to reflect her nationality.[12] The character's wardrobe reflects her name, as she is usually dressed in black and/or white.
Luciana Paluzzi as Fiona Volpe: SPECTRE assassin who becomes Francois Derval's mistress to kill and replace him with his double, and later helps with Largo's plot in Nassau
Martine Beswick as Paula Caplan: Bond's CIA ally in Nassau. Beswick has the distinction of appearing as a 'Bond Girl' twice - firstly in From Russia With Love and then here.
Roland Culver as the Home Secretary: British Minister who briefs the "00" agents for Operation Thunderball and has doubts about Bond's efficiency
Earl Cameron as Pinder: Bahaman intelligence operative who serves as Bond and Leiter's contact in Nassau
Paul Stassino as François Derval / Angelo Palazzi (credited for Palazzi): François Derval is a French Air Force pilot assigned to the NATO staff and also Domino's brother. He is killed by Angelo, who impersonates him.
Rose Alba as Madame Boitier, purportedly the widow of Colonel Jacques Bouvar, while in reality 'she' is Bouvar in disguise
Philip Locke as Vargas: Largo's personal assistant and primary henchman
George Pravda as Ladislav Kutze: A nuclear physicist, he aids Largo with the captured bombs, but when Largo disregards the authorities firing on them, he pities and rescues Domino. A director's note says Kutze is later rescued off screen after the film closes.
Michael Brennan as Janni: one of Largo's henchmen, usually paired with Vargas
Originally meant as the first James Bond film, Thunderball was the centre of legal disputes that began in 1961 and ran until 2006.[14] Former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued Fleming shortly after the 1961 publication of the Thunderball novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond.[15][6] The lawsuit was settled out of court, with McClory retaining certain screen rights to the novel's story, plot, and characters. By then, Bond was a box-office success, and series producers Broccoli and Saltzman feared a rival McClory film beyond their control; they agreed to McClory's producer's credit of a cinematic Thunderball, with them as executive producers.[16]
Later, in 1964, Eon producers Broccoli and Saltzman agreed with McClory to cinematically adapt the novel; it was promoted as "Ian Fleming's Thunderball". Yet, along with the official credits to screenwriters Richard Maibaum and John Hopkins, the screenplay is also identified as 'based on an original screenplay by Jack Whittingham' and as 'based on the original story by Kevin McClory, Jack Whittingham, and Ian Fleming'.[16] To date, the novel has twice been adapted cinematically, as the 1983 Jack Schwartzman-produced Never Say Never Again features Sean Connery as James Bond, but is not an Eon production.
Casting
Broccoli's original choice for the role of Domino Derval was Julie Christie following her performance in Billy Liar in 1963. Upon meeting her personally, he was disappointed and turned his attentions towards Raquel Welch after seeing her on the cover of the October 1964 issue of Life. Welch was hired by Richard Zanuck of 20th Century Fox to appear in the film Fantastic Voyage the same year, instead. Faye Dunaway was also considered for the role and came close to signing for the part.[17] Saltzman and Broccoli auditioned an extensive list of relatively unknown European actresses and models, including former Miss ItalyMaria Grazia Buccella, Yvonne Monlaur of the Hammer horror films, and Gloria Paul. Eventually, former Miss FranceClaudine Auger was cast, and the script was rewritten to make her character French rather than Italian, although her lines were dubbed in the final cut by Nikki van der Zyl, who had voiced several previous Bond girls. Nevertheless, director Young cast her once again in his next film, Triple Cross (1966). One of the actresses who tried for Domino, Luciana Paluzzi, later accepted the role as the redheaded femme fatale assassin Fiona Kelly, who originally was intended by Maibaum to be Irish. The surname was changed to Volpe in co-ordination with Paluzzi's nationality.[17]
Filming
Guy Hamilton was invited to direct, but considered himself worn out and "creatively drained" after the production of Goldfinger.[5]Terence Young, director of the first two Bond films, returned to the series. Coincidentally, when Saltzman invited him to direct Dr. No, Young expressed interest in directing adaptations of Dr. No, From Russia with Love and Thunderball. Years later, Young said Thunderball was filmed "at the right time",[18] considering that if it was the first film in the series, the low budget (Dr. No cost only $1 million) would not have yielded good results.[18]Thunderball was the final James Bond film directed by Young.
Filming commenced on 16 February 1965, with principal photography of the opening scene in Paris. Filming then moved to the Château d'Anet, near Dreux, France, for the fight in the precredit sequence. Much of the film was shot in the Bahamas, as Thunderball is widely known for its extensive underwater action scenes which are played out through much of the latter half of the film. The rest of the film was shot at Pinewood Studios, Buckinghamshire, Silverstone racing circuit for the chase involving Count Lippe, Fiona Volpe's RPG-armed BSA Lightning motorcycle and James Bond's Aston Martin DB5 before moving to Nassau, and Paradise Island in the Bahamas (where most of the footage was shot), and Miami.[19]Huntington Hartford gave permission to shoot footage on his Paradise Island and is thanked at the end of the film.
The home used as Largo's estate in the film
On arriving in Nassau, McClory searched for locations to shoot many of the key sequences of the film and used the home of a local millionaire couple, the Sullivans, for Largo's estate, Palmyra.[20] Part of the SPECTRE underwater assault was also shot on the coastal grounds of another millionaire's home on the island.[5] Most of the underwater scenes had to be done at lower tides due to the sharks on the Bahamian coast.[21]
After he read the script, Connery realised the risk of the sequence with the sharks in Largo's pool and insisted that production designer Ken Adam build a Plexiglas partition inside the pool. The barrier was not a fixed structure, so when one of the sharks managed to pass through it, Connery fled the pool, seconds away from attack.[19] Ken Adam later told UK daily newspaper The Guardian,
We had to use special effects, but unlike special effects today, they were real. The jet pack we used in Thunderball was real – it was invented for the United States Army. Bloody dangerous, and it only lasted a couple of minutes. The ejector seat in the Aston Martin was real and Emilio Largo's boat, the Disco Volante, was real. You had power boats at that time, but there were no good-sized yachts that were able to travel at 40 to 50 knots, so it was quite a problem. But by combining a hydrofoil, which we bought in Puerto Rico for $10,000, and a catamaran, it at least looked like a big yacht. We combined the two hulls with a one-inch slip bolt and when they split it worked like a dream. We used lots of sharks for this movie. I'd rented a villa in the Bahamas with a saltwater pool which we filled with sharks and used for underwater filming. The smell was horrendous. This was where Sean Connery came close to being bitten. We had a plexiglass corridor to protect him, but I didn't have quite enough plexiglass and one of the sharks got through. He never got out of a pool faster in his life – he was walking on water.[22]
When special-effects coordinator John Stears provided a supposedly dead shark to be towed around the pool, the shark, which was still alive, revived at one point. Due to the dangers on the set, stuntman Bill Cummings demanded an extra fee of £250 to double for Largo's sidekick Quist as he was dropped into the pool of sharks.[17]
The climactic underwater battle was shot at Clifton Pier and was choreographed by Hollywood expert Ricou Browning, who had worked on Creature from the Black Lagoon in 1954 and other films. He was responsible for the staging of the cave sequence and the battle scenes beneath Disco Volante and called in his specialist team of divers who posed as those engaged in the onslaught. Voit provided much of the underwater gear, including the Aqua-Lungs, in exchange for product placement and film tie-in merchandise. The ability to breathe underwater for extended periods of time was a new product that had previously been used by underwater explorer Jacques Cousteau and using it in a movie was a new approach. Lamar Boren, an underwater photographer, was hired to shoot all of the sequences.[17] Filming ceased in May 1965, and the final scene shot was the physical fight on the bridge of Disco Volante.[5]
While in Nassau, during the final shooting days, special-effects supervisor John Stears was supplied experimental rocket fuel to use in exploding Largo's yacht. Ignoring the true power of the volatile liquid, Stears doused the entire yacht with it, took cover, and then detonated the boat. The resultant massive explosion shattered windows along Bay Street in Nassau roughly 30 miles away.[5] Stears went on to win an Academy Award for his work on Thunderball.
As the filming neared its conclusion, Connery had become increasingly agitated with press intrusion and was distracted with difficulties in his marriage of 32 months to actress Diane Cilento. Connery refused to speak to journalists and photographers who followed him in Nassau, stating his frustration with the harassment that came with the role: "I find that fame tends to turn one from an actor and a human being into a piece of merchandise, a public institution. Well, I don't intend to undergo that metamorphosis."[23] In the end, he gave only a single interview, to Playboy, as filming was wrapped up, and even turned down a substantial fee to appear in a promotional TV special made by Wolper Productions for NBC, The Incredible World of James Bond.[17] According to editor Peter R. Hunt, Thunderball's release was delayed for three months, from September until December 1965, after he met David Picker of United Artists, and convinced him it would be impossible to edit the film to a high enough standard without the extra time.[24]
Thanks to special-effects man John Stears, Thunderball's pretitle teaser, the Aston Martin DB5 (introduced in Goldfinger), reappears armed with rear-firing water cannon, seeming noticeably weathered—just dust and dirt, raised moments earlier by Bond's landing with the Bell Rocket Belt (developed by Bell Aircraft Corporation). The rocket belt Bond uses to escape the château actually worked, and was used many times, before and after, for entertainment, most notably at Super Bowl I and at scheduled performances at the 1964–1965 New York World's Fair.[25]
Bond receives a spear gun-armed underwater jet pack scuba (allowing the frogman to manoeuvre faster than other frogmen). Designed by Jordan Klein, green dye was meant to be used by Bond as a smoke screen to escape pursuers.[26] Instead Ricou Browning, the film's underwater director, used it to make Bond's arrival more dramatic.[27]
The sky hook used to rescue Bond at the end of the film was a rescue system used by the United States military at the time. At Thunderball's release, there was confusion as to whether a rebreather such as the one that appears in the film existed; most Bond gadgets, while implausible, often are based upon real technology. In the real world, a rebreather could not be so small, as it has no room for the breathing bag, while the alternative open-circuit scuba releases exhalation bubbles, which the film device does not. It was made with two CO2 bottles glued together and painted, with a small mouthpiece attached.[27] For this reason, when the Royal Corps of Engineers asked Peter Lamont how long a man could use the device underwater, the answer was "As long as you can hold your breath."[28]
On 26 June 2013, Christie's auction house sold the Breitling SA Top Time watch worn in the film by Connery for over £100,000; given to Bond by Q, it was also a Geiger counter in the plot.[29]
Thunderball was the third James Bond score composed by John Barry, after From Russia with Love and Goldfinger. The original title song was entitled "Mr Kiss Kiss, Bang Bang", taken from an Italian journalist who in 1962 dubbed agent 007 as Mr Kiss Kiss, Bang Bang.[30] The title theme was written by Barry and Leslie Bricusse; the song was originally recorded by Shirley Bassey, but it was realised late in the day that the track was too short for the needed titles. As Bassey was unavailable, it was later rerecorded by Dionne Warwick with a longer instrumental introduction. Her version was not released until the 1990s. The song was removed from the title credits after producers Albert R. Broccoli and Harry Saltzman were worried that a theme song to a James Bond film would not work well if the song did not have the title of the film in its lyrics.[5] Barry then teamed up with lyricist Don Black and wrote "Thunderball", which was sung by Tom Jones, who according to Bond production legend, fainted in the recording booth when singing the song's final note. Jones said of it, "I closed my eyes and I held the note for so long when I opened my eyes the room was spinning."[31]
Country musician Johnny Cash also submitted a song to Eon productions titled "Thunderball", but it went unused.[32]
Release and reception
The film premiered on 9 December 1965 at the Hibiya Theatre in Tokyo and opened on 29 December 1965 in the UK. It was a major success at the box office with record-breaking earnings. In its opening in Tokyo in one theatre, it grossed a Japanese record opening day of $13,091, and the following day it set a record one-day gross of $16,121.[33] It grossed $63.6 million in the United States, equating to roughly 58.1 million admissions,[34] and became the third-highest grossing film of 1965, only behind The Sound of Music and Dr. Zhivago. In total, the film has earned $141.2 million worldwide, surpassing the earnings of the three preceding films in the series—easily recouping its $9 million budget—and remained the highest-grossing Bond film until Live and Let Die (1973) assumed the record.[35] After adjusting its earnings to 2011 prices, it has made around $1 billion worldwide, making it the second-most financially successful Bond film after Skyfall.[36]
The film received generally positive reviews. Dilys Powell of The Sunday Times remarked that "The cinema was a duller place before 007."[38]David Robinson of the Financial Times criticised the appearance of Connery and his effectiveness to play Bond in the film, remarking: "It's not just that Sean Connery looks a lot more haggard and less heroic than he did two or three years ago, but there is much less effort to establish him as connoisseur playboy. Apart from the off-handed order for Beluga, there is little of that comic display of bon viveur-manship that was one of the charms of Connery's almost-a-gentleman 007."[39]
Bosley Crowther of The New York Times found the film to be more humorous than its previous instalments and felt "Thunderball is pretty, too, and it is filled with such underwater action as would delight Capt. Jacques-Yves Cousteau." He further praised the principal actors and wrote "[t]he color is handsome. The scenery in the Bahamas is an irresistible lure. Even the violence is funny. That's the best I can say for a Bond film."[40]Variety felt Thunderball was a "tight, exciting melodrama in which novelty of action figures importantly".[41] Philip K. Scheuer, reviewing for the Los Angeles Times, was less impressed, writing: "It is the same as its predecessors, only more–too much of everything, from sudden desire to sudden desire." Additionally, he wrote: "The submarine sequences are as pretty as can be in Technicolor, featuring besides fish and flippered bipeds, all sorts of awesome diving bells and powered sea sleds – not to mention an arsenal of lethal spear guns. If I could have just known more than half the time what, precisely, they were doing, the effect could have been prettier yet."[42]
Time magazine applauded the film's underwater photography, but felt the "script hasn't a morsel of genuine wit, but Bond fans, who are preconditioned to roll in the aisles when their hero merely asks a waiter to bring some beluga caviar and Dom Pérignon '55, will probably never notice. They are switched on by a legend that plays straight to the senses, and its colors are primary."[43] Clifford Terry of the Chicago Tribune felt the dialogue was "so bad, it's great" and highlighted Auger as "probably the most genteel of all the Bond babies to date". Overall, he felt the film belonged to Connery, writing he "throws out those incredible lines without so much as batting a steely-cold eye".[44]
Retrospective reviews
According to Danny Peary, Thunderball "takes forever to get started and has too many long underwater sequences during which it's impossible to tell what's going on. Nevertheless, it's an enjoyable entry in the Bond series. Sean Connery is particularly appealing as Bond – I think he projects more confidence than in other films in the series. Film has no great scene, but it's entertaining as long as the actors stay above water."[45]
James Berardinelli praised Connery's performance, the femme fatale character of Fiona Volpe, and the underwater action sequences, remarking that they were well choreographed and clearly shot. He criticised the length of the scenes, stating they were in need of editing, particularly during the film's climax.[46]
On Rotten Tomatoes, the film has an 87% rating based on 52 reviews with an average rating of 6.70/10. The website's consensus reads: "Lavishly rendered set pieces and Sean Connery's enduring charm make Thunderball a big, fun adventure, even if it doesn't quite measure up to the series' previous heights."[47] On Metacritic the film has a score of 64 out of 100 based on reviews from nine critics.[48] In 2014, Time Out polled several film critics, directors, actors, and stunt actors to list their top action films;[49]Thunderball was listed at number 73.[50]
SPECTRE is a fictional organisation featured in the James Bond novels by Ian Fleming, as well as films and video games based in the same universe. Led by criminal mastermind Ernst Stavro Blofeld, SPECTRE first formally appeared in the novel Thunderball (1961) and in the film Dr. No (1962). The international organisation is not aligned with any nation or political ideology, enabling the later Bond books and Bond films to be regarded as somewhat apolitical. The presence of former Gestapo members in the organization can be considered as a sign of Fleming's warnings about Nazi fugitives after the Second World War, as first detailed in the novel Moonraker (1954). In the novels, SPECTRE begins as a small group of criminals, but in the films it is depicted as a vast international organisation with its own SPECTRE Island training base capable of replacing the Soviet SMERSH.
Ernst Stavro Blofeld is a fictional villain in the James Bond series of novels and films, created by Ian Fleming. A criminal mastermind with aspirations of world domination, he is the archenemy of British MI6 agent James Bond. Blofeld is head of the global criminal organisation SPECTRE and is commonly referred to by the codename Number 1 within this organisation. The character was originally written by Fleming as a physically massive and powerfully built man, standing around 6' 3" and weighing 20 st, who had become flabby with a huge belly.
Thunderball is the ninth book in Ian Fleming's James Bond series, and the eighth full-length Bond novel. It was first published in the UK by Jonathan Cape on 27 March 1961, where the initial print run of 50,938 copies quickly sold out. The first novelisation of an unfilmed James Bond screenplay, it was born from a collaboration by five people: Ian Fleming, Kevin McClory, Jack Whittingham, Ivar Bryce and Ernest Cuneo, although the controversial shared credit of Fleming, McClory and Whittingham was the result of a courtroom decision.
Never Say Never Again is a 1983 spy film directed by Irvin Kershner. The film is based on the 1961 James Bond novel Thunderball by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted as the 1965 film Thunderball. Never Say Never Again is the second and most recent James Bond film not to be produced by Eon Productions but instead by Jack Schwartzman's Taliafilm, and was distributed by Warner Bros. The film was executive produced by Kevin McClory, one of the original writers of the Thunderball storyline. McClory had retained the filming rights of the novel following a long legal battle dating from the 1960s.
Emilio Largo is a fictional character and the main antagonist from the 1961 James Bond novel Thunderball. He appears in the 1965 film adaptation, again as the main antagonist, with Italian actor Adolfo Celi filling the role. Largo is also the main antagonist in the 1983 unofficial James Bond movie Never Say Never Again, a remake of Thunderball. In Never Say Never Again, the character's name, however, was changed to Maximillian Largo and he was portrayed by the Austrian actor Klaus Maria Brandauer.
Eon Productions Limited is a British film production company that primarily produces the James Bond film series. The company is based in London's Piccadilly and also operates from Pinewood Studios in the UK.
Kevin O'Donovan McClory was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball and for his legal battles with the character's creator, Ian Fleming.
Danjaq, LLC is the holding company responsible for the copyright and trademarks to the characters, elements, and other material related to James Bond on screen. It is currently owned and managed by the family of Albert R. Broccoli, the co-initiator of the film franchise.
Dominetta Vitali, known simply as Domino, is a fictional character and the main Bond girl in the James Bond novel Thunderball. For the 1965 film adaptation of the same name, her name was changed to Dominique Derval, nicknamed Domino, and she was portrayed by French actress Claudine Auger. In the 1983 film adaptation Never Say Never Again, her character was renamed Domino Petachi and she was portrayed by American actress Kim Basinger.
You Only Live Twice is a 1967 spy film and the fifth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is the first Bond film to be directed by Lewis Gilbert, who later directed the 1977 film The Spy Who Loved Me and the 1979 film Moonraker, both starring Roger Moore. The screenplay of You Only Live Twice was written by Roald Dahl, and loosely based on Ian Fleming's 1964 novel of the same name. It is the first James Bond film to discard most of Fleming's plot, using only a few characters and locations from the book as the background for an entirely new story.
The Spy Who Loved Me is a 1977 spy film, the tenth in the James Bond series produced by Eon Productions. It is the third to star Roger Moore as the fictional secret agent James Bond. The film co-stars Barbara Bach and Curt Jürgens and was directed by Lewis Gilbert. The screenplay was by Christopher Wood and Richard Maibaum, with an uncredited rewrite by Tom Mankiewicz.
Dr. No is a 1962 spy film directed by Terence Young. It is the first film in the James Bond series. Starring Sean Connery, Ursula Andress, Joseph Wiseman and Jack Lord, it was adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather from the 1958 novel by Ian Fleming. The film was produced by Harry Saltzman and Albert R. Broccoli, a partnership that continued until 1975. It was followed by From Russia with Love in 1963. In the film, James Bond is sent to Jamaica to investigate the disappearance of a fellow British agent. The trail leads him to the underground base of Dr. Julius No, who is plotting to disrupt an early American space launch from Cape Canaveral with a radio beam weapon.
From Russia with Love is a 1963 spy film and the second in the James Bond series produced by Eon Productions, as well as Sean Connery's second role as MI6 agent 007 James Bond.
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
The James Bond film series is a British series of spy films based on the fictional character of MI6 agent James Bond, "007", who originally appeared in a series of books by Ian Fleming. It is one of the longest continually running film series in history, having been in ongoing production from 1962 to the present. In that time, Eon Productions has produced 25 films as of 2021, most of them at Pinewood Studios. With a combined gross of over $7 billion, the films produced by Eon constitute the fifth-highest-grossing film series. Six actors have portrayed 007 in the Eon series, the latest being Daniel Craig.
The Battle for Bond (2007), by Robert Sellers, is a cinema history book of how the literary character James Bond metamorphosed to the cinema James Bond. The book details the collaboration among film producer Kevin McClory, novelist Ian Fleming, screenwriter Jack Whittingham and others to create the film Thunderball.
The Incredible World of James Bond was a 1965 television special produced by David L. Wolper for United Artists Television to showcase the James Bond film series and promote the upcoming December 1965 release of the film Thunderball.
Ian Fleming, the writer who created the fictional character James Bond, lived to see the success of his novels depicted on screen before he died. All fourteen books in the series created by Fleming went on to be huge successes on screen. Goldfinger, one of the most epic stories in the James Bond saga, became a fan favourite with Shirley Bassey singing the iconic song, "Goldfinger", that was played for the fiftieth anniversary of the Bond series at the Oscars in 2012. Bond was played by Sean Connery and George Lazenby in the films shot throughout the 1960s. The Bond movies were filmed all across the world and by different directors each time, with some of the old directors collaborating with the new ones. The success of each Bond film lead to bigger budget prices for the following films adapted to the big screen. Each film recovered its budget and won critically acclaimed awards the years that they came out. Of all the Bond films in cinema today, Thunderball is the most successful with the whole Bond series being the third highest grossing of all time in Hollywood cinema.
Fiona Volpe is a character in the James Bond film Thunderball, played by actress Luciana Paluzzi. Paluzzi originally auditioned for the role of Domino Vitali in the film, but was given the role of Volpe. The character does not appear in the novel, and was originally an Irish woman, but was changed to match Paluzzi's Italian ethnicity: "Volpe" is Italian for "fox".
↑ Barnes, Alan; Hearn, Marcus (2003). Kiss Kiss Bang! Bang!: The Unofficial James Bond Film Companion. London: Batsford Books. p.52. ISBN978-0-7134-8645-2.
↑ Terry, Clifford (24 December 1965). "Wow! 007 Triumphs Once Again". Chicago Tribune. Section 2, p. 7. Archived from the original on 14 January 2023. Retrieved 14 January 2023– via Newspapers.com.
↑ Peary, Danny (1986). Guide for the Film Fanatic (Simon & Schuster) p.435
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