Causing a Commotion

Last updated

"Causing a Commotion"
CausingACommotion1987.png
Single by Madonna
from the album Who's That Girl
B-side "Jimmy, Jimmy"
ReleasedAugust 25, 1987
Recorded1987
Genre Dance-pop
Length4:20
Label
Songwriter(s)
Producer(s)
  • Madonna
  • Stephen Bray
Madonna singles chronology
"Who's That Girl"
(1987)
"Causing a Commotion"
(1987)
"The Look of Love"
(1987)
Licensed audio
"Causing a Commotion" on YouTube

"Causing a Commotion" is a song by American singer Madonna from the soundtrack album to the 1987 film Who's That Girl . It was released as the album's second single on August 25, 1987, by Sire Records. Its Silver Screen Single Mix later appeared on the EP The Holiday Collection (1991). Written and produced by Madonna and Stephen Bray, the song was inspired by her relationship with then-husband Sean Penn, and his abusive and violent nature. Containing a dance-oriented, up-tempo groove, the song begins with the chorus and is accompanied by a four-note descending bassline and staccato chords in the verses.

Contents

Since its release, "Causing a Commotion" has received mixed reviews from music critics. The song was a commercial success, peaking within the top-ten in the United States, Australia, Canada, Ireland, New Zealand, Italy, Sweden and the United Kingdom, and topped the Billboard Dance Club Songs chart. Madonna performed the song on the Who's That Girl World Tour in 1987 – which was transmitted via satellite to the 1987 MTV Video Music Awards  – and the Blond Ambition World Tour in 1990. She also performed a brief snippet in selected shows on The Celebration Tour in 2023 and 2024. The performances were included in the home video release of the tours.

Background and release

In 1986, Madonna was shooting for her third motion picture Who's That Girl , known at the time as Slammer. Needing songs for the soundtrack of the movie, she contacted Patrick Leonard and Stephen Bray, with whom she had written and produced her third studio album True Blue (1986). [1] The song was written and produced by Madonna and Bray for the film's soundtrack. It was inspired by her then husband Sean Penn and their often tumultuous relationship. Madonna felt that her marriage to Penn was on the verge of breaking up, due to Penn's abusive and violent nature. [2] That translated as the inspiration behind the song. In a Rolling Stone article dated September 10, 1987, Madonna spoke about Penn's impact on her life,

"I don't like violence. I never condone hitting anyone, and I never thought that any violence should have taken place. But on the other hand, I understood Sean's anger and believe me, I have wanted to hit them [the paparazzi] many times. I never would, you know, because I realize that it would just make things worse. [...] I felt like he was 'Causing a Commotion' to purposefully distract me. I wrote this song and vented my frustration in it." [3]

In the United States, "Causing a Commotion" was released on August 25, 1987. In the United Kingdom, the song was released on September 17, just after the conclusion of the Who's That Girl World Tour that same month. In 1991, the Silver Screen Single Mix of the song was included on the EP The Holiday Collection (1991). [4]

Recording and composition

"Causing a Commotion" was recorded and mixed by Stephen Bray along with Shep Pettibone, who also did additional production on the track. Junior Vasquez was the mixing engineer along with Steve Peck, the former also did the audio editing. Background vocals were provided by Donna De Lory and Niki Haris. [5] "Causing a Commotion" has a dancey, up-tempo groove in it. [6] The musical arrangement consists of a number of hooks interpolating with each other. It begins with the chorus, where Madonna sings the line "I've got the moves baby, You've got the motion, If we got together we'd be causing a commotion". The verses are accompanied by a four-note descending bassline and interjecting staccato chords. [6]

The lyrics make reference to Madonna's 1985 hit single "Into the Groove" and have three parts to the vocal harmony. Andrzej Ciuk, one of the editors of the book Exploring Space noted that the proverbial status of the phrase "opposites attract" as a defining key ingredient of cultural concept of "love" and this was evident also in the song with the lyrics: "You met your match when you met me, I know that you'll disagree it's crazy, But opposites attract you'll see, And I won't let you get away so easy". [7]

Critical reception

Madonna performing "Causing a Commotion" on the Who's That Girl World Tour in 1987 Madonna II A 19 (cropped).jpg
Madonna performing "Causing a Commotion" on the Who's That Girl World Tour in 1987

"Causing a Commotion" received generally mixed to positive reviews from music critics. Rikky Rooksby, author of The Complete Guide to the Music of Madonna, said that the song was "Perfectly acceptable, though not in the same class as 'Who's That Girl'." [6] Christian Wright from Spin called the song celebratory. [8] Camille Paglia, one of the authors of The Madonna Companion: Two Decades of Commentary, said that Madonna's command of massive, resonant basslines impressed her. She wrote: "I recall my stunned admiration as I sat in the theater in 1987 and first experienced the crashing, descending chords of Madonna's 'Causing a Commotion', which opened her dreadful movie Who's That Girl. If you want to hear the essence of modernity, listen to those chords, infernal, apocalyptic and grossly sensual. This is the authentic voice of fin de siècle ." [9] Stephen Thomas Erlewine of AllMusic commented that "Causing a Commotion" and "Who's That Girl" were not among Madonna's best singles. [10] Matthew Jacobs from HuffPost , placed it at number 46 of his list "The Definitive Ranking of Madonna Singles", calling it "cheerful, until you learn it was inspired by her abusive relationship with Sean Penn". [11]

In August 2018, Billboard ranked it as Madonna's 85th greatest song; Joel Lynch wrote that only Madonna "could release a song this lightweight from a critically drubbed film and still take it to No. 2 on the Hot 100. The arresting, thick AF bass line and the sugary determination of her delivery make this a delight, albeit a relatively slight one". [12] Slant Magazine 's Eric Henderson called it "somehow generic and diverting in equal measure, ['Causing a Commotion'] offers one of Madonna’s most undeniable come-on lines at the center of it all". [13] Louis Virtel from The Backlot ranked it at number 16 on a list for "The 100 Greatest Madonna Songs", and called it "jubilant and driving". [14] Writing for Gay Star News , Joe Morgan deemed it an "absolute gem" that "unfortunately sinks in the background when it comes to Madonna’s 80s classics". [15] The Guardian 's Jude Rogers described it as "a slighter facsimile of the imperial 'Into the Groove', protesting too much about its abilities to coax out the noise police". [16] For Medium's Richard LaBeau, "there is nothing especially bad about this track, but it is profoundly forgettable, particularly in comparison with the brilliant singles that preceded and followed it". [17]

Chart performance

"Causing a Commotion" debuted on the US Billboard Hot 100 at number 41 the week of September 12, 1987, as "Who's That Girl" was descending from the top-ten. [18] The song quickly climbed up the chart, ultimately peaking at number two the week of October 24, 1987, blocked from the top position by Michael Jackson's "Bad" and Tiffany's "I Think We're Alone Now." It remained in the runner-up position for three consecutive weeks, before descending the chart. [19] The song reached the top 40 of the Billboard Adult Contemporary chart and hit number one on the Dance Club Songs chart. [20] [21] In Canada, the song debuted at number 90 on the RPM Top 100 chart on September 19, 1987. [22] After six weeks, the song reached a peak of number two on the chart. [23] It was present for a total of 31 weeks and ranked at number 47 on the RPM year-end chart for 1987. [24] [25]

In the United Kingdom, "Causing a Commotion" entered the UK Singles Chart at number seven and peaked at number four. The song was present for a total of nine weeks. [26] According to the Official Charts Company, the song has sold 230,000 copies there. [27] In Germany, the song debuted on the Media Control Charts at number 66 on September 29, 1987, reaching a peak of number 14 in its third week and spending 12 weeks on the chart. [28] The song reached the top-ten in Australia and the European Hot 100 Singles, peaking at number seven and three, respectively. [29] [30] Elsewhere, the song reached the top-ten in Belgium, Ireland, the Netherlands, New Zealand and Switzerland, and the top 20 in Austria, Norway and Sweden. [31] [32] [33]

Live performances

Madonna and backup singers Donna De Lory and Niki Haris performing "Causing a Commotion" during the Blond Ambition World Tour in 1990 CausingACommotionUnderGround.jpg
Madonna and backup singers Donna De Lory and Niki Haris performing "Causing a Commotion" during the Blond Ambition World Tour in 1990

Madonna performed "Causing a Commotion" on the Who's That Girl World Tour and the Blond Ambition World Tour. On the Who's That Girl World Tour, "Causing a Commotion" was the sixth song of the set list. Collaborating with Marlene Stewart on the clothes for the tour, Madonna expanded on the idea of bringing her video characters to life and to display a gangster theme for the song. She wore a golden lamé jacket and performed the song while accompanied by two dancers, each holding a gun. [34] Performances of the song on this tour can be found on the Who's That Girl: Live in Japan video, filmed in Tokyo, Japan, on June 22, 1987, [35] and on the Ciao Italia: Live from Italy video, filmed in Turin, Italy, on September 4, 1987. [36] The latter performance was transmitted via satellite to the 1987 MTV Video Music Awards. [37]

On the Blond Ambition World Tour, "Causing a Commotion" was the third song of the set list. The outfit she wore for the performance was described by Carol Clerk, author of Madonnastyle, as the "perfect visual combination of masculine and feminine". [38] Madonna wore heavy makeup with thick, blackened eyebrows and heavy application of dark liner. [38] The performance ended with Madonna wrestling with her female backup singers. [38] Two different performances were released on video: the Blond Ambition Japan Tour 90, filmed in Yokohama, Japan, on April 27, 1990, [39] and the Blond Ambition World Tour Live , filmed in Nice, France, on August 5, 1990. [40]

On occasion during her Celebration Tour in 2023, Madonna sang lines from the refrain before introducing the concept of the show to the audience and launching into a guitar-driven performance of "Burning Up." [41] [42]

Track listing and formats

Credits and personnel

Credits adapted from the Who's That Girl soundtrack and 12" single liner notes. [5] [48]

Charts

See also

Notes

  1. Bronson 2003 , p. 203
  2. Feldman 2000 , p. 211
  3. Lawson, Senegal (September 10, 1987). "Madonna: She's That Girl". Rolling Stone . Vol. 1019, no. 32. ISBN   9788190870573. ISSN   0035-791X. Archived from the original on September 25, 2022. Retrieved September 1, 2022.
  4. Rooksby 2004 , p. 90
  5. 1 2 Who's That Girl (Liner notes). Madonna. Warner Bros. Records. 1987. 925611-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. 1 2 3 Rooksby 2004 , p. 69
  7. Ciuk & Molek-Kozakowska 2010 , p. 61
  8. Wright, Christian (May 1, 1989). "Madonna: Like a Prayer Review". Spin . 5 (2). ISSN   0886-3032. Archived from the original on October 17, 2020. Retrieved October 14, 2016.
  9. Metz & Benson 1999 , p. 162
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"True Blue" is a song by American singer Madonna from her third studio album of the same name (1986), released as the third single on September 10, 1986, by Sire Records. Written and produced by Madonna and Steve Bray, the song deals with Madonna's feelings for her then-husband Sean Penn. A dance-pop song, it features instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums. The main chorus is backed by an alternate one, incorporating a chord progression generally found in doo-wop music.

<span class="mw-page-title-main">Rescue Me (Madonna song)</span> 1991 single by Madonna

"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.

<span class="mw-page-title-main">Cherish (Madonna song)</span> 1989 single by Madonna

"Cherish" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was written and produced by Madonna and Patrick Leonard, and was released by Sire Records as the album's third single on August 1, 1989. "Cherish" was built around the themes of love and relationships, with William Shakespeare's Romeo and Juliet being one of the major inspirations. The track also included a line from "Cherish" by the 1960s band the Association. Musically constructed as a doo-wop-style pop song, it is regarded as a light-hearted track by critics and includes instruments such as a drum machine, percussions, keyboards and a saxophone. Lyrically, it speaks of Madonna's devotion to her lover, and her promise to be always by his side. "Cherish" was included on Madonna's greatest hits compilations The Immaculate Collection (1990) and Celebration (2009).

<span class="mw-page-title-main">Deeper and Deeper</span> 1992 single by Madonna

"Deeper and Deeper" is a song by American singer Madonna from her fifth studio album, Erotica (1992). It was written and produced by both Madonna and Shep Pettibone, with additional writing from Anthony Shimkin. In Australia and most European countries, the song was released as the album's second single on November 17, 1992; in the United States, a release was issued on December 8. It was included on Madonna's second greatest hits compilation, GHV2 (2001). A dance-pop and deep house song, it has disco and Philadelphia soul influences; the bridge features instrumentation from flamenco guitars and castanets, and features background vocals from the singer's collaborators Donna De Lory and Niki Haris. Lyrically, the song talks about sexual desire, though it has been argued that it is actually about a young man coming to terms with his homosexuality, and includes a reference to Madonna's single "Vogue" (1990).

<span class="mw-page-title-main">You'll See</span> 1995 single by Madonna

"You'll See" is a song by American singer Madonna from her ballads compilation, Something to Remember (1995). She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 23, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.

<span class="mw-page-title-main">Oh Father</span> 1989 single by Madonna

"Oh Father" is a song recorded by American singer Madonna for her fourth studio album Like a Prayer (1989). It was released as the fourth single from the album on October 24, 1989, by Sire Records. The song was not released as a single in most European territories until December 24, 1995, when it appeared on the 1995 ballads compilation Something to Remember. Written and produced by Madonna and Patrick Leonard, the nexus of "Oh Father" was the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Madonna's relationship with her father had soured after her mother's death in 1963 and his remarriage three years later. While developing the Like a Prayer album, Madonna was in an emotional state of mind due to her personal problems, which is reflected in "Oh Father".

<span class="mw-page-title-main">Hanky Panky (Madonna song)</span> 1990 single by Madonna

"Hanky Panky" is a song by American singer Madonna from her soundtrack album I'm Breathless. It was released on June 12, 1990, by Sire Records as the album's second and final single. Written and produced by Madonna and Patrick Leonard, the song was developed from a line in the parent film, Dick Tracy, talking about a woman who enjoys being spanked by her partner. Performed in a playful, “tongue-in-cheek” style, "Hanky Panky" is a jazz and swing song, keeping with the film's general theme of the 1920s and 1930s, with a changing bassline and minor to major key-shift in the chorus. It caused some controversy in Ireland because of its innuendo and racy lyrics, with women's groups deeming them as harmful; Madonna later clarified that the lyrics were intended as a joke.

<span class="mw-page-title-main">Keep It Together (song)</span> 1990 single by Madonna

"Keep It Together" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was released as the fifth and final single from the album in the United States, Canada and Japan on January 30, 1990, by Sire Records. Written and produced by Madonna and Stephen Bray, the main inspiration behind "Keep It Together" was Madonna's relationship with her family—whom she dearly missed during her divorce from Sean Penn. The song was dedicated to the American band Sly and the Family Stone. The lyrics deal with the realization of how important Madonna's family has been to her life. A pop, funk and deep funk song consisting of an upbeat rhythm and groove, "Keep It Together" features instrumentation from percussion, banjo and a conga.

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