"Causing a Commotion" | ||||
---|---|---|---|---|
![]() | ||||
Single by Madonna | ||||
from the album Who's That Girl | ||||
B-side | "Jimmy, Jimmy" | |||
Released | August 25, 1987 | |||
Recorded | 1987 | |||
Genre | Dance-pop | |||
Length | 4:20 | |||
Label | ||||
Songwriter(s) |
| |||
Producer(s) |
| |||
Madonna singles chronology | ||||
| ||||
Licensed audio | ||||
"Causing a Commotion" on YouTube |
"Causing a Commotion" is a song by American singer Madonna from the soundtrack album to the 1987 film Who's That Girl . It was released as the album's second single on August 25, 1987, by Sire Records. Its Silver Screen Single Mix later appeared on the EP The Holiday Collection (1991). Written and produced by Madonna and Stephen Bray, the song was inspired by her relationship with then-husband Sean Penn, and his abusive and violent nature. Containing a dance-oriented, up-tempo groove, the song begins with the chorus and is accompanied by a four-note descending bassline and staccato chords in the verses.
Since its release, "Causing a Commotion" has received mixed reviews from music critics. The song was a commercial success, peaking within the top-ten in the United States, Australia, Canada, Ireland, New Zealand, Italy, Sweden and the United Kingdom, and topped the Billboard Dance Club Songs chart. Madonna performed the song on the Who's That Girl World Tour in 1987 – which was transmitted via satellite to the 1987 MTV Video Music Awards – and the Blond Ambition World Tour in 1990. She also performed a brief snippet in selected shows on The Celebration Tour in 2023 and 2024. The performances were included in the home video release of the tours.
In 1986, Madonna was shooting for her third motion picture Who's That Girl , known at the time as Slammer. Needing songs for the soundtrack of the movie, she contacted Patrick Leonard and Stephen Bray, with whom she had written and produced her third studio album True Blue (1986). [1] The song was written and produced by Madonna and Bray for the film's soundtrack. It was inspired by her then husband Sean Penn and their often tumultuous relationship. Madonna felt that her marriage to Penn was on the verge of breaking up, due to Penn's abusive and violent nature. [2] That translated as the inspiration behind the song. In a Rolling Stone article dated September 10, 1987, Madonna spoke about Penn's impact on her life,
"I don't like violence. I never condone hitting anyone, and I never thought that any violence should have taken place. But on the other hand, I understood Sean's anger and believe me, I have wanted to hit them [the paparazzi] many times. I never would, you know, because I realize that it would just make things worse. [...] I felt like he was 'Causing a Commotion' to purposefully distract me. I wrote this song and vented my frustration in it." [3]
In the United States, "Causing a Commotion" was released on August 25, 1987. In the United Kingdom, the song was released on September 17, just after the conclusion of the Who's That Girl World Tour that same month. In 1991, the Silver Screen Single Mix of the song was included on the EP The Holiday Collection (1991). [4]
"Causing a Commotion" was recorded and mixed by Stephen Bray along with Shep Pettibone, who also did additional production on the track. Junior Vasquez was the mixing engineer along with Steve Peck, the former also did the audio editing. Background vocals were provided by Donna De Lory and Niki Haris. [5] "Causing a Commotion" has a dancey, up-tempo groove in it. [6] The musical arrangement consists of a number of hooks interpolating with each other. It begins with the chorus, where Madonna sings the line "I've got the moves baby, You've got the motion, If we got together we'd be causing a commotion". The verses are accompanied by a four-note descending bassline and interjecting staccato chords. [6]
The lyrics make reference to Madonna's 1985 hit single "Into the Groove" and have three parts to the vocal harmony. Andrzej Ciuk, one of the editors of the book Exploring Space noted that the proverbial status of the phrase "opposites attract" as a defining key ingredient of cultural concept of "love" and this was evident also in the song with the lyrics: "You met your match when you met me, I know that you'll disagree it's crazy, But opposites attract you'll see, And I won't let you get away so easy". [7]
"Causing a Commotion" received generally mixed to positive reviews from music critics. Rikky Rooksby, author of The Complete Guide to the Music of Madonna, said that the song was "Perfectly acceptable, though not in the same class as 'Who's That Girl'." [6] Christian Wright from Spin called the song celebratory. [8] Camille Paglia, one of the authors of The Madonna Companion: Two Decades of Commentary, said that Madonna's command of massive, resonant basslines impressed her. She wrote: "I recall my stunned admiration as I sat in the theater in 1987 and first experienced the crashing, descending chords of Madonna's 'Causing a Commotion', which opened her dreadful movie Who's That Girl. If you want to hear the essence of modernity, listen to those chords, infernal, apocalyptic and grossly sensual. This is the authentic voice of fin de siècle ." [9] Stephen Thomas Erlewine of AllMusic commented that "Causing a Commotion" and "Who's That Girl" were not among Madonna's best singles. [10] Matthew Jacobs from HuffPost , placed it at number 46 of his list "The Definitive Ranking of Madonna Singles", calling it "cheerful, until you learn it was inspired by her abusive relationship with Sean Penn". [11]
In August 2018, Billboard ranked it as Madonna's 85th greatest song; Joel Lynch wrote that only Madonna "could release a song this lightweight from a critically drubbed film and still take it to No. 2 on the Hot 100. The arresting, thick AF bass line and the sugary determination of her delivery make this a delight, albeit a relatively slight one". [12] Slant Magazine 's Eric Henderson called it "somehow generic and diverting in equal measure, ['Causing a Commotion'] offers one of Madonna’s most undeniable come-on lines at the center of it all". [13] Louis Virtel from The Backlot ranked it at number 16 on a list for "The 100 Greatest Madonna Songs", and called it "jubilant and driving". [14] Writing for Gay Star News , Joe Morgan deemed it an "absolute gem" that "unfortunately sinks in the background when it comes to Madonna’s 80s classics". [15] The Guardian 's Jude Rogers described it as "a slighter facsimile of the imperial 'Into the Groove', protesting too much about its abilities to coax out the noise police". [16] For Medium's Richard LaBeau, "there is nothing especially bad about this track, but it is profoundly forgettable, particularly in comparison with the brilliant singles that preceded and followed it". [17]
"Causing a Commotion" debuted on the US Billboard Hot 100 at number 41 the week of September 12, 1987, as "Who's That Girl" was descending from the top-ten. [18] The song quickly climbed up the chart, ultimately peaking at number two the week of October 24, 1987, blocked from the top position by Michael Jackson's "Bad" and Tiffany's "I Think We're Alone Now." It remained in the runner-up position for three consecutive weeks, before descending the chart. [19] The song reached the top 40 of the Billboard Adult Contemporary chart and hit number one on the Dance Club Songs chart. [20] [21] In Canada, the song debuted at number 90 on the RPM Top 100 chart on September 19, 1987. [22] After six weeks, the song reached a peak of number two on the chart. [23] It was present for a total of 31 weeks and ranked at number 47 on the RPM year-end chart for 1987. [24] [25]
In the United Kingdom, "Causing a Commotion" entered the UK Singles Chart at number seven and peaked at number four. The song was present for a total of nine weeks. [26] According to the Official Charts Company, the song has sold 230,000 copies there. [27] In Germany, the song debuted on the Media Control Charts at number 66 on September 29, 1987, reaching a peak of number 14 in its third week and spending 12 weeks on the chart. [28] The song reached the top-ten in Australia and the European Hot 100 Singles, peaking at number seven and three, respectively. [29] [30] Elsewhere, the song reached the top-ten in Belgium, Ireland, the Netherlands, New Zealand and Switzerland, and the top 20 in Austria, Norway and Sweden. [31] [32] [33]
Madonna performed "Causing a Commotion" on the Who's That Girl World Tour and the Blond Ambition World Tour. On the Who's That Girl World Tour, "Causing a Commotion" was the sixth song of the set list. Collaborating with Marlene Stewart on the clothes for the tour, Madonna expanded on the idea of bringing her video characters to life and to display a gangster theme for the song. She wore a golden lamé jacket and performed the song while accompanied by two dancers, each holding a gun. [34] Performances of the song on this tour can be found on the Who's That Girl: Live in Japan video, filmed in Tokyo, Japan, on June 22, 1987, [35] and on the Ciao Italia: Live from Italy video, filmed in Turin, Italy, on September 4, 1987. [36] The latter performance was transmitted via satellite to the 1987 MTV Video Music Awards. [37]
On the Blond Ambition World Tour, "Causing a Commotion" was the third song of the set list. The outfit she wore for the performance was described by Carol Clerk, author of Madonnastyle, as the "perfect visual combination of masculine and feminine". [38] Madonna wore heavy makeup with thick, blackened eyebrows and heavy application of dark liner. [38] The performance ended with Madonna wrestling with her female backup singers. [38] Two different performances were released on video: the Blond Ambition Japan Tour 90, filmed in Yokohama, Japan, on April 27, 1990, [39] and the Blond Ambition World Tour Live , filmed in Nice, France, on August 5, 1990. [40]
On occasion during her Celebration Tour in 2023, Madonna sang lines from the refrain before introducing the concept of the show to the audience and launching into a guitar-driven performance of "Burning Up." [41] [42]
|
|
Credits adapted from the Who's That Girl soundtrack and 12" single liner notes. [5] [48]
Weekly charts
| Year-end charts
|
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite magazine}}
: CS1 maint: bot: original URL status unknown (link)Who's That Girl is the first soundtrack album by American singer and songwriter Madonna. It was released on July 21, 1987, by Sire Records to promote the film of the same name. It also contains songs by her label mates Scritti Politti, Duncan Faure, Club Nouveau, Coati Mundi and Michael Davidson. The soundtrack is credited as a Madonna album, despite her only performing four of the nine tracks on the album. After the commercial success of the film Desperately Seeking Susan (1985), in which she co-starred, Madonna wanted to act in another comedy film titled Slammer, about a woman named Nikki Finn who was falsely accused of homicide. However, due to the critical and commercial failure of her adventure film Shanghai Surprise (1986), Warner Bros. was initially reluctant to greenlight the project but later agreed.
"Who's That Girl" is a song by American singer Madonna from the soundtrack of the 1987 film of the same name. Written and produced by Madonna and Patrick Leonard, it was released in Europe as the soundtrack's lead single on June 29, 1987 and in the United States on 30 June 1987. An uptempo pop song, "Who's That Girl" continued the singer's fascination with Latin pop, a genre she had previously explored on her single "La Isla Bonita". It features instrumentation from drums, bass, and trumpets, and has lyrics sung both in English and Spanish. While shooting for the film, then called Slammer, Madonna had requested Leonard to develop a song that captured the nature of her character; the producer worked on a demo and, afterwards, Madonna added the lyrics and decided to rename the song, as well as the film, to "Who's That Girl".
"Papa Don't Preach" is a song by the American singer-songwriter Madonna, released on her third studio album True Blue (1986). It was written by Brian Elliot with additional lyrics by Madonna, and produced by Madonna and Stephen Bray. "Papa Don't Preach" combines pop and classical styles, with lyrics about teenage pregnancy, and the choices that come with it. Elliot was inspired by the teen gossip he heard outside his recording studio.
"Material Girl" is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, in its original form on the 2009 greatest hits compilation, Celebration and Finally Enough Love: 50 Number Ones (2022). The song was written by Peter Brown and Robert Rans, while Nile Rodgers produced the track. Madonna explained that the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.
You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight". In the 1980s, remixing was still a new concept. The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing and vocal phrases were repeated and subjected to multiple echoes. The album cover denoted Madonna's continuous fascination with Hispanic culture.
"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.
"Holiday" is a song by American singer Madonna from her self-titled debut album (1983). It was written by Curtis Hudson and Lisa Stevens-Crowder for their own musical act Pure Energy, and produced by John "Jellybean" Benitez. Hudson came up with the lyrics of the song while watching negative news on television, and together with Stevens-Crowder worked on the music. They recorded a demo, which was turned down by their label Prism Records. Afterwards, Benitez pitched the track and offered it to several artists, including former The Supremes singer Mary Wilson, but it was rejected. Around the same time, Benitez was working with Madonna on her album; after realizing they needed a song for the project, Benitez thought of "Holiday" and approached Hudson and Stevens-Crowder.
"Crazy for You" is a song recorded by American singer Madonna for the film Vision Quest (1985). It was released on March 2, 1985 by Geffen Records as the lead single from the film's soundtrack album. Film producers Jon Peters and Peter Guber, along with music director Phil Ramone, decided to use Madonna after listening to her previous recordings, employing John Bettis and Jon Lind to write the song. After reading the script of the film, Bettis and Lind wrote the song about the situation in which the lead characters meet at a nightclub. Initial recording sessions did not impress Bettis and Lind, and they felt that "Crazy for You" would be dropped from the soundtrack. However, a new version was recorded to their liking.
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.
"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man to whom she was attracted. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and in her compilations You Can Dance (1987), The Immaculate Collection (1990), Celebration (2009), and Finally Enough Love: 50 Number Ones (2022).
"Live to Tell" is a song by American singer Madonna from her third studio album, True Blue (1986). The song was composed by Patrick Leonard as an instrumental for the score of Paramount's film Fire with Fire, but Paramount rejected it. Leonard then presented the track to Madonna, who decided to use it for At Close Range, a film starring her then-husband Sean Penn. Madonna wrote the lyrics, co-composed the melodies and co-produced it with Leonard. "Live to Tell" was released as True Blue's lead single in 1986, by Sire Records; afterwards, it was included on Madonna's compilation albums The Immaculate Collection (1990), Something to Remember (1995), and Celebration (2009). A pop ballad, the song includes instrumentation from guitars, keyboards, drums and a synthesizer, while the lyrics deal with deceit, mistrust and childhood scars; Madonna also recalled in an interview that she thought about her relationship with her parents while writing the lyrics.
"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom. A dance-pop and gospel-house track, the song is accompanied by the sound of thunder and rain, with the lyrics talking of romantic love rescuing the singer.
"Cherish" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was written and produced by Madonna and Patrick Leonard, and was released by Sire Records as the album's third single on August 1, 1989. "Cherish" was built around the themes of love and relationships, with William Shakespeare's Romeo and Juliet being one of the major inspirations. The track also included a line from "Cherish" by the 1960s band the Association. Musically constructed as a doo-wop-style pop song, it is regarded as a light-hearted track by critics and includes instruments such as a drum machine, percussions, keyboards and a saxophone. Lyrically, it speaks of Madonna's devotion to her lover, and her promise to be always by his side. "Cherish" was included on Madonna's greatest hits compilations The Immaculate Collection (1990) and Celebration (2009).
"Deeper and Deeper" is a song by American singer Madonna from her fifth studio album, Erotica (1992). It was written and produced by Madonna and Shep Pettibone, with additional writing from Anthony Shimkin. In Australia and most European countries, the song was released as the album's second single on November 17, 1992; in the United States, a release was issued on December 8. It was included on Madonna's second greatest hits compilation, GHV2 (2001). A dance-pop and deep house song, it has disco and Philadelphia soul influences; the bridge features instrumentation from flamenco guitars and castanets and features background vocals from the singer's collaborators Donna De Lory and Niki Haris. Lyrically, the song talks about sexual desire, though it has been argued that it is actually about a young man coming to terms with his homosexuality. It includes a reference to Madonna's single "Vogue" (1990).
"Rain" is a song by American singer Madonna from her fifth studio album, Erotica (1992), released by Maverick, Sire and Warner. Written and produced by Madonna and Shep Pettibone, in Australia and most European countries, the song was released as the album's fifth single on July 17, 1993; in the United States, a release was issued on August 5. A pop ballad that mixes elements of R&B, trip-hop, and new-age music, its lyrics liken water and rainfall to the power of love.
"You'll See" is a song by American singer Madonna from her ballads compilation, Something to Remember (1995). She wrote and produced the song with Canadian musician David Foster. "You'll See" was released on October 23, 1995, by Maverick Records as the lead single from the album. An acoustic pop ballad, "You'll See" features instrumentation from percussion, tremolo guitar and piano, while lyrically it speaks of independence after the end of a love affair.
"Oh Father" is a song recorded by American singer Madonna for her fourth studio album Like a Prayer (1989). It was released as the fourth single from the album on October 24, 1989, by Sire Records. The song was not released as a single in most European territories until December 24, 1995, when it appeared on the 1995 ballads compilation Something to Remember. Written and produced by Madonna and Patrick Leonard, "Oh Father" concerns the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Madonna's relationship with her father had soured after her mother's death in 1963 and his remarriage three years later. While developing the Like a Prayer album, Madonna was in an emotional state of mind due to her personal problems, which is reflected in "Oh Father".
"Hanky Panky" is a song by American singer Madonna from her soundtrack album I'm Breathless. It was released on June 12, 1990, by Sire Records as the album's second and final single. Written and produced by Madonna and Patrick Leonard, the song was developed from a line in the parent film, Dick Tracy, talking about a woman who enjoys being spanked by her partner. Performed in a playful, “tongue-in-cheek” style, "Hanky Panky" is a jazz and swing song, keeping with the film's general theme of the 1920s and 1930s, with a changing bassline and minor to major key-shift in the chorus. It caused some controversy in Ireland because of its innuendo and racy lyrics, with women's groups deeming them harmful; Madonna later clarified that the lyrics were intended as a joke.
"Like a Surgeon" is a song recorded by "Weird Al" Yankovic that appears as the opening track on his third studio album, Dare to Be Stupid (1985). It was released as the album's second single on June 4, 1985, by Scotti Brothers Records. It was issued as a 7", 12", and picture disc. A parody of the pop song "Like a Virgin" by Madonna, its lyrics describe a hospital environment, with the same melody as Madonna's original. The track was written by Yankovic, Tom Kelly and Billy Steinberg, the latter two are credited as co-writers due to the "Like a Virgin" sample. Madonna came up with the parody's title, an act Yankovic generally discourages. Rick Derringer served as the executive producer.
"Keep It Together" is a song by American singer Madonna from her fourth studio album, Like a Prayer (1989). It was released as the fifth and final single from the album in the United States, Canada and Japan on January 30, 1990, by Sire Records. Written and produced by Madonna and Stephen Bray, the main inspiration behind "Keep It Together" was Madonna's relationship with her family—whom she dearly missed during her divorce from Sean Penn. The song was dedicated to the American band Sly and the Family Stone. The lyrics deal with the realization of how important Madonna's family has been to her life. A pop, funk and deep funk song consisting of an upbeat rhythm and groove, "Keep It Together" features instrumentation from percussion, banjo and a conga.