Die Another Day (song)

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"Mirwais brought Michel to me. 'Die Another Day' is so cinematic. I'm so excited when I get to work with a live orchestra. Those strings in 'Die Another Day' are chilling and because of that, it's one of my favorite songs.

—Madonna talking about the song. [6]

According to MTV News, work began on the song following the announcement, with French composer Michel Colombier being confirmed as the strings conductor. [4] Colombier had worked with Madonna and Ahmadzaï on her single "Don't Tell Me" from Music. Madonna and Ahmadzaï went through their demo tracks for American Life and zeroed on one of the songs for the film. They sent the demo to MGM describing it as "this techno thing, an electronica piece rewritten to accommodate the film and the title". According to Colombier, the studio responded positively to the demo but wanted them to change it so that it blended with traditional James Bond music in some way. [3]

The track went through various interpolations, according to executive producer of the film, Michael G. Wilson. Madonna's publicist Liz Rosenberg had initially confirmed that the title of the song might not be same as the film, however Wilson explained that when the singer "saw the rough [film] we were going to use, she sort of adapted the song and changed the title to 'Die Another Day'." [3] [4] Tamahori was concerned with the demo since it did not appear expressive to him and there were abrupt endings. However he was satisfied when Madonna re-wrote the chorus to make it suitable for the film. [6] The writing process was explained by Madonna:

I hemmed and hawed about it for a while because just for that reason though. Everybody wants to do the theme song of a James Bond movie, and I never liked to do what everybody else likes to do. It's just some perverse thing in me, right? So, but then I thought about it and I said, you know what? James Bond needs to get – needs to get techno so... [7]

Used in the opening sequence, "Die Another Day" was played 13 minutes into the film, where Bond is shown imprisoned and being tortured for over a year in a prison camp in Korea. Being a departure from the normal title sequence of the previous Bond films, Madonna faced difficulty in making the song blend with the theme of Die Another Day. Nevertheless, she understood the idea behind the opening scenes and tweaked the song accordingly. Some of the lyrics like "I'm gonna destroy my ego ... Sigmund Freud ... Analyze this" were derived from Madonna's interpretation of the film's storyline. [6] She told an interviewer from Genre magazine that the lyrics were about "destroying your ego, and it's juxtaposing the metaphor of, you know, the fight against good and bad, and it's set inside the whole universe of Bond". [8] "Die Another Day" was never adapted into the main score of the film. The song was later added to the track list of American Life and was also featured on her third greatest hits album, Celebration (2009).

Recording and composition

Once the song structure was finished, MGM sent Colombier in Los Angeles a rough edit of the opening sequence of the film, while Ahmadzaï sent him a longer version of the demo. Colombier had to create something inline the film score with "Die Another Day". He added some more lyrics and then went to London to conduct an ensemble of 60 string players at AIR Lyndhurst Studios. [3] Ahmadzaï, who was already mixing and recording the other tracks for American Life, explained that the process "was often laborious but with a less-is-more philosophy that is reflected in the music's sparse arrangements." They wanted minimalist production for the song, but at the same time make them sound "futuristic". [9]

Gnome-mime-sound-openclipart.svg
"Die Another Day"
A 20 second clip from "Die Another Day", where Madonna is heard singing the chorus. Amidst the electroclash beats the strings can be heard in the background over Madonna repeating the line "I guess I'll die, another day". She ends the first chorus with a reference to Austrian-born neurologist Sigmund Freud. [10]
Problems playing this file? See media help.

After the orchestra sections were done, Ahmadzaï took the track back to his home in Paris and did a complete re-arrangement. String engineer Geoff Foster recalled that Madonna wanted something "big and brass" which Ahmadzaï denied, since Madonna had already done that with her 1998 single, "Frozen". [11] Colombier explained that the final version was not the way he had structured the song, it was according to Ahmadzaï's mixing and ideas. "He's a master manipulator. Sixty real strings, played live, became audio files in his computer. They can be chopped like real pieces of fabric. He's amazingly brilliant with that," concluded Colombier. Madonna attended the recording sessions at Olympic Studios in London. There was a tango section in the song which Colombier recalled was composed perfectly during rehearsals. But during the actual recording it did not work out as expected, prompting Madonna to grab the talkback mic and telling the crew, "It's not sexy enough, think about sex!" [3]

"Die Another Day" is an electroclash and dance-pop number, starting with strings which continues for eleven seconds, when Madonna's vocals starts with the lines "I'm gonna keep this secret / I'm gonna close my body now..." [3] [12] [13] It follows with the stuttered editing on her voice, which keeps cutting the main signal, especially on the chorus "I guess.. I would die... another day". The strings again gain prominence at around the 2:20 mark. During the intermediate verse, a "raucous" laugh by Madonna can be heard. [14] The song ends with interpolating electronic swirls and the orchestra fading out. Sterling Clover from The Village Voice explained that the ending recalled the snare drums and bass usage in songs of the microhouse genre, describing it as "cacophony of harmonic fragments". [15] According to the sheet music published at Musicnotes.com, the song is set in the time signature of common time with a fast tempo of 130 beats per minute. It is composed in the key of E major with Madonna's voice spanning from the notes B3 to D♯5. [16]

Critical reception

The performance of "Die Another Day", on the Sticky & Sweet Tour. Two boxers appeared in a ring on the stage and fought, as a remix of the song played in the background. Madonna-NewYork1 053.jpg
The performance of "Die Another Day", on the Sticky & Sweet Tour. Two boxers appeared in a ring on the stage and fought, as a remix of the song played in the background.

The song received mixed reviews from music critics. Author Lucy O'Brien wrote in her biography, Madonna: Like an Icon , that the techno composition and the stuttering vocals made it "an almost anti-Bond theme". [11] James Hannaham from Spin was positive in his review, writing that it is a "brilliant, melodramatic song, that sounds like a stoic response to a world gone mad." [17] Writing for Yahoo! Music, Dan Gennoe felt that since the songs in American Life mostly gave prominence to style over substance, "Die Another Day" as a result had become one-dimensional. [18] Stylus Magazine 's Ed Howard described the song as "a great slice-and-dice hit of fucked-up electroclash", in an otherwise negative review for American Life. [19]

Sal Cinquemani from Slant Magazine considered it "forward-thinking" and believed that the record was added to American Life's track list to ensure that the album would not be devoid of a hit song. [20] In August 2018, the same author placed it at number 51 on his ranking of the singer's singles, calling it "innovative, frustratingly anticlimactic —the aural equivalent of edging— and, perhaps fittingly, the last in Madonna’s long string of soundtrack hits". [21] Clover described the track as "A blistering zeitgeist-negation, hostile and uneasy—as a single, a club track, a Bond theme." [15] Chuck Taylor from Billboard was positive in his response, saying that the electronic effects rendered Madonna's vocals as non-discernible but the composition was forward thinking from Music (2000), her eighth studio album. [22]

In his book Madonna: The Complete Guide to Her Music, author Rikky Rooksby described it as "melodically uninteresting and harmonically repetitious". He felt that the stuttered editing by Ahmadzai did not allow the song to gain its full potential but complimented the strings and the chords. Rooksby concluded by saying that "Die Another Day" reveals much about the decline in songwriting quality from the early Bond songs and was not much of an improvement over "The World Is Not Enough"; he said that the Sigmund Freud line was the "wittiest line" on the whole of American Life album. [14]

Writing for The A.V. Club , Stephen Thompson called the track "pneumatic" and "hook-deficient". [23] Ken Tucker from Entertainment Weekly criticized the song as a "flat James Bond tune" adding that it failed to become a "Madonna classic". [24] Both Manohla Dargis from Los Angeles Times and Joe Morgenstern from The Wall Street Journal panned the song calling it "dumb". [25] [26] Variety 's Todd McCarthy called the song "banal". [27] Also negative was The Guardian 's Jude Rogers, who wrote that "the 2002 Bond theme aimed for a sound of icy, imperial tyranny. Instead, its cut-up electronics sounded half-dead". [28] A. O. Scott from The New York Times described Madonna's vocals as "electronically enhanced chirps" while reviewing Die Another Day. [29]

Accolades

The song was nominated for a Golden Globe award for Best Original Song, but lost to U2's "The Hands That Built America" from Gangs of New York . [30] [31] At the 46th Annual Grammy Awards, it was nominated in the categories of Best Dance Recording and Best Short Form Music Video, but lost both awards; the former to Kylie Minogue's "Come into My World" and the latter to Johnny Cash's "Hurt". [32] "Die Another Day" was also nominated for a Golden Raspberry Award for Worst Original Song of 2002 while Madonna herself won the trophy of Worst Supporting Actress for her cameo in the film. [33]

In a 2006 MORI poll for the Channel 4 TV show James Bond's Greatest Hits, the song was voted the ninth best out of 22, but also came in as an "overwhelming number one" favorite among those under the age of 24. [34]

Rock music critic Neil McCormick from The Daily Telegraph named it the fifth best James Bond theme song, describing "Die Another Day" as an electro R&B workout which was "expressively weird, brutally modern, satisfyingly original and evocative of the dark heart of Bond. Plus, Madonna actually looks as if she might be a match for Bond in either bed or battlefield. Or both." [35] Rolling Stone listed it as the seventh best Bond song in the magazine's 2012 list of "The Top 10 James Bond Theme Songs". [36]

Chart performance

The tango dance section during the performance of "Die Another Day" on the Re-Invention World Tour (2004) DieAnotehrDayJason.jpg
The tango dance section during the performance of "Die Another Day" on the Re-Invention World Tour (2004)

After its release to radio in United States, "Die Another Day" started receiving strong airplay at the major US radio stations, having been spun for more than 100 times. [37] The song garnered 35 million audience impressions in its first week, debuting at number 41 on the Billboard Hot 100, the highest debut of the year at that point. It also debuted at number 19 on the Mainstream Top 40, number 40 on the Adult Top 40 and number 42 on the Hot 100 Airplay charts. [38] The next week the song continued its ascent up the airplay charts, while reaching number 28 on the Hot 100 and becoming the "breakout" track on the Hot Dance Music/Club Play chart. [39] The release of the CD single on October 22, 2002, prompted the song to jump from position 18 to number eight on the Hot 100, thus becoming Madonna's 35th top-ten single on the chart. This feat put her ahead of The Beatles' 34 top-ten hits and one behind tying Elvis Presley's record as the artist with the most top-ten singles on the Hot 100. The move was spurred by sales of 28,500 units of the CD which also put it on the top of Hot 100 Singles, becoming her third number one on that chart. [40]

"Die Another Day" was the highest charting James Bond song in the US since Duran Duran's number-one single, "A View to Kill" (1985). It was also Madonna's highest-charting song since "Don't Tell Me" peaked at number four in February 2001, and was her 44th top-forty single—the most for any artist—breaking the tie with Aretha Franklin's 43 entries. [40] The single spent 11 weeks at number one on Hot 100 Singles, becoming her most successful entry on that chart. [41] "Die Another Day" became the best selling dance single of both 2002 and 2003 and the fifth best-selling dance single of the 2000s decade in the US. [42] Additionally, Billboard also declared "Die Another Day" as Madonna's 33rd most successful single on the Hot 100. [43] According to Nielsen SoundScan, the song has sold 232,000 digital downloads as of February 2013, [44] making it one of her best selling titles released before 2005, the year when downloads began contributing into calculating the ranks on Billboard Hot 100, [45] and one of the top ten best-selling James Bond tracks by digital purchased. [44]

In Canada, the song debuted at number 25 on the Canadian Singles Chart, and ultimately reached the top, staying there for four weeks. [46] [47] The song was certified double platinum by the Music Canada (MC) for shipment of 200,000 copies. [48] In Australia, the song debuted and peaked at number five on the Australian Singles Chart, staying for a total of 19 weeks and obtaining a gold from the Australian Recording Industry Association (ARIA) for shipment of 35,000 copies of the single. [49] It was less successful in New Zealand, where it debuted and peaked at number 22 on the RIANZ Singles Chart, staying for a total of three weeks. [50]

In the United Kingdom, "Die Another Day" entered the UK Singles Chart at number three on November 3, 2002 with 52,500 copies, [51] being kept from the top spot by DJ Sammy's remix of Bryan Adams' 1985 single, "Heaven", and the song "Dilemma" by rapper Nelly featuring Kelly Rowland. [52] [53] Next week the song dropped to number 12, and continued its descent ultimately staying for a total of 16 weeks on the chart. [54] In September 2015, the song was certified silver by the British Phonographic Industry (BPI) for selling over 200,000 copies. [55] It was listed as the 80th best selling single of 2002 in UK. [56] The single was successful in Europe, reaching the top-ten of the charts in Austria, Belgium (both Flanders and Wallonia), Denmark, Finland, Germany, Greece, Netherlands, Norway, Sweden and Switzerland, while topping the charts in Italy and Spain. [57] In Italy alone, the song spent 8 consecutive weeks at the top of the Musica e dischi charts. [58] In France the song achieved gold certification from the Syndicat National de l'Édition Phonographique (SNEP) for shipping 250,000 copies of the single. [59] Across the pan-European Hot 100 Singles, the song debuted and peaked at number three. [60]

Music video

Development

The gun barrel sequence from the James Bond films was used as the last shot of the music video Zuege.jpg
The gun barrel sequence from the James Bond films was used as the last shot of the music video

The music video was directed by Traktor, a Swedish directing team known for several TV advertisements. It was filmed August 22–27, 2002 at Hollywood Center Studios in Hollywood, California. [61] The total production costs for the video were around $6.1 million ($10.33 million in 2023 dollars [62] ), making it the second-most expensive music video ever made, after "Scream" by Michael Jackson and Janet Jackson. [63] In an interview with Norwegian newspaper Dagbladet , Ole Sanders from Traktor recalled that in May 2002 Madonna sent them a handwritten letter, along with a demo version of "Die Another Day". The team was in Prague, shooting the music video for the Prodigy's single "Baby's Got a Temper". "We thought it was a joke, since the letter was long and handwritten. But the song sounded suspiciously like her," Sanders explained. He was then asked to go to Pinewood Studios in London to watch a half-finished version of the Bond film with producer Barbara Broccoli. Later, Sanders and one of his colleagues invited Madonna to their London home to discuss the video. [64] By summer 2002, he had compiled the idea for the video with Madonna's inputs in it:

We received daily e-mails with feedback that was concise, unambiguous and occasionally entertaining. She works extremely hard with gumption and detail, and it was clear to us how she has remained on top for twenty years. It was no use being unprepared with vague ideas disguised as creativity, and there was no place to hide... First it felt like doing nonsense, then it's fun and it's something that's going to be seen. The project brings us into contact with interesting actors within both film and music. [64]

The video was developed as an independent Madonna clip devoid of any footage from the Bond film, but was still Bond-inspired. It portrayed Madonna in a torture chamber as a prisoner and also fight sequences where the singer duels with herself. [64] Post-production and visual effects for the video was done by London's Moving Picture Company (MPC). They created "invisible" effects for the fighting sequences, allowing Madonna to shoot two characters. Traktor explained that every shot of the video used some visual effects, co-ordinated by the group's lead artist, Christophe Allender. The directors did not want to use too many shots for the dueling scenes, which they believed would have restricted their creative freedom. Additional post-production effects included composing the fight sequence as a cohesive theme, adding blood to the wounds inflicted on Madonna, and adding digital stills of windows against the greenscreen where the shots were taken. The final shot showed the characteristic gun barrel sequence from the Bond films. MPC artist Ziggy Zigouras used a 2K resolution shot and tailored it according to Traktor's specifications. Finally, instead of grading the film print, MPC used the negatives to achieve crisper and cleaner images. [65]

The premiere of the video took place on MTV channels worldwide on October 10, 2002, a first occurrence in the music channel's history. [66] The music video was included in the enhanced CD of the single, along with the "Making of the video". [67] [68] In 2009, the video was included on Madonna's compilation, Celebration: The Video Collection . [69]

Synopsis

Madonna in a scene from the music video of "Die Another Day" showing her wrapping phylacteries around her arm, while hiding behind the electric chair Madonna-Die-Another-Day-Phylactery.jpg
Madonna in a scene from the music video of "Die Another Day" showing her wrapping phylacteries around her arm, while hiding behind the electric chair

The music video begins with a bruised Madonna being dragged by two soldiers through a dark corridor, and thrown against a chair in a torture chamber. She starts singing the first verse of the song as her captors laugh at her. An alternate scene shows two people fencing inside a white lit chamber, one in black clothes and one in white. Madonna continues groping with the different objects in the torture chamber and dancing. As she repeats the words "Sigmund Freud", the soldiers catch her again and douse her head in icy-water.

The two people fencing take off their masks, which reveal them to be Madonna and her doppelgänger surprised to see each other; they resume their violent fighting. The black Madonna slices across the white Madonna's stomach, which is mirrored in the imprisoned Madonna's stomach in the chamber. She rides on a hanging chain from the ceiling and smashes a mirror across the wall. The black Madonna breaks open a dark room by throwing the white Madonna against the wall. Different artifacts from the Bond films are present in the room and the two Madonna's fight through them. Meanwhile, the Madonna in the torture chamber wears phylacteries around her arm while hiding behind an electric chair.

As the breakdown happens, the soldiers bind her on the chair but she laughs, kicks and spits on them. Midst the aggressive fighting, the white Madonna takes a speargun and shoots the black Madonna squarely on the chest. The black Madonna falls down and concurrently a soldier pulls the switch on the electric chair. They laugh loudly thinking Madonna to be burnt but as the smoke clears, they see that no remnants are to be found. They rush to inspect the chair closely and notice three letters (לאו) being burnt in the chair. They scratch their head and see a vision of a bearded man laughing at them. Madonna is shown running from the torture chamber and opens the door, as the video ends with the gun barrel sequence. [70]

Reception and analysis

According to author Santiago Fouz-Hernández, the video employed an identity-splitting strategy in which the two Madonnas fight each other. With this she was referencing her previous videos where such tactics have been employed, like the one for "Music", "Papa Don't Preach" and "Human Nature". [71] Joanna Rydzewska, one of the authors of the book Representing Gender In Cultures analyzed that the violent imagery in the video was Madonna's way of portraying the violence she had faced during her "tumultuous" marriage with actor Sean Penn; she added that the video was a contrast to the "tremendously independent artist she is". [72] The end of the video sparked discussion about the words imprinted on the electric chair, a phrase that can be interpreted as "great escape" or "freedom". [70] [73] According to The Sydney Morning Herald , some scholars of Judaism were riled by the Jewish religious texts and objects appearing in the video. [74] One of Madonna's Kabbalah advisors, Michael Berg, explained that "Hebrew letters Madonna displays, lamed, aleph, vov—roughly equivalent to L, A, V—form one of the 72 names of God and denote a diminishing of the ego to connect with joy and fulfillment." [70] According to him, donning tefillin represented "diminution of the desire to receive and a strengthening of the desire to share. But for a woman to don tefillin is still not a common practice, and for a gentile to wear tefillin might be regarded by some Jews as sacrilege." [75]

In 2004, the singer was to visit Israel regarding her Kabbalah practice. However, ultra-orthodox Jews protested her trip, saying that Madonna disgraced the religion with her portrayal of wearing phylacteries/tefillin over her arm—a Jewish custom usually reserved for men—in the music video. [74] Israeli securities had advised the singer not to make the trip, but the singer continued her visit to the graves of Jewish sages as well as shrines such as Rachel's Tomb on the edge of Bethlehem, traditional burial place of the biblical matriarch Rachel. [76] "Die Another Day" was nominated for Best Video from a Film at the 2003 MTV Video Music Awards, but lost. [77] It won the "Soundtrack Video of the Year" trophy at the 2003 MVPA Awards. [78]

Live performances

Madonna during the performance of "Die Another Day" on 2023--2024's the Celebration Tour. MadonnaO2171023 (71 of 133) (53269594362) (cropped).jpg
Madonna during the performance of "Die Another Day" on 2023—2024's the Celebration Tour.

Initial reports by The Observer suggested that Madonna would perform "Die Another Day" in front of Queen Elizabeth II at the premiere of the film in London's Royal Albert Hall, but it did not happen. [79] It was not until two years later that she first performed "Die Another Day", as part of her 2004 Re-Invention World Tour. The song was to be included as the final performance in the set list, but "Holiday" was chosen instead and "Die Another Day" was included in the third segment of the show. [80] Wearing a circus-themed corset designed by Chanel, she and her dancers performed a Tango-like choreography to the song, while backdrops displayed an old man in his deathbed. [81] [82] The performance was received favorably by Joan Anderman of The Boston Globe , who explained that "the abstract ballroom choreography of 'Die Another Day' was an elegant antidote to the rote gyrations favored by the next generation of pop stars." [83] Towards the end of the performance, Madonna's dancers tied the singer on an electric chair and as it was raised high above the stage, she started singing "Lament" from Evita . [84] The performance of "Die Another Day" was included on Madonna's documentary live album I'm Going to Tell You a Secret (2006), which chronicled the tour. [85]

Four years later, "Die Another Day" was added to the set list of the 2008-09 Sticky & Sweet Tour, where it was used as a video interlude. It featured Madonna as a boxer on screen, while two of her dancers performed a faux boxing match. The video also showed Madonna in a technical knockout match, spraying her blood across the screen. [86] Madonna's DJ Enferno remixed the song and the performance ended with the singer falling down on the ground in the video, as she emerged from beneath the stage while jump-roping. [87] Paul Schrodt from Slant Magazine felt that the video emphasized the singer's "already-muscular arms", adding that "[u]nlike your run-of-the-mill diva, Madonna is willing to get dirty for her art, and she sometimes gets lost in her backup dancers' routine, though she's quick to remind the audience, 'I'm still the one in control'". [88] Ben Kaplan from Canada.com noted that "Die Another Day", along with the performances of "4 Minutes" and "La Isla Bonita" are re-imagined as "parts of larger medleys, with Madonna giving shout-outs to techno, flamenco and old-school R&B influences". [89] This performance was included on the Sticky & Sweet Tour live CD and DVD release, recorded during Madonna's shows in Buenos Aires, Argentina, in December 2008. [90]

On July 26, 2012, while on The MDNA Tour, Madonna performed an exclusive club date at L'Olympia in Paris for only 2,700 fans and mixed "Die Another Day" with the song "Beautiful Killer" from her twelfth studio album MDNA . [91] After finishing the performance of "Human Nature", Madonna wears a coat and as the opening music of "Die Another Day" starts, she wields a gun and launches into "Beautiful Killer". [92] [93] Excerpts of films by French actor Alain Delon—the main inspiration behind "Beautiful Killer"—were shown in the back drops. [94] [95]

Track listing and formats

"Die Another Day"
Madonna - Die Another Day.png
Single by Madonna
from the album Die Another Day and American Life
ReleasedOctober 22, 2002 (2002-10-22)
Recorded2002
Studio Olympic (London)
Genre
Length4:38
Label Warner Bros.
Songwriter(s)
Producer(s)
  • Madonna
  • Mirwais Ahmadzaï
Madonna singles chronology
"What It Feels Like for a Girl"
(2001)		"Die Another Day"
(2002)		"American Life"
(2003)
James Bond theme singles chronology
"The World Is Not Enough"
(1999)		"Die Another Day"
(2002)		"You Know My Name"
(2006)

Credits and personnel

Credits for "Die Another Day" are adapted from American Life and the single liner notes. [110] [111]

Charts

Certifications and sales

Certifications and sales for "Die Another Day"
RegionCertification Certified units/sales
Australia (ARIA) [165] Gold35,000^
Belgium (BEA) [166] Gold25,000*
Canada (Music Canada) [48] 2× Platinum20,000^
France (SNEP) [59] Gold250,000*
Greece (IFPI Greece) [122] Gold10,000^
United Kingdom (BPI) [55] Silver225,936 [167]
United States
Digital downloads 		—232,000 [44]
United States
Physical sales 		—190,000 [168]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

See also

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"Nothing Fails" is a song by American singer-songwriter Madonna from her ninth studio album, American Life (2003). Written by Madonna, Guy Sigsworth and Jem Griffiths, and produced by the singer along with Mirwais Ahmadzaï and Mark "Spike" Stent, it was released as the third single from the album on October 27, 2003. Originally demoed as "Silly Thing", "Nothing Fails" is a love song which has acoustic guitar chords and a gospel choir appearance. Lyrically, the song discusses a lover who is the one, and how their meeting was not just chance. A number of remixes of the song were done, with one of them being included on Madonna's remix album Remixed & Revisited (2003).

<span class="mw-page-title-main">Love Profusion</span> 2003 single by Madonna

"Love Profusion" is a song by American singer and songwriter Madonna for her ninth studio album, American Life (2003). Written and produced by Madonna and Mirwais Ahmadzaï, it was released as the fourth and final single from the album on December 8, 2003, by Maverick Records. "Love Profusion" was first premiered during the release of the album on AOL. It later received a number of remixes, which were also released alongside the single. The song contains rhythm from a four piece bass drum, with acoustic guitar riffs and Madonna's voice backed by a male vocal during the chorus. Ahmadzaï used the stutter edit to create a new groove. Dedicated to Madonna's then-husband, Guy Ritchie, the song's lyrics deal with Madonna's confusion regarding American culture.

<span class="mw-page-title-main">Hollywood (Madonna song)</span> 2003 single by Madonna

"Hollywood" is a song recorded by American singer Madonna. The song was written and produced by Madonna and Mirwais Ahmadzaï for her ninth studio album, American Life (2003). On May 27, 2003, it was released as the second single from the album by Maverick Records. It later appeared on the greatest hits album, Celebration (2009). "Hollywood" is a folk rock, synth-pop, electro-folk, electropop and psychedelic folk song that lyrically discusses American culture and greed, focusing on Hollywood, California, as a place of pop stars and illusory dreams. Ahmadzaï did the main programming for the track and kept the track as simple as possible, without using too many instruments.

<span class="mw-page-title-main">What It Feels Like for a Girl</span> 2001 single by Madonna

"What It Feels Like for a Girl" is a song recorded by American singer Madonna for her eighth studio album Music (2000). It was released as the third and final single from the album on April 16, 2001, by Maverick Records. Madonna and Guy Sigsworth wrote and produced the song with David Torn as co-writer, and Mark "Spike" Stent as a co-producer. "What It Feels Like For a Girl" is a mid-tempo electronic and synth-pop song. Lyrically, it conveys society's double standard toward women, addressing hurtful myths about female inferiority. To emphasize the message, the song opens with a spoken word sample by actress Charlotte Gainsbourg from the 1993 British film The Cement Garden. A Spanish version of the track, "Lo Que Siente la Mujer", was translated by Alberto Ferreras and included in the Latin American edition of Music.

<span class="mw-page-title-main">Beautiful Stranger</span> 1999 single by Madonna

"Beautiful Stranger" is a song by American singer and songwriter Madonna. It was released on May 19, 1999, by Maverick and Warner Bros. Records as a single from the soundtrack of the film, Austin Powers: The Spy Who Shagged Me. Madonna co-wrote and co-produced the song with William Orbit. The soundtrack for Austin Powers: The Spy Who Shagged Me was a much expected release and Madonna's song was chosen by the album's executive producers to promote it. "Beautiful Stranger" has appeared on three separate Madonna greatest hits collections: GHV2 (2001), Celebration (2009) and Finally Enough Love: 50 Number Ones (2022). Musically, "Beautiful Stranger" is a psychedelic pop and disco song that features heavily reverberated guitars and bouncy drum loops. Its lyrics tell the tale of a romantic infatuation.

<span class="mw-page-title-main">The Power of Good-Bye</span> 1998 single by Madonna

"The Power of Good-Bye" is a song by American singer Madonna, taken from her seventh studio album Ray of Light (1998). It was written by Madonna and Rick Nowels, and was produced by the singer with William Orbit and Patrick Leonard. The song was released as the fourth single from the album on September 22, 1998, being additionally distributed as a double A-Side single in the United Kingdom with "Little Star". Lyrically, the track talks about how free and empowering saying good-bye or ending a relationship can feel. The melancholy electronica ballad features shuffle beats, acoustic guitars and sweeping strings arranged by Craig Armstrong.

<span class="mw-page-title-main">Everywhere (Michelle Branch song)</span> 2001 single by Michelle Branch

"Everywhere" is a song by American singer-songwriter Michelle Branch, co-written by Branch and American record producer John Shanks, who also produced the track. "Everywhere" is a pop rock song with ambiguous lyrics about having a crush on someone, with several music critics having compared the song's composition to works by Canadian singer Alanis Morissette. Branch originally wrote the song in a more acoustic form, but at Shanks' suggestion, she recorded a more up-tempo version of the track in January and February 2001. "Everywhere" was released on July 10, 2001, in the United States as Branch's debut single and the lead single from her first major-label studio album, The Spirit Room (2001). The single was also released in Australia and Europe throughout 2001 and 2002.

<span class="mw-page-title-main">Bedtime Story (Madonna song)</span> 1995 single by Madonna

"Bedtime Story" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released as the third single from the album on February 13, 1995, by Maverick Records. The song was written by Björk, Nellee Hooper and Marius De Vries. She re-wrote a demo of the song to the current version, which was then produced by Madonna and Hooper. A mid-tempo electronic and house song with acid, ambient and techno influences, "Bedtime Story" has an underlying skeletal synth melody influenced by minimal trance music. The track's unconventional, electronic sound was a departure from the pop-R&B-based tracks throughout the rest of the album. Lyrically, the song talks about the joys of the unconscious world.

<span class="mw-page-title-main">Bad Girl (Madonna song)</span> 1993 single by Madonna

"Bad Girl" is a song by American singer and songwriter Madonna from her fifth studio album, Erotica (1992). It was written and produced by both Madonna and Shep Pettibone, with additional writing from Anthony Shimkin, and released by Maverick, Sire and Warner. In Australia and most European countries, the song was released as the album's third single on February 2, 1993; in the United States, a release was issued on March 11. "Bad Girl" is a pop and R&B ballad with lyrics that describe a woman trying to escape her reality through self-destructive behaviors, such as drinking and chain smoking.

<span class="mw-page-title-main">Rain (Madonna song)</span> 1993 single by Madonna

"Rain" is a song by American singer Madonna from her fifth studio album, Erotica (1992), released by Maverick, Sire and Warner. Written and produced by Madonna and Shep Pettibone, in Australia and most European countries, the song was released as the album's fifth single on July 17, 1993; in the United States, a release was issued on August 5. A pop ballad that mixes elements of R&B, trip-hop, and new-age music, its lyrics liken water and rainfall to the power of love.

<span class="mw-page-title-main">You'll See</span> 1995 single by Madonna

"You'll See" is a song by American singer Madonna from her ballads compilation, Something to Remember (1995). She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 23, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.

"Impressive Instant" is a song by American singer-songwriter Madonna from her 2000 studio album Music. Originally intended to be the fourth single of the album, the release was cancelled due to a disagreement between Madonna and her recording company. Finally Warner Bros. released it in the United States as a promotional single on September 18, 2001. Written and produced by Madonna and Mirwais Ahmadzaï, the track is bright and uplifting in its content and composition. It was the first song that Madonna and Ahmadzaï worked on and recorded. Ahmadzaï had to work separately on his laptop to generate the sound elements which Madonna wanted in the song, since it was difficult to generate the music in the recording studio. "Impressive Instant" has been described as a club-savvy acid techno, pop-trance, electropop and electro house stomper containing futuristic keyboard lines, with Madonna's vocals being distorted and robotic. Backed by laser noises and synths, the song's lyrics deal with love at first sight, and contains somewhat absurd, nonsensical lyrics.

"Nobody Knows Me" is a song by American singer-songwriter Madonna. The song was written and produced by Madonna and Mirwais Ahmadzaï for her ninth studio album American Life (2003). It was released as a promotional single in the United States on October 15, 2003, with a remixed version appearing on the remix compilation Remixed & Revisited (2003). "Nobody Knows Me" carries on the main theme of American Life, with its usage of negative tones on the songs. It is a dance and electronic song, with vocoder effects, spacey synths and a bubbly bass, and lyrically, Madonna rejects tabloid culture's "social disease", denouncing both TV and magazines.

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