Goldfinger | ||||
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Soundtrack album by | ||||
Released | 1964 | |||
Recorded | 1964 | |||
Studio | CTS Studios, Bayswater, London | |||
Genre | Soundtrack | |||
Length | 29:35 (1964 release) 41:09 (2003 re-release) | |||
Label | EMI | |||
Producer | Frank Collura (Reissue) | |||
John Barry chronology | ||||
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James Bond soundtrack chronology | ||||
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Singles from Goldfinger | ||||
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Goldfinger is the soundtrack of the 1964 film of the same name,the third film in the James Bond film series,directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially,one in the United States and the United Kingdom,which varied in terms of length and which tracks were within the soundtrack. In 2003,Capitol-EMI records released a remastered version that contained all the tracks within the film.
John Barry had composed the previous James Bond soundtracks for From Russia with Love . Due to Barry's increased "compositional depth" as seen through the soundtracks he produced since From Russia with Love,movie producers Albert Broccoli and Harry Saltzman allowed him to write the theme song for Goldfinger in addition to the soundtrack. [1] Barry created the melody of the song before drafting the lyrics with the help of Anthony Newley and Leslie Bricusse. [2] The theme was first sung by Newley at a demo session on 14 May 1964 in. At the behest of Barry,Shirley Bassey was chosen to sing the track. On Bassey,Barry was quoted saying "Nobody could have sung it like her;she had that great dramatic sense." The theme was recorded on 20 August 1964 after an all-night session in the recording studio. [3] The session was produced by EMI in-house producer George Martin,who also was the Beatles' producer at the time. Guitarist Vic Flick,who played on the track,recalled at a 2012 Academy of Motion Pictures salute to the music of James Bond that Bassey was having difficulty getting a proper take. Martin spoke to her and then over the recording baffle her brassiere came flying. She nailed it on the next take.
Session musicians on the Bond films were separately relegated to the instrumental score versions of songs,while the main musicians (on Goldfinger:Vic Flick) were given the main film theme song to solely record,to be featured at the beginning of the film. [4] Notably,two of the session musicians were John Paul Jones and Jimmy Page,who together would be the founding members of Led Zeppelin. [5]
Co-producer Harry Saltzman is said to have hated the song as too old fashioned for 1960s youth culture and only agreed to use it when persuaded by Albert Broccoli [6] [7]
Originally,Newley recorded a version of the theme song,but it was later re-recorded with Bassey's voice for the film and soundtrack album. In 1992,Newley's version was released for the 30th Anniversary of James Bond on film,in the compilation collectors edition The Best of Bond... James Bond .
The score was composed by Barry,making this his second,credited Bond score. The score makes regular use of instrumental arrangements of the title theme,as well as the Bond theme from Dr. No used in the gun barrel sequence. The score makes heavy use of brass. The distinctive music for Goldfinger's henchman,Oddjob,makes use of repeated strokes on a metallic anvil. Metallic chimes are also heard in many scenes associated with Oddjob or gold,notably that in which the dead golden girl is discovered. The very effective use of music and various sound effects in the film won it an Academy Award for Best Sound Editing. The album reached No. 1 on the Billboard 200 [8] – the first James Bond soundtrack to do so,and spent 70 total weeks on the chart,but for reasons that remain unclear,received no RIAA certification. [9] [10]
Two versions of the soundtrack were released. The American version lasted close to 30 minutes and contained 11 tracks. It lacked four tracks ("Golden Girl","Death of Tilley","The Laser Beam","Pussy Galore's Flying Circus") but contained the instrumental rock guitar version of the title theme song not found on the British LP. The instrumental was in the style of the John Barry Seven's instrumental hits in Britain. The British record contained 14 tracks and lasted around 38 minutes. In 2003,the soundtrack was remastered and all the tracks originally released were compiled onto one album that contained fifteen tracks and over 41 minutes of music. The remastered version was released through Capitol-EMI records. [3]
Review scores | |
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Source | Rating |
AllMusic | [11] |
Gillian Garr,a writer for Goldmine reflecting on the album in 2013,found the album to be "less satisfying today",but stated the theme song was one of the "best-ever Bond theme songs." [8] Film Score Monthly writer Darren MacDonald found the remastered edition to be the best score of the James Bond series,giving it five out of five stars. [12] MacDonald wrote that the score was "big and ballsy,mainly jazz and orchestral fusion,with Shirley Bassey belting out the fantastic title song." [12] He added that the remastered edition's sound quality was "impeccable". [12]
Year | Chart | Position |
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1965 | Billboard Pop Albums (Billboard 200) | 1 |
No. | Title | Length |
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1. | "Main Title – Into Miami – Goldfinger, 1964" (John Barry) | 3:31 |
2. | "Alpine Drive – Auric's Factory" | 4:22 |
3. | "Oddjob's Pressing Engagement" | 3:06 |
4. | "Bond Back in Action Again [N 1] " | 2:31 |
5. | "Teasing the Korean" | 2:11 |
6. | "Gassing the Gangsters" | 1:04 |
Total length: | 16:45 |
No. | Title | Length |
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1. | "Goldfinger (Instrumental Version)" | 2:59 |
2. | "Dawn Raid on Fort Knox" | 4:57 |
3. | "The Arrival of the Bomb and Count Down" | 2:23 |
4. | "The Death of Goldfinger – End Titles" | 2:31 |
Total length: | 12:50 |
No. | Title | Length |
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1. | "Main Title" | 2:48 |
2. | "Into Miami" | 0:57 |
3. | "Alpine Drive – Auric's Factory" | 4:22 |
4. | "Oddjob's Pressing Engagement" | 3:06 |
5. | "Bond Back in Action Again [N 1] " | 2:31 |
6. | "Teasing the Korean" | 2:11 |
7. | "Gassing the Gangsters" | 1:04 |
8. | "Goldfinger (Instrumental Version)" | 2:10 |
9. | "Dawn Raid on Fort Knox" | 5:48 |
10. | "The Arrival of the Bomb and Count Down" | 3:29 |
11. | "The Death of Goldfinger – End Titles" | 2:34 |
12. | "Golden Girl" | 2:10 |
13. | "Death of Tilly" | 2:04 |
14. | "The Laser Beam" | 2:54 |
15. | "Pussy Galore's Flying Circus" | 2:48 |
Total length: | 41:09 |
From the record page at AllMusic: [13]
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Following the success of her performance on the title track, Shirley Bassey sang the title songs for two later Bond films, Diamonds Are Forever and Moonraker . John Barry used the Goldfinger theme on his 1965 John Barry Plays Goldfinger album that featured Robert Brownjohn artwork. [14]
Dame Shirley Veronica Bassey is a Welsh singer. Known for her career longevity, powerful voice and recording the theme songs to three James Bond films, the only artist to perform more than one, Bassey is one of the most popular vocalists in Britain.
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated five times in 1999, 2002, 2008, 2012, and 2021. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast was an English composer and conductor of film music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, he formed a band in 1957, the John Barry Seven. He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the makers of the first James Bond film Dr. No, who were dissatisfied with a theme for James Bond given to them by Monty Norman. Noel Rogers, the head of music at United Artists, approached Barry. This started a successful association between Barry and the Bond series that lasted for 25 years.
Leslie Bricusse OBE was a British composer, lyricist, and playwright who worked on theatre musicals and wrote theme music for films. He was best known for writing the music and lyrics for the films Doctor Dolittle; Goodbye, Mr. Chips; Scrooge; Willy Wonka & the Chocolate Factory; Tom and Jerry: The Movie; the titular James Bond film songs "Goldfinger" and "You Only Live Twice"; "Can You Read My Mind? " from Superman; and "Le Jazz Hot!" from Victor/Victoria.
Since its inception in 1962, the James Bond film series from Eon Productions has featured many musical compositions, many of which are now considered classic pieces of British film music. The best known piece is the "James Bond Theme" composed by Monty Norman. Other instrumentals, such as "On Her Majesty's Secret Service", and various songs performed by British or American artists such as Shirley Bassey's "Goldfinger", Nancy Sinatra's "You Only Live Twice", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill", Tina Turner's "GoldenEye" also become identified with the series.
The "James Bond Theme" is the main signature theme music of the James Bond films and has been used in every Bond film since Dr. No in 1962. Composed in E minor by Monty Norman, the piece has been used as an accompanying fanfare to the gun barrel sequence in every Eon Productions Bond film besides Casino Royale.
Victor Harold Flick is an English studio guitarist, best known for playing the guitar riff in the "James Bond Theme".
Thunderball is the soundtrack album for the fourth James Bond film Thunderball.
Diamonds Are Forever is the soundtrack by John Barry for the seventh James Bond film of the same name.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
"All Time High" is a song by American singer-songwriter Rita Coolidge that serves as the theme song to the James Bond film Octopussy (1983). Written by John Barry and Tim Rice and produced by Stephen Short and Phil Ramone, the song was released through A&M Records in 1983.
Dr. No is the film score for the 1962 film of the same name composed by Monty Norman.
From Russia with Love is the soundtrack for the second James Bond film, From Russia With Love. This is the first series film with John Barry as the primary soundtrack composer.
On Her Majesty's Secret Service ("OHMSS") is the soundtrack for the James Bond film. It was composed, arranged, and conducted by John Barry; his fifth in the series.
Moonraker is the soundtrack for the eleventh James Bond film of the same name.
The Bond Collection, a.k.a. Bassey Sings Bond, is a 1987 studio album by Shirley Bassey, notable for having been released without the artist's consent and subsequently withdrawn from sales by court order.
Shirley Stops the Shows is the seventh Shirley Bassey studio album, her 5th and final studio album recorded for the EMI/Columbia label in the UK. Released in 1965, this album is a mix of standards and showtunes. Shirley Bassey was at a high point in her career, with worldwide success of her single "Goldfinger", but the album failed to chart in the UK, a first for her Columbia albums. The album met with more success in the US, reaching number 85 in the US Pop charts. For the US market it was issued with an alternative running order, retitled Shirley Bassey Belts the Best! and "The Lady Is a Tramp" was replaced by "Goldfinger". Original release was in mono and stereo, both mono versions feature an alternative studio recording of "People" which has not yet been re-issued on CD. The stereo version, remastered, was issued on CD in 2008 together with 12 of Those Songs by BGO Records.
Bassey – The EMI/UA Years 1959–1979 is a 5-CD boxset compilation from Shirley Bassey issued in 1994, this set features 94 studio recordings on four CDs, recorded for EMI/United Artists between 1959 and 1979. Disc five features a previously unreleased live recording from Carnegie Hall. The boxset was reissued by EMI in 2010 in a standard jewel case set.
Sings the Movies is a studio album by Shirley Bassey, released in 1995.
"You Only Live Twice", performed by Nancy Sinatra, is the theme song to the 1967 James Bond film of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs, and has become one of Nancy Sinatra's best known hits. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.
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